As is as-is.la is an art gallery and exhibition space focusing on modern and contemporary art with an emph

Haphazard is a contemplative space for contemporary art and design. It seeks to pioneer a novel and desultory vision to decant fragments of creative inspirations. Taking in the chaotic and accidental, the baffling and outrageous, along with the inconsistent and unprocessed beauties littered in our raw realities, our mission is to celebrate juxtapositions and coax the interconnectedness of various

artistic and cultural communities without preconception. The developmental strategies and curatorial activities are led by Mok Wai Wan, Oleg Korchinski and Harrison Timothy Higgins.

1543 Sawtelle Boulevard
Los Angeles, CA 90025

213.610.4110

[email protected]

Vincent Ramos: Vincent Ramos: Notice of Demolition or The Horror-Vacui Heavy Haunts House Band for The Haunted House on ...
06/18/2026

Vincent Ramos: Vincent Ramos: Notice of Demolition or The Horror-Vacui Heavy Haunts House Band for The Haunted House on view through July 18.

The exhibition, the artist explains, “consists of examples from six years of work, continuing my ongoing investigation into various facets of Mexican American/Chicano culture as it relates to the American experience. I utilize found objects and found images to create a series of non-linear narratives that investigate notions of memory, loss, trauma, resilience, and a certain undeniable presence (and at times very deliberate absence and/or erasure) within the larger culture.”

Vincent Ramos

Photo by Yubo - ofstudio photography

Vincent Ramos: Vincent Ramos: Notice of Demolition or The Horror-Vacui Heavy Haunts House Band for The Haunted House on ...
06/18/2026

Vincent Ramos: Vincent Ramos: Notice of Demolition or The Horror-Vacui Heavy Haunts House Band for The Haunted House on view through July 18.

The exhibition, the artist explains, “consists of examples from six years of work, continuing my ongoing investigation into various facets of Mexican American/Chicano culture as it relates to the American experience. I utilize found objects and found images to create a series of non-linear narratives that investigate notions of memory, loss, trauma, resilience, and a certain undeniable presence (and at times very deliberate absence and/or erasure) within the larger culture.”

Vincent Ramos

Photo by Yubo - ofstudio photography

We are pleased to present Gerard Brane: The Absence of Direction, a small if highly focused exhibition of new and recent...
06/09/2026

We are pleased to present Gerard Brane: The Absence of Direction, a small if highly focused exhibition of new and recent artworks by this veteran Los Angeles artist. This show is presented with Vincent Ramos: Notice of Demolition or The Horror Vacui Haunts the House Band for the Haunted House. Both exhibitions open on Saturday, June 13 with an artists’ reception from 2 - 5 pm and continue through July 18 at as-is.

Each of Brane’s five modestly scaled (typically 22 x 18 inches) artworks centers a semi- abstract / semi-representational image which remains somewhat vague if always richly suggestive. Each of these is then set into its own thickly painted “frame”—the frame itself often much more densely and elaborately rendered than the painting it ostensibly frames—and each is “illuminated” by one or more decorative light fixtures fed by an electrical cord dangling down to the plug below, this functional element thus completing the comic ensemble. But while Brane’s artworks present as casually conceived, indifferently executed and readily accessible to a non-specialist audience, the cheerfully populist guise they affect just barely conceals a set of elite ambitions and exquisitely aesthetic judgements that argue just the opposite—the thought-provoking conflict between mass and elite taste the artist stages here being wholly intentional and forever unresolved.

We are pleased to present Vincent Ramos: Notice of Demolition or The Horror Vacui Heavy Haunts House Band for the Haunte...
06/09/2026

We are pleased to present Vincent Ramos: Notice of Demolition or The Horror Vacui Heavy Haunts House Band for the Haunted House, an exhibition of new and recent work in the rich and storied tradition of California collage and assemblage by this veteran Los Angeles artist. The exhibition is presented in conjunction with Gerard Brane: The Absence of Direction. Both shows open on Saturday, June 13 with an artists’ reception between 2-5 pm and continues through July 18 at as-is.

The exhibition, the artist explains, “consists of examples from six years of work, continuing my ongoing investigation into various facets of Mexican American/Chicano culture as it relates to the American experience. I utilize found objects and found images to create a series of non-linear narratives that investigate notions of memory, loss, trauma, resilience, and a certain undeniable presence (and at times very deliberate absence and/or erasure) within the larger culture.”

“By juxtaposing material that is from the relatively recent past to now, be it from pop culture or politics or whatever, I seek to collapse time in on itself to create some weird type of mutated and / or hybrid space of cross-cultural inquiry; to bring the voices of the past back into the present; to simultaneously make sense of our current chaotic condition, using the brown image and narrative with its rich and complex history; and to subsequently add to this fraught space in such a way as to disrupt the much larger dominant narrative and ultimately to haunt the age-old traditions of Americana to their hollow core.”

Final two weeks to see “Lincoln Tobier: Sets of Seven Cylinders,” on view through May 30.
05/21/2026

Final two weeks to see “Lincoln Tobier: Sets of Seven Cylinders,” on view through May 30.

Lincoln Tobier A Set of Seven Cylinders (UA3)2025Ceramic, acrylic A Set of Seven Cylinders (TB)2022-2025Ceramic, acrylic...
05/15/2026

Lincoln Tobier 
A Set of Seven Cylinders (UA3)
2025
Ceramic, acrylic

A Set of Seven Cylinders (TB)
2022-2025
Ceramic, acrylic

A Set of Seven Cylinders (LY)
2022-2025
Ceramic, acrylic



Photos by

Lincoln Tobier June 14–18, 20012002Baked enamel on SteelEdition 3/3“In the small gallery, June 14-18, 2001, a large, ena...
05/10/2026

Lincoln Tobier
June 14–18, 2001
2002
Baked enamel on Steel
Edition 3/3

“In the small gallery, June 14-18, 2001, a large, enameled silkscreen painting on steel from 2002, produced in the same foundry that makes signs for the Metro in Paris and for railways throughout France. It reproduces an image clipped from the New York Times of June 18, 2001, of a massive anti-government demonstration in Algiers four days earlier in the context of long-standing cultural marginalization of the Kabyle people, a Berber ethnic group indigenous to Kabylia in the north of Algeria. This protest was the culmination of months of unrest and rioting ignited by the arrest and murder by the police of a Kabyle high-school student. Following his death, demonstrations were met with violent opposition by paramilitary police, during which hundreds were killed and thousands severely injured. These events came to be known as the Black Spring. In the short term these conflicts resulted in mild political reforms, in the long term they led to significant political and cultural autonomy in the Kabyle region.”

Lincoln Tobier: Sets of Seven Cylinders Lincoln Tobier A Set of Seven Cylinders (PR)2022-2025Ceramic, acrylic Lincoln To...
05/06/2026

Lincoln Tobier: Sets of Seven Cylinders

Lincoln Tobier 
A Set of Seven Cylinders (PR)
2022-2025
Ceramic, acrylic 

Lincoln Tobier 
A Set of Seven Cylinders (MA)
2022-2025
Ceramic, acrylic 

 Lincoln Tobier 
A Set of Seven Cylinders (BG)
2022-2025
Ceramic, acrylic 



Photos by

Lincoln Tobier: Sets of Seven CylindersOn view through May 30.    📷
05/01/2026

Lincoln Tobier: Sets of Seven Cylinders
On view through May 30.



📷

Address

1133 Venice Boulevard
Los Angeles, CA
90015

Opening Hours

Tuesday 11am - 6pm
Wednesday 9am - 5pm
Thursday 11am - 6pm
Friday 11am - 6pm
Saturday 11am - 6pm

Telephone

+12136104110

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