LAGE EGAL

LAGE EGAL LAGE EGAL regards itself as an experimentation laboratory intent on tampering with the prevalent mec
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LAGE EGAL is a non-commercial project space co-founded and run by Berlin-based French artist and curator Pierre Granoux. Since 2010 LAGE EGAL exists as an artist's studio as well as a place to experiment with different forms of display in close collaboration with artists and guest curators. LAGE EGAL can be read identically from both sides, making it a perfect name for the space: Pierre Granoux al

so organizes off-site exhibitions in different locations, private and public spaces, in Berlin or anywhere else. LAGE EGAL translates from German to "Location doesn't matter", and it definitely doesn't: it is all about the quality of the artwork and the idea behind it.

01/09/2026
ORGANIC BODIES — LAGE EGAL CURATORIAL PROJECTS  #249ANAHITA JUDAKIASTRID KÖPPEExhibition dates: SEP 6 — OCT 17, 2026 Ope...
01/09/2026

ORGANIC BODIES — LAGE EGAL CURATORIAL PROJECTS #249
ANAHITA JUDAKI
ASTRID KÖPPE

Exhibition dates: SEP 6 — OCT 17, 2026
Open hours: THU — SAT, 2pm — 6pm

OPENING SUNDAY, SEP 6, 2026, 2—7PM

LAGE EGAL [RIVOLI] GALLERY #28
CHAUSSÉE DE WATERLOO 690, 1180 BRUSSELS, BELGIUM

Contact: Pierre Granoux +32 483 270237
[email protected]

Drawing is understood here as a process of transformation. In the work of Anahita Judaki and Astrid Köppe, it does not represent but displaces, alters and brings forth forms that move beyond their point of origin.

ANAHITA JUDAKI draws directly onto wooden panels using images taken from photographs and pornographic films. These visual sources, saturated with narrative and codes, are gradually dissolved through gesture. The line fragments bodies and recomposes them into masses, tensions and rhythms. The image ceases to be readable and becomes a surface of intensities, retaining traces of contact and movement.

ASTRID KÖPPE creates her drawings on pre-enamelled metal panels using hand-drawn and hand-cut stencils, gradually building up each composition through successive layers of enamel, which are fired in a kiln to fuse the colour to the surface. Her forms, situated between geometry and biomorphism, appear to belong to a vocabulary of the living while resisting any stable identification. They evoke processes of growth, proliferation or mutation, yet remain irreducible to classification. Fixed by enamel, the drawing nonetheless preserves a sense of latent movement, as if the form were still in the process of becoming.

Between these two practices, drawing emerges less as a representational tool than as a site of passage. In Judaki’s work, images dissolve into graphic matter; in Köppe’s, line becomes structure in a state of becoming. In both cases, forms do not describe the world: they generate intermediate, unstable and open states.

ORGANIC BODIES brings together two approaches to drawing in which forms are never given, but always in the process of emerging.

UNTITLED #144
ASTRID KÖPPE
2016
Vitreous enamel on steel
120 x 110 x 4 cm
KOEP16DR002

SUMMER HITSLAGE EGAL CURATORIAL PROJECTS  #248Exhibition dates: JULY 30 — AUGUST 29, 2026Open hours: THU — SAT, 2pm — 6p...
22/08/2026

SUMMER HITS
LAGE EGAL CURATORIAL PROJECTS #248

Exhibition dates: JULY 30 — AUGUST 29, 2026
Open hours: THU — SAT, 2pm — 6pm

SUMMER HITS evokes memories of scorching summers and bodies adrift, exploring their resonance within LAGE EGAL. These artistic practices brush against one another, overlap, and influence each other. From their encounters emerge unprecedented imaginaries, where time unfolds, layers upon itself, and invents its own rhythms. Like a summer playlist, the exhibition invites established artists and recent graduates to bring the space to life and compose new narratives.

TWENTY-SIX
LAURENCE GRAVE
2023
Oil and gesso on canvas
mounted on canvas on stretcher
80 x 60 cm
GRAV23PT003

HOW TO FIX A BROKEN LINE 03
BRAM BRAAM
2025
Wood, aluminium, oil pastel, spraypaint
70 x 45 x 3 cm
BRAA25PT011

SUMMER HITSLAGE EGAL CURATORIAL PROJECTS  #248 Bram Braam, Vincent De Roder, Marta Djourina, João Freitas, Laurence Grav...
11/08/2026

SUMMER HITS
LAGE EGAL CURATORIAL PROJECTS #248
 
Bram Braam, Vincent De Roder, Marta Djourina, João Freitas, Laurence Grave, Alekos Hofstetter, Julien Hübsch, Anahita Judaki, Wonkun Jun, Juliette Kovàcs, Astrid Köppe, Lucien Lyon, Franziska Reinbothe, Robin Wen
 
LAGE EGAL [RIVOLI] Gallery #28
Chaussée de Waterloo 690, 1180 Brussels, Belgium
30 Jul 2026 — 29 Aug 2026

SUMMER HITS brings together a selection of works by gallery artists alongside a few new commissions, celebrating the season with an exhibition that remains open throughout the summer. While many galleries take a break, LAGE EGAL continues to welcome visitors and invites them to discover a vibrant constellation of contemporary practices.

A convivial gathering will take place on the last day of the exhibition, Saturday, August 29th, from 4 to 7 pm. Everyone is warmly welcome.

Juliette Kovàcs
Untitled
2025
Acrylic on paper
24.7 x 21 cm
KOVA25DR001

Anahita Judaki
Ground_Zero_###X
2025
Colored pencils on wood
20 x 40 x 6 cm
JUDA25DR002

Anahita Judaki
Collision_X
2025
Colored pencils on plywood mounted on wood
20 x 40 x 6 cm
JUDA25DR001

SUMMER HITSLAGE EGAL CURATORIAL PROJECTS  #248Exhibition dates: JULY 30 — AUGUST 29, 2026Open hours: THU — SAT, 2pm — 6p...
07/08/2026

SUMMER HITS
LAGE EGAL CURATORIAL PROJECTS #248

Exhibition dates: JULY 30 — AUGUST 29, 2026
Open hours: THU — SAT, 2pm — 6pm

SUMMER HITS éveille les souvenirs d’étés brûlants et de corps en dérive et explore leur résonance au sein de LAGE EGAL. Les pratiques se frôlent, se chevauchent et s’altèrent mutuellement. De leurs rencontres émergent des imaginaires inédits, où le temps se déplie, se superpose et invente ses propres rythmes. À l’image d’une playlist d’été, l’exposition invite artistes confirmés et jeunes diplômés à faire vibrer l’espace et composer de nouveaux récits.

TELEVISION
VINCENT DE RODER
2018
Oil, lacquer and spray on canvas on panel
30 x 40 cm
DERO18PT003

URBAN ALCHEMY #06
BRAM BRAAM
2024
Concrete, wood, posters, spray paint
27.5 x 24.5 cm
BRAA24PT001

UNTITLED
JOÃO FREITAS
2023
Found paper, found paper clips, salvaged stainless steel plate, Plexiglas, wood, screws
47.5 x 32.5 cm
JOAO23DR007

HOCHZEITSPALAST
ALEKOS HOFSTETTER
2013
Ink, coloured pencil on paper, framed
38 x 27 cm
HOFS13DR002
Available

LOST & FOUND
ALEKOS HOFSTETTER
2015
Colored pencil, permanent marker on paper, framed
24 x 28 cm
HOFS15DR002

WHO LOVES THE SUN
FRANZISKA REINBOTHE
2018
Chiffon
90 x 70 cm
REIN18PT007

SUMMER HITS LAGE EGAL CURATORIAL PROJECTS  #248VINCENT DE RODERMARTA DJOURINAJOÃO FREITASLAURENCE GRAVEALEKOS HOFSTETTER...
29/07/2026

SUMMER HITS
LAGE EGAL CURATORIAL PROJECTS #248

VINCENT DE RODER
MARTA DJOURINA
JOÃO FREITAS
LAURENCE GRAVE
ALEKOS HOFSTETTER
JULIEN HÜBSCH
ANAHITA JUDAKI
WONKUN JUN
ASTRID KÖPPE
JULIETTE KOVÀCS
LUCIEN LYON
FRANZISKA REINBOTHE
ROBIN WEN

Exhibition dates: JULY 30 — AUGUST 29, 2026
Open hours: THU — SAT, 2pm — 6pm

LAGE EGAL [RIVOLI]
GALLERY #28, CHAUSSÉE DE WATERLOO 690
1180 BRUSSELS, BELGIUM

SUMMER HITS evokes impacts and summer collisions, occurring precisely where frictions emerge within the White Cube, the contemporary form of the exhibition space. Far from being a neutral container, it becomes a site of encounter where different practices, imaginaries, and temporalities intersect.

Borrowing its title from the popular expression used to describe the songs that soundtrack each summer—mixing recurring classics with fleeting novelties—the exhibition brings together artists who have previously collaborated with LAGE EGAL alongside a newly graduated generation. Like a compilation album, it assembles singular voices whose proximity generates echoes, displacements, and moments of tension.

SUMMER HITS unfolds through a horizontal approach, where works engage in dialogue without being subsumed into a single narrative. Certain forms resonate with one another while others resist; details migrate across works as differences persist. Friction emerges not through direct opposition, but through the coexistence of distinct image regimes, narratives, and materialities.

The exhibition constructs a fragmented narrative suspended between fiction and document, memory and projection. The collisions suggested by the title are not spectacular events but subtle interferences, emerging through proximity, contrast, and the unexpected relationships that take shape within the exhibition space.

ENTREMELER
ROBIN WEN
2026
Ballpoint on paper, framed
23 x 17,5 cm (30,5 x 24,8 cm)
WEN26DR003

GIMME SHELTER  #3 LAGE EGAL CURATORIAL PROJECTS  #248TOM FRÜCHTLASTRID KÖPPEFRANZISKA REINBOTHEGONZALO REYES–ARAOSand VI...
15/06/2026

GIMME SHELTER #3
LAGE EGAL CURATORIAL PROJECTS #248

TOM FRÜCHTL
ASTRID KÖPPE
FRANZISKA REINBOTHE
GONZALO REYES–ARAOS
and VINCENT DE RODER

Exhibition dates: JUNE 14 — JULY 4, 2026
Open hours: SAT—SUN, 2pm — 6pm

LAGE EGAL [LOODS 12]
Koophandelstraat 12
9230 Wetteren, Belgium

Echoing the famous song by The Rolling Stones, the off-site group exhibition GIMME SHELTER III resonates with the selection of works presented by LAGE EGAL (trans. location doesn’t matter), a nomadic gallery based between Berlin and Brussels.

Vincent de Roder’s invitation for this third edition extends the gallery’s fluid identity: a practice of displacement, relocation and the circulation of works rooted in the dynamics of contemporary art.

The selected works display their colours and abandon figuration to surrender to their own visual languages, inviting the viewer to enter the artists’ unique worlds. TOM FRÜCHTL’s raw gradients bleed into one another as if colour itself were under pressure; FRANZISKA REINBOTHE’s distorted frames warp the familiar until recognition gives way to unease; ASTRID KÖPPE’s strange metallic compositions hold light hostage in surfaces that feel both ancient and alien; GONZALO REYES-ARAOS’s deliberately “glitchy” visions short-circuit the image, exposing the fractures beneath; and VINCENT DE RODER’s silent bands and blocks accumulate with a quiet precision that makes the void feel densely inhabited. Together they form a body of work permeated by the tension of an angry world, where everything seems within striking distance — It’s just a shot away, it’s just a shot away. On the verge of collapse. (…)

SURFACES by Wonkun Jun Born in 1970 in Seoul, WONKUN JUN lives and works in Düsseldorf, where he studied at the Kunstaka...
20/05/2026

SURFACES by Wonkun Jun

Born in 1970 in Seoul, WONKUN JUN lives and works in Düsseldorf, where he studied at the Kunstakademie Düsseldorf from 1999 to 2003. This exhibition marks his first solo exhibition in Belgium:

May 7—30, 2026 | THU—SAT, 2pm—6pm
Also open by appointment or by chance

LAGE EGAL CURATORIAL PROJECTS
RIVOLI BRUSSELS | Gallery #28
Chaussée De Waterloo 690 Waterloosesteenweg
1180 Uccle/Brussels, Belgium

The artist presents a painting of surfaces as a process. Through the repetition of numerous layers of color and their dilution until they are nearly erased, the pictorial field appears as a stratified structure rather than a fixed plane. The surface of the canvas is not given; it is consciously and meticulously constructed over time, recording both the addition and the removal of layers.

The canvas becomes an interval, an inframince: a space where the material process and perception intersect. The work resists immediacy, unfolding gradually over time and to the sensitive viewer.

UNTITLED
WONKUN JUN
2025
Acrylic on canvas
120 x 90 cm
WONK25PT006

SURFACESWonkun Jun We are pleased to invite you to the opening this Sunday, May 10, 2026, from 2 to 7pm, of SURFACES, a ...
06/05/2026

SURFACES
Wonkun Jun

We are pleased to invite you to the opening this Sunday, May 10, 2026, from 2 to 7pm, of SURFACES, a solo exhibition by WONKUN JUN, on view at LAGE EGAL BRUSSELS.

Born in 1970 in Seoul, WONKUN JUN lives and works in Düsseldorf, where he studied at the Kunstakademie Düsseldorf from 1999 to 2003. This exhibition marks his first solo exhibition in Belgium:

Opening SUNDAY, May 10, 2026, 2—7pm
May 7—30, 2026 | THU—SAT, 2pm—6pm
Also open by appointment or by chance

LAGE EGAL CURATORIAL PROJECTS
RIVOLI BRUSSELS | Gallery #28
Chaussée De Waterloo 690 Waterloosesteenweg
1180 Uccle/Brussels, Belgium

The artist presents a painting of surfaces as a process. Through the repetition of numerous layers of color and their dilution until they are nearly erased, the pictorial field appears as a stratified structure rather than a fixed plane. The surface of the canvas is not given; it is consciously and meticulously constructed over time, recording both the addition and the removal of layers.

The canvas becomes an interval, an inframince: a space where the material process and perception intersect. The work resists immediacy, unfolding gradually over time and to the sensitive viewer.

UNTITLED
WONKUN JUN
2025
Acrylic on canvas
46 x 2.5 x 3 cm
WONK25PT003

LAST WEEK WITHDRAW .freitasjoao Exposition « With/Draw » de Joao Freitas Galerie Lage Egal Rivoli 28 jusqu’au  2 mai 26 ...
27/04/2026

LAST WEEK WITHDRAW .freitasjoao
Exposition « With/Draw » de Joao Freitas Galerie Lage Egal Rivoli 28 jusqu’au 2 mai 26

Quel bonheur de retrouver Joao dans une présentation de diverses œuvres montrant les différentes facettes de son travail qui, à partir de matériaux rejetés, retire de la matière pour révéler et tracer un nouveau dessin, une nouvelle texture.

J’ai particulièrement aimé les œuvres « sans titre » crées à partir d’emballages Tetra Pak en carton plastifié trouvés dans des chantiers. L’effet est troublant et très beau, comme une dentelle (la photo ne donne pas du tout l’aspect de la réalité de cette oeuvre dans les bleus sombres).

NB LAGE EGAL (l’emplacement n’a pas d’importance) est une galerie indépendante fondée par Pierre Granoux en 2019 à Berlin
Rivoli Bruxelles n° 28 Chaussée de Waterloo 690

Adresse

Chaussee De Waterloo 690
Brussels
1180

Heures d'ouverture

Jeudi 14:00 - 18:00
Vendredi 14:00 - 18:00
Samedi 14:00 - 18:00

Téléphone

+491731807226

Notifications

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