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Regen Projects Welcome to the OFFICIAL Regen Projects page. Regen Projects is a contemporary art gallery located in Los Angeles, CA.

Gillian Wearing’s “Me as Artemisia Gentileschi” (2023) is currently on view at the Holburne Museum in Bath. The photogra...
10/17/2026

Gillian Wearing’s “Me as Artemisia Gentileschi” (2023) is currently on view at the Holburne Museum in Bath.

The photograph comes from Wearing’s ongoing “Spiritual Family” series, in which she adopts the guise of artists she admires. Here, she transforms herself into the Italian Baroque painter Artemisia Gentileschi, portrayed as if looking in the mirror in order to paint her own portrait. The work continues Wearing’s interest in identity and self-presentation, using the mask as a metaphor for the roles and performances that shape everyday life.

Learn more at the link in bio.



Image: Gillian Wearing. “Me as Artemisia Gentileschi,” 2023. Framed c-type print. Framed Dimensions: 63 3/4 x 48 1/2 x 1 1/2 inches (162 x 123.2 x 3.8 cm).

Sable Elyse Smith’s solo exhibition “Clockwork” is on view at The FLAG Art Foundation through February 13, 2027.Followin...
10/16/2026

Sable Elyse Smith’s solo exhibition “Clockwork” is on view at The FLAG Art Foundation through February 13, 2027.

Following its presentation at The Contemporary Austin, “Clockwork” is reframed at The FLAG to expand the exhibition’s more cinematic elements into an immersive stage set environment, where video becomes an immediate means of visualizing unseen, ordinary violence. Including sculpture, video, neon, and photography, “Clockwork” interrogates the fundamental systems of power that define contemporary society, as well as their cultural and psychological impacts. Through formal strategies such as seriality and repetition, disorientation, and appropriation, Smith illustrates how systems of power not only overlap, but how they intertwine and mutually reinforce one another.

On the occasion of the exhibition, the artist will be in conversation with Johanna Fateman, Chief Art Critic at , at The FLAG Art Foundation on Thursday, October 22, 2026, 6–8 pm. RSVP at the link in bio.



Images: Installation views of “Sable Elyse Smith: Clockwork” at The FLAG Art Foundation, 2026. 📷 : Steven Probert Studio

A focused presentation of works by Silke Otto-Knapp (1970–2022) is on view at Regen Projects through October 24, 2026.Ce...
10/15/2026

A focused presentation of works by Silke Otto-Knapp (1970–2022) is on view at Regen Projects through October 24, 2026.

Certain paintings in the exhibition are preparatory studies for larger works and provide insight into Otto-Knapp’s process. Among the diverse array of her chosen subject matter, the artist frequently depicted the romantic seascape of Fogo Island. All of the paintings—whether drafts or completed works, images of dancers or the natural world—contain the singular, transcendent traces of the artist’s hand.

Learn more at the link in bio.



Image: Silke Otto-Knapp. “Tilting,” 2016. Watercolor on canvas. 31 1/2 x 23 5/8 x 1 inches (80 x 60 x 2.5 cm).

Artworks by Wolfgang Tillmans and Gillian Wearing are on view at Hastings Contemporary in “Edge: Where the Land Meets th...
10/15/2026

Artworks by Wolfgang Tillmans and Gillian Wearing are on view at Hastings Contemporary in “Edge: Where the Land Meets the Sea” through January 3, 2027.

The exhibition explores the entwined ecosystems of land and sea, and the vital role both play in sustaining life on our planet. The edge is a place where terrestrial and marine systems meet: where rivers transport the materials and histories of the land into the sea, and where complex networks of fungi, microbes, water, carbon and nutrients sustain interconnected forms of life.

Through works that move between microscopic ecosystems and expansive coastal landscapes, “Edge” reveals the interdependence of forests and kelp, soils and oceans, human cultures and the more-than-human world.

Learn more at the link in bio.




Images: Installation views of “Edge: Where the Land Meets the Sea,” 2026. 📷 : Rob Harris

Matthew Barney and Jonathan Bepler’s “River of Fundament” will be screened at the Masonic Hall of New York on Saturday, ...
10/14/2026

Matthew Barney and Jonathan Bepler’s “River of Fundament” will be screened at the Masonic Hall of New York on Saturday, November 14, 2026, 2–10 pm.

Presented by New People’s Cinema Club and Unsound New York, the eight-hour cinematic experience marks only the second presentation of the film, following its world premiere at BAM in 2014. Unfolding over three acts, “River of Fundament” will be screened over the course of the evening, with intermissions between each act allowing audiences to move throughout the adjoining spaces of the Masonic Hall. Food and libations will be offered throughout, extending the experience beyond the screening itself into a ceremonious gathering in this historic setting.

Following the screening on November 14th, the program continues on November 15, 2026 beginning at 2 pm at Public Records with a conversation between Matthew Barney and Jonathan Bepler, moderated by Andy Battaglia. The discussion is presented as part of Unsound New York’s discourse series, in collaboration with Durations Festival. This event is free for “River of Fundament” ticket holders on a first-come, first-served basis.



Image: Matthew Barney and Jonathan Bepler, River of Fundament, 2014. Production Still. © Matthew Barney, courtesy of the artist, Regen Projects, Los Angeles, and Gladstone Gallery, New York. Photo: Hugo Glendinning.

A conversation with Kader Attia, Jitish Kallat, and Shanay Jhaveri about the artistic practices and curatorial thinking ...
10/14/2026

A conversation with Kader Attia, Jitish Kallat, and Shanay Jhaveri about the artistic practices and curatorial thinking informing the forthcoming Kochi-Muziris Biennale will take place at the Barbican Centre on Thursday, October 14, 2026 at 4:30 pm.

Organized by the Kochi Biennale Foundation, the Kochi-Muziris Biennale is India’s foremost contemporary art biennial. The Seventh Edition, opening on December 12, 2027, will be curated by Kader Attia.

Learn more at the link in bio.



Image: Kader Attia. “Mirror Mask,” 2025. Wood, pigments, glue, mirror. Mask: 14 3/4 x 11 x 3 inches (37.5 x 27.9 x 7.6 cm). Overall Dimensions: 75 1/2 x 11 x 9 3/4 inches (191.8 x 27.9 x 24.8 cm).

Anish Kapoor’s solo exhibition at the Southbank Centre’s .Gallery is on view through October 18, 2026. The exhibition fi...
10/13/2026

Anish Kapoor’s solo exhibition at the Southbank Centre’s .Gallery is on view through October 18, 2026.

The exhibition fills the entire gallery building with a series of immersive works, many of which press against the gallery walls and floors or descend from the ceiling to create an uncanny sensation of awe and wonder. The presentation includes a wide variety of new and classic works from Kapoor’s oeuvre, from visceral paintings to seemingly depthless voids to monumental sculptures in the artist’s signature red.

Learn more at the link in bio.


kapoor


Images: Installation views of “Anish Kapoor” at the Hayward Gallery, 2026. © Anish Kapoor. All rights reserved, DACS, 2026.
📷 : Dave Morgan.

Artworks by Liz Larner and Rebecca Morris are on view at MOCA, Los Angeles through January 3, 2027 in “In These Times: R...
10/12/2026

Artworks by Liz Larner and Rebecca Morris are on view at MOCA, Los Angeles through January 3, 2027 in “In These Times: Recent Acquisitions at MOCA.”

Organized by Bennett Simpson, Senior Curator, with Ariana Rizo, Curatorial Assistant, the exhibition surveys artworks added to the museum’s collection over the past five years, highlighting major purchases and gifts within MOCA’s broader holdings.

With her sculptures “2 as 3 and Some, Too” (1997–8) and “Untitled (wall)” (2000–1), Larner explores the concept of an object that can take up space without being solid, examining what constitutes density and mass. These works feature structures made of steel, but seemingly morph, shiver, and shift as the viewer moves around them.

Rebecca Morris’s “Untitled ( #20-25)” measures just over 13 feet high and began as a tarp on her studio floor. Morris paints from above and on the floor, working on multiple paintings simultaneously while using a substrate of tarp to clean brushes, test opacity and hue, and see colors in combination. This underlying tarp was ultimately stretched to a desired dimension and became a discrete painting, presenting a catalogue of Morris’s process, paintings, and labor.

Learn more about “In These Times” at the link in bio.



Images: Installation views of “In These Times: Recent Acquisitions at MOCA,” September 20, 2026–January 3, 2027 at MOCA Grand Avenue. Courtesy of The Museum of Contemporary Art (MOCA). 📷 : Jeff McLane.

For Georgia Gardner Gray’s High Line Performance commission, the artist presented her play “Cookie” in the parking lot o...
10/11/2026

For Georgia Gardner Gray’s High Line Performance commission, the artist presented her play “Cookie” in the parking lot of the Meatpack District’s former final meat purveyor.

The play follows the traditional picaresque format, a literary style developed during the height of Spain’s Golden Age in which a clever but poor hero, a pícaro, uses their wits and tricks to survive in a corrupt and crumbling society. The performance critiques societal decay, and highlights anti-heroes who maneuver through the cracks of a glittering superpower purely to secure their next meal.

Drawing inspiration from 16th-century picaresque novellas like Lazarillo de Tormes and Francisco de Quevedo’s “The Swindler,” “Cookie” is a story of desperation disguised as elite ambition. At its center is Gunnar Churchwell, a sleazy yet charismatic suit salesman who arrives in Madrid, only to be recruited by the egomaniacal ringleader of a grifting crew of makeshift “tailors.” Their baseline rule for survival is simple: “never let them know you are hungry.”

Learn more at the link in bio.



Image: Performance view of Georgia Gardner Gray “Cookie,” 2026. Courtesy of the High Line.
📷 : Walter Wlodarczyk

Alex Hubbard and Richard Hawkins will be in conversation at ArtCenter College of Design on Tuesday, October 13, 2026 at ...
10/10/2026

Alex Hubbard and Richard Hawkins will be in conversation at ArtCenter College of Design on Tuesday, October 13, 2026 at 7 pm.⁠
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ArtCenter’s Graduate Seminar lecture series is a forum for graduate students, members of the ArtCenter community, and the general public to enter into dialogue with internationally recognized artists, critics, and art historians. The Fall 2026 talks celebrate the lecture series’ 40th anniversary with a special edition program organized by Jan Tumlir and Jack Bankowsky.⁠
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This conversation is free and open to the public. Learn more at the link in bio.⁠
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Image: Film still from “The Border, The Ship,” 2011.

Address

6750 Santa Monica Boulevard
Los Angeles, CA
90038

Opening Hours

Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 10am - 6pm

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+13102765424

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