The Tagli

The Tagli ART ADVISORY / ART STRATEGY / CULTURAL STRATEGY

Eleni TomadakiFallen Angels, 2025Oil on linen on linen40 x 60 cm15 3/4 x 23 5/8 inDm us for details and available works ...
05/09/2026

Eleni Tomadaki
Fallen Angels, 2025
Oil on linen on linen
40 x 60 cm
15 3/4 x 23 5/8 in

Dm us for details and available works

THE TAGLI is heading to Miami!We’re thrilled to be exhibiting at Untitled Art, Miami Beach - December 2–6 2026, Booth C6...
04/09/2026

THE TAGLI is heading to Miami!

We’re thrilled to be exhibiting at Untitled Art, Miami Beach - December 2–6 2026, Booth C69.

A group presentation featuring Joe Cheetham, Simon Linington and Zach Zono.

Untitled Art Miami Beach
Booth C69
Dec 2–6
More details coming soon

Inside French decorator Jacques Grange’s Palais-Royal apartment. Featuring works by Man Ray, Dora Maar, Géricault, Claud...
03/09/2026

Inside French decorator Jacques Grange’s Palais-Royal apartment.

Featuring works by Man Ray, Dora Maar, Géricault, Claude Lalanne, Maurizio Cattelan, Gilbert & George, Diego Giacometti, Aloys Zötl, Christian Bérard, Keith Haring (to name a few).

“decoration is all about unearthing the elective affinities between objects, even when they seem dissonant at first sight.” - Grange

Photography by Ricardo Labougle courtesy of House and Garden

LivingWithArt

“My bath paintings originate from the Korean bathing practice known as ttaemiri (exfoliation scrubbing). The widespread ...
01/09/2026

“My bath paintings originate from the Korean bathing practice known as ttaemiri (exfoliation scrubbing). The widespread adoption of ttaemiri is closely tied to the early 20th century, during the Japanese colonial rule of Korea, when the colonial government propagated the narrative of Koreans being “unclean and uncivilised.” In response, many Koreans began to bathe compulsively, turning the act into a symbolic gesture of liberation and resistance. My work began from a deep interest in how this historically traumatic practice has transformed into an everyday gesture. As I began performing ttaemiri regularly, not in Korea, but in Scotland, I came to realize how such a traumatic heritage profoundly shapes personal identity.” - Heeyoung Noh

Heeyoung Noh
Ttaemiri series, 2023
Oil on wood panels
Varied dimensions

DM us for details and further available works.

Lucas DupuyWhat does your soul look like?, 2026Acrylic on hessian200 x 65 x 3.5 cm78 3/4 x 25 5/8 x 1 3/8 inDM us for de...
31/08/2026

Lucas Dupuy
What does your soul look like?, 2026
Acrylic on hessian
200 x 65 x 3.5 cm
78 3/4 x 25 5/8 x 1 3/8 in

DM us for details and firther available works.

ONE WEEK LEFT TO APPLY: Applications for THE TAGLI’s Mentorship Award this year in partnership with Rosewood London clos...
30/08/2026

ONE WEEK LEFT TO APPLY: Applications for THE TAGLI’s Mentorship Award this year in partnership with Rosewood London close Sunday 6th September 2026, 6pm BST⁣.

In addition to a year long mentorship with THE TAGLI team, the award recipient will be exhibited alongside a curated selection of artists within Rosewood London. The exhibition is part of The Living Gallery, Rosewood London’s commitment to championing emerging artists and celebrating contemporary creativity through rotating exhibitions across the hotel’s historic spaces. This exhibition will launch ahead of Frieze week 2026 in London.⁣

For more information head to our website and to apply please:⁣
1. Follow us on Instagram THE TAGLI and Rosewood London⁣
2. Complete the application form (link in our bio)⁣

Images: Zach Zono Rosewood London Residency 2026

Piers AlsopThe commons, 2025-26Oil and mixed media on jute 30 x 35 x 2 cm11 3/4 x 13 3/4 x 3/4 inLeon Scott-EngelSkin Fa...
28/08/2026

Piers Alsop
The commons, 2025-26
Oil and mixed media on jute
30 x 35 x 2 cm
11 3/4 x 13 3/4 x 3/4 in
Leon Scott-Engel
Skin Fade, 2024
Oil on stretched linen
120 x 34 x 34 cm
47 1/4 x 13 3/8 x 13 3/8 in
(LSE014)

“Henri Matisse commented that “a thimbleful of red is redder than a bucketful”. This may be fitting to bring into dialogue with Alsop’s paintings. The custom in which the paint has been sparingly applied in the work seems to indicate a material frugality and prudence. A making-do with limited means, of having to cut out and stick down using whatever is to hand whilst also thinking about how it fits (or doesn’t). Each painting is as an incongruous proposition, and this promptly connects to the (recent solo) exhibition’s title Eternal Crumble, denoting incompatible states of existence, like oil and water’s immiscibility. By making the painting, Alsop is concurrently un-making it. Accelerating and reversing; the impasse returns.“ Scott McCracken

DM us for more information and a list of available works.

Zach ZonoMean It More, 2025Oil on canvas 60 x 45 cm23 5/8 x 17 3/4 in Through a repertoire of gestures barely guided or ...
27/08/2026

Zach Zono
Mean It More, 2025
Oil on canvas
60 x 45 cm
23 5/8 x 17 3/4 in

Through a repertoire of gestures barely guided or sharply decisive, loose yet restrained, Zono evokes both the openness of his South African childhood and the dense tempo of London life. “I think the paintings are me moving through those spaces and trying to find a balance between them.” Nico Kos Earle

DM us for more information and a list of available works.

Mary Macken AllenHolding, 2026Monotype and ink on silk-linen blend60 x 65 cm23 5/8 x 25 5/8 inDM us for more information...
26/08/2026

Mary Macken Allen
Holding, 2026
Monotype and ink on silk-linen blend
60 x 65 cm
23 5/8 x 25 5/8 in

DM us for more information and a list of available works.

William LowryArk III (Memorial), 2026Acrylic, pencil, and pen on paper and board; etchedcopper, MDF, 3D printed resin, p...
25/08/2026

William Lowry
Ark III (Memorial), 2026
Acrylic, pencil, and pen on paper and board; etched
copper, MDF, 3D printed resin, portable screen,
raspberry pi, and mild steel
44.5 x 34.5 x 40 cm
17 1/2 x 13 5/8 x 15 3/4 in
Leon Scott-Engel
Skin Fade, 2024
Oil on stretched linen
120 x 34 x 34 cm
47 1/4 x 13 3/8 x 13 3/8 in

DM us for more information and a list of available works.

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