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2 Openings tonight Friday October 9, 6-9pm BALANCE IN PLACE - Felipe Dulzaides SHADOOBIE (SHATTERED) - Bradley Boboc Fro...
10/09/2026

2 Openings tonight Friday October 9, 6-9pm

BALANCE IN PLACE - Felipe Dulzaides

SHADOOBIE (SHATTERED) - Bradley Boboc

From the weathered neighborhoods of Havana, Cuba, to the bustling streets of downtown Los Angeles, ARCANE Space presents two distinct artists whose work closely examines everyday life in their respective cities—its objects, language, sounds, commerce, and rituals.

Also showing at ARCANE Space

SINCERE- Diana “Didi” Rojas

Come and experiment these 3 artists work!

This Friday! 2 openings at ARCANE Space  Oct 9  6-9pm Felipe Dulzaides - BALANCE IN PLACE drawings, photographs, video, ...
10/07/2026

This Friday! 2 openings at ARCANE Space Oct 9 6-9pm

Felipe Dulzaides - BALANCE IN PLACE drawings, photographs, video, sculpture.

Bradley Boboc- SHADOOBIE (SHATTERED) paintings.

Examining everyday life in their respective cities; its commerce, language, sounds, and rituals, LA artist Bradley Boboc and Cuban artist Felipe Dulzaides reframe familiar elements of the urban experience. Though working in very different mediums and contexts, both artists reveal poetry, complexity, and human exchange embedded in daily life.

October 9 - November 8

ALSO showing at ARCANE Space
Diana “Didi” Rojas- SINCERE until October 25

Artist talks!!!
Saturday, Oct 11, 2pm Felipe Dulzaides with Adolfo Nodal
Saturday, Oct 17 2pm Didi Rojas with Morleigh Steinberg

first image: photograph, Felipe Dulzaides
Second image: painting, Bradley Boboc

Opening Friday, October 9, 6-9pm BALANCE IN PLACE - Felipe DulzaidesThrough photography, drawing, video, and sound, Dulz...
10/06/2026

Opening Friday, October 9, 6-9pm BALANCE IN PLACE - Felipe Dulzaides

Through photography, drawing, video, and sound, Dulzaides explores chance, circularity, and the relationship between public space and poetry. This exhibition includes Dulzaides documentation of los amoladores—Havana’s knife sharpeners and their distinctive whistles, precious carriers of family memory and song.

Artist talk this Saturday Oct 10, 2pm with moderator Adolfo Nodal.

BALANCE IN PLACE on view through Nov 8



Felipe Dulzaides

ARCANE Space is excited to announce the dual opening of Bradley Boboc and Felipe Dulzaides. On view October 9 through No...
10/02/2026

ARCANE Space is excited to announce the dual opening of Bradley Boboc and Felipe Dulzaides. On view October 9 through November 8

Opening reception: October 9, 6 - 9pm

From the weathered neighborhoods of Havana, Cuba, to the bustling streets of downtown Los Angeles,
ARCANE Space presents two notable artists whose work closely examines everyday life in their respective cities—its objects, language, sounds, commerce, and rituals.

Cuban artist, Felipe Dulzaides and LA artist, Bradley Boboc transform familiar elements of the urban experience into something unexpected.

Through photography, drawing, video, performance, sculpture, and sound, Dulzaides documents Havana’s knife sharpeners, los amoladores, and heir well worn family whistles. Transforming modest gestures and ordinary materials into meditations on balance, memory, and displacement, Dulzaides explores chance, circularity, and the relationship between public space and memory.

Above work: Felipe Dulzaides

ARCANE Space is excited to announce the dual opening of Bradley Boboc and Felipe Dulzaides. On view October 9 through No...
10/02/2026

ARCANE Space is excited to announce the dual opening of Bradley Boboc and Felipe Dulzaides. On view October 9 through November 8

Opening reception: October 9, 6 - 9pm

From the weathered neighborhoods of Havana, Cuba, to the bustling streets of downtown Los Angeles,
ARCANE Space presents two notable artists whose work closely examines everyday life in their respective cities—its objects, language, sounds, commerce, and rituals.

Cuban artist, Felipe Dulzaides and LA artist, Bradley Boboc transform familiar elements of the urban experience into something unexpected.

In Shadoobie (Shattered), Bradley Boboc brings the riot of color, language, and commerce from downtown LA’s Toy District into a new series of paintings. Borrowing its title from a Rolling Stones song of existential frustration, the work turns that unrest into something physical and immediate, while highlighting the enduring human impulse to question, create, and resist forces that aim to silence creativity and independent thought.

Above work is Bradley Boboc bradley_boboc

Open now- “Sincere” Diana “Didi” Rojas- I Am Keeping The Imperfect Ending And Pretending That It Is Perfect, 2026 - ston...
09/25/2026

Open now- “Sincere” Diana “Didi” Rojas- I Am Keeping The Imperfect Ending And Pretending That It Is Perfect, 2026 - stoneware, thread on linen 24”x36”.
“There is nothing more sincere than a button.
An ordinary, intimate object known for its unheroic ability to connect.
If a button could talk… it would whisper:
I am here to keep it together. I am necessary. I have been touched.
Someone took the time to put me here.
Quiet devotion. -Diana “Didi” Rojas
This new series is grounded in repetition, touch, and time. Each button was individually
hand-sculpted, capturing fingerprints and texture, and recording the labor of its making.
I am interested in the point at which the familiar becomes strange without ceasing to be familiar. On view until Oct 25

09/21/2026

Earth Wear: A Performance Trilogy
2019–2026 Diana “Didi” Rojas
Mars Rojas
Nicole Ucedo

Each video of the Earth Wear trilogy begins conversationally, as an idea for a shoe, an action, or a location. Each artist then brings their own language: Didi through clay and sculpture, Mars through camera and direction, Nicole through performance and editing.

Blending improvisation, community interaction, and documentation, the three videos in this exhibition challenge the familiarity and function of an everyday object and invite the environment in as a fourth collaborator.

Concrete, asphalt, sand, saltwater, air, and dirt mark every piece, and what remains of each clay shoe is collected and fired, preserving impact and time.

These works move between sculpture and performance, document and artifact, tenderness and absurdity. They begin as objects sculpted for the body and end as objects marked by the world. As part of “Sincere” at ARCANE Space

SINCERE - Diana “Didi” Rojas opens this Saturday Sept 19 6-9pm at ARCANE Space                                          ...
09/17/2026

SINCERE - Diana “Didi” Rojas opens this Saturday Sept 19 6-9pm at ARCANE Space There is nothing more sincere than a button.
An ordinary, intimate object known for its unheroic ability to connect.
If a button could talk… it would whisper:
I am here to keep it together. I am necessary. I have been touched.
Someone took the time to put me here.
Quiet devotion.
This new series is grounded in repetition, touch, and time. Each button was individually hand-sculpted, capturing fingerprints and texture, and recording the labor of its making.
I am interested in the point at which the familiar becomes strange without ceasing to be familiar.
Bio: Diana “Didi” Rojas is a Colombian-born, Los Angeles-based artist whose practice centers on ceramics, sculpture, and the intimate language of everyday objects. Working
through tenderness, humor, repetition, and material transformation, Rojas’ work hovers between the familiar and the strange by inviting associations with the body, domestic
life, desire, memory, and the psychological landscapes of everyday experience. Rojas received her BFA from Pratt Institute. She currently lives and works in Los Angeles.

ARCANE Space is pleased to present Sincere, a new body of sculptural work by Diana “Didi” Rojas, opening September 19, o...
09/06/2026

ARCANE Space is pleased to present Sincere, a new body of sculptural work by Diana “Didi” Rojas, opening September 19, on view through October 25, 2026

Known for her artistic renditions of popular sneakers and designer footwear, Rojas has explored how one constructs their being through what they wear. With Sincere, she turns her attention to the humble button, embracing repetition as a way to examine, in her words, “the point at which the familiar becomes strange without ceasing to be familiar.”

The works emerge through an intensely repetitive and tactile process. Rojas sculpts and manipulates hundreds of buttons, transforming this everyday object through the accumulation of touch, time, and labor. Each button carries the unique imprint of Rojas’ fingertips, leaving behind a trace of her individual identity. Though made through repetition, no two are quite the same; each possesses a distinct character, bearing the physical record of the hand that made it.

Buttons, seemingly mundane nondescript objects, quietly play an essential role in our everyday lives. They fasten the waistband of our pants, keep our shirts closed throughout the day, and secure our bags. Small and familiar, the button is an object of utility, but also one of connection.

Rojas writes:
There is nothing more sincere than a button.
An ordinary, intimate object known for its unheroic ability to connect.
If a button could talk… it would whisper:
I am here to keep it together. I am necessary. I have been touched. Someone took the time to put me here.
Quiet devotion.

Sincere marks a new approach to Rojas’ sculptural practice. Rather than creating freestanding sculptures that sit on pedestals, she carefully attaches each of her button sculptures onto canvas. The works connect the hand-built quality of their construction with the physical labor of the hand, while returning the button to its most fundamental purpose: to connect.

Through repetition, touch, and labor, Rojas elevates the ordinary button into something quietly intimate—an object whose value lies not in its rarity, but in its usefulness, familiarity, and capacity to hold things together.

I Wake Up Growling Apples and Dirt, 2026
L

NATURAL DEATH - a Group Exhibition — ceramics, photography, painting, and more.Natural Death is a story thread together ...
06/14/2026

NATURAL DEATH - a Group Exhibition — ceramics, photography, painting, and more.

Natural Death is a story thread together through the work of 13 artists: Noura Alhariri, Anne Beck, Dan Clauson, Cirilo Domine, Rosemary Hall, Cat Lauigan, Jas Lin, Jules Pierce, yétúndé olágbajú, taisha paggett, Laurie Palmer, Grace Potter and Sarita Doe, curated by Rino Kodama and Dav Bell. Each artist looks deeply into the aliveness of the world’s fissures, through its entanglements, rearrangements, beauty, and persistence to keep going. Originally exhibited at the Mendocino Art Center on November 8th, 2025, now on view at ARCANE Space June 6th-July 12th

slow sauntering with the summer’s last gifts
our excess, evidence of life lived to its limits we keep driving, slow cooking and sharing tea chemically rearranging our fears over dinner
i ask for a real hug and you invite me into plein air
we remind each other, it can all be gone so quickly
so we’re left with the fullness of the now we nestle into tangents meet in the metal
steeping time like a whale who moves
between hot and cold waters opposite the direction the world turns, against the tides doing all that it can
to move us to a halt
their outbreath a reminder for us to breathe
as they place clouds into the sky with their warm exhales, a lingering fog to nurse the trees,
bridging histories bonded by all our much ness, laid out on the table

We have all lost something.
The earth reminds us of our mortality daily. As the season shifts, we approach darker months, the colors around get painted anew through natural abscission. Many of us return to art and poetry to grapple with the immense grief, because answering to, How are you? Without pause, is beyond one. So we attempt to elaborate those caverns in our connections, collaborating with the earth, touching clay, shapeshifting and code switching to new worlds.
Perhaps a natural death does not mean a long life, only a life lived in coexistence and in honor of each other and all things living deep within the planet. Immense grief means there was immense love.
Choosing to love again after we grieve is one of the greatest gifts we can give to each other. There is not enough language t

Address

324 Sunset Avenue
Los Angeles, CA
90291

Opening Hours

Thursday 11am - 5:30pm
Friday 11am - 5:30pm
Saturday 11am - 5:30pm
Sunday 11am - 5:30pm

Telephone

(310) 457-6348

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