Perrotin

🌐 Global art gallery with 12 exhibition spaces worldwide Perrotin is a modern and contemporary art gallery. Visit our galleries: https://www.perrotin.com/contact

Founded by Emmanuel Perrotin in 1990, it has exhibition spaces in Paris, New York, Hong Kong, Seoul, Tokyo, Shanghai, Dubai and Los Angeles.

05/19/2026

We are pleased to return to Art Dubai for the 2026 Special Edition with a collective presentation featuring established and emerging artists from the gallery’s roster.

This year, the booth includes a solo corner dedicated to Lee Bae, alongside new works by Hugo Toro and Wang Fanseng presented for the first time in the region.

The presentation also features works by Monira Al Qadiri, Julian Charrière, Jean-Philippe Delhomme, Mathilde Denize, Izumi Kato, Bharti Kher, Takashi Murakami, Jean-Michel Othoniel, Pieter Vermeersch, Bernar Venet, and Xiyao Wang.

Discover the presentation throughout the fair!
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Installation views of Perrotin at Art Dubai, 2026
Jean-Michel Othoniel, Precious Stonewall, 2024
Takashi Murakami, Shangri-La, 2021
Lee Bae, Brushstroke A48, 2024
Jean-Philippe Delhomme, Anitra Red Legs, 2024
©Adagp, Paris, 2026
©2026 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy Perrotin
Photo: Ismail Noor
Courtesy of the artists and Perrotin.

05/13/2026

Hello Frieze New York!

We are thrilled to be back with a solo presentation by Genesis Belanger ahead of her first major public exhibition with Public Art Fund at City Hall Park in New York City.

Alongside the solo presentation, our booth features works by a range of artists on the gallery’s roster including Alma Allen, Daniel Arsham, Gabriel de la Mora, Bernard Frize, Laurent Grasso, Todd Gray, Hans Hartung, Jean-Michel Othoniel, and Emma Webster.

Discover all of the artists at booth B3 through May 17!
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Installation views of Perrotin’s booth B3 at Frieze New York, 2026
Photo: Guillaume Ziccarelli.
Courtesy of the artists and Perrotin.

05/12/2026

‘Harnessed from Nature’, organized by Shim Moon-Seup Art and Culture Foundation and curated by Sim Eunlog is now open at Ca’ Faccanon in Venice.

Spanning more than five decades of practice, the exhibition brings together painting, sculpture and installation in a continuum where form is no longer fixed, but unfolds through time, transformation and relation.

Rather than shaping matter, Shim Moon Seup creates the conditions for it to reveal itself. Wood, stone, clay and canvas become sites of slow change, where erosion, tension and coexistence define a sculptural language rooted in process rather than permanence.

Here, sculpture is not an object but a field of becoming, where nature itself emerges as an active and generative force. The exhibition is on view through September 30.
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Views of Shim Moon Seup’s exhibition ‘Harnessed from Nature’ at Ca’ Faccanon, 2026
Photo: Tanguy Beurdeley
Courtesy of the artist and Perrotin

05/11/2026

The collaborative exhibition by Klara Kristalova, Benjamin Orlow, and Tori Wrånes, presented at the Nordic Countries Pavilion as part of the 61st International Art Exhibition, is now on view.

The exhibition unfolds through a series of interconnected installations inspired by Nordic folklore, fairy tales and stories such as the Kalevala - the 19th -century creation epic of Finland and Karelia - but resonating beyond.

In an era marked by environmental disconnection, geopolitical instability and the disruption of borders and identities, myth becomes a lens through which to reflect on our shared human condition and to navigate contemporary global challenges.

The installations extend across the interior and exterior of Sverre Fehn’s iconic 1962 Pavilion, a building defined by its porous relationship with the surrounding landscape and activated as an integral part of the exhibition.

Curated by Kiasma’s Chief Curator, Anna Mustonen Commissioned by Kiasma, Finland, in collaboration with Moderna Museet, Sweden, and OCA – Office for Contemporary Art Norway.
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Exhibition views of ‘How Many Angels Can Dance on the Head of a Pin?’, Nordic Countries Pavilion, Venice, 2026
Photo: Tanguy Beurdeley
Courtesy of the artist and Perrotin

05/08/2026

‘Alma Allen: Call Me the Breeze’ at the United States Pavilion at the Venice Biennale.

The artist is presenting artworks that highlight alchemical transformation of matter and explore the concept of “elevation,” both as a physical manifestation of form and as a symbol of collective optimism and self-realization.

Viewers encounter works in which the strata of rough rock appear to have been smoothed through the passage of time, and solid bronze appears liquid.

For Allen, “The sculptures are often in the act of doing something: They are going away, or leaving, or interacting with something invisible. Even though they seem static as objects, they are not static in my mind. In my mind, they are part of a much larger universe.”
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Exhibition views of Alma Allen’s exhibition ‘Alma Allen: Call Me the Breeze’ at the United States Pavilion, Venice, 2026
Photo 1: Agostino Osio - Alto Piano Studio
Others: Tanguy Beurdeley
Courtesy of the artist and Perrotin

05/07/2026

‘The Invisible Chord. Hans Hartung and Music’, curated by Thomas Schlesser is now on view at Fondazione Querini Stampalia in Venice.

The exhibition traces the profound presence of music in Hartung’s life and work, revealing a practice shaped by listening as much as by gesture. From the Baroque masters to contemporary composers, his paintings unfold as spaces of vibration, where rhythm, repetition, and intensity translate a deeply physical relationship to sound.

For Hartung, music was inseparable from creation, an ever-present force that animated both his process and his perception of the world.

Presented by Fondazione Querini Stampalia and Hartung-Bergman Foundation in collaboration with Perrotin.
The exhibition is on view through September 13.
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Views of Hans Hartung’s exhibition ‘The Invisible Chord. Hans Hartung and Music’ at Fondazione Querini Stampalia, 2026
Photo: Tanguy Beurdeley
Courtesy of Fondation Hartung-Bergman and Perrotin

05/02/2026

Join us from 6-8 PM TONIGHT at Perrotin Los Angeles to celebrate the opening of Kyungmi Shin’s ‘My Fantasy’s Burdens,’ on view until May 30.

“Working across still life, portraiture, botanical illustration, genre painting, and ceramics, Shin constructs visual narratives that reveal what European traditions have long obscured: the colonial mechanisms underlying the movement of flora, objects, and people across the globe. Past and present, document and mythology, beauty and violence are brought into uneasy proximity, situating her work at the intersection of encounter, exchange, extraction, and appropriation—histories linking the Americas, Asia, and Africa, whose labor and lands constituted the unacknowledged conditions of possibility for Western modernity.”
– Danielle Shang
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Installation views of Kyungmi Shin’s ‘My Fantasy’s Burdens’ at Perrotin LA, 2026
Kyungmi Shin, perverse delicate yellow, 2025
Kyungmi Shin, the unmarked seed, 2026
Kyungmi Shin, Orange Dreams (Dosan), 2025
Kyungmi Shin, all that ancestors gave us, 2026
Photos: Paul Salveson
Courtesy of the artist and Perrotin

04/30/2026

‘Spiral Economy. Charrière and Canova’ is now on view at Museo Correr in Venice, until November 22.

Across the Canova Rooms, Julian Charrière enters into dialogue with Antonio Canova, unfolding a reflection on sculpture, matter and deep time. Marble becomes both body and memory, holding within it the traces of geological transformation, ancient seas and slow pressure over time.

The exhibition stages a productive tension between permanence and erosion, ideal form and process, certainty and becoming, where Canova’s neoclassical language meets Charrière’s exploration of matter as a living, evolving presence.

Through installation, film, sculpture and sound, the project shifts perception away from human scale, opening onto planetary and geological durations in which time is embedded within matter itself.
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Views of Julian Charrière’s exhibition ‘Spiral Economy: Charrière and Canova’ at Museo Correr, Venice, Italy, 2026.
Curated by Chiara Squarcina and Pier Paolo Pancotto in collaboration with Claudia Cargnel.
Photo: Daniele Molajoli
Copyright The Artist / VG Bild-Kunst, Bonn 2026

04/29/2026

‘SOULAGES-HARTUNG: AFFINITÉS ÉLECTIVES’ is now on view at Perrotin Paris.

The exhibition brings together key works, archival materials, and a rediscovered film of Pierre Soulages, offering a closer look at the dialogue between two major figures of postwar abstraction. Across painting and works on paper, their practices unfold in tension and resonance, between gesture and structure, darkness and light.
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Views of Pierre Soulages and Hans Hartung’s exhibition ‘Soulages and Hartung: Elective Affinities’ at Perrotin Paris, 2026
Photo: Claire Dorn
Courtesy of the artist and Perrotin

04/28/2026

‘Lorsque la beauté paraît’ by Lee Mingwei is now on view at Perrotin Paris.

The exhibition unfolds through a series of distinct environments and performances, each with its own form, rhythm, and way of engaging visitors. Moving through the space, guests encounter gestures that oscillate between offering, repair, loss, and transformation.

From the quiet presence of stones shaped over millions of years to garments marked by use and care, each work creates a precise situation. Attention shifts from object to experience, from what is seen to what is felt.
Forms remain minimal, but the emotional and perceptual journey continues to unfold.
We invite you to discover the performances!
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Views of Lee Mingwei’s exhibition ‘Lorsque la beauté paraît’ at Perrotin Paris, 2026
Photo: Claire Dorn
Performer (The Mending Project): Angela Elsey
Performer (The Copyist’s Paradox): Jean Gabriel Manolis
Courtesy of the artist and Perrotin

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Miami Beach, FL
33109, 33139, 33140, 33141.

Website

https://www.perrotin.com/

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