Fredric Snitzer Gallery

10/15/2026

𝗥𝗼𝗰í𝗼 𝗚𝗮𝗿𝗰í𝗮: 𝙇𝙖 𝙋𝙖𝙧𝙞𝙨𝙞𝙣𝙖 𝗼𝗽𝗲𝗻𝘀 𝗦𝗮𝘁𝘂𝗿𝗱𝗮𝘆, 𝗢𝗰𝘁𝗼𝗯𝗲𝗿 𝟮𝟰, 𝟭-𝟱𝗽𝗺

Fredric Snitzer Gallery is pleased to announce La Parisina, an exhibition of new paintings by Cuban artist Rocío García, conceived during her 2026 residency in Paris at Noemí Espace Brownstone Foundation.

Drawing inspiration from twentieth-century French art, particularly Henri Matisse, García explores themes of love, eroticism, and shifting power dynamics. Through expressive color, pattern, and cinematic storytelling, a female protagonist moves through intimate, psychologically charged scenes of provocation, desire, and hedonism. Blurring the boundaries between reality, fiction, and metaphor, La Parisina evokes a nostalgic vision of Paris, where memory and imagination intertwine.

𝗢𝗻 𝘃𝗶𝗲𝘄 𝗢𝗰𝘁𝗼𝗯𝗲𝗿 𝟮𝟰 – 𝗗𝗲𝗰𝗲𝗺𝗯𝗲𝗿 𝟭𝟵, 𝟮𝟬𝟮𝟲.

Pictured:
Rocía García
La fiesta de los Therians (The party of the Therians), 2026
Acrylic on canvas
18 7/8 x 15 3/4 in
48 x 40 cm

09/12/2026

Currently on view: Marielle Plaisir After Icarus The gallery is open today until 5pm

09/08/2026

𝗠𝗮𝗿𝗶𝗲𝗹𝗹𝗲 𝗣𝗹𝗮𝗶𝘀𝗶𝗿: 𝘼𝙛𝙩𝙚𝙧 𝙄𝙘𝙖𝙧𝙪𝙨 𝗼𝗽𝗲𝗻𝘀 𝗧𝗵𝘂𝗿𝘀𝗱𝗮𝘆, 𝗦𝗲𝗽𝘁𝗲𝗺𝗯𝗲𝗿 𝟭𝟬, 𝟲–𝟴:𝟯𝟬 𝗣𝗠 𝗮𝘁 𝗙𝗿𝗲𝗱𝗿𝗶𝗰 𝗦𝗻𝗶𝘁𝘇𝗲𝗿 𝗚𝗮𝗹𝗹𝗲𝗿𝘆.

Marielle Plaisir (French and Guadeloupean, born in Le Havre, France; lives and works in Miami, FL) is a multidisciplinary artist whose practice spans painting, drawing, sculpture, installation, textiles, film, and performance. Rooted in Caribbean and European histories, her work examines systems of power, domination, race, class, and social inequality, bringing histories and lived experience into dialogue with the present.

Beauty is central to Plaisir’s practice—not simply as an aesthetic language, but as a means of questioning, disrupting, and reclaiming representations historically shaped by power. Through richly layered figurative and symbolic worlds, critique coexists with imagination, resilience, and the possibility of alternative futures.

In “After Icarus,” Plaisir takes the myth of Icarus as a framework for considering the contemporary world. Rather than focusing on Icarus as an individual figure, she approaches the fall as a systemic condition—one in which certain bodies, histories, and experiences disappear from view while the world continues uninterrupted.

After Icarus will be on view September 10–October 10, 2026.

08/12/2026

GREAT DEAL ,OUT OF PRINT , NEW CONDITION Auction hurry !!!!

This hardcover edition is a visual feast, presenting high-quality reproductions of Bas's paintings that highlight his signature style and thematic explorations. A must-have for those passionate about modern art, painting, and collecting significant art publications.

07/15/2026

Marielle Plaisir's contribution to Heat Index, The Fall of Icarus IV, reimagines the classical myth through an exuberant vocabulary of luminous color, ornamental pattern, and organic abstraction that resists a fixed narrative. A floating unicorn, branching forms, and sweeping painterly gestures evoke a dreamlike realm where aspiration, fantasy, and impermanence converge. Rather than illustrating Icarus's fall, Plaisir transforms the ancient myth into a poetic meditation on resilience, vulnerability, and renewal, inviting viewers to contemplate the beauty that emerges through transformation.

Marielle Plaisir is a multimedia artist who has been exploring the concepts of domination and supremacy for many years. While a painter first, with this affinity, she considers herself an activist artist. In her practice, it is important to find and use the most effective medium to intervene and distill or convey my narrative content.

Plaisir’s work is first and foremost a research laboratory based on documentary history, as well as literary and sound sources that she mines to recombine as visual tools in production. She, therefore, works fluidly in many media and may realize a concept in distinct materials, such as a porcelain and bronze sculpture, a series of drawings, paintings, monumental work in cut metal, or as natural fiber textiles. Many pieces combine different media to ignite the imagination, evoke emotions and capture universal cultural truths and aspirations by engaging powerful visuals, imagery, and histories.

Image Info:
Marielle Plaisir
The Fall of Icarus IV, 2026
Acrylic, oil, inks on canvas
48 x 48 in
121.9 x 121.9 cm

07/11/2026

Opening today! 𝙃𝙚𝙖𝙩 𝙄𝙣𝙙𝙚𝙭, our summer group exhibition, is now on view.

Join us this afternoon from 2–5 PM to celebrate the opening and explore new works by Hernan Bas, Leo Castañeda, Edison Peñafiel, Marielle Plaisir, and Ema Ri.

We look forward to seeing you at the gallery!

Image info:

Ema Ri
The Garden of Eden Burns, 2026
Oil on canvas
85 x 124 in
215.9 x 315 cm

07/10/2026

Wishing Happy Birthday to artist Leo Castañeda. Come see his work tomorrow which is included in our summer group exhibition:

𝘏𝘦𝘢𝘵 𝘐𝘯𝘥𝘦𝘹
Hernan Bas, Leo Castañeda, Edison Peñafiel, Marielle Plaisir, and Ema Ri

𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝗥𝗲𝗰𝗲𝗽𝘁𝗶𝗼𝗻 𝘁𝗵𝗶𝘀 𝗦𝗮𝘁𝘂𝗿𝗱𝗮𝘆, 𝗝𝘂𝗹𝘆 𝟭𝟭, 𝟮 — 𝟱 𝗽𝗺 July 11 — August 15, 2026

07/09/2026

𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝗥𝗲𝗰𝗲𝗽𝘁𝗶𝗼𝗻 𝘁𝗵𝗶𝘀 𝗦𝗮𝘁𝘂𝗿𝗱𝗮𝘆, 𝗝𝘂𝗹𝘆 𝟭𝟭, 𝟮 — 𝟱 𝗽𝗺

𝘏𝘦𝘢𝘵 𝘐𝘯𝘥𝘦𝘹
Hernan Bas, Leo Castañeda, Edison Peñafiel, Marielle Plaisir, and Ema Ri

July 11 — August 15, 2026

Image info:
Edison Peñafiel, Ni Los Perros Que Jamás Me Olvidaron, Ni Los Caballos, Ni Los Abrazos Que Me Dan Mis Hermanos
[Neither the Dogs that Never Forgot me, Nor the Horses, Nor the Hugs from my Siblings ] #42, 2023-2024, Series of 42, 45 1/4 x 55 1/2 in

06/17/2026

In this work from 𝘛𝘰𝘳𝘶𝘴 𝘓𝘰𝘰𝘱, Kayla Delacerda uses text as both language and image. Lines of handwritten words stretch across the canvas, creating a dense visual field where some phrases can be read clearly while others fade into layers of color and mark-making.

As the eye moves through the painting, moments of recognition give way to abstraction. Fragments of thought surface and disappear, creating a push and pull between what can be understood and what remains just out of reach. Rather than delivering a single message, the work invites viewers to spend time with its shifting rhythms, discovering meaning through both reading and looking.

The result is a painting that feels deeply personal while remaining open-ended, reflecting the ways memories, emotions, and inner dialogue often resist clear expression.

Kayla Delacerda
Untitled, 2026
Oil on canvas
58 1/2 x 78 1/2 in
148.6 x 199.4 cm

06/13/2026

The gallery is open until 5pm

Hernan Bas: On Paper

Installed in the gallery’s FSG Editions space, the exhibition brings together a selection of monotypes, ink transfer drawings, and works on paper created between 2018 and 2024, offering an intimate view into the artist’s evolving practice across a range of themes, processes, and scales.

Hernan Bas
Supercuts, 2018
Oil stock monotype on rice paper
11.5 x 8 inches (each)