Galerie Gregor Staiger

Galerie Gregor Staiger Rachal Bradley, Vittorio Brodmann, Marvin Gaye Chetwynd, Marie–Michelle Deschamps, Florian Germann

Last days !!!
24/07/2026

Last days !!!

Proposition for the Highline Raphaela VogelThe Second OpinionRaphaela Vogel (b. 1988, Nuremberg, Germany) lives and work...
18/07/2026

Proposition for the Highline

Raphaela Vogel
The Second Opinion

Raphaela Vogel (b. 1988, Nuremberg, Germany) lives and works in Berlin, Germany.

The Second Opinion reimagines the allegorical language of public monuments through the recurring symbols associated with justice: scales and eyes. Replacing the traditional blind figure of Justice with a seeing one, the sculpture draws on both legal symbolism, as well as the story of Saint Lucy. Together, its elements propose a vision of justice that remains open to reflection and reconsideration

On view in Zurich
18/07/2026

On view in Zurich

Nora TuratoGIVE US MOM!!!May - June 2026LOCATIONAdjacent to the High Line at 18th Street and 10th Avenuewww.thehighline....
29/06/2026

Nora Turato
GIVE US MOM!!!

May - June 2026
LOCATION
Adjacent to the High Line at 18th Street and 10th Avenue
www.thehighline.org

For the High Line, Turato presents GIVE US MOM!!!!, a new work that channels an urgent collective plea for nurturing and protection. The text “GIVE US MOM!!!” appears in bright yellow letters set against a flat blue background. The phrase invokes the figure of the “mom” as a symbol of softness and care within a world driven by speed, distraction, and spectacle. The use of Comic Sans, a font often derided for being childish, further reinforces the sincerity of the billboard’s plea. Drawing on the visual language of advertising billboards, while subverting their typical sleek, authoritative voice, GIVE US MOM!!! reclaims strategies of mass communication to deliver a disarmingly direct appeal for tenderness and kinship.

Nora Turato is best known for her interdisciplinary work that examines the overwhelming use and consumption of language in contemporary society. A trained graphic designer, she works with text as both subject and material, collecting phrases and vernacular from a wide range of sources, including social media, advertisements, media headlines, literature, and everyday conversations. Turato refers to this accumulation as a form of “linguistic soup,” which she edits, recomposes, and activates across performances, installations, paintings, and artist books. Through bold typographic decisions laid against solid colors, Turato reveals how today’s language can feel compulsive, funny, abrasive, and emotionally charged all at once. By amplifying and reframing the language that saturates daily life, she exposes the anxieties, contradictions, and desires embedded in contemporary communication, capturing how language both connects and isolates us in an age of information overload.

Last day Art Basel Raphaela Vogel, Caterina Sforza, 2026Oil on moose and goatskin, chrome-plated metal rods276.5 T 174 c...
21/06/2026

Last day Art Basel
Raphaela Vogel, Caterina Sforza, 2026
Oil on moose and goatskin, chrome-plated metal rods
276.5 T 174 cm

Shizuko Yoshikawa, m259 ‘weisse mitte’ - no. 6 grüngelb zu orange, 1986Tempera and acrylic on canvas,101 x 101 cmSHIZUKO...
19/06/2026

Shizuko Yoshikawa, m259 ‘weisse mitte’ - no. 6 grüngelb zu orange, 1986
Tempera and acrylic on canvas,101 x 101 cm

SHIZUKO YOSHIKAWA Art Basel
1934 Born in Omuta, Japan
2019 Died in Zurich, Switzerland

The artist began her career after completing a BA in English Language and Literature at Tsudajuku College (now Tsuda University) in Tokyo after World War II. In 1958, she was admitted to a master’s program in architecture and product design at Kyōiku University
(now Tsukuba University) in Tokyo. After participating in the organizing team for the World Design Conference (WoDeCo, 1960) in Tokyo as a coordinator and interpreter, she left for Ulm in 1961. At the Hochschule für Gestaltung Ulm (Ulm School of Design), she
was the first and only female Japanese student to study in the visual communication department, where she inter alia contributed to Otl Aicher’s corporate design for the
German airline Lufthansa. Her teachers also included Horst Rittel and Friedrich Vordemberge-Gildewart, as well as Josef Müller-Brockmann. In Ulm she sometimes felt that she was viewed with an exoticizing gaze as a Japanese student, yet felt she would have no future as a graphic designer in Japan’s hierarchical design world

Now open Art Basel
17/06/2026

Now open Art Basel

Opening today Art Basel  ART BASEL 2026Galerie Gregor Staiger  BOOTH L11 / HALL 2.1 With Works by Caroline Bachmann*, Mo...
16/06/2026

Opening today Art Basel ART BASEL 2026
Galerie Gregor Staiger BOOTH L11 / HALL 2.1 With Works by Caroline Bachmann*, Monster Chetwynd, Guillaume Dénervaud, Deborah-Joyce Holman, Walter Pfeiffer, Xanti Schawinsky, Lucy Stein, Nora Turato, Raphaela Vogel, Shizuko Yoshikawa 💕

* we are taking part in [Basel Exclusive]: a new initiative Art Basel 👁️ We invite you to discover an exceptional artwork, only to be unveiled in person at the fair.

Join us at our booth L11 / Halle 2.1
🇨🇭Art Basel in Basel
VIP days: June 16–17
Public days: June 18–21
📍 Messeplatz, Basel

Image: Nora Turato, where is this all coming from? 2026
Vitreous enamel on steel, 90 × 200 × 3 cm

RAPHAELA VOGEL
Zucker * Totholz * Schimmel is open !Zurich Art Weekend Raphaela Vogel ✨✨✨✨
15/06/2026

RAPHAELA VOGEL
Zucker * Totholz * Schimmel is open !
Zurich Art Weekend Raphaela Vogel ✨✨✨✨

🔜 Art Basel Xanti Schawinsky We Will present rare works from the 1920s through the 40s, marking Schawinsky’s days at the...
14/06/2026

🔜 Art Basel Xanti Schawinsky
We Will present rare works from the 1920s through the 40s, marking Schawinsky’s days at the Bauhaus, his short time in Milan, and finally his time in the US during the war. The work on paper drafting his stage design for a play and an accompanying photograph are
particularly important works, recently shown at Mudam, Luxembourg and Kunsthalle Bielefeld. A reconstruction of the stage has also been exhibited at Migros Museum für Gegenwartskunst in Zurich

Xanti Schawinsky, Kombinations-Kulissen (Olga-Olga) aufgeführt in Dessau (Draft for stage setting for Olga-Olga), 1926, Tempera, pencil, and India ink on paper, 39.2 T 55 cm, 62 T 74.5 cm

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Limmatstrasse 268
Zürich
8005

Öffnungszeiten

Dienstag 12:00 - 18:00
Mittwoch 12:00 - 18:00
Donnerstag 12:00 - 18:00
Freitag 12:00 - 18:00
Samstag 11:00 - 17:00

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