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Onsdag 12:00 - 18:00 Torsdag 12:00 - 18:00 Fredag 12:00 - 17:00 Lördag 12:00 - 16:00

Larsen / Warner

Hem
Sverige
Stockholm
Larsen / Warner

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Konstgalleri

05/11/2026

OPENING TONIGHT

LUDVIG HELIN
Evighetens Skog / The Forest of Eternity
5pm - 8pm
“For me, the title (Evighetens Skog) creates a mental clearing where I can wander and allow my imagination and intuition to roam freely. I enjoy being there, in the clearing where nothing but my own imagination holds sway, where my own logic and my own laws of nature are free to exist.”
In his new body of work, Helin explores painting as a means of approaching experiences that resist verbal articulation. His paintings inhabit an uncertain territory between recognition and estrangement, where familiar environments and objects appear subject to subtle distortions. Although these worlds retain traces of the reality we inhabit, their internal logic remains elusive. Perspectives shift, plants and trees assume unfamiliar qualities creating a lush botanical tapestry whose laws governing these worlds seem to diverge from those of the everyday. The viewer is invited to navigate a space in which meaning remains illusive and just out of reach
Pictured
Ludvig Helin
Solrosen, 2026
Oil on canvas
127 x 107 cm
Copyright the artist

28/10/2026

Larsen / Warner is thrilled to present a solo exhibition of new work by the Swedish artist Ludvig Helin. This is the artist’s first solo show with the gallery and follows on from his inclusion in the group exhibition Under the Harvest Moon which opened earlier this year
LUDVIG HELIN
Evighetens Skog / Forest of Eternity
Opening Thursday 5 November / 5pm - 8pm
Pictured:
Portrait of Ludvig Helin in his studio,2025
Photo - Patrik Gunnar Helin

26/10/2026

Iria Leino is included in the exhibition Arcana Borealis – Northern Women and Esotericism that just opened at Ateneum, Helsinki (23 October 2026 - 28 February 2027)
The exhibition is the first showcase of the work of Northern women artists who have been influenced by alternative spiritual currents. The exhibition is groundbreaking, as the profound connection between modern art and esotericism, occultism and magic has previously been explored mainly through famous men artists. The exhibition features both well-known and overlooked artists from the 19th century to the present day, including Anna-Eva Bergman, Anna Cassel, Ilona Harima, Sonja Ferlov Mancoba, Maja Fjaestad, Hilma af Klint, Iria Leino, Outi Pieski, Laila Pullinen, Elga Sesemann and Ellen Thesleff
The exhibition is curated by Nina Kokkinen, a researcher of art and religion (University of Turku), and Marja Lahelma, chief curator at the Ateneum
Pictured
Iria Leino
Luscious Fruit, 1968
Acrylic on canvas
170 x 175 cm
Finnish National Gallery Collection / Ateneum Art Museum

08/10/2026

IRIA LEINO
‘Inner Light’
ON VIEW UNTIL SATURDAY 17 OCTOBER
Leino’s Music series was created between 1987–1992 and represent the culmination of her painting through meditation. In these canvases she employed curving colourful lines forming shapes within which are enclosed thousands of short strokes, dabs, and dots. Sometimes those animated strokes exist as clusters forming shapes without linear borders. This series of paintings evoke Iria’s observations of life in Finland’s forests — such as the tracks of woodland snails found on a smooth granite outcrop and memories of Leino’s own adolescent wanderings through the Finnish landscape. Three important examples of Leino’s Music series are on view in our current exhibition ‘Inner Light’
Pictured
Iria Leino in her Soho loft, Greene Street, NY, 1987
Iria Leino, Music No.1 (The Red One), 1988, Acrylic on canvas, 203 x 182 cm
Iria Leino, Music No.1 (The White One), 1987, Acrylic on canvas, 214 x 183 cm
Iria Leino, Xanden, 1988, Acrylic on canvas, 213.5 x 183 cm
All images Copyright Iria Leino Trust, NY

29/09/2026

OLIVIA BAX
Double take
Yorkshire Sculpture Park
26 September 2026- 14 March 2027
Double Take is a vibrant exhibition of new and recent sculptures by British Artist Olivia Bax. Her work uses found objects, metal mesh and brightly coloured paper pulp to create dynamic sculptures and viewpoints
In The Weston Gallery, one wall is filled with a series of newly constructed hinged screens to divide, enclose or define spaces around them. These objects are removed from their practical purpose and instead become devices for seeing, framing and connecting.
A centrepiece in the gallery is a skate ramp structure, inspired by the artist’s own bus-top views of a London BMX park. Together with two smaller inverted ramps placed against the walls, this functions as a plinth whilst also being integrated into the architecture of the building. Colour is key to Bax’s practice and is an essential part of her making process. Recycled paint, diverted from landfill, is added to the dense paper pulp which forms many of Bax’s sculptures. Chosen from available colours, the bright palette exaggerates the playfulness of the forms. Salvaging and reusing materials is another important part of her practice, with discarded objects including musical instruments, wheels, kitchenware and shopping trollies used in her work. She often reimagines and rebuilds previous pieces by dismantling and reworking them, transforming them into something new. This process is partly driven by a need save studio space and materials but also subverts longstanding ideals of sculpture permanence.
We were thrilled to include Olivia in the group exhibitions ‘A Motley Crew’ in 2017 and ‘Material Impression’ in 2022
Pictured - Installation image of ‘Double Take’
Photography India Hobson

26/09/2026

IRIA LEINO
‘Inner Light’
Open today form 12 - 4pm

21/09/2026

IRIA LEINO
After surviving a serious accident in 1968 Leino converted to Buddhism in which she found a comforting and
consistent philosophy. After her recovery, Leino embraced a monastic Buddhist discipline, embedding the
insights she learned from her faith into her formal studio experiments. The first series of paintings that Leino
created post recovery was her Elephant Series. Within Buddhism the elephant represents the enlightenment
and reincarnations of Buddha. In Leino’s sumptuous Elephant paintings, the legs and trunks of the elephant
are elegantly implied by their undulating abstract shapes, and their solid fields of curving colour with crisp
edges appear to have been applied with a squeegee. For one full year, Iria focused on developing a karmic
relationship with the elephant, a soulmate imparting wisdom and physical and mental strength. This ushered
in her ongoing practice of painting as meditation, performed with classical music
Pictured:
Loose Not Lost, 1968
Acrylic on canvas
162.5 x 165.5 cm
Copyright The Iria Leino Trust, NY
Iria Leino ‘Inner Light’ is currently on view at the gallery through 17 October

04/09/2026

IRIA LEINO
‘Inner Light’
20 August - 17 October
After surviving a serious accident in 1968 Leino converted to Buddhism in which she found a comforting and consistent philosophy. After her recovery, Leino embraced a monastic Buddhist discipline, embedding the insights she learned from her faith into her formal studio experiments.
This ushered in her ongoing practice of painting as meditation, performed with classical music. The meditative approach is reflected in the exhibition with Leino’s Buddhist Rain series. Leino painstakingly overlaid thousands of diagonal strokes in horizontal rows on the canvas, suggesting a driving rain, upon a principal field of colour. For the first time, she also painted this new series on paper, including in pastels. Richly innovative and delicate, this was a progression that continued over four decades. Before every painting session Leino started with at least one hour of Buddhist chanting, Leino recalled;

“I had a Buddhist hymn ringing in my ears constantly, which I then painted onto the canvas. I had a Hindu mantra that had been given to me, but you were not supposed to stay it aloud. So, I repeated that in my paintings. Then came the visual side and now I only see the art.”

Image I & II
Iria Leino
Buddhism (Only Way) , 1970
Acrylic on canvas
200 x 196 cm

Image III
Iria in her Green Street Loft, 1972
With Buddhist Rain work in progress
Courtesy The Iria Leino Trust, New York

All images copyright The Iria Leino Trust, NY

28/08/2026

JONATHAN BALDOCK ‘HELD’
On view until 27 September
Arnolfini, Bristol
The gallery transforms into a colourful, immersive wilderness of nature and folklore. Known for his striking installations, Jonathan Baldock combines ceramics, textiles and sound to create environments that are both playful and thought-provoking. His work draws on folklore, traditional craft and personal history, shaped by skills passed down through generations of making. Held features a monumental wild bear sculpture, commissioned by Arnolfini. It invites visitors into a direct physical encounter — not to be held, but to hold us
We where honoured to be able to present Baldock’s solo exhibition ‘Felt Cute’ at the gallery in 2024
Images Courtesy of the artist and Arnolfini. Photography by Dan Weill

27/08/2026

IRIA LEINO
‘Inner Light’
20 August - 17 October
Alongside her peers in the second wave of the New York School, Leino was a pioneer in the development of a more lyrical abstraction, an antidote to the more gestural abstract expressionism that had come before. Her use of colour and even her techniques often came to her from dreams, which she recorded consistently in her journals (many hundreds were discovered in her loft upon her death). Even the spiral sgraffito in her Colourfield Series were not just decorative elements, they had deep life meanings. By 1966, Iria continued to deeply probe the Colour Field movement. She saturated large raw canvases with poured or sprayed colour but her staining technique was varied and complicated. She sometimes positioned paint cans and other objects on the unprimed canvas as it lay flat on the studio floor, thereby blocking the pigments and allowing the ghost shapes to remain. Subtle lines sometimes betray the use of a brush, and she might continue with sprays and splatters. Many of these paintings are optical forays into dreamlike worlds, often looking like aerial views, biomorphic forms, or explorations of the cosmos
Pictured
Iria Leino
Ce Lui (The One) , 1969
Acrylic on canvas
195.5 x 201 cm
Iria Leino
Loose Not Lost, 1968
Acrylic on canvas
162.5 x 165.5 cm
Images Copyright The Iria Leino Trust, NY

Adress

Hudiksvallsgatan 8
Stockholm
11330

Öppettider

Onsdag	12:00 - 18:00
Torsdag	12:00 - 18:00
Fredag	12:00 - 17:00
Lördag	12:00 - 16:00

Telefon

+4686672190

Webbplats

http://www.larsenwarner.com/

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