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Kajetan Berlin

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Kajetan Berlin

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Contemporary art gallery for viewing and reflecting in Berlin.

Artists: Bettina Blohm, Carla Guagliardi, Marc Nagtzaam, Erich Reusch, Haleh Redjaian, Trine Søndergaard, Elisabeth Vary, Claude Viallat, Jan Wawrzyniak

08/10/2026

Haleh Redjaian’s artistic approach becomes particularly tangible in her textile works.
The artist has the handwoven carpets produced in Kerman, Iran, according to specified dimensions and, in some cases, her own patterns. The process of hand production inevitably introduces variations: dimensions, forms, and patterns may differ slightly. The natural wool threads within a single carpet also vary in colour and texture, creating subtle tonal shifts and a distinct material aesthetic.
What returns to her studio is therefore never simply the realisation of a design, but an autonomous support bearing the traces of its handcrafted production, to which the artist then responds. Lithographic prints and geometric formations of sewn-on threads introduce further layers that encounter the existing textile structure and enter into dialogue with its particularities. Once transferred onto the fabric, the lithograph allows for no subsequent correction. Different forms of precision and deviation thus become inscribed in the work itself. (Eliza Grabarek)

Haleh Redjaian, Exhibtion view at kajetan Berlin, Photo: Hans Grunert

Haleh Redjaian | Transit
12 September – 14 November 2026

17/09/2026

Haleh RedjaianTransit12 September - 14 November 2026

Taking line and grid as her points of departure, Haleh Redjaian explores the interplay between imposed or given structures and an outcome whose final formal configuration she deliberately leaves open. Her geometric-abstract visual language brings together influences from Western modernism, including the Bauhaus, with Persian-Islamic art and architecture, in which geometric patterns, symmetry, and repetition play a formative role.

Haleh Redjaian | Transit | Exhibition view at kajetan Berlin | Photo: Hans Grunert

11/09/2026

Tonight we are opening our new exhibition featuring works by Haleh Redjaian.
This is the German-Iranian artist’s second solo exhibition at the gallery.
It brings together recent works on paper and canvas, textile works, and a wall drawing developed specifically for the space.

We look forward to seeing you there.

Haleh Redjaian | Transit | Exhibition view at kajetan Berlin | Photo: Hans Grunert

09/09/2026

Only 2 days left until the opening of our new exhibition featuring works by Haleh Redjaian.

“Transit” is the German-Iranian artist’s second solo exhibition at the gallery. It brings together recent works on paper and canvas, textile works, and a wall drawing developed specifically for the space.

We look forward to seeing you there.

Haleh Redjaian | Transit | Exhibition view at kajetan Berlin | Photo: Hans Grunert

01/09/2026

Save the date!
On occasion of Berlin Art Week we are pleased to present a new solo exhibition by Haleh Redjaian.titled *Transit*.
The opening reception will take place on September 11, starting at 6 p.m.
We hope to see many of you there.

16/06/2026

Claude ViallatMalereien IIIGalerie kajetanMay 2 – June 25, 2026

The French artist group Supports/Surfaces, of which Claude Viallat was a co-founder, was formed in 1970 and was dedicated to investigating the fundamental conditions of painting. Its focus lay on the support and the surface, whose material and structural properties were understood as constitutive elements of the work.

The works thus point to the conditions of their own making, laying bare how they are constructed: through a process that sensitively yet forcefully brings together found material, color, and painterly intervention, thereby subverting traditional conceptions of the image and destabilizing the boundary between painting and object.

Claude Viallat | Malereien III | Ausstellungsansicht / Exhibition view 2026 | Courtesy Claude Viallat & Galerie kajetan | Photo: Gunter Lepkowski

13/06/2026

Claude Viallat
Malereien III
2 May – 25 June 2026

Viallat’s characteristic recurring form thus does not function as a motif in the classical sense. Its effect arises in relation to the support, which asserts itself as an autonomous, imagegenerating element with its own material history. Repetition does not produce uniformity; rather, it reveals — at times in contrast, at times in integration — the specific qualities of each textile. At the same time, the relationship between figure and ground shifts. While the applied form structures the support, the support itself visually asserts its presence, so that foreground and background — and with them the hierarchy between painting and support — appear to dissolve. (Eliza Grabarek )

Claude Viallat | 488 / 2025 | 2025 | Acryl auf Gewebe / Acrylic on fabric | 134 x 67 cm / 52,8 x 26,4 in | Ausstellungsansicht / Exhibition View 2026 | Courtesy Claude Viallat & Galerie kajetan | Photo: Gunter Lepkowski

08/06/2026

In 374/2024, Viallat similarly establishes the ground — a beige fabric with a floral pattern — as an equal agent within the pictorial structure. The form, repeated in blue, is applied with heavily diluted paint that bleeds at the edges, seeps into the fabric, and appears as speckled traces across the surface. The form here emerges less as a clearly defined signthan as a sensitive imprint embedded within the material. Viallat deliberately disrupts the serial arrangement through two additional interventions: a white-edged, downwardpointingfield of color cuts into the pictorial space from the upper left, while a signal-red form at the lower right acts as a visual counterweight, almost halting the movement. What emerges is a dynamic interplay of repetition, materiality, and painterly intervention.
(Eliza Grabarek )

Claude ViallatMalereien IIIGalerie kajetanMay 2 – June 25, 2026

Claude Viallat | 374 / 2024 | 2024 | Acryl auf Gewebe / Acrylic on fabric | 190 x 149 cm / 74,8 x 58,7 in | Ausstellungsansicht / Exhibition View 2026 | Courtesy Claude Viallat & Galerie kajetan | Photo: Gunter Lepkowski

26/05/2026

Claude Viallat
Malereien III
until 25 June 2026

Exhibition view 2026 | Courtesy Claude Viallat & Galerie kajetan | Photo: Gunter Lepkowski

13/05/2026

At the beginning of Viallat’s working process lies the material itself. The fabrics — often donations, discarded domestic textiles, or remnants from industrial production — are collected and stored unsorted in the artist’s studio. Their specific qualities, density, structure, and patterns, as well as tangible resistances such as seams or hems, determine how and with what intensity he applies paint.

Viallat applies acrylic paint to the fabric using a stencil, sponge, or brush — at times impasto, at others translucent — responding directly to the material’s properties. The recurring form is generally distributed evenly across the entire support, giving rise to a net-like all-over structure that calls into question the conventions of classical composition: perspective, pictorial center, and internal hierarchies recede.
(Eliza Grabarek )

Claude Viallat | Malereien III | Ausstellungsansicht / Exhibition view 2026 | Courtesy Claude Viallat & Galerie kajetan | Photo: Gunter Lepkowski

Adresse

GrolmanStr. 58
Berlin
10623

Öffnungszeiten

Donnerstag	12:00 - 18:00
Freitag	12:00 - 18:00
Samstag	12:00 - 18:00

Telefon

+4917657792651

Website

http://kajetan.berlin/

Benachrichtigungen

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