Xavier Hufkens

Xavier Hufkens Representing multiple generations of leading artists and estates. Founded in 1987. Xavier Hufkens is one of Europe’s leading galleries for contemporary art.
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Located in Brussels, the gallery maintains a diverse exhibition programme with solo exhibitions of the gallery artists as well as group exhibitions and special projects. The gallery deals in a distinctive combination of painting, drawing, sculpture, photography, video and installation-based work. The origins of the gallery date back to 1987, when Xavier Hufkens opened a gallery space in an un-refu

rbished warehouse in the neighbourhood of the South Station (Midi) in Brussels. During the early years, the focus of the gallery was upon mid-career and emerging artists and the gallery is known for having introduced some of the most influential contemporary artists to Brussels at a time when they were still relatively unknown. British sculptor Antony Gormley, who is still affiliated with the gallery, Felix Gonzalez-Torres and Rosemarie Trockel all showed in Belgium for the first time with Xavier Hufkens (Gormley in 1987; Gonzalez-Torres in 1991 and Trockel in 1993). In 1992, the gallery moved to a 19th-century townhouse at 6-8 rue Saint-Georges, close to the Avenue Louise. Completely renovated by Belgian architects Paul Robbrecht, Hilde Daem and Marie-José Van Hee, the house quickly gained a reputation for being not just one of the most beautiful contemporary art spaces in the Belgian capital, but also one of the most interesting. The expanded exhibition programme coincided with the additional representation of a number of established artists from Belgium and abroad, including Richard Artschwager, Thierry De Cordier and Jan Vercruysse. In 1997, Hufkens expanded the gallery further by annexing the adjacent building and a number of new artists joined the gallery, including Louise Bourgeois, Roni Horn and Thomas Houseago. A second space in the same street, at 107 rue Saint-Georges, opened in spring 2013. Located in the Galerie Rivoli, a mixed-use commercial development from the 1970s, the new gallery space was designed by Swiss architect Harry Gugger, who was previously in partnership with Herzog and De Meuron. Slegten & Toegemann, Brussels, managed the project. An eclectic but very clear vision underpins all of the gallery’s activities: “The definition of the gallery was established from the start. The common thread, then and now, is quality over and above everything else, which I find more intellectually challenging than a forced definition. From the early days I juxtaposed established artists such as Michelangelo Pistoletto with someone like Felix Gonzalez-Torres when he was totally unknown. Today I still mix my work: I have no problem showing Malcolm Morley … alongside Robert Ryman, or Willem de Kooning.” [Xavier Hufkens in The Art Newspaper, Issue 220, January 2011, published online: 20 January 2011]

Xavier Hufkens represents some thirty artists from different generations. He is part of the six-member selection committee for Art Basel and also participates in up to five international Arts Fairs annually. The gallery has partnerships with the estates of Louise Bourgeois, Willem de Kooning and Robert Mapplethorpe.

01/09/2026

Happy 80th birthday, McArthur Binion! 🎉💫

"There are two things I'm happy about: I was born poor. And I stuttered. Challenging. Very challenging."— McArthur Binion’s love for art started by chance. As a delivery boy, he was asked to drop a package at the Museum of Modern Art in New York. ”This was the first time I'd ever been in a museum. I went in, and that experience changed my life.” Binion started drawing classes and worked uninterruptedly for two years.”If you can’t talk, I became a professional listener. And then I realised: You can’t learn while you talk.”

(b. 1946 in Macon, Mississippi) lives and works in Chicago, IL. He has gained recognition as an artist, writer and teacher. He became the first African American to obtain a master’s degree in fine arts in painting from Cranbrook Academy of Art (1973) and also holds a degree in creative writing. These dual passions – words and images – define his life and work to this day. In addition, music has had a significant influence on his practice.

Watch the full video on the gallery website or YouTube channel 🔗

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Filmed by Louisiana Channel (). https://www.xavierhufkens.com/videos/mcarthur-binion-on-rawness-dancingwith-intellect?utm_name=sked&utm_source=facebook&utm_medium=social&utm_content=sked_6a92f08d709902e58d30f38a

  was born   in 1950 in London, UK  🎉Antony Gormley is widely acclaimed for his sculptures, installations and public art...
30/08/2026

was born in 1950 in London, UK 🎉

Antony Gormley is widely acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space.

His work has developed the potential opened up by sculpture since the 1960s through a critical engagement with both his own body and those of others in a way that confronts fundamental questions of where human beings stand in relation to nature and the cosmos.

📍Antony Gormley, 'Geestgrond', is on view at in Antwerp, Belgium until 20 September

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Installation views: Oak Taylor-Smith. Courtesy of the artist and KMSKA, Antwerp.


https://www.xavierhufkens.com/news/antony-gormley-geestgrond?utm_name=sked&utm_source=facebook&utm_medium=social&utm_content=sked_6a92ae8093cdcbe760ea8d90

One more month to visit 'Avery, Gottlieb & Rothko: By the Sea' on view at  in Gloucester, MA until 27 SeptemberPresentin...
28/08/2026

One more month to visit 'Avery, Gottlieb & Rothko: By the Sea' on view at in Gloucester, MA until 27 September

Presenting many works that have never been on public view, this unprecedented exhibition explores the artistic bond between three pivotal 20th century American artists— (1885–1965), (1903–1974), and (1903–1970), whose shared summers in Gloucester from the 1920s through the mid-1940s left a lasting imprint on their work.

The show will feature over 82 works from the 1920s to the 1960s, with loans from 26 prominent national and private institutional collections.

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Featured: Milton Avery, 'Sea Grasses and Blue Sea' (detail), 1958; 'Untitled' (Rothko with March) (detail), 1930s. © 2026 The Milton Avery Trust / Artists Rights Society (ARS), New York. Installation views: Steve Rosenthal.


https://www.xavierhufkens.com/news/milton-avery-in-avery-gottlieb-amp-rothko-by-the-sea?utm_name=sked&utm_source=facebook&utm_medium=social&utm_content=sked_6a8ff62ca3a61afbec822327

26/08/2026

Ahead of ’s exhibition opening tomorrow at Van Eyck, 5–8pm, we filmed the artist at work in his studio in Marseille 💫

Through studio notes and reflections on painting, the short film offers an intimate glimpse into his practice and the surroundings that continue to inspire his work.

💌 Join us for the opening tomorrow: Constantin Nitsche, 'Les mains', at Van Eyck, 5—8pm

Watch the full film on the gallery website or YouTube 🔗

Filmed and edited by Victor Galliani () https://www.xavierhufkens.com/videos/constantin-nitsche?utm_name=sked&utm_source=facebook&utm_medium=social&utm_content=sked_6a8d7dd51ac912a828283177

Last week to visit  's landmark exhibition, 'A Second Life,' on view at  Modern, London until 31 August "A Second Life a...
23/08/2026

Last week to visit 's landmark exhibition, 'A Second Life,' on view at Modern, London until 31 August

"A Second Life aims to provide that opportunity by tracing Emin’s defiantly autobiographical, multidisciplinary practice over four decades. The exhibition's more than 90 works showcase her determination to have her trauma and experiences — of violence, the British class system, sexual and physical health, love and loss — seen and felt by her audience."—Eleanor Stanford writes in The New York Times ()

📍'A Second Life' will travel to the Louisiana Museum of Modern Art (), Humlebæk, Denmark, opening on 8 October.

Learn more via link in bio 🔗

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Photo ©Tate, Sonal Bakrania, Yili Liu.

https://www.xavierhufkens.com/news/tracey-emin-a-second-life?utm_name=sked&utm_source=facebook&utm_medium=social&utm_content=sked_6a86d52c704e83ceeae3dd10

Constantin Nitsche, 'Les mains', will be opening next week at Van Eyck on 27 August, 5-8pmFor Nitsche, painting begins w...
20/08/2026

Constantin Nitsche, 'Les mains', will be opening next week at Van Eyck on 27 August, 5-8pm

For Nitsche, painting begins with an impossible gesture: trying to hold on to something that continually escapes. ‘Sometimes I come very close, and that’s where the satisfaction lies. You’re this close, and then it’s like sand in your hand – you try to hold onto it, but it slips away,’ he says.

His second exhibition at the gallery, 'Les mains', takes its title from one of Franz Kafka’s letters to Milena Jesenská, in which he writes, ‘I can’t hold enough of you in my hands’. For Nitsche, the sentence echoes the experience of painting: every image approaches something it can never fully possess.

The exhibition will be on view until 31 October.

Learn more via link in bio 🔗

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Featured: 'La Canicule III', 2025-2026. Courtesy of the artist and Xavier Hufkens, Brussels. Photo: Thomas Merle.


https://www.xavierhufkens.com/exhibitions/les-mains?utm_name=sked&utm_source=facebook&utm_medium=social&utm_content=sked_6a86c9258e82f24bd211a552

 's first solo museum exhibition in Portugal, 'Beautifully Imperfect' is on view at  in Porto until 17 January 2027 For ...
18/08/2026

's first solo museum exhibition in Portugal, 'Beautifully Imperfect' is on view at in Porto until 17 January 2027

For Neel, imperfection was part of existence itself. 'Beautifully Imperfect' captures this way of seeing, painting and living, characteristic of an eccentric, determined and uncompromising artist in the face of convention, who rejected the artificiality of ideals of beauty and preferred to show bodies, faces and the marks of time and life as they were.

The exhibition brings together works from different periods of Neel's career, from 1926 to 1983, one year before her death, and is organised into small thematic sections arranged non-chronologically.

Curated by Inês Grosso (.ines), Chief Curator of the Serralves Museum.

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Installation views, 'Alice Neel: Beautifully Imperfect', Fundação de Serralves - Museu de Arte Contemporânea, Porto, Portugal, from 16 Jul. 2026 to 31 Jan. 2026. Photo © Filipe Braga © nvstudio. Courtesy of the Estate of Alice Neel.


https://www.xavierhufkens.com/news/alice-neel-beautifully-imperfect?utm_name=sked&utm_source=facebook&utm_medium=social&utm_content=sked_6a84338e885aea1b1efd9448

  is currently included in the group exhibition, 'SUSPECTS– Van Gogh, Tricksters & Co.', on view at  in Arles, France un...
16/08/2026

is currently included in the group exhibition, 'SUSPECTS– Van Gogh, Tricksters & Co.', on view at in Arles, France until 18 October

Inspired by the anthropological figure of the ‘trickster’, the exhibition brings together 33 artists who, following , have chosen dissidence over conformity and excess over restraint.

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Installation views: Grégoire d’Ablon. Courtesy of the artist and Fondation Vincent van Gogh Arles.


https://www.xavierhufkens.com/news/walter-swennen-in-suspects?utm_name=sked&utm_source=facebook&utm_medium=social&utm_content=sked_6a770f6dd0274d0e0b72b6ec

  is known for painting sequences of simple yet highly distinctive visual motifs such as palm trees. Just as the Impress...
13/08/2026

is known for painting sequences of simple yet highly distinctive visual motifs such as palm trees.

Just as the Impressionists made multiple paintings of the same scene to capture different atmospheric effects, Smith will repeatedly paint a subject from memory as a way of exploring different painterly qualities.

The true subject of these paintings, then, is not the palm tree itself, but the expressive potential of paint, colour and repetition.

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All works: 'Untitled', 2014. Courtesy of the artist and Xavier Hufkens, Brussels.

https://www.xavierhufkens.com/artists/josh-smith?utm_name=sked&utm_source=facebook&utm_medium=social&utm_content=sked_6a770d9bedb5c777fcee3d8e

10/08/2026

Announcement: 's first US solo museum exhibition will be opening this September at , Richmond, VA 🇺🇸

Cassi Namoda: Life Is the Seamstress of Dreams
📍Institute for Contemporary Art, Virginia Commonwealth University
📆 18 September 2026—21 February 2027

The work of Cassi Namoda (b. 1988, Maputo, Mozambique) explores culture, folklore, and mythologies of Mozambique across the nation’s colonial and postcolonial eras. With a particular interest in vernacular forms of design and storytelling, Namoda transforms her childhood memories of post-independence Mozambique into transfixing paintings that dwell simultaneously in the past and in her unique vision for a postcolonial future.

🎞️ In this new video, curator and the Executive Director of the ICA at VCU, Jessica Bell Brown () visits Namoda's studio in Biella, Italy, to discuss ideas central to her practice and the upcoming exhibition.

Watch the full video via link in bio 🔗

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Film: Francesco Margaroli. Courtesy of the artist and Xavier Hufkens, Brussels. https://www.xavierhufkens.com/news/cassi-namoda-life-is-the-seamstress-of-dreams?utm_name=sked&utm_source=facebook&utm_medium=social&utm_content=sked_6a744fe673abf91e33667d9d

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Rue Saint-georges 6
Brussels
1050

Heures d'ouverture

Mardi 11:00 - 18:00
Mercredi 11:00 - 18:00
Jeudi 11:00 - 18:00
Vendredi 11:00 - 18:00
Samedi 11:00 - 18:00

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