Stockroom Kyneton

Stockroom Kyneton Stockroom kyneton is a contemporary art gallery and large retail design space located one hour from

Stockroom is an exciting regional arts hub located in Kyneton’s thriving style precinct, Piper Street. Located just one hour north of Melbourne, Stockroom boasts an impressive and unique space that includes a large, split level retail and gallery space showcasing contemporary artists, makers and designers through a range of products including jewellery, ceramics, homewares, furniture and fashion a

s well as a monthly exhibition program across three gallery spaces and an outdoor sculpture courtyard. Stockroom makers and designers are at the cutting edge of contemporary art, craft and design, each having been carefully selected for their innovation, superb finish, presentation, skills and uniqueness. Works are curated and displayed amongst a collection of vintage and industrial collectables and furniture, much of which is made in-house. In Stockroom Gallery expect to encounter some of Australia’s most exciting and collectable, new and established contemporary artists within the monthly program of solo and curated exhibitions. The public exhibition openings are held on the second Saturday of every month from 4.30pm. Stockroom directors Magali Gentric and Jason Waterhouse are passionate about creating a vibrant arts hub, which provides a forum for artists, makers and designers of all disciplines.

.available at stockroom…ELLA BENDRUPSVisible Vapour  #10, 2022keanes white raku, barrel fired with copper carbonate, red...
09/06/2026

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available at stockroom


ELLA BENDRUPS
Visible Vapour #10, 2022

keanes white raku, barrel fired with copper carbonate, red iron oxide, walnut shells, corn husks, banana peel, salt and organic combustibles, renaissance wax finish
17.5 x 11.5 x 11.5 cm

Constructed using coils, her simple forms serve as a blank canvas for the unpredictable and expressive patternation achieved through the alternative technique of barrel firing. A mixture of organic materials was supplemented with chemical compounds to encourage rich warm tones to transfer to the works during the firing process alongside the typical greys and blacks from the smoke. The elemental nature of this process has an appeal that transcends time and continues to inspire fascination in modern audiences. Ella’s reinterpretation of ancient forms and firing techniques for this collection extends the current governing theme of her practice, which is to produce innate forms refined for a modern context.

Ella Bendrups is a ceramic artist who creates innate forms refined for a modern context. Ella’s practice explores ancient clay and stone artefacts and their ability to transcend the times and cultures in which they were created. She embraces the expressive nature of hand-building, pinching, coiling, and carving clay to highlight the maker’s touch.

please email [email protected] for details about this, & other available work

.available at stockroom…RHETT D’ COSTAEcologies (Cimmabar green), 2025acrylic polymer, graphite, watercolour on Fabriano...
08/06/2026

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available at stockroom

RHETT D’ COSTA
Ecologies (Cimmabar green), 2025

acrylic polymer, graphite, watercolour on Fabriano Artistico
640 gsm paper, framed
76 x 58 cm

To measure is to ascertain the size, amount, or degree of something by using an instrument or device marked in standard units. To measure also means to assess the importance, effect, or value of something. Reliability and validity are concepts used to evaluate the quality of research. The consistency of a measure provides reliability. While the accuracy of a measure provides validation. I have come to realize that these concepts are not restricted to evaluating the quality of research, but rather extends out into the world. While the act of measuring operates in much of my daily life including my studio practice, I am conscious to also consider that which might be unreliable and to find other means and forms of validation.

The artwork in this exhibition begins with some form of measurement; ruled lines, grids, triangles, which maintains a structure for me to work with and against. The motifs and colours I employ, reflect long held disparate interests - tropes in abstraction, textiles, daydreaming, cultural memories, travel, migration, and place. Each of the paintings while deeply personal, use familiar forms allowing viewers to find their own entry points into the artwork. In this way we may arrive at points of shared (or divergent) values or meanings (whatever they are) which reflect how we navigate the world we live in.

This exhibition attempts at revealing this wonderful relationship between that which can be measured objectively, quantitatively, and that which occupies more subjective, qualitative spaces. The complex and nuanced decision-making process in the studio relies on trying to ascertain the importance or value of something by working within these parameters to arrive at a body of resolved work


please email [email protected] for details about this, and other available artwork

.…available at stockroom…ZAZIE BROSSEVase  #2 (grand), 2025stoneware, glazes24.5 x 22.5 x 22 cmZazie Brosse is a French ...
06/06/2026

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available at stockroom

ZAZIE BROSSE
Vase #2 (grand), 2025

stoneware, glazes
24.5 x 22.5 x 22 cm

Zazie Brosse is a French ceramicist based in Pont l’Abbé in Brittany, France

She creates distinct and sculptural forms inspired by daily life and artistic influences.

Brosse describes her style as creating “deliberately naive forms”. Her work often features irregular, organic shapes that retain a sense of the handmade.

for information about this piece, & other available work please email [email protected]


.…HAYLEY ARJONAHappy birthday baby, 2024oil on board100 x 100 cmCreation destruction, same. Same!Hayley Arjona lives, pa...
05/06/2026

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HAYLEY ARJONA
Happy birthday baby, 2024

oil on board
100 x 100 cm

Creation destruction, same. Same!

Hayley Arjona lives, paints and makes on a farm in Glenhope near Kyneton. A practicing artist for over 20 years, her creative journey has been unrelentless, non-conforming, and ever-evolving.
Hayley has completed a Master of Art Therapy from La Trobe University Bundoora (2020), a Master of Fine Art from the Victorian College of the Arts (2020), and Bachelor of Visual Arts with first class honours from the South Australian School of Art, University of South Australia (1998). Hayley’s work has been exhibited throughout Australia, her work is held in public collections, of the Art Gallery of South Australia and Artbank.

for information about this work, & other available artwork please email [email protected]

LAST DAYS…PATRIZIA BIONDIPROVISIONAL STRUCTURES&ELEANOR ALICEA New Magic – Bubbling Over…finishing this Sunday 7th, 4pmw...
03/06/2026

LAST DAYS

PATRIZIA BIONDI
PROVISIONAL STRUCTURES
&
ELEANOR ALICE
A New Magic – Bubbling Over

finishing this Sunday 7th, 4pm
we are open Thurs-Sun
heaters will be on
come visit Stockroom and experience Victoria’s largest regional, privately owned contemporary art space

for catalogues of current shows email [email protected]

.available at stockroom…KRISTINA TSOULIS-REAYFieldwork, 2022oil on linen65.5 x 51 x 2 cmKristina Tsoulis-Reay grew up in...
02/06/2026

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available at stockroom

KRISTINA TSOULIS-REAY
Fieldwork, 2022

oil on linen
65.5 x 51 x 2 cm

Kristina Tsoulis-Reay grew up in Aotearoa New Zealand and currently lives and works in Naarm Melbourne. Her most recent solo exhibitions include Rondures at Lon Gallery, Bloom Shadow Circle at Caves, Movements at Gallery 9 (Sydney), and Shared Ruin at Sutton Gallery Projects. Her work was included in Painting, More Painting at the Australian Centre for Contemporary Art in 2016. Other group exhibitions include shows at The Honeymoon Suite, Federation University (Gippsland), Lowrise Projects, Monash Faculty Gallery, Milani Gallery (Brisbane), Utopian Slumps, Centre for Contemporary Photography, TCB, Block Gallery (Sydney), Seventh Gallery and One Minutes Foundation (The Netherlands). She completed a Bachelor of Fine Arts Honours at RMIT University in 2009 and a Master of Fine Arts at Monash University in 2014. She is a current PhD candidate at Monash University and is a recipient of an Australian Government Research Training Program Scholarship.

Kristina acknowledges the sovereign custodians of the Country in which she lives and works, the Wurundjeri and Bunurong people of the Kulin Nation, and pays her respect to their Elders past, present, and emerging.

for information about this work, and a catalogue of other available artwork please email [email protected]

…available at stockroom…LAURA VELEFFLarge vessel  #7, 2023wheel-thrown stoneware, hand-dug and processed wild ochre slip...
01/06/2026


available at stockroom

LAURA VELEFF
Large vessel #7, 2023

wheel-thrown stoneware, hand-dug and processed wild ochre slip
35.7 x 14 x 14 cm

Laura Veleff’s work and glazes are suggestive of natural environments, reminiscent of subtle shifts in the landscape. Forms are soft and simple but also imbued with a solidity that reflects their natural origins.

for information about this piece & a catalogue of other available work, please email [email protected]

.available at stockroom …STEPH WALLACEVolcanic Form 1, 2024clay, slip, underglaze, glaze, polymer compound, 23k gold lea...
30/05/2026

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available at stockroom

STEPH WALLACE
Volcanic Form 1, 2024

clay, slip, underglaze, glaze, polymer compound, 23k gold leaf
43 x 32 x 32 cm

Created in a studio shaken daily by the explosions of contemporary gold mining these works are an exploration land on which Steph Wallace resides.

Hollowed centuries of extraction and forever altered both its physical essence and cultural tapestry this collection seeks to hold up the light and examine the region’s colonial legacies.

Looking below the surface, Wallace seeks to honour this fractured landscape, from its volcanic formation of quartz clay and gold scars to historical diggings, permanent reminders of its upheaval. These architectural forms with drawn line abstract surfaces reference hollowed earth-disrupted terrain in contemplation of impermanence and erosion decay.

for information about this piece and a catalogue of other available work please email [email protected]

Address

98 Piper Street
Kyneton, VIC
3444

Opening Hours

Thursday 10:30am - 5pm
Friday 10:30am - 5pm
Saturday 10:30am - 5pm
Sunday 11am - 4pm

Telephone

+61354223215

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