Wilding Cran Gallery

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Wilding Cran Gallery Founded by Anthony Cran and Naomi Wilding, Wilding Cran is a Los Angeles based gallery representing contemporary artists. See website for hours.

We are currently open by appointment. Please email [email protected]

*Please join us for a walkthrough of Desert Lenses with artist Ry Rocklen on Saturday, October 17 at 4pm.Please DM to RS...
10/14/2026

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Please join us for a walkthrough of Desert Lenses with artist Ry Rocklen on Saturday, October 17 at 4pm.

Please DM to RSVP or email [email protected]

Ry Rocklen

📸Artwork: Sarah Lyon
📸Portrait: Joe Pugliese

*Ry Rocklen at Wilding Cran, whose aluminum cast socks are among the most essential sculptures of the season, their mo...
10/12/2026

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Ry Rocklen at Wilding Cran, whose aluminum cast socks are among the most essential sculptures of the season, their monovalence unraveling in real time into something slower about home and memorial.
- DIVA CORP USA

Ry Rocklen
Large Pedal 3, 2026
Aluminum
22 3/4 x 7 inches
57.8 x 17.8 cm.

Desert Lenses on view through October 24

Ry Rocklen

10/08/2026

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Ry Rocklen
Rocky Sunday, 2026
Ceramic, glaze, glaze decal
10 1/2 x 10 1/2 x 5 inches
26.9 x 26.9 x 12.7 cm.

Ry Rocklen

*Robert GundermanEgret, 2026Oil on canvas47 x 41 inches119.4 x 104.1 cm.Robert Gunderman
10/08/2026

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Robert Gunderman
Egret, 2026
Oil on canvas
47 x 41 inches
119.4 x 104.1 cm.

Robert Gunderman

*10 Art Shows to See in Los Angeles This October Thank you HYPERALLERGIC and Matt Stromberg!This October, art shows in t...
10/07/2026

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10 Art Shows to See in Los Angeles This October

Thank you HYPERALLERGIC and Matt Stromberg!

This October, art shows in the city home in on the everyday and its ability to reveal greater truths about existence, perception, and history. From the human-made detritus and barren landscape of the High Desert, Ry Rocklen creates nuanced portraits of place and family. At Regen Projects, Elliott Hundley charts the uncharted reaches of his subconscious by securing hundreds of found images to panels with pins. Meanwhile, Jordan Nassar practices tatreez, traditional Palestinian embroidery, in his multi-panel works that engage not only with art history but with cultural erasure and destruction. And a retrospective on the work of LA-based artist Susan Silton showcases her participatory practice and deep engagement with the world outside the gallery walls.

Interdisciplinary artist Ry Rocklen finds magic in the mundane, making visible the stories embedded in ordinary objects. Desert Lenses focuses on the area around Joshua Tree where he lives, just east of Los Angeles, featuring photo-based ceramics that juxtapose natural and human-made elements in the desert, such as monochrome still lifes hidden within the shell of a rusted shopping cart or battered bus. Accompanying these works are casts of his family members’ socks in paper and aluminum, each conveying a remarkable sense of personality through its rumpled form.

Ry Rocklen
99 and Sunny, 2024
Ceramic, glaze, glaze decal
9 3/4 x 11 x 6 inches
24.8 x 27.9 x 15.2 cm.

Ry Rocklen Matthew Stromberg Hyperallergic

📸 Sarah Lyon

10/02/2026

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Ry Rocklen
Rolling Stone, 2026
Ceramic, glaze, glaze decal
15 1/2 x 6 x 4 1/2 inches
39.4 x 15.2 x 11.4 cm.

Ry Rocklen | Desert Lenses
On view through October 24

Ry Rocklen has spent more than two decades making ordinary objects—rocking chairs, drying racks, abandoned cars, shopping carts—behave unexpectedly. In Desert Lenses, these familiar forms become uncanny vantages for surveilling the high desert around his home in Joshua Tree. Rather than simply depicting the wilderness, however, Rocklen folds these objects through a looking glass and back into themselves. Using photography, mold-making, and glaze decals, he turns each form into a kind of container or frame, its surface carrying an image of the desert it inhabits. Part sculpture, part landscape, part optical illusion, Rocklen forces these objects to look at the unvarnished realities of the places that birthed them.

Ry Rocklen

*Herald NixUntitled Shuswap Lake, B.C. November  #8, 2025Oil on birch panel10 1/2 x 8 1/2 inches26.7 x 21.6 cm.Amy Modah...
09/30/2026

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Herald Nix
Untitled Shuswap Lake, B.C. November #8, 2025
Oil on birch panel
10 1/2 x 8 1/2 inches
26.7 x 21.6 cm.

Amy Modahl

*Ry RocklenSlice of Life, 2026Ceramic, glaze, glaze decal5 x 15 1/4 x 5 inches12.7 x 38.7 x 12.7 cm.Ry Rocklen | Desert ...
09/29/2026

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Ry Rocklen
Slice of Life, 2026
Ceramic, glaze, glaze decal
5 x 15 1/4 x 5 inches
12.7 x 38.7 x 12.7 cm.

Ry Rocklen | Desert Lenses
On view through October 24

Ry Rocklen has spent more than two decades making ordinary objects—rocking chairs, drying racks, abandoned cars, shopping carts—behave unexpectedly. In Desert Lenses, these familiar forms become uncanny vantages for surveilling the high desert around his home in Joshua Tree. Rather than simply depicting the wilderness, however, Rocklen folds these objects through a looking glass and back into themselves. Using photography, mold-making, and glaze decals, he turns each form into a kind of container or frame, its surface carrying an image of the desert it inhabits. Part sculpture, part landscape, part optical illusion, Rocklen forces these objects to look at the unvarnished realities of the places that birthed them.

Ry Rocklen

*Karon Davis: Not My CircusSeattle Art MuseumNovember 5, 2026 - July 4, 2027Karon Davis’s work strides the line between ...
09/25/2026

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Karon Davis: Not My Circus
Seattle Art Museum
November 5, 2026 - July 4, 2027

Karon Davis’s work strides the line between visual art and performance. In communion with one another, her figurative sculptures form enigmatic tableaux that suggest both personal and collective stories tied to contemporary and ancient themes, historical events, and the artist’s lived experiences. Davis begins each sculpture by making a plaster cast of a real person—often a friend, family member, stranger befriended on the street, or the artist herself. The final work is both rooted in the personal and, as she builds upon and transforms the figures into their roles like actors in a play, reflective of a broader collective experience.

In Not My Circus, Davis invites visitors into the big top of the circus. The duality of pleasure and pain that is inherent in all forms of entertainment—and particularly relevant in the context of the circus—has long been a subject of interest to Davis, who studied dance and film and comes from a family of performers. In Davis’s hands, the insidious underbelly of the circus is brought into the limelight: the deadly power of the lion, subdued and dominated by a yet more powerful force; the tragic clown’s weeping face, provoking taunting laughter from its audience; the knife-thrower’s assistant, a human target risking grave harm if she, or her partner, make one wrong move. Davis draws parallels between the circus tent’s public personas and the private power dynamics of greater society, bringing the personal dramas of our lives front and center.

About the artist
Karon Davis is the 2025 recipient of the Gwendolyn Knight and Jacob Lawrence Prize. The prize was created in honor of Gwendolyn Knight and Jacob Lawrence, renowned artists and dedicated teachers who lived and worked in Seattle for much of their lives and who recognized the need for Black artists to have support and advocacy. Funding for the prize is provided by the Gwendolyn Knight and Jacob Lawrence Endowment and the Jacob and Gwendolyn Knight Lawrence Foundation.

Karon SAM Hyperallergic

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607 N. Western Avenue
Los Angeles, CA
90004

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