MŌR Studio

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MŌR Studio MŌR is a creative gathering, moving in rhythm with the year’s turning.

We bring together artists and makers, works and objects, each attuned to the textures and gestures of the present season.

LOUISA RAVEN /AUTUMN IN GLASS.A seasonal shift, without the obvious references…Louisa Raven’s Autumn carafe and glasses ...
22/10/2026

LOUISA RAVEN
/
AUTUMN IN GLASS.

A seasonal shift, without the obvious references…

Louisa Raven’s Autumn carafe and glasses incorporate scattered chips of amber glass, suspended within the clear form.
An irregular pattern of colour, reminiscent of falling leaves.

Made using 100% recycled crystal, each piece brings together material reuse, traditional glassmaking and a distinctly contemporary approach to everyday objects.

A little colour. A little irregularity. Plenty of character.

Made to be filled, handled and used. Not saved for an occasion.

Part of GATHER. Discover Louisa’s work at MŌR and online.

JULIA REBAUDO/WOOLNo spinning. No unnecessary processing. Just wool, a loom and a remarkable understanding of material.W...
21/10/2026

JULIA REBAUDO
/
WOOL

No spinning. No unnecessary processing.
Just wool, a loom and a remarkable understanding of material.

Working with raw, unspun fleece from her own flock, Julia Rebaudo has developed a unique weaving technique that preserves the natural character, texture and individuality of every fibre.

Her Summersong rugs and Yin + Yang wall hanging celebrate wool for exactly what it is.
Unrefined, wonderfully tactile and full of character.

A material-led practice where the fleece dictates the outcome.
Almost zero waste.
Absolutely no need for perfection.

Discover Julia’s work at MŌR.

EFFORTLESS SHAPE-SHIFTING / JULIET GUTCH + ALICE FOX.A little movement changes everything.Suspended above the table for ...
20/10/2026

EFFORTLESS SHAPE-SHIFTING

/

JULIET GUTCH + ALICE FOX.

A little movement changes everything.

Suspended above the table for GATHER, these extraordinary mobiles are the result of a collaboration between Juliet Gutch and Alice Fox. Two distinct practices meeting somewhere between sculpture, material exploration and a shared curiosity for the natural world.

Sycamore wood and bindweed gathered from Alice’s allotment. Ordinary materials, given an entirely new vocabulary.

They twist.
They turn.
They respond to the slightest movement of air.
Casting shadows that shift throughout the day, creating compositions that never quite repeat themselves.

There’s something wonderfully autumnal about that. The changing light, the movement of things, the quiet transformation of materials.

Not quite static sculpture. Not quite decoration. Something alive in the space between.

Effortless Shape-Shifting / No. 1, 2 + 3

Three individual works, created collaboratively.

Discover them suspended above our table at MŌR throughout October, or explore online.

SUSIE REDMAN / BRETON.A little colour. A lot of character.Susie Redman’s Breton table runner brings a rather wonderful c...
19/10/2026

SUSIE REDMAN / BRETON.

A little colour. A lot of character.

Susie Redman’s Breton table runner brings a rather wonderful collision of colour, pattern and traditional weaving to GATHER.

Woven in linen, its shifting checks of ochre, orange, green and earthy tones feel entirely at home with the season. Bold without being brash. Considered without being precious.

And while it looks rather magnificent flying through the air, we’d much rather see it stretched across a table. Under plates, between glasses, amongst the crumbs and conversation.

Textiles made to be handled. Used. Lived with.

Breton / Susie Redman

GATHER / OUT IN THE OPEN.Who decided the dining room needed four walls?A table outside. Something good to eat. Something...
16/10/2026

GATHER / OUT IN THE OPEN.

Who decided the dining room needed four walls?

A table outside. Something good to eat. Something to drink. A few mismatched vessels, a bit of autumn air and absolutely no reason to stand on ceremony.

We like our objects put to work. Plates with crumbs. Bowls passed around. Glasses refilled. Beautiful things being useful things.

Because a table isn’t really a table until something happens around it.

A little reminder that GATHER isn’t about setting the perfect table. It’s about making one worth sitting at.

Explore the works of GATHER, in the studio and online throughout October.

Introducing Hannah McDermid.-Wood, but not as you know it.We’re delighted to welcome Hannah McDermid to MŌR, bringing wi...
15/10/2026

Introducing Hannah McDermid.
-
Wood, but not as you know it.

We’re delighted to welcome Hannah McDermid to MŌR, bringing with her the extraordinary craft of marquetry.

An age-old technique with an entirely contemporary attitude. Working with the natural grain, colour and character of wood, Hannah assembles intricate compositions from individual pieces of veneer. No paint. Just material, precision and a rather brilliant understanding of form.

There’s something we love about taking a traditional craft and pushing it somewhere unexpected. Hannah does exactly that.

A new material language for MŌR. And one we’re incredibly excited to explore.

Welcome to the fold, Hannah.

Clay. A material of many minds.Earth, Water, Air and Forest a material as old is our need to make things.For GATHER, we ...
14/10/2026

Clay. A material of many minds.

Earth, Water, Air and Forest a material as old is our need to make things.

For GATHER, we have brought together five ceramicists whose approaches to material and surface couldn’t be more individual.

Familiar. Domestic. Functional.

Because utility needn’t mean uniform. And the domestic object needn’t be predictable.

Featuring work by
LaKrista Morten
Charlotte Manser
Maria Willi
Pauline Beautyman
Lauren Norris

Jane CrispSculptural Trug- From a desire to echo the subtle energy, freedom, connection to nature and beauty of utility
13/10/2026

Jane Crisp
Sculptural Trug
-
From a desire to echo the subtle energy, freedom, connection to nature and beauty of utility

Walnut, spalted beech, oak and ebonised oak bring darker tones and richly detailed surfaces to the table - material that...
12/10/2026

Walnut, spalted beech, oak and ebonised oak bring darker tones and richly detailed surfaces to the table - material that feel particularly at home as the year turns and life moves indoors.
Made from locally sourced, often storm-fallen or diseased timber, each piece follows what is already present in the wood. Bowls wobble.
Grain remains visible. Knots and marks are part of the pieces.

Amount a table of many hands and materials, Rachel’s pieces ground the gathering: tactile, generous - made to be handled, filled, passed around and lived with.

We set a table - Something really wonderful happened! Before we moved works to the studio - GATHER was simply a table at...
09/10/2026

We set a table -
Something really wonderful happened!

Before we moved works to the studio - GATHER was simply a table at home.

A first meeting of objects and makers - and ideas. Works made by different hands…. In different places, in conversation for the very first time.

came to photograph it all. Nothing quite where it should be, moving things around, trying combinations…. Colour, texture, form.

And that was rather the point.
Not about the perfect table.
It was about bringing things together.

A little glimpse of where it began.
Photographed by a Josh, at home.

GATHER continues throughout October.

Address

MŌR STUDIO, Nunnington
York
YO625UR

Opening Hours

Thursday 11am - 3pm
Friday 11am - 4pm
Saturday 11am - 4pm
Sunday 11am - 3pm

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