08/27/2026
Visit LCA free, six days a week (closed Tuesdays) and explore the work👞 of Margaret Wharton and in "Kindred Spirits."
Betsy Odom employs labor-intensive practices, a practice Odom has termed “Butchcraft." This includes leather tooling, woodworking and hand carving, techniques often coded as masculine, redirecting them toward le***an identity with affection and humor. Her sculptures, at first glance, appear functional but are deliberately “off.” Deflated sports gear becomes lovingly useless, while athletic wear transforms into rigid forms made of wood, leather or cork. Humor operates structurally rather than decoratively, allowing Odom to deploy camp as both strategy and critique. Careful attention to craftsmanship is devotional rather than ironic, underscoring the intelligence of skilled labor while resisting hierarchies between fine art and craft.
"Birk," 2026
Leather, chip board, cork, fur, studs
"Doc," 2010
Tooled leather, wood, rubber
"Hockey Skate," 2026
Graphite, acrylic, rubber, canvas, leather, dye, grommets, lace, fur
"Red Clog," 2026
Tooled leather, shearling, wood, cork, graphite, nails
"Kindred Spirits: Margaret Wharton and Betsy Odom" was curated by . Special thank you to Blydan Built, Indiana Arts Commission, NiSource Charitable Foundation, NIPSCO and South Shore Arts.
Learn more at LubeznikCenter.org/Exhibitions, or call 219.874.4900.