Nonaka-Hill

Nonaka-Hill Nonaka-Hill is an international contemporary art gallery in Los Angeles, active in primary and secondary markets, by Rodney and Taka Nonaka-Hill.

Rando Aso: EarthscapeSeptember 12 - October 24, 2026Opening: Saturday, September 12, 3- 6 p.mVenue: Nonaka-Hill KyotoNon...
09/03/2026

Rando Aso: Earthscape
September 12 - October 24, 2026

Opening: Saturday, September 12, 3- 6 p.m
Venue: Nonaka-Hill Kyoto

Nonaka-Hill京都では、土と火の原初的な関係を起点に、野焼きや黒陶などの焼成方法を通して、空間と造形の関係を探る阿曽藍人（1983年）の新作展「Earthscape」を開催いたします。本展では、多面体の無指向性スピーカーを手がける日本のスピーカーブランドlistudeとの初の試みにより、阿曽が作品を通して考えてきた「空間」を音へと拡張し、作品と音が響き合う空間そのものをつくり出します。
 
2026年にはパラミタミュージアム（三重）で開催された「第20回パラミタ陶芸大賞展」、現在は台湾・新北市立鶯歌陶瓷博物館で開催中の「2026 Taiwan Ceramics Biennale」に参加するなど、国内外で精力的に発表を続けています。
 
Nonaka-Hill Kyoto is pleased to present “Earthscape”, an exhibition of new work by Rando Aso (b. 1983). Beginning with the elemental relationship between earth and fire, Aso explores the relationship between form and space through firing techniques including field firing and smudge firing. For this exhibition, Aso’s first collaboration with Japanese speaker brand listude uses their polyhedral omnidirectional speakers to extend his exploration of space through sound throughout the gallery.
 
In 2026, Aso participated in the 20th Paramita Ceramic Art Grand Prize Exhibition at the Paramita Museum in Mie, and is currently participating in the 2026 Taiwan Ceramics Biennale at the New Taipei City Yingge Ceramics Museum in Taiwan.

09/03/2026

Repost from Museum of Contemporary Art Chicago

Explore the first-ever monograph dedicated to Kenzi Shiokava’s work with Nolan Jimbo (Nolan Jimbo), curator of “Kenzi Shiokava” at the MCA. This beautiful hardcover spans decades of art and features new photography alongside archival glimpses into Shiokava’s practice and studio. The catalogue is available online, or you can swing by the MCA Store after your visit → go.mcachicago.org/shiokava-book

Kenzi Shiokava (b. 1938, Santa Cruz do Rio Pardo, Brazil; d. 2021, Los Angeles, CA) worked for 50 years with the artistec recovery and revitalization of discarded materials. In his hands, objects scavenged from secondhand stores and the street were granted second lives as totems and assemblages. Comparing his process to archeology, Shiokava carved and staged materials to unearth their “inner movement,” a sense of their past lives and spiritual presence.

GROUP EXHIBITION“HARD LINE WOMEN”September 16 – November 7, 2026Opening Reception: Wednesday, September 16th, 6-8 pmVenu...
09/03/2026

GROUP EXHIBITION

“HARD LINE WOMEN”

September 16 – November 7, 2026

Opening Reception: Wednesday, September 16th, 6-8 pm
Venue: Nonaka-Hill Los Angeles

Nonaka-Hill Los Angeles presents “Hard Line Women”, an exhibition of Japanese women artists working during the 1960s, 70s, 80s, and today. Producing works across painting, performance, sculpture, installation and photography, Sumie Aoki (1924 – 2025); Akiko Horio (1937-); Rei Kawakubo (1942 - ); Kazuko Miyamoto (1942 - ); Aiko Miyawaki (1929-2014); Rakuko Naito (1935 - ); Etsuko Nakatsuji (1937- ); Tomie Ohtake (1913-2015); Kay Sekimachi (1926 -); Atsuko Tanaka (1932-2005); Eiko Yamazawa (1899-1995); and Shizuko Yoshikawa (1934-2019) each have practiced singular versions of hard-edged abstraction.

“Hard Line Women” identifies a powerful language of expression, concurrent with pivotal periods in the global women’s movement. Either for their lifetime, or for a brief period, these artists chose to sculpt, paint and photograph hard edges—against masculine ideals and grandiosity — countering storm and stress with rationalism and geometry. That several of them worked as graphic designers (Yamazawa, Miyawaki, Nakatsuji, Yoshikawa) alongside or as supplements to their art careers, suggests, at least, an abiding interest in coolness and formal order, a striving towards a materialist and non-psychological reality that lives beyond the artist and artwork. They have left behind, and in some cases continue to leave, singular bodies of work defying formal and gender-based expectations. while also expanding beyond the limitations of hard edge abstraction. The breadth and depth of these women’s work reveals how they perform beyond it’s strict parameters and will serve to illuminate threads in 20th century modernism while continuing the project of exhibiting the pioneering contributions of female Japanese artists.

Image:
Atsuko Tanaka
2001-F, 2001

Punching Block《Punching Block》は、京都でデザインスタジオと古道具店を営む「ものや」と、長崎県の精密板金加工メーカーEETALとの協働から生まれたコレクションです。ものやが古道具を扱うなかで惹かれてきたのは、物の...
08/28/2026

Punching Block

《Punching Block》は、京都でデザインスタジオと古道具店を営む「ものや」と、長崎県の精密板金加工メーカーEETALとの協働から生まれたコレクションです。

ものやが古道具を扱うなかで惹かれてきたのは、物の価値や意味が固定されず、置かれる環境や見る人によって、新たな関係性を獲得していくあり方です。本作では、その感覚を工業素材と精密な加工技術によって具体化しています。

パンチングメタルを箱状に組み、その内部を一本のL字型パイプが貫く構造。外形はひとつの量塊として立ち上がりながら、内側は完全には閉ざされず、距離や角度、光によって断片的に現れます。見る人の動きに伴って生じるモアレの揺らぎは、物体そのものが動いているかのような視覚的感覚をつくり出します。

用途は限定されず、使い方は所有者に委ねられています。置かれ、見られ、使われるたびに、物と空間、人との関係が更新されていくコレクションです。

受注生産｜納期：約1.5か月
現在、Nonaka-Hill Kyotoにて展示中
お問い合わせはDMまで

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Punching Block

Punching Block is a collection created through a collaboration between monoya, a Kyoto-based design studio and antique shop, and EETAL, a precision sheet-metal manufacturer based in Nagasaki Prefecture.

Through its work with old objects, monoya has been drawn to the way an object’s value and meaning remain unfixed, changing according to where it is placed and who encounters it. This idea is translated here through industrial materials and precise fabrication.

Each piece consists of a box-like perforated-metal form penetrated by a single L-shaped pipe. While the exterior appears solid, its internal structure emerges in fragments depending on distance, angle, and light. As the viewer moves, shifting moiré patterns create the impression that the object itself is in motion.

No single function is prescribed; how each piece is used is left to its owner. Its relationship with space and the viewer is renewed each time it is placed, seen, or used.

Made to order | Lead time: approximately six weeks
Currently on view at Nonaka-Hill Kyoto
DM us for inquiries

Yuka ShiobaraBorn in 1985 in Ibaraki, Japan. Lives and works in Chiba.Yuka Shiobara explores vision, perception, memory,...
08/26/2026

Yuka Shiobara
Born in 1985 in Ibaraki, Japan. Lives and works in Chiba.

Yuka Shiobara explores vision, perception, memory, and consciousness—how we understand what we cannot always see. Her recent work also draws from physics, quantum mechanics, and astronomy.

In the works shown here, “Traumatic Memory: Drawing for Locking” (2025) and “Traumatic Memory: Drawing for Unlocking” (2025), Shiobara imagines memory as a fictional device. At its center is a cabinet that stores memories. The blue pattern covering its surface represents neurons.

In “Drawing for Locking,” the cabinet is closed, keeping traumatic memories inside. In “Drawing for Unlocking,” it opens and the drawers extend outward, allowing those memories to be accessed and retrieved.

“Drawing of a Neuron” (2025), also shown here, is an enlarged view of a single neuron—the same form that appears across the cabinet's surface. The perspective moves from an imagined device for storing memory to the cellular structure involved in memory itself.

Shiobara gives physical form to processes we cannot see: remembering and forgetting, locking something away and retrieving it again.

Works by Yuka Shiobara are currently on view at Nonaka-Hill Kyoto.
For inquiries, please DM us.

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塩原有佳
1985年、茨城県生まれ。現在、千葉県を拠点に制作しています。

塩原有佳は、視覚や認知、記憶、意識を手がかりに、私たちが目に見えないものをどのように認識しているのかを探っています。近年は物理学、量子力学、天文学などにも関心を広げています。

ここに掲載している《トラウマ記憶：施錠の為のドローイング》（2025）と《トラウマ記憶：解く錠の為のドローイング》（2025）では、記憶の仕組みが架空の装置として描かれています。中心にある棚は記憶が収められる場所で、表面を覆う青いパターンはニューロン（神経細胞）を表しています。

《施錠》ではトラウマの記憶が棚の内部に閉じ込められ、《解く錠》では鍵が開き、引き出しからその記憶を再び取り出すことができます。

ここに掲載している《ニューロンのドローイング》（2025）は、棚の表面に描かれているニューロンそのものを大きく拡大した作品です。記憶を収める架空の装置から、その記憶に関わる脳内の細胞へと視点が移ります。

広瀬陽（1990年、東京生まれ）は、七宝焼の技法を用いながら、その伝統的な装飾性とは異なる表現を探求しています。七宝焼では通常、複数の色の釉薬を使って絵や文様を描きます。広瀬の《銅白釉七宝》は色彩を白釉に絞り、銅、釉薬、火の反応そのものを表...
08/25/2026

広瀬陽（1990年、東京生まれ）は、七宝焼の技法を用いながら、その伝統的な装飾性とは異なる表現を探求しています。

七宝焼では通常、複数の色の釉薬を使って絵や文様を描きます。広瀬の《銅白釉七宝》は色彩を白釉に絞り、銅、釉薬、火の反応そのものを表面に留めています。

作品には、銅板を繰り返し叩いて形づくるものと、3Dデータをもとに設計するものがあります。いずれも形はシャープで、輪郭は明確です。その一方で、銅の赤褐色が縁を走り、その周囲の白釉には青が滲む。研ぎ澄まされた形の際で色彩の境界が揺らぎ、硬質な銅の器に、光を含んだような幽玄な奥行きを与えています。

器として使うことのできる作品ですが、その佇まいは日用品とは異なります。広瀬は七宝の装飾を削ぎ落とし、素材と焼成が生む現象によって、器を一つのオブジェへと変えています。

現在、Nonaka-Hill Kyotoにて展示中です。作品についてのお問い合わせはDMにてご連絡ください。

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You Hirose (b. 1990, Tokyo) works with cloisonné enamel while pursuing an approach distinct from the medium’s traditional ornamentation.

Cloisonné traditionally uses several colors of enamel to create images and patterns. In his “Copper and White-Glaze Cloisonné”works, Hirose limits the palette to white, allowing the interaction of copper, enamel, and fire to remain visible across the surface.

Some works are shaped by repeatedly hammering sheets of copper, while others are designed using 3D data. In each, the form is sharp and clearly defined. Reddish-brown copper traces the edges, while blue seeps into the surrounding white enamel. At the precise limits of the form, the boundaries of color begin to shift, giving the hard copper vessel a luminous and mysterious depth.

The works can be used as vessels, yet their presence sets them apart from ordinary functional objects. By stripping cloisonné of ornament, Hirose transforms the vessel through the material effects produced in firing.

Now on view at Nonaka-Hill Kyoto. Please DM us for inquiries.

「sibo」は、京都を拠点とするデザインスタジオ〈monoya〉が、倉庫兼制作拠点を構える京都市北山・小野郷地域の特産材「人工絞り丸太」を用いて制作したダイニングチェアシリーズです。人工絞り丸太は、まっすぐに育った北山杉の幹に「ハシ」と呼ば...
08/22/2026

「sibo」は、京都を拠点とするデザインスタジオ〈monoya〉が、倉庫兼制作拠点を構える京都市北山・小野郷地域の特産材「人工絞り丸太」を用いて制作したダイニングチェアシリーズです。

人工絞り丸太は、まっすぐに育った北山杉の幹に「ハシ」と呼ばれる棒材を数百本巻き付け、時間をかけて表面に独特の凹凸を生み出す伝統的な杉材です。かつて数寄屋建築や和室の床柱などに用いられてきましたが、生活様式の変化とともに需要は減少し、その技術と生産も失われつつあります。

「sibo」では、一本の絞り丸太を1/2、1/4円弧の断面に製材し、椅子の構造そのものへと組み込んでいます。塗装後に表面を研磨し、凹部にだけ色を残すことで、長い時間と手仕事によって刻まれた絞りの陰影を際立たせています。

現在、Nonaka-Hill Kyotoでは「sibo」の受注を承っています。納期は約3ヶ月です。詳細はDMにてお問い合わせください。

ー

“sibo” is a series of dining chairs by Kyoto-based design studio monoya, made from jinzo shibori maruta (artificially textured logs), a traditional material produced in the Kitayama and Onogo area of Kyoto, where the studio has its workshop and storage space.

The material is made from straight-grown Kitayama cedar. Hundreds of rods called hashi are wrapped around the trunk, gradually creating its distinctive textured surface. Historically used in sukiya architecture and as decorative pillars in traditional Japanese interiors, its production has declined as lifestyles and architectural practices have changed.

For “sibo,” each log is cut into half- and quarter-round sections and incorporated directly into the structure of the chair. After painting, the surface is sanded so that color remains only in the recessed areas, revealing the distinctive pattern shaped by time and handwork.

“sibo” is currently available to order through Nonaka-Hill Kyoto, with an approximate lead time of three months. Please DM us for inquiries.

鹿児島に暮らし、制作を続ける督田昌巳は、木と漆を用いながら、素材がもつ性質と自らの感覚が交わる地点から作品を立ち上げます。製図をせず、寸法の記録も残さない制作は、あらかじめ定めた形を再現するためではなく、目の前の素材から形を見出すためのもの...
08/21/2026

鹿児島に暮らし、制作を続ける督田昌巳は、木と漆を用いながら、素材がもつ性質と自らの感覚が交わる地点から作品を立ち上げます。製図をせず、寸法の記録も残さない制作は、あらかじめ定めた形を再現するためではなく、目の前の素材から形を見出すためのものです。

若い頃に音楽活動に取り組んだ督田にとって、音やリズムは制作を形づくる重要な要素です。木の節や歪み、朽ちた部分を欠点として取り除くのではなく、そこに生じる抑揚や間を読み取り、音を構成するように全体の均衡を整えていく。その過程で、一つひとつの素材に固有の形が現れます。

漆によって変容した表面は、ときに金属や陶のように見え、木であることを容易には明かしません。しかし手に取れば、目が予測した硬さや重さに反して、木の軽さと温度が伝わってきます。見ることと触れることのあいだに生まれるこの落差によって、既知の素材は未知のものとして、あらためて私たちの前に現れるのです。

現在、Nonaka-Hill 京都にて展示中です。
作品についてのお問い合わせはDMまで。

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Based in Kagoshima, Masami Tokuda works with wood and lacquer, allowing each form to develop through the act of making. He uses no preparatory drawings or recorded measurements, responding directly to the material rather than following a fixed design.

Music has long been part of Tokuda’s life, and sound and rhythm remain central to his work. Knots, distortions, and decayed areas establish each piece’s pace, pauses, and balance.

The lacquered surface can resemble metal or ceramic. Yet when held, its apparent hardness and weight give way to the lightness and warmth of wood. This contrast between what the eye expects and what the hand feels is essential to the experience of Tokuda’s work.

Currently on view at Nonaka-Hill Kyoto.
For inquiries, please send us a DM.

#督田昌巳

We are pleased to announce that Rando Aso and Satoru Hoshino are participating in the 2026 Taiwan Ceramics Biennale.Laun...
08/13/2026

We are pleased to announce that Rando Aso and Satoru Hoshino are participating in the 2026 Taiwan Ceramics Biennale.

Launched in 2004, the Biennale is one of Taiwan’s leading international exhibitions dedicated to ceramic art. Under the theme “When Humans Meet the Earth,” this year’s edition examines the relationships among humanity, nature, and civilization through four thematic lenses: Earth, Cycle, Spiritual Realm, and the Artificial.

The Biennale is curated by Tomohiro Daicho, Chief Curator at The National Museum of Modern Art, Kyoto. Specializing in modern and contemporary craft, with a particular focus on ceramics, Daicho has organized numerous exhibitions, including “The Sodeisha Group: An Era Born Out of Avant-Garde Ceramics.”

2026 Taiwan Ceramics Biennale
July 31–December 27, 2026
New Taipei City Yingge Ceramics Museum, 3F Special Exhibition Rooms
Curated by Tomohiro Daicho

Nonaka-Hill Kyoto佐伯慎亮（Shinryo Saeki）(1979年 広島県生まれ)佐伯慎亮は、被写体を限定することなく、日常のあらゆる瞬間から「生と死、そして笑い」を収集する写真家です。寺院を営む家庭に生まれ育った佐伯は、...
08/05/2026

Nonaka-Hill Kyoto

佐伯慎亮（Shinryo Saeki）

(1979年 広島県生まれ)

佐伯慎亮は、被写体を限定することなく、日常のあらゆる瞬間から「生と死、そして笑い」を収集する写真家です。

寺院を営む家庭に生まれ育った佐伯は、人間の営みや生命の移ろいを身近に感じながら育ちました。街角や旅先で偶然出会う人々や動物、風景や出来事を通して、世界の可笑しさや不思議さを映し出します。

佐伯の写真は、鑑賞者それぞれの記憶や想像力と響き合い、一人ひとりの中に異なる物語を立ち上げます。見慣れた世界に新たな視点をもたらし、思わず笑みがこぼれる一枚もまた、生と死と同じように、私たちの日常をかたちづくる大切な風景のひとつです。

現在、Nonaka-Hill Kyotoにて佐伯慎亮の作品をご紹介しています。

展示作品リストをご希望の方は、DMにてお気軽にお問い合わせください。

⸻

Shinryo Saeki

(b. 1979, Hiroshima, Japan)

Shinryo Saeki is a photographer who collects “life, death, and humor” from everyday moments without limiting his subjects.

Born into a family that runs a Buddhist temple, Saeki grew up with a close awareness of human existence and the impermanence of life. Through chance encounters with people, animals, landscapes, and everyday events, he reveals the humor and mystery woven into the world around us.

Saeki’s photographs resonate with each viewer’s memories and imagination, allowing different narratives to emerge. They offer a fresh perspective on the familiar world, reminding us that an image capable of making us smile is, like life and death, an essential part of the landscape that shapes our everyday lives.

Works by Shinryo Saeki are currently on view at Nonaka-Hill Kyoto.

For the available works list, please feel free to send us a DM.

#佐伯慎亮 -hill

©︎Shinryo Saeki

Address

720 North Highland Avenue
Los Angeles, CA
90038

Opening Hours

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Wednesday 12pm - 8pm
Thursday 12pm - 8pm
Friday 12pm - 8pm
Saturday 12pm - 8pm

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