Shoshana Wayne Gallery

08/26/2026

08/15/2026

Now in Hyperallergic , Chris Kraus speaks with and Dana Berman Duff about The Universe Breathes Us, their collaborative practice as Relational, and the invisible relationships between our breath, bodies, tides, and the moon that shape the exhibition.

The Universe Breathes Us is on view at Shoshana Wayne Gallery through September 3, 2026.

Read the full conversation via the link in bio.

Installation photography by Gene Ogami.

07/30/2026

Join us at Shoshana Wayne Gallery for a conversation between Chris Kraus and Relational (Shirley Tse & Dana Berman Duff) on Tuesday, August 4th at 7pm.

RSVP to [email protected]

𝘛𝘩𝘦 𝘜𝘯𝘪𝘷𝘦𝘳𝘴𝘦 𝘉𝘳𝘦𝘢𝘵𝘩𝘦𝘴 𝘜𝘴 is a collaborative exhibition exploring the invisible forces connecting breath, ocean tides, celestial bodies, and one another.

Pictured:
Shirley Tse & Dana Berman Duff
𝘛𝘩𝘦 𝘜𝘯𝘪𝘷𝘦𝘳𝘴𝘦 𝘉𝘳𝘦𝘢𝘵𝘩𝘦𝘴 𝘜𝘴 Installation View

07/15/2026

𝐅𝐢𝐧𝐚𝐥 𝐖𝐞𝐞𝐤 Frances Trombly : 𝘞𝘩𝘢𝘵 𝘏𝘰𝘭𝘥𝘴
Presented in Los Angeles at a moment defined by ongoing strain, What Holds does not offer spectacle or resolution. It remains with the conditions that sustain it, with the systems that hold under pressure and the labor that keeps them in place. The work turns toward these structures without stabilizing them, allowing their strain and exposure to stay visible. What emerges is not a fixed image but something held in tension, built through contact, and maintained over time

02/05/2026

Anina Major’s solo exhibition titled 𝘔𝘰𝘮𝘦𝘯𝘵𝘴 𝘰𝘧 𝘉𝘦𝘪𝘯𝘨 is now on view at Shoshana Wayne Gallery through March 21, 2026. Shoshana Wayne Gallery is open Wednesday to Saturday from 11am to 5pm.

Pictured:
Anina Major
𝘙𝘶𝘪𝘯, 2025
Glazed Stoneware, Seaglass, Silver Luster
26 1/2” x 21” x 11”

11/13/2025

𝘈𝘣𝘴𝘪𝘯𝘵𝘩𝘦, 𝘚𝘮𝘰𝘬𝘦, 𝘚𝘶𝘨𝘢𝘳, 𝘊𝘩𝘰𝘪𝘤𝘦 by Sabrina Gschwandtner is on view at Shoshana Wayne Gallery now through January 10th. Shoshana Wayne Gallery is open Wednesday through Saturday from 11am to 5pm.

This exhibition also debuts a new “video quilt,” a hybrid form the artist has developed over the last eight years. Resembling a patchwork quilt, the work interlaces archival film, handwritten text, and a recorded interview with the artist’s mother, who recounts obtaining an illegal abortion in the years before Roe v. Wade. The video models forms of agency, showing women asserting control over their bodies and narratives, even under restrictive and oppressive conditions.

Shown:
Sabrina Gschwandtner
𝘈𝘣𝘴𝘪𝘯𝘵𝘩𝘦, 𝘚𝘮𝘰𝘬𝘦, 𝘚𝘶𝘨𝘢𝘳, 𝘊𝘩𝘰𝘪𝘤𝘦 , 2025
Video, color, sound
9:10 mins

11/08/2025

Shoshana Wayne Gallery will be exhibiting at the Salon Art + Design 2025 fair at the Park Avenue Armory in New York.

A selection of recent works by Jiha Moon and Yveline Tropéa will be presented.

We will be located at Booth D2. The fair’s hours are from 2pm - 8pm on Friday, 11am - 7pm on Saturday and Sunday, and 11am - 4pm on Monday. We hope to see you then!

Pictured:
Jiha Moon
𝘉𝘭𝘶𝘦 𝘛𝘢𝘴𝘴𝘦𝘭, 2025
16.5 × 11 × 10.5 in.
Porcelain, underglaze, glaze

11/01/2025

Sabrina Gschwandtner’s solo exhibition 𝘈𝘣𝘴𝘪𝘯𝘵𝘩𝘦, 𝘚𝘮𝘰𝘬𝘦, 𝘚𝘶𝘨𝘢𝘳, 𝘊𝘩𝘰𝘪𝘤𝘦 is opening tonight, Saturday, November 1st, with an opening reception from 4-6pm.

We look forward to seeing you there!

Pictured:
𝘔𝘢𝘥𝘢𝘮𝘦’𝘴 𝘊𝘳𝘢𝘷𝘪𝘯𝘨 (𝘚𝘶𝘨𝘢𝘳, 𝘚𝘮𝘰𝘬𝘦 & 𝘎𝘳𝘦𝘦𝘯 𝘍𝘢𝘪𝘳𝘺), 2025
35mm B/W polyester film, polyester thread, etching ink, LEDs

10/17/2025

Shoshana Wayne Gallery is pleased to present 𝘈𝘣𝘴𝘪𝘯𝘵𝘩𝘦, 𝘚𝘮𝘰𝘬𝘦, 𝘚𝘶𝘨𝘢𝘳, 𝘊𝘩𝘰𝘪𝘤𝘦, an exhibition by artist Sabrina Gschwandtner. This is the artist’s fourth solo exhibition with the gallery. The exhibition will open on Saturday, November 1st, with an opening reception from 4-6pm.

After the overturning of Roe v. Wade, Gschwandtner looked back to the “pre-Roe” era, drawing on early film and familial memory to explore how women have taken control of their bodies and lives. Working with black-and-white 35mm film, etching ink on film, thread, and video, she presents twelve film quilts and a single-channel video that expand the concept of “filmic suture” into a three-dimensional, materially embodied cinematic form. Through her research-based and materially grounded practice, the artist stitches together a lineage of bodily autonomy and resistance.

Pictured:
Sabrina Gschwandtner
𝘔𝘢𝘥𝘢𝘮𝘦’𝘴 𝘊𝘳𝘢𝘷𝘪𝘯𝘨𝘴 (𝘙𝘦𝘥 𝘋𝘪𝘢𝘮𝘰𝘯𝘥), 2025
35mm b/w polyester film, polyester thread, etching ink, LEDs
16 1/8 x 16 7/16 x 3 in.

10/10/2025

We are thrilled to share the short film directed by Corey Marsau following Ashwini Bhat through her daily walks after the 2017 Tubbs Fire. Bhat recounts her grounding rituals, where she would “roll a small ball of clay between her palms” a ritual that became the 108 beads that make up 𝘚𝘦𝘭𝘧 𝘗𝘰𝘳𝘵𝘳𝘢𝘪𝘵, 𝘋𝘢𝘪𝘭𝘪𝘯𝘦𝘴𝘴. These walks turned into studio rhythms for her and this process of the back and forth between nature and studio led to the fabulous work of 𝘛𝘩𝘦 𝘔𝘰𝘳𝘯𝘪𝘯𝘨 𝘵𝘩𝘦 𝘍𝘪𝘳𝘦 𝘚𝘸𝘦𝘱𝘵 𝘛𝘩𝘳𝘰𝘶𝘨𝘩 and her bigger journey of 𝘈𝘴𝘴𝘦𝘮𝘣𝘭𝘪𝘯𝘨 𝘊𝘢𝘭𝘪𝘧𝘰𝘳𝘯𝘪𝘢 .