Kang Contemporary

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Kang Contemporary Kang Contemporary creates an open space for dialogue and collaborative projects.

We are committed to fostering inspirational and thought-provoking exchange among artists, curators, collectors, and the community at large

Annette Cords‘ solo Exhibition Open Play: Language, Form, Motion is on view now through 20. November.Please join us duri...
10/09/2026

Annette Cords‘ solo Exhibition Open Play: Language, Form, Motion is on view now through 20. November.

Please join us during the 2026.

Meet the Artist Sat 12.09 16-18

Wed - Sat 14-16
& by appointment

In her work, Katrin von Lehmann experiments with techniques of repetition and rhythm. Here, “experimenting” is to be und...
11/12/2025

In her work, Katrin von Lehmann experiments with techniques of repetition and rhythm. Here, “experimenting” is to be understood in the scientific sense, because in her unique practice, she develops experimental paradigms which she strictly adheres to in her creative process. In this way, the artist turns herself into a machine, an instrument of practice and discovery. Simultaneously, her artworks reveal human fallibility, which repeatedly emerges in the rhythm of their continuous repetition. In her series Oben wird unten, wird! (2025), the weaving of paper results in particularly fascinating artworks. From a distance, no manipulation of the paper is apparent, but upon closer inspection, the weaving of two photographs is clearly recognizable. The play with the visible and the invisible is a central point of tension, as is indicated by the series’ title: Above becomes Below. Woven under each overlapping row is a hidden strand that is not visible to the eye.��Oben wird unten, wird! 2 A
2025
Woven photography (framed)

60 x 80 cm

�Katrin von Lehmann�

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Annette Cords’ tapestries InBetween 3 (2020) and In Other Words (gold) (2022) blend arrows, numbers, and lettering into ...
06/12/2025

Annette Cords’ tapestries InBetween 3 (2020) and In Other Words (gold) (2022) blend arrows, numbers, and lettering into a collage of signs and symbols, bringing these layered communication tools, which often fill the background of everyday life, into the spotlight. She draws inspiration from her immediate urban environment, where numerous street signs, advertising spaces, flyers, and graffiti tags overlap and complement one another. Using computer technology, Cords translates this visual language first into digital collages and then into punch cards, which eventually undergo a final intermedial transformation into tapestries woven on historic Jacquard looms.��

In Other Words (Gold)
2022
Jacquard tapestry, wool, cotton, mohair, viscose, metallic & threads
178 x 174 cm�
Annette Cords

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“Both weaving and coding, in their early stages, require repeated “listening” to the material and embracing unexpected g...
27/11/2025

“Both weaving and coding, in their early stages, require repeated “listening” to the material and embracing unexpected glitches that disrupt the fabric’s uniformity. What is at stake when we see our world as a textile where fibres weave back and forth and around each other? The artists in this exhibition show us that history, memory, and human relationships – often imagined as linear progressions – can be embraced in all their complexities and intersections. “

��Installation view of Hara Shin, Katrin von Lehmann and Annette Cords’ artworks on display during “Encoded Realms”.

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With the exhibition Encoded Realms, Kang Contemporary highlights the historical connection between analog and digital wo...
21/11/2025

With the exhibition Encoded Realms, Kang Contemporary highlights the historical connection between analog and digital worlds. The artists featured in the exhibition are distinguished by their unique and innovative collaboration with their respective materials. From computer collages woven on Jacquard looms over photographs where the material is as much a subject as the image, to interweaving materials in digital space that make familiar societal fabrics unrecognisable. In this exhibition, the gallery space becomes an interplay of textures and materials. The fluorescent lights of the New Media artworks are absorbed into the deep interwoven folds of haptic techniques, emphasising the digital space – which often appears two-dimensional and infallible – as three-dimensional and alive.���

Contingent Sequence
2025
Latex, gauze, herbs
Variable dimensions�
Hara Shin
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Lava
2024
Spray paint, pastel and ink on MDF, behind acrylic glass (framed)
66,5 x 51,5 cm�
Bettina Scholz

��Oben wird unten, wird! 1 A
2025
Woven photography (framed)
60 x 40 cm�
Katrin von Lehmann��

InBetween 3 (detail)
2020
Hand-woven jacquard tapestry, wool, cotton
117 x 103 cm �
Annette Cords ��

The Tumble (Detail)
2023
1-Channel video, 11min, colour, sound�
Chan Sook Choi

�On view during Encoded Realms!

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Bettina Scholz constructs material explorations through multisheet glass compositions, where alchemical gestures – dripp...
15/11/2025

Bettina Scholz constructs material explorations through multisheet glass compositions, where alchemical gestures – dripping, spraying, layering, collaging – assemble dense pictorial ecosystems. Inspired by science fiction, Gothic painting, and musical abstraction, her works feel both cosmic and microscopic. At the heart of Scholz’s process is glass, chosen not merely as support but as carrier, filter, and framing device. Scale becomes ambiguous as the glass simultaneously resembles a petri dish in a lab or a window to a vast desert. Drawing inspiration from film soundtracks and speculative and futuristic narratives such as Blade Runner 2049, Scholz translates audible atmospheres into iridescent hues.

��Installation views of Bettina Scholz’s artworks, alongside Annette Cords’ “In Other Words (Gold)”.

�On view during Encoded Realms!
��

Chan Sook Choi treats digital space not as a neutral screen but as a material field, where social and historical tension...
06/11/2025

Chan Sook Choi treats digital space not as a neutral screen but as a material field, where social and historical tensions manifest through uncanny digital logics. In her video installation, The Tumble (2023), the title-giving rolling, wind‑borne organism serves as both subject and metaphor. As an accidental weaver, it reminds us that non-human actors also shape creative and generative ecosystems. Choi’s previous research led her to Arizona, where she encountered an archive of absence: Instead of the tumble weeds, she encountered biographies of Native American veterans who are complexly marginalised in the US. Choi uncovers personal and collective histories that have been exiled, intentionally or inadvertently, from systems, communities, and territories.

��“The Tumble” (stills)�2023
�1-channel video, 11min, colour, sound

�On view during Encoded Realms!

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Lindenstraße 90
Berlin
10969

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Dienstag 14:00 - 18:00
Mittwoch 14:00 - 18:00
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Freitag 14:00 - 18:00
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