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Tisdag 12:00 - 18:00 Onsdag 12:00 - 18:00 Torsdag 12:00 - 18:00 Fredag 12:00 - 16:00 Lördag 12:00 - 16:00 Söndag 12:00 - 15:00

Galleri Thomassen

Hem
Sverige
Gothenburg
Galleri Thomassen

Stängt under Långfredagen 18/4 2025

12/09/2026

Opening:
Hein Spellmann - ”Building Skin”
12.09 - 04.10 2026

Opening today, between 12–4 pm. Welcome!
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Hein Spellmann (b. 1962 in Bassum, Germany) is a Berlin-based artist whose practice combines photography and object art. His work focuses on urban spaces and architectural façades, transforming photographic fragments into three-dimensional objects.

Building Skin, Spellmann’s fifth solo exhibition at Gallery Thomassen, explores the architecture of Tokyo, Gothenburg, and The Hague. Single three-dimensional façade objects featuring photographic details of buildings are arranged in varying forms, colours, and lighting to create an urban composition within the gallery space.

Since 1996, Spellmann has exhibited regularly in exhibitions in Germany and internationally. His works are held in numerous private and public collections, including the National Museum Szczecin, Museum Ephraim-Palais, Berlin City Museum, and the National Public Art Council, Sweden.

11/09/2026

Opening tomorrow:
Erik Kihlbaum - ”There’s a riot next door”
12.09 - 04.10 2026

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In There’s a riot next door, images of leisure, wealth and privilege unfold like fragments from a private archive.

Ski resorts, swimming pools and holidays evoke a world seemingly insulated from whatever lies beyond its borders. Drawn from photographs of the past, the images nevertheless speak insistently to the present.
They inhabit the uneasy space between nostalgia and denial, beauty and detachment. A portrait of privilege not through excess itself, but through the luxury of looking away.

Erik Kihlbaum (born 1976 in Örebro) lives and works in Stockholm. He studied at Umeå Academy of Fine Arts and the Royal Institute of Art in Stockholm. He has exhibited at, among others, Örebro Konsthall, Rättviks Konsthall, Galleri Steinsland Berliner in Stockholm, and Gallery 0-0 LA in Los Angeles. His works are represented in municipalities and regional authorities throughout Sweden, as well as at Moderna Museet, the British Museum, His Majesty the King’s Graphic Collection, and in private and corporate collections.

Photo: Carl Andér

22/08/2026

Anneli Pihlgren - ”Välta”, 2026
Oil on panel, 34x40 cm

(Foreground showing detail from Klara Ströms ”Narrator”)

Part of High Tide Low Flux pt.2, on view until September 6th

Participating artists: Alma Persson, Anna Lindström, Anneli Pihlgren, Cecilia Ulfsdotter, Charlie & Dagny Hay, Christopher Long, Daniel Diamant, Emilia Sundqvist, Evelina Björnqvist, Gunilla Jähnichen, Hanna Antonsson, Irene Westholm, Isa Andersson, Isa Eriksson, Isak Nygren, Jesper Lindgren, Joel Danielsson, John Dexter Zetterquist, Jukka Korkeila, Kajsa Finn, Kinga Molinska, Klas Barbrosson, Klara Ström, Leslie Johnson, Linnea Romeling, Lotta Antonsson, Lotta Grimborg, Madeleine Olsén Ingefeldt, Maria Antchougova, Martin Holm, Mattias Norström, Mira Sjövall, Mollie Douthit, Patrik Bengtsson, Peetu Liesinen, Rickard Eklund, Rita Wigzell, Ruben Risholm, Sara Möller, Sofia Tillman and Ziyi Yan

Photo: Carl Ander

12/06/2026

HIGH TIDE LOW FLUX — PART 1
OPENING JUNE 22 IN GERLESBORG

We are so exited to announce the participating artists for the first of two exhibitions!

Opening: June 22, 12–17
The exhibition runs from June 22–July 26.

Opening hours: Wednesday–Sunday, 12–17

Hope to see you there

15/05/2026

Adam Kajander - ”Procedural Architecture”

Part of the ongoing graduation exhibition “This Way”, featuring the newly graduated master’s students from the Craft Department at HDK-Valand – Academy of Art and Design. On view until Sunday 17th

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This project explores how tools shape the process of making.Ceramic craft is guided by tools that come with inherited expectations — how they’re held, what gestures they allow, and the forms they tend to produce. For this project, I’ve built tools with no link to ceramic craft to interrupt those habits and open up new movements. I treat tools as active participants in the process. In the approach I’m working with now, body, tool, and clay interact directly, and the form grows out of that exchange.

Dipped flax fibers in porelain slip, glaze and steel

14/05/2026

Karin Viktoria Johansdotter - ”Tova, Tufta,
Tveta, A landscape within and without”

Part of the ongoing graduation exhibition “This Way”, featuring the newly graduated master’s students from the Craft Department at HDK-Valand – Academy of Art and Design. On view until Sunday 17th

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Come closer, enter the portal of my roots and open your senses. Can you hear it? Smell it, feel it? This is my landscape, within and without.

Wool, linen, cotton, metall, sound and scent

13/05/2026

Karin Lengstrand - ”Sacrificial Surface”

Part of the ongoing graduation exhibition “This Way”, featuring the newly graduated master’s students from the Craft Department at HDK-Valand – Academy of Art and Design. On view until Sunday 17th

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As a counteract to everything we were taught about treasures, I began to search for traces of my late father. Around his studio there were familiar signs of him in unfinished projects and coffee stains. I found that the stain is not necessarily a flaw, but a finding. The nature of the stains is careless and yet care
returns with the gesture of noticing.

Considering the clay as a sacrificial surface, I let residues from coffee travel across, through and within the object, leaving a mark that reflects the action but transforms it. The work seeks to reconsider the stain as something worthy of attention – a material that carries meaning and memory.

Stoneware, coffee residue, 46 x 94 cm

13/05/2026

Nadine Wilde - ”An Ever Changing View”

Part of the ongoing graduation exhibition “This Way”, featuring the newly graduated master’s students from the Craft Department at HDK-Valand – Academy of Art and Design. On view until Sunday 17th

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An Ever Changing View is a woven sculptural work that explores the instability and fragmentation of memory. Through an auto-ethnographic approach, it draws on inherited narratives, folklore and a connection to plants, reflecting a layered identity shaped between England and Bulgaria. Blurred, shifting imagery operates as both aesthetic and symbolic means, achieved through processes such as screen-printing and painting directly onto the warp before weaving.

Cotton, Bulgarian and British Wool, plant dyes

Photo: Carl Ander

12/05/2026

Myrto Patramani - “Always Coming Home”

“Always Coming Home” is an installation grounded in material exploration, symbolism, and storytelling. The installation explores land as both a physical and emotional entity, carrying memory, mythology, and personal history through hybrid sculptures and fantastical landscapes. ”

Clay, glazes, biomaterial with natural components (olive leaves, reeds, spices, fruit peels, and Gothenburg clay), wood, wool, metal

12/05/2026

Samira Khoshbakht Bahremany - ”Wake Stitch”

Part of the ongoing graduation exhibition “This Way”, featuring the newly graduated master’s students from the Craft Department at HDK-Valand – Academy of Art and Design. On view until Sunday 17th

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”This spatial installation structures visibility and invisibility. It holds absence as an ongoing condition produced by contemporary border regimes, where certain lives are rendered ungrievable and vanish beyond recognition.”

Containers of Absence
Textile, copper, iron oxide & salt water, glass
(2)55 x 30 cm, 48 x 9 cm

Citizens of the Ocean
Cotton fibre, textile & steel
200 x 200 cm, 9 x 9 cm

Layers of Sediment
Textile, copper, plaster & acrylic glass, digital monitor
30 x 26 cm

Photo: Carl Ander

Adress

Sockerbruket 33
Gothenburg
41451

Öppettider

Tisdag	12:00 - 18:00
Onsdag	12:00 - 18:00
Torsdag	12:00 - 18:00
Fredag	12:00 - 16:00
Lördag	12:00 - 16:00
Söndag	12:00 - 15:00

Telefon

+4631811992

Webbplats

http://www.gallerithomassen.se/

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