Revolver Gallery - Your Andy Warhol Specialists

Revolver Gallery - Your Andy Warhol Specialists Revolver Gallery: Where Warhol Lives! Revolver houses the largest gallery-owned collection of Warhol prints and paintings in the world.
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06/13/2026

“Who do you think is the world’s greatest living artist?”

In a 1977 interview, Andy Warhol answered: “I still think Walt Disney is.”

Mickey Mouse 265. Andy Warhol, 1981. From Revolver Gallery’s collection.

05/30/2026

Have you seen Marilyn Monroe in Niagara (1953)?

Marilyn’s publicity from the film became the source image for Andy Warhol’s iconic Marilyn Monroe series.

June 1, 2026 marks the centennial of Marilyn Monroe’s birth.

Marilyn at 100.

The Philosophy of Andy Warholp. 123Image Credits: 1-2. Self-Portrait (four panels). Andy Warhol, 1963-1964.
05/29/2026

The Philosophy of Andy Warhol
p. 123
Image Credits:
1-2. Self-Portrait (four panels). Andy Warhol, 1963-1964.

05/22/2026

BOOKANIMA: Andy Warhol (2020) by .kim (part III)

Filmmaker and visual artist Shon Kim describes his work as “book cinema,” an experimental form of animation that transforms books and printed imagery into moving sequences.

Here, Kim reimagines some of Warhol’s most recognizable imagery—Flowers, Cow Wallpaper, The Velvet Underground banana, and Interview magazine. 

Warhol’s work blurred the boundary between original and reproduced image, elevating photographs, advertisements, and commercial objects into fine art.

Kim extends that visual language into motion. 
Original Music by The Velvet Underground & Nico. A Symphony of Sound, 1966. 

Book Source: Andy Warhol “Giant” Size. Phaidon, 2009. 

05/20/2026

BOOKANIMA: Andy Warhol (2020) by .kim (part II)

Filmmaker and visual artist Shon Kim describes his work as “book cinema,” an experimental form of animation that transforms books and printed imagery into moving sequences.

Here, Kim reimagines some of Warhol’s most iconic subjects—Marilyn Monroe, Elvis Presley, Elizabeth Taylor, and Jackie Kennedy.

Drawing inspiration from early motion studies and experimental cinema, Kim transforms static imagery into rhythmic sequences where repetition creates movement and variation. 

The project echoes Warhol’s fascination with mechanical reproduction and the circulation of images within mass culture.

Rather than treating repetition as simple duplication, Kim reveals how images evolve through continuous reuse and reinterpretation.
Original Music by The Velvet Underground & Nico. A Symphony of Sound, 1966. 

Book Source: Andy Warhol “Giant” Size. Phaidon, 2009. 

05/18/2026

BOOKANIMA: Andy Warhol (2020) by .kim (part I)

Filmmaker and visual artist Shon Kim describes his work as “book cinema,” an experimental form of animation that transforms books and printed imagery into moving sequences.

Kim reimagines Andy Warhol’s iconic Campbell’s Soup imagery through animation, turning Pop Art into a moving sequence.

Kim explores questions at the heart of Andy Warhol’s artistic practice: How are images consumed? What defines originality? And how does repetition shape meaning?

Warhol built an artistic language out of repetition.Working from photographs, advertisements, film stills, and mass-produced imagery, Warhol continuously reused and transformed existing visuals into something entirely new—much like Kim does here.

Revolver Gallery is excited to share Kim’s work with our audience as a contemporary reimagining of Warhol’s enduring visual legacy.
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Original Music by The Velvet Underground & Nico. A Symphony of Sound, 1966. 

Book Source: Andy Warhol “Giant” Size. Phaidon, 2009. 

Andy Warhol wishes you a Happy Easter.Though known for his fascination with celebrity and consumer culture, Warhol remai...
04/06/2026

Andy Warhol wishes you a Happy Easter.

Though known for his fascination with celebrity and consumer culture, Warhol remained a practicing Catholic throughout his life. His faith was quiet, private, and often filled with contradictions.

He sometimes stayed at Sunday mass for only a few minutes. He avoided the “Peace be with you” handshake. And yet, he attended church regularly.

Easter, in particular, revealed this tension. From the Warhol Diaries:

In 1978, Warhol filled a peanut jar with holy water and sprinkled it throughout his house.
In 1981, he cried three times before attending Easter mass.
In 1984, he skipped a 4:30 AM service, stayed in bed eating chocolate, and later believed he was being punished when his face broke out.
In 1986, he spent Easter serving meals to the poor.

Behind the Pop Art persona was a lifelong believer. One who understood that, in modern life, fame and consumer culture were beginning to replace traditional religious icons.

Even so, Warhol’s faith remained.

Happy Easter.
Image Credits:
1. Andy Warhol meeting Pope John Paul II. Photograph by Lionello Fabbri, 1980.
2-3. Last Supper. Andy Warhol, 1985.
4. Chocolate Bunny. Andy Warhol, 1983
5-6. Last supper (Mr. Peanut). Andy Warhol, 1986.
7. Easter Eggs. Andy Warhol, 1982.
8-9. Details of The Last Supper. Andy Warhol, 1986.
10. The Last Supper. Andy Warhol, 1986.

02/18/2026

For Valentine’s Day, we’re revisiting one of the most iconic goodbyes in cinema.

This 1983 trial proof shows Ingrid Bergman transformed into a Pop icon. Electric blue skin, golden hair, and a sharply angled hat cutting through a field of black. A rare glimpse into Andy Warhol’s color experimentation before final production.

The image of Bergman is taken from the final scene of Casablanca (1942). For anyone who has seen the film, that moment lingers long after the credits roll. Bergman’s character leaves the man she truly loves. She chooses responsibility over desire, the greater good over personal happiness. Love, loss, and restraint collide in a single, unforgettable frame.

Warhol understood the power of images like this. He was drawn to the precise moment when emotion becomes fixed in collective memory. By isolating Bergman at her point of emotional vulnerability, Warhol transformed a cinematic goodbye into something timeless.

Some love stories don't end. They echo.

Newly arrived at Revolver Gallery.
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Music: As Time Goes By - Dooley Wilson (from Casablanca, 1942)

Andy Warhol, photographed by Charlie Steiner in 1965, signing soup and sealing the future of American art.This moment, c...
05/19/2025

Andy Warhol, photographed by Charlie Steiner in 1965, signing soup and sealing the future of American art.

This moment, captured at his first-ever U.S. museum exhibition at the Institute of Contemporary Art in Philadelphia, marks the instant Pop Art officially crashed the institutional gates. Dressed in black, wielding a marker like a magic wand, Warhol turns a humble Campbell’s can into both relic and performance.

He wasn’t just redefining what art could be—he was reframing who gets to be an artist. With his platinum wig, plastic-framed armor, and deadpan charm, Warhol became both creator and commodity. He didn’t just blur the line between art and commerce—he turned it into a product line.

This wasn’t irony—it was prophecy. And in 1965, the art world was just starting to catch up.
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