Chauffeurhq

Chauffeurhq Contemporary Art Art Gallery

Archive: Ben Gavinuntitled ( explosions in the sky )Oil n reserve, linoleum, graphite, mould, coffee stains on unprimed ...
24/08/2026

Archive: Ben Gavin
untitled ( explosions in the sky )
Oil n reserve, linoleum, graphite, mould, coffee stains on unprimed canvas
150 x 120 cm
2015

From solo exhibition, Clinging To Debris at Fort Delta Melbourne 2017

ARCHIVE - A Sun In His Head by Australian artist David Keating curated by CHAUFFEUR and presented across two neighboring...
18/08/2026

ARCHIVE - A Sun In His Head by Australian artist David Keating curated by CHAUFFEUR and presented across two neighboring galleries in collaboration with COMA, Sydney, with both iterations opening on the same night, each gallery being a short walk from each other.

For Keating, the first lines applied anticipate the beginning of how the viewer comprehends imaginary space. This then starts an interplay between soft and hard, internal and external, positive and negative spaces, order and disorder starts to develop.

Simple in both medium and form the exhibition exists as a series of new works on Stonehenge and Waterford papers and on canvas. The content is encoded by a set of geometric rules to be simply seen as enclosed rooms, walls and ceilings – or what Keating describes as “containers” in which, seemingly, are vessels to contain forms that define their contents.

The relationship of the body to architecture is fundamental. Architecture, in a sense, is how the West has “civilized” and ordered space. Our enclosures embody our own ideas of ourselves’. Through architectural anthropomorphism, Keating conveys a fascination with the idea of re-immersing the body and imagination into a language within the binary nature in which our world is encoded.

The new series is primarily concerned with objects that look like how they should, and then, how through their emergence in the drawing they become something else. These objects are in turn defined by their interrelationships with the environment and other objects. In drawing, the implied “meaning” of an object is continuously reborn with new relationships to space, time and their prosaic associations.

David Keating
A Sun In His Head
6 September - 10 October 2019

David Keating
Folded Palms
acrylic and ink on canvas
107 x 137.5 cm
2019

ARCHIVE - A Sun In His Head by Australian artist David Keating curated by CHAUFFEUR and presented across two neighboring...
18/08/2026

ARCHIVE - A Sun In His Head by Australian artist David Keating curated by CHAUFFEUR and presented across two neighboring galleries in collaboration with COMA, Sydney, with both iterations opening on the same night, each gallery being a short walk from each other.

For Keating, the first lines applied on paper mark the beginning of how the viewer comprehends imaginary space. This then starts an interplay between soft and hard, internal and external, positive and negative spaces, order and disorder starts to develop.

Simple in both medium and form the exhibition exists as a series of new works on Stonehenge and Waterford papers and on canvas. The content is encoded by a set of geometric rules to be simply seen as enclosed rooms, walls and ceilings – or what Keating describes as “containers” in which, seemingly, are vessels to contain forms that define their contents.

The relationship of the body to architecture is fundamental. Architecture, in a sense, is how the West has “civilized” and ordered space. Our enclosures embody our own ideas of ourselves’. Through architectural anthropomorphism, Keating conveys a fascination with the idea of re-immersing the body and imagination into a language within the binary nature in which our world is encoded.

The new series is primarily concerned with objects that look like how they should, and then, how through their emergence in the drawing they become something else. These objects are in turn defined by their interrelationships with the environment and other objects. In drawing, the implied “meaning” of an object is continuously reborn with new relationships to space, time and their prosaic associations.

David Keating
Folded Palms
acrylic and ink on canvas
107 x 137.5 cm
2019

In particular l like to see these three medium size gestural paintings by Shohei Takasaki together as a triptych. They e...
15/08/2026

In particular l like to see these three medium size gestural paintings by Shohei Takasaki together as a triptych. They express a single entity composed of three distinct components forming a trinity.

A single day simply derives its significance from the present moment. The past is memory and the future remains an abstract thought. While existing is the passive state of physical survival, living requires active engagement, purpose and experiential fulfilment.

Shohei Takasaki
Monumental Disposition
June 24 - July 28, 2026

Closed for summer. While we revitalise for the next round we are pleased to announce CHAUFFEUR will continue its program...
20/07/2026

Closed for summer.

While we revitalise for the next round we are pleased to announce CHAUFFEUR will continue its program in Belem, Lisboa with the inauguration set for the end of October. The program will feature longer exhibition dates, one on one conversations focusing on solo collaborations and launches by appointment. Stay tuned for more information in due course.

Over the coming months we will share with you the highlights of Belem, the cultural and historical waterfront suburb of Lisboa. Renowned designation for Internationally acclaimed Museums MAAT, MAC/CCB and Foundation Júlio Sarmento.

For those in Sydney, 3 Liverpool Lane Darlinghurst is currently available to lease for a 12 month period. Please contact the gallery to discuss. Floor-plan and gallery dimensions available to download as ZIP on the website program page.

I would like to bring your attention to these three compelling date paintings harnessing direct action, decisions and in...
16/07/2026

I would like to bring your attention to these three compelling date paintings harnessing direct action, decisions and intention by Shohei Takasaki.

Your experience is enriched by layers and layers of oil, acrylic, charcoal and mixed media. Footprints, sweat, dirt and dust - all elements coming together momentarily in a perfectly balanced aesthetic composition. Automatism to its finest degree.
Each painting articulates a single day. Rather than direct praise Takasaki’s performative painting practice replies on humility, harmony and situational subtlety.

What happens on any particular day? What makes a single day meaningful? The silent traces of mortal time.

Shohei Takasaki
Monumental Disposition
By appointment until July 18.

Last week to view Shohei Takasaki’s solo exhibition Monumental Disposition. This is the Sydney based painters debut in S...
12/07/2026

Last week to view Shohei Takasaki’s solo exhibition Monumental Disposition.

This is the Sydney based painters debut in Sydney. On view until July 18 by appointment.

What happens on any particular day? What makes a single day meaningful?

Catalogue available on request.

Shohei Takasaki
Untitled (December 2 2025)
Oil and Acrylic on canvas
162 x 130 cm
2026
Price on request
Image courtesy of Felipe Olivares

“ When contemplating the concept of time and the body Takasaki mirrors the disciplined, present-seeking practices of his...
07/07/2026

“ When contemplating the concept of time and the body Takasaki mirrors the disciplined, present-seeking practices of his birth nation’s forebears Sho Shibuya and his predecessor On Kawara as a beacon of truth. A conundrum deeply rooted in the virtue of Japanese culture. The contemplation of a single day and the emotional record of the body and how we inhabit time is perceived in Japanese culture as the art of complement. Rather than direct praise relying on humility, harmony and situational subtlety. The notion lies in the act of ´doing`. Human actions, decisions, intentions. Lived experience. The creation outweighs the creativity. Personality without individuality. Takasaki considers this honourable act of the physical and mental embodiment of intention as his point of departure.

Deceased philosopher Maurice Merleau-Ponty implies intentionality not as an abstract thought, but as ´lived experience`. Bodily comportment provides action with their meaning. Large scale performative painting consists of a freestanding surface which is comparable to three, four times Takasaki´s bodily proportions. How does Takasaki prepare for such a physically encompassing and enduring gesture? Limited materials, time constraints on the stage shared with musicians, noise and the audience gaze, the restrictions are paramount. Intimidation becomes fleeting, pressure loses its grip, transforming into a passing, temporary discomfort. For Takasaki, the decisive action is seemingly guided by automatism. “

Shohei Takasaki
Monumental Disposition
continues by appointment until July 18.

Shohei Takasaki
Untitled (February 12 2026)
Oil, Acrylic, charcoal, colour pencil and mixed media on canvas
162 x 130 cm
2026
Price on request

“ Shohei Takasaki´s debut in Sydney - Monumental Disposition - displays five new fragmented performative paintings reduc...
06/07/2026

“ Shohei Takasaki´s debut in Sydney - Monumental Disposition - displays five new fragmented performative paintings reduced to a domestic and modest size. Dispersed across the main gallery wall is Untitled (January 30 2026), Untitled (February 12 2026) and Untitled (February 24 2026). What happens on any particular day? What makes a single day meaningful?

February 24, on this precise day in 2020 an American mathematician named Katherine Johnson died at the age 101. Admired by her peers and the world for significantly contributing to NASA and the equations which landed humans on the moon to the birth of Businessman and inventor Steve Jobs co-founding Apple Inc. in 1955. The anti-monarchical Revolution of 1848 reached France, where the insurgency was successful leading to the abdication of King Louis Philippe I. Furthermore, February 12, Immanuel Kant the father figure of the Enlightenment died in 1804 to the conviction of an art crime by two thieves. Pål Enger and an unidentifiable accomplice broke into the National Gallery of Oslo in 1994 and stole Munch’s The Scream. Lastly, January 30, on this day in 1969 the Beatles performed together for the last time on a rooftop in London. These selective highlighted events share a cultural and historical synchronicity with Shohei Takasaki`s performative date paintings.

The sun rises and descends. A single day simply derives its significance from the present moment. The past is memory and the future remains an abstract thought. While existing is the passive state of physical survival, living requires active engagement, purpose and experiential fulfilment.

When contemplating the concept of time and the body Takasaki mirrors the disciplined, present-seeking practices of his birth nation’s forebears Sho Shibuya and his predecessor On Kawara as a beacon of truth…. “

Text continues on website.

Shohei Takasaki
Monumental Disposition
On view by appointment until July 18 at the Darlinghurst location.

Untitled (February 12 2026)
Oil, Acrylic, charcoal, colour pencil and mixed media on canvas
162 x 130 cm
2026
Price on request

Congratulations to Sydney based artist Sean Crowley  on his debut Melbourne exhibition Stardew Valley at Sophie Gannon G...
30/06/2026

Congratulations to Sydney based artist Sean Crowley on his debut Melbourne exhibition Stardew Valley at Sophie Gannon Gallery in Richmond.

Highly simulating colours evoking warmth and enthusiasm. Not many can achieve that sense of balance like Sean Crowley.

On view until July 18.

Sean Crowley
Rose Garden
Oil on linen
168 x 198cm
2025
Image courtesy of Pipe Gallery, Seoul.

Address

3 Liverpool Lane
Darlinghurst, NSW
2010

Opening Hours

Thursday 2pm - 6pm
Friday 2pm - 6pm
Saturday 2am - 6pm

Telephone

+61414844365

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