Taylor and Miller Architecture and Design

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TM is a multi-hyphenate design studio operating at the intersection of architecture, interior, and lighting design, where the boundaries between disciplines dissolve to reveal new ways of seeing and making space.

For Onyx at The Preserve, TM Light approached illumination as a medium to activate negative space, rooted in the idea th...
08/31/2026

For Onyx at The Preserve, TM Light approached illumination as a medium to activate negative space, rooted in the idea that light occupies the voids between objects. Along the seams where architectural surfaces are pulled apart, illumination leaks through.

The building’s form emerges from a separation in the landscape, held in the tension between an elevated terrain plane and the ground below. An upward glow traces the exposed vertical concrete face, and at night the elevation becomes a luminous, horizontal sliver resting within the dark landscape.

Inside, wherever architectural planes bypass or overlap, light emanates softly from within the resulting fissures. The architectural surfaces become the primary conveyors of illumination, with no exposed fixtures. A study in warm minimalism: structural tension, depth, and raw materiality, revealed through hidden light.

Contractor: heartandsoulebuilders
Architecture: MARLON BLACKWELL ARCHITECTS
Photography: Niki Weegens for , Onyx at The Preserve

A landmarked Romanesque Revival townhouse in Park Slope, as reported by Brownstoner.The design of this Carroll Street re...
08/28/2026

A landmarked Romanesque Revival townhouse in Park Slope, as reported by Brownstoner.

The design of this Carroll Street residence treats the home’s original character as a foundation to build upon. Its heaviest elements, the carved fireplace, the coffered ceilings, the dense period woodwork, are left intact, while a contemporary layer of material and light is calibrated to sit alongside them without disturbing their weight.

Partners B. Alex Miller and Aoife O'Leary described the intention as a “wave of lightness,” a counterbalance introduced gradually, room by room, so the historic architecture and the new interventions read as one continuous idea instead of two competing eras.

Read more via the link in bio.

Photography: Alan Tansey

The TM studio is a place to work, but also to wonder, configure, trial, and play. Its lighting needed to reflect that sa...
08/26/2026

The TM studio is a place to work, but also to wonder, configure, trial, and play. Its lighting needed to reflect that same spirit: open, curious, always in motion. So TM approached the space as an experiment, treating light as a material to be shaped rather than a fixture to be installed. The result is an atmosphere built from color — soft, reflected, and quietly present, revealing a little more each time you look.

08/24/2026

At The Travel Agency, the overall lighting approach enhances each store’s spatial character by embedding itself within the architecture, emanating from reveals that are pulled from the surfaces and geometries of the space. At the rear of the store, a specialized immersive room showcases product launches and didactic content. Here, the lighting turns fully customizable, every hue and intensity tuned to the presentation at hand. Seen from a distance, the saturated glow becomes a dynamic final note, drawing the eye through the space and closing out the design on a high.

Architecture: Leong Leong

08/21/2026

For this historic townhouse renovation in Brooklyn, TM approached the design as a study of knowing when to intervene.

Original details, ornate millwork, and parquet floors with cherry inlay were preserved wherever possible to maintain the ‘brownstoneness’ of the building. Where the design called for something new, the intervention stayed close to the existing language: LED uplighting embedded in the wainscoting, custom wallpaper filling a coffered ceiling, a leaded-glass display cabinet relit from within. Contemporary and historic don’t compete here. Each addition works inside the rhythm the house already set.

08/19/2026

Amenity spaces in residential buildings each carry a different program, and TM designs the lighting to match: cooler and more direct in a lobby, warmer and lower in a lounge, brighter and more even in a fitness room. Rather than applying a single lighting scheme across every shared space, each area is calibrated to its own use and time of day.

Light is integrated into the architecture itself, at ceiling transitions, along walls, within millwork, rather than added on top of it. Across a building with hundreds of residents, this is what allows the amenity floors to read as cohesive with the rest of the architecture instead of separate from it.

Architecture: BKSK Architects LLP
Real Estate Developers: MAG Partners
Photography:

The lighting design for the A Street House is rooted in a direct dialogue with its defining feature: the ceiling. Foldin...
08/17/2026

The lighting design for the A Street House is rooted in a direct dialogue with its defining feature: the ceiling. Folding dynamically like crisp paper, it forms a sculptural plane visible from inside and out. To preserve its purity, TM detached the lighting from above, letting it hover—unencumbered by fixtures.

In response, bare bulbs are set flush into the walls via mud-in sockets. Their rhythm engages the architecture by MARLON BLACKWELL ARCHITECTS with playful intentionality and an effortless character, softly grazing the faceted planes from below while delivering warm ambient light. Channeling early Mid-Century Modernism—reminiscent of the Stahl House—the illumination sits quietly beneath the ceiling, letting the architecture take center stage.

Architecture: MARLON BLACKWELL ARCHITECTS
Photography: Tim Hursley

Before a single steel plane went up, the defining material of this retail space was already in the air. Commissioned by ...
08/14/2026

Before a single steel plane went up, the defining material of this retail space was already in the air. Commissioned by Joya, a Brooklyn fragrance house working out of its own active factory, TM designed a retail environment where scent shapes the room.

The space is defined by large steel and oak veneer surfaces, suspended from the factory ceiling, none touching one another or the ground, each one free to shift and turn independently. As the panels move, sightlines toward the factory floor open and close, so the room is never experienced the same way twice. Light travels with them, washing across steel and glancing off oak veneer as each surface turns.

Photography: studiodubuisson_

Commercial office design was forever changed with Lever House’s completion in 1952, its blue-green glass and stainless s...
08/12/2026

Commercial office design was forever changed with Lever House’s completion in 1952, its blue-green glass and stainless steel facade set against a city of masonry and brick. TM’s mandate was to integrate a contemporary series of technologies within that Modernist classic, seamlessly. At the plaza level, a custom downlight was developed to hold Bunshaft’s original grid that runs uninterrupted from exterior plaza to interior lobby. Maintaining that continuity meant the fixtures had to work both indoors and out, and adjust freely regardless of the furnishings or art beneath them.

Architect: Skidmore, Owings & Merrill
Interiors: Marmol Radziner
Photography: Timothy Schenck, Darian DiCianno, Lucas Blair Simpson

08/10/2026

At 250 West Street, the living room, kitchen, and dining area share one continuous floor, defined by curved wood surfaces instead of walls. Lighting takes on the job those walls would normally do.

Illumination embedded in cabinetry and ceiling planes marks each zone with its own quality of light, giving the kitchen, the dining table, and the living room a distinct presence within the same open field. Nothing about the architecture changes to signal a shift from cooking to gathering; the light does that work on its own.

The same logic extends through the day. Color temperature moves from cooler, daylight-matched tones in the morning toward warmer light by evening, letting the space settle into a different mood without a single fixture calling attention to itself.

Address

11 Broadway, Suite 1070
New York, NY
10004

Telephone

+16179668540

Website

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