Site:Brooklyn

Site:Brooklyn Site:Brooklyn Gallery is dedicated to exhibiting the current practice of contemporary artists.

Site:Brooklyn is dedicated to exhibiting a wide range of emerging and mid-career artists. The gallery invites artists, curators and writers to engage in lively exhibitions, criticism and the exchange of ideas through art, reflecting our times and shaping our culture. OnSite:Brooklyn is a street level gallery located in the heart of the Gowanus arts district .

See Allison Stewart’s work in our online exhibition “Art and Politics” Juried by Guusje Sanders Link in bio!Artist’s Sta...
06/23/2026

See Allison Stewart’s work in our online exhibition “Art and Politics”

Juried by Guusje Sanders

Link in bio!

Artist’s Statement:
“The monuments and memorials we build are a reflection of who we are as a society. They are sites of historical memory. They tell us who the heroes are and who holds power in our communities. As our historical memories change over time so do the landscape of monuments and memorials. The recent removal of monuments has become part of the greater discussion about racism and representation in America.

The majority of these removed monuments were commissioned by private historical societies and wealthy philanthropists before public committee meetings became standard procedure for approving monuments in public spaces, including parks, universities, and on courthouse grounds. In 1878 The United Daughters of the Confederacy began commissioning confederate monuments across the United States as part of the creation of the Lost Cause narrative, with the most monuments and memorials erected during the Jim Crow and Civil Rights Eras. They continue this program today. In 2017 The UDC dedicated a new plaque for the Jefferson Davis Memorial Highway at the Horton Plaza Park in downtown San Diego, California.

The process of removal for monuments on public land can be difficult. Governors and mayors do not have the sole authority to remove public monuments… Conversations continue over the fate of these monuments, whether they should be removed or moved, destroyed or contextualized, and what, if anything, should take its place. As the dialogue on removal and deaccession continues the empty spaces become opportunities for communities to discuss, heal, and to re-envision public space.”

New Open Call 📣📣📣 link in bio!Site:Brooklyn is now accepting submission for our online group show, “Series: One Thing Af...
06/22/2026

New Open Call 📣📣📣 link in bio!

Site:Brooklyn is now accepting submission for our online group show, “Series: One Thing After Another ”

This is an online exhibition juried by Matt Stromberg

About the Call:
Artists’ use of series encompasses an extraordinary range of approaches. One might find repetition, subtle shifts in sequence, or the deployment of quantity and variety that almost overwhelms the senses. Seriality is present in masterpieces like Giotto’s Arena Chapel, whose sequences tell stories from the lives of Mary and Christ in chronological panels, and the Bayeux Tapestry, which depicted the Norman conquest as a continuous narrative embroidery. With Impressionism, one can see it in Claude Monet’s systematic studies of haystacks and cathedrals under changing light. Photography and video further revolutionized the creation and dissemination of serial production. However, it was only during the postwar embrace of industrial culture that artists began exploring repetition as both subject and method. Widespread consumption, and the production that facilitated it, meant that the factory—its methods, culture, and creations—transformed daily life. Artists adopted mechanical reproduction and standardized forms to reflect—and critique—this new reality. Site:Brooklyn invites submissions across all mediums that explore contemporary seriality.

Dates:
Final Submission Deadline: July 27, 2026 11:59 PM PT
Online Exhibition:  August 21, 2026 -September 21, 2026

Work from a previous artists:
Elizabeth (Lybi) Cucurullo
“Dune 5/9, Dune 3/9, Dune 6/9”
Cyanotype
10” x 8”

See Stevie Rosenfeld’s work in our online exhibition “Art and Politics” Juried by Guusje Sanders Link in bio!Artist’s St...
06/21/2026

See Stevie Rosenfeld’s work in our online exhibition “Art and Politics”

Juried by Guusje Sanders

Link in bio!

Artist’s Statement:
“My practice moves across video, still photography, sound, and language, often working with what I describe as chronoscapes: constructed environments where time is not presented as narrative progression but as a perceptual condition. These works are less concerned with resolution than with the shifting thresholds between what is seen and what is withheld.

Across mediums, I am interested in how meaning accrues through attention rather than explanation. Landscapes, figures, and spoken language function as crossroads where presence and absence coexist—where what is partially visible, or only briefly perceptible, carries equal weight with what is revealed.

Sound and image are treated as parallel but non-hierarchical systems: neither necessarily illustrates the other. Instead, they unfold in relation to one another, producing points of perception that resist fixed interpretation. In this way, the viewer is not positioned as an outside observer of the work, but as an active
participant in an unfolding field of attention.

I/You extends these concepts into an interior register. It examines how perception itself can shift over time—how internal states can move wildly while remaining
externally unchanged. The work maintains a neutral surface while language beneath it escalates, exposing the tension between appearance and internal
framing.

Within this broader practice, I am interested in what remains unresolved: how images, sounds, and words continue to generate meaning through what might not be fully disclosed.”

See Nikyra Capson’s work in our online exhibition “Art and Politics” Juried by Guusje Sanders Link in bio!Artist’s State...
06/20/2026

See Nikyra Capson’s work in our online exhibition “Art and Politics”

Juried by Guusje Sanders

Link in bio!

Artist’s Statement:
“Social media has become an integral component of everyday life. The younger generations have grown up in a world where aspects of various social media platforms have always existed. My work examines the effects social media has on mental health and the hostile environments individuals are exposed to online. I show this dynamic by ‘calling out’ those who leave negative comments on social media posts, parents exploiting their children for views, and those who promote harmful ideologies to the youth, such as sexism, racism, and anti-LGBT+ sentiments. I collected these responses from platforms such as Instagram, YouTube, and TikTok, as well as from news outlets. My work gives them a physical form that is harder to overlook.

My work also serves as documentation and record-keeping of current internet culture and the political climate in the physical world. The In Need of a Rewrite series, including White Out, focuses on rewriting history to make it more palatable to “fragile snowflakes” who support the policies promoted by the Trump administration. The series depicts history textbooks used in grade school having sections removed that focus on historical moments highlighting minority groups, POC, and women. My primary objective is to promote caution when online and encourage people not to ignore what is happening on the internet or in the media.”

See Amy Redmond’s work in our online exhibition “Art and Politics” Juried by Guusje Sanders Link in bio!Artist’s Stateme...
06/18/2026

See Amy Redmond’s work in our online exhibition “Art and Politics”

Juried by Guusje Sanders

Link in bio!

Artist’s Statement:
“This series of 3 prints are a living archive of language under pressure. Each is handwoven from cotton paper that’s been letterpress printed, from metal type, with 197 phrases that have been “disappeared” by the U.S. government from public sites and federal records*. Having been woven into a new form, this work explores the tension between systemic erasure, the enduring weight of the human voice, and the transformational act of collective resistance.”

See Heather Besemer-Schulz’s work in our online exhibition “Art and Politics” Juried by Guusje Sanders Link in bio!Work ...
06/17/2026

See Heather Besemer-Schulz’s work in our online exhibition “Art and Politics”

Juried by Guusje Sanders

Link in bio!

Work Description:
“Harm to Ongoing Matter”
Newsprint, plastic bags, ink
11” x 15” packaged, 14.75” x 20.5” page size
Limited edition series of 100

“‘Harm to Ongoing Matter’ transforms the Mueller Report, a symbol of political upheaval, into a conceptual and minimalist art book that examines the fragility of truth in a post-truth era. By selecting twelve pages for their redacted graphics, we remove all text, isolating the black boxes as intentional visual forms. Without their original context, these shapes become reflections on censorship, secrecy, and the selective construction of truth.

The work studies how form, structure, and meaning intersect. The black boxes act as compositions of balance, rhythm, and negative space, exploring the visual weight of absence. These voids are as intentional as the spaces that define any structure. Redaction becomes not erasure, but a generative act that holds its own presence and meaning. What is withheld shapes what remains.

In a time when truth is contested and information weaponized, Harm to Ongoing Matter stands as both critique and resistance. Absence is never neutral; it is an active, volatile space where power resides and demands attention. Through this work, we transform erasure into presence, reclaiming the language of concealment and asking viewers to confront the truths hidden in plain sight.”

06/14/2026

Our online group show, “Art and Politics” is now live!

Juried by Guusje Sanders

Check it out at the link in our bio!
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Works in process from the artists in our current online exhibition “Landscape Natural and Urban” Juried by Tatum Dooley ...
06/08/2026

Works in process from the artists in our current online exhibition “Landscape Natural and Urban”

Juried by Tatum Dooley

Link in bio!

Take a look inside some of the studios of the exhibiting artists from our online exhibition “Landscape Natural and Urban...
06/07/2026

Take a look inside some of the studios of the exhibiting artists from our online exhibition “Landscape Natural and Urban”

Juried by Tatum Dooley

See WALL 5 in our online exhibition “Landscape Natural and Urban”Juried by Tatum DooleyLink in bio!Cindy Cowley / Robert...
06/06/2026

See WALL 5 in our online exhibition “Landscape Natural and Urban”

Juried by Tatum Dooley

Link in bio!

Cindy Cowley / Robert Crifasi / Kenneth Hochberg / Ruaidhri Kelly / Ila Kita / Sophia Lapres / Sue M Funk / Jay Rasin / Abhishek Sharma / Ryan Standfest / Eric Zuccola

As I was going through the submissions for this exhibition, four astronauts were floating in space on a monumental trip to the moon. I watched interviews with them, with an endearing time-lapse that made it seem as if they were deeply thoughtful (I’m sure they are!). I saw photos they shared of the Earth surrounded by only blackness.  I also couldn’t help but think of all the space tragedies, and had trouble concentrating until they were home safe. 

What is our fascination with space? Can we really understand the gravity—some pun intended—of what it means to live on earth without seeing it from above? Is the globe the ultimate landscape? 

These landscapes are imbued with equal parts anxiety and hope. They prominently feature the moon, sun, and planets—nudging us to understand our own magnitude within infinity. 

In his Moon Streak series, Robert Crifasi traces the moon, a task not without its challenges: “The greatest difficulty I face in creating these images is accessing the scene at the correct phase of the moon and being lucky enough to have a mostly cloudless sky. Consequently, this is an inherently slow photography process that produces only a few good images per year,” he states. 

I’d like to admit that not all these works actually have anything to do with space. Take Cindy Cowley’s painting of the desert, for example. “The stunning Southwestern desert is nothing short of breathtaking. The captivating beauty of this landscape has deeply touched my heart and my life,” writes Cowley. Here, I let my imagination run wild. What if the Southwestern desert might actually be Mars? How beautiful is the world that a landscape can be so many things at once?

Address

165 7th Street
Brooklyn, NY
11215

Opening Hours

Wednesday 1pm - 6pm
Thursday 1pm - 6pm
Friday 1pm - 6pm
Saturday 1pm - 6pm

Telephone

+17186253646

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