Schoelkopf Gallery is a leader in the field of American art, focusing on the finest works of art created in this country between 1800 and 1950.
Thank you to everyone who has joined us throughout 2022. We are now closed for the holidays through January 3, 2022.
In the interim, we encourage you to visit our online viewing rooms and explore our exhibitions and presentations from 2022!
is one of the members of the Transcendental Painting Group (TPG), a configuration of artists in New Mexico who dedicated themselves to the production and promotion of abstract art focused on enlightenment and spiritual illumination.
Read more about TPG in Michael Duncan’s essay in Now Modern, or get in touch with us for more information.
Emil Bisttram, ‘Communion’, 1929
In the summer of 1914, Ernest Haskell suggested that John Marin try summering in Maine, ‘It was in Maine that the true Marin was revealed to me’ said Haskell.
From then on Maine became an important place to and the focus of several of his works. Picture here are to depictions of Maine, ‘Casco Bay’, painted that first year, and ‘Islands Looking out from Deer Island, Maine #1’ from 1919.
Let us know if you would like to a receive a copy of Now Modern as these are works featured alongside an article focused on John Marin from 1909 to 1919!
Installation Image of Schoelkopf Gallery
John Marin, ‘Islands Looking out from Deer Island, Maine #1’, 1919, detail
John Marin, ‘Casco Bay’, 1914, detail
This quintet, ‘Untitled’ from 1988 is a prime example of Günther Förg’s precision.
On view at the gallery as part of ‘Now Modern’, space acts as the central character: the space between color-or lack thereof; to the space between paintings side by side in sequence.
On view through the end of the week!
Günther Förg, ‘Untitled’ installation view, 1988
This work, ‘Untitled’ by Charles Green Shaw completed c. 1934 is composed of a group of two-dimensional, abstract shapes forming a figure that is evocative of a lovely little teapot.
This is one of the works featured in the Fall 2022 version of Now Modern, as well as in our exhibition on view through December 16th!
Charles Green Shaw, ‘Untitled’, c. 1934
Thank you to everyone who visited us at Miami Beach. We enjoyed meeting or reconnecting with you all, and look forward to the next fair!
Please reach out to us if you are interested in any works from the fair. ‘Now Modern’ is on view at Schoelkopf Gallery through December 16, 2022
Art Basel | Miami Beach public day 2 is underway!
Stop by our booth, C2, to see a varied selection of American Modernists.
Schoelkopf Gallery, Booth C2, ABMB 2022, installation image by Sylvia Ros
A highlight from our booth, booth C2 at Miami Beach 2022 is this wonderful Beauford Delaney Pastel.
Executed in 1960, reimagines a classic subject, a still life of grapes, and injected it with a nonfigurative sense of color and form.
This is one of the many gems on view this year at the Miami Beach Convention Center, and in our online viewing room at artbasel.com/OVR
Beauford Delaney, ‘Untitled’, 1960
With the sun setting on the second day of Miami Beach, we are delighted to continue to welcome visitors to our booth, booth C2 through the weekend!
See the fair hours below:
Thursday and Friday 11am-7pm
Saturday 11am- 6pm
Schoelkopf Gallery, Booth C2 ABMB 2022, installation image by Sylvia Ros
A selection of exceptional paintings and works on paper spanning the 20th century by leading American modernists is on view at Miami Beach, Booth C2.
Arthur B Carles, ‘Painting’, 1935-40
In 1913, Morton Schamberg exhibited five paintings at the seminal Armory Show. Untitled (Landscape Forms), is one of a series of landscape and figure studies that ensure as important statements in the developing language of American abstraction.
This work and other examples of transformative American modernism will be on view in our booth at , opening tomorrow. Visit us at Booth C2 through December 3.
Morton Schamberg, Untitled (Landscape Forms), c. 1913, detail.
Marsden Hartley’s ‘Autumn Cascade’ dates from c. 1910 and marks an important episode in Hartley’s artistic development. With its expressive brushstrokes and bold use of color, the work reveals Hartley’s radical new approach to modernism.
Find this work and more by Marsden Hartley in our presentation at Art Basel Miami Beach, Booth C2.
A highlight from our booth, C2 at next week is Georgia O’Keeffe’s ‘Hill, Stream, and Moon’, 1916-17.
In the town of Canyon, 20 miles west of Amarillo, made a series of watercolors, which reveal her invigorated state and affinity for the Texan landscape. The one seen here depicts an arced hill holden between a curving blue river, blotted trees, and a peach-hued sliver of the moon.
We look forward to seeing you in Miami!
Georgia O’Keefe, ‘Hill, Stream, and Moon’, 1916-17
A highlight from our booth, C2 at next week. Georgia O’Keeffe’s ‘Hill, Stream, and Moon’, 1916-17.
In the town of Canyon, 20 miles west of Amarillo, made a series of colorful watercolors, which reveal her invigorated state and affinity for the Texan landscape. The one seen here depicts an arced hill holden between a curving blue river, blotted trees, and a peach-hued sliver of the moon.
We look forward to seeing you in Miami!
Georgia O’Keefe, ‘Hill, Stream, and Moon’, 1916-17
We will be closed this afternoon, tomorrow, November 24th, and Friday, November 25th in observance of the Thanksgiving holiday.
We reopen on Monday, November 28th at 9:30am with ‘Now Modern Fall 2022’ on view through December 16th.
We are so delighted to participate in Miami Beach and announce our exhibition, ‘Now Modern’ at the gallery.
We look forward to seeing you in Miami from December 1-3, 2022 at booth C2 where we will be presenting works by leading American modernists.
‘Now Modern’ features highlights from our Fall / Winter 2022 edition of the magazine Now Modern which includes essays by leading scholars, and journalists. The highlights will be on view through December 16th!
Georgia O’Keeffe, ‘A Sunflower From Maggie’, 1937
Installation view of Günther Förg, ‘Untitled’, 1988
Happy birthday to Georgia O’Keeffe! She would have been turning 135 today.
The work seen here, ‘Dead Tree Bear Lake Taos’, belongs to the tradition of tree paintings completed by throughout her career. For O’Keeffe, trees represent strength, stability, and are tied to the essence of place.
Georgia O’Keeffe, ‘Dead Tree Bear Lake Taos’, 1929
This new acquisition, ‘Rocks, Point Lobos’, Henrietta Shore drew the year of her move to Carmel, California in 1930.
employed rich, evenly built-up colors, and utilized the closedcropped view of rock forms to exude a sense of stillness characteristic to much of her oeuvre.
The present work typifies Shore’s method of abstraction, which integrated her traditional European fine art training with a keen focus on elements of the
natural world, such as shells, flowers, rocks, and roots.
Get in touch if you want to learn more about this work by Shore, or stop by the gallery to see it!
Henrietta Shore, ‘Rocks, Point Lobos’, c. 1930
Louise Lawler, ‘Not Enough to See’ is now on view at our neighbors
These most recent prints by focus on images by Jasper Johns’ iconic painting ‘Three Flags’.
Lawler uses long exposures, swift camera movements and cropping to create these abstract images. Make sure to stop by between now and December 23rd, and say hello to us on your way!
Join us at the final day of The ADAA Art Show!
We will be at the Park Avenue Armory until 5pm today.
Come see us today and tomorrow!
Park Avenue Armory
Today until 7pm
Tomorrow 12-5pm
Schoelkopf Gallery
Now until 5pm
Join us at Booth B3 at The ADAA Art Show!
The fair runs from today through Sunday afternoon. If you would like more information about Felrath Hines or details about the Art Show please DM us!
Installation view, Roz Akin
The ADAA Art Show | Booth B3
The Park Avenue Armory
November 3-6
Visit us this week at The Park Avenue Armory. Schoelkopf Gallery, Booth B3, will presents a solo presentation of large scale oil paintings by artist Felrath Hines. We look forward to seeing you!
Felrath Hines, ‘Wave No. 2’, 1963
This week we are presenting Artist Felrath Hines at both Art Show and Schoelkopf Gallery.
The ADAA Art show opens this Thursday at the . Our booth (B3) features some of Hines’ large scale oils from the 1950s and 60s.
As a continuation of our booth, on view at 22 E80th street are a few more oils and some works on paper.
We can’t wait to see you!
‘Alex Katz: Gathering’ is now open at the in NYC.
Only a few blocks away from us here at Schoelkopf Gallery, the retrospective fills the rotunda with works spanning from the late 40s, to his immersive landscapes from the last few years.
We recommend adding at the to your list of must-see exhibitions!
We are delighted to be participating in the ADAA Upper East Side gallery walk among several of our neighboring galleries.
Join us on Saturday, November 5th from 3-5pm. We look forward to seeing you!
“The artist has a great responsibility not only to use himself honestly and know his medium profoundly, but to realize that he must communicate unique experiences so that they become unquestionably possible for the viewer, which are not dependent upon inappropriate rationales, but emerge in symbols clearly of his own time, and basic to aesthetics of future times.”
- Norman Lewis, c. 1950
ⓒ Willard Gallery Archives
Critic Ariella Budick says about , “Thompson fused the religious drive of the Italian fresco painters with the social aspirations of Mexican muralists into grand declarations of his own ambition.”
Read more from Ariella in our biannual magazine ‘Now Modern’ DM us to get a copy or learn more about this work by Thompson!
Bob Thompson, ‘Untitled’, c.1963, detail
“The most consistent thread in Lewis’s art from the 1930s through the 1970s is his concern with the artistic process and his search for distinctive and expressive ways to investigate the materials and techniques of his profession: the spiritual in the material.” -Ruth Fine, ‘Procession: The Art of Norman Lewis’
If you want to read more from Ruth Fine’s book, let us know and we are happy to share the full chapters with you. Works by are still on view in the gallery at 22e 80th street….we hope to see you soon!
‘Edward Hopper’s New York’ at the is a comprehensive survey of ’s relationship with New York City, from early sketches, prints, and illustrations to later paintings where he distills the urban experience.
The show is open to the public on October 19th, and remains on view until March 5, 2023.
390 Broadway, 3rd Floor
New York, NY
10013
| Monday | 9:30am - 5:30pm |
| Tuesday | 9:30am - 5:30pm |
| Wednesday | 9:30am - 5:30pm |
| Thursday | 9:30am - 5:30pm |
| Friday | 9:30am - 5:30pm |
Be the first to know and let us send you an email when Schoelkopf Gallery posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.
Send a message to Schoelkopf Gallery:
Richard Estes speaking on his effortless style and how he defines the word. The full video, ‘Reflections’ in which #RichardEstes discusses all things style, process, and inspiration is available to watch on our website. ‘Richard Estes: an Exhibition of Prints and Editions’ closes at the gallery this Friday! . A clip from ‘Reflections’
New York City has long been an inspiration for Richard Estes. A few months ago we had the pleasure of sitting down with #RichardEstes to discuss his process, the tools that he uses, New York City, and more. Here is a clip from 'Reflections' where Richard talks about sketching on the ferry and at automats. . Clip from 'Reflections'
Welcoming you back with our exhibition of Marin in the White Mountains. Opens September 7 at the gallery. . #MenconiSchoelkopf #AmericanArt #JohnMarin #Marin #Mountains #WhiteMountains #Fall #Watercolor #WatercolorPainting #ArtGallery #NYCart #Exhibition #GalleryExhibition #ArtTour
“It’s like my sketchbook basically, the camera.” –Richard Estes • Richard Estes: Voyages is on view now through July 30. The gallery is open Monday-Friday, 9:30am-5:30pm, and also by appointment. • Richard Estes: Reflections is available to watch on our website. 🎥 Link in bio. • #MenconiSchoelkopf #RichardEstes #AmericanArt #AmericanArtist #Photorealism #Photorealist #Travel #Voyages
We are delighted to share Richard Estes: Reflections, a short film produced on the occasion of our current exhibition. Check it out! 🎥 Link in bio. • Richard Estes: Voyages is on view now through July 30. The gallery is open Monday-Friday, 9:30am-5:30pm, and also by appointment. • #MenconiSchoelkopf #RichardEstes #AmericanArt #AmericanArtist #Photorealism #Photorealist #Travel #Voyages #Reflections #StatenIslandFerry #Sketching #Automats
“These are my Rigoletto paintings where you are looking outside and inside at the same time." –Richard Estes • Richard Estes: Reflections is available to watch on our website. Check it out! 🎥 Link in bio. • Richard Estes: Voyages is on view now through July 30. The gallery is open Monday-Friday, 9:30am-5:30pm, and also by appointment. • #MenconiSchoelkopf #RichardEstes #AmericanArt #AmericanArtist #Photorealism #Photorealist #Travel #Voyages #Reflections #Rigoletto
We are delighted to share Richard Estes: Reflections, a short film produced on the occasion of our current exhibition. Check it out! 🎥 Link in bio. • Richard Estes: Voyages is on view now through July 30. The gallery is open Monday-Friday, 9:30am-5:30pm, and also by appointment. • #MenconiSchoelkopf #RichardEstes #AmericanArt #AmericanArtist #Photorealism #Photorealist #Travel #Voyages #Reflections
Avi Luvaton galleries and studio
Madison Avenue, New City
Formerly Elisa Tucci Contemporary Art, Now El
Mosholu Avenue
Elizabeth A. Sackler Center for Feminist Art
Eastern Pkwy
