Chawkandi Art

Chawkandi Art Widely recognised as the premier Art Gallery of Pakistan. Chawkandi Art celebrates 25 years of selec

Haisnain Ali NoonariMarvi HouseGraphite carving30 x 24 x 4 inches frame2025My work explores the themes of architecture, ...
17/06/2026

Haisnain Ali Noonari
Marvi House
Graphite carving
30 x 24 x 4 inches frame
2025

My work explores the themes of architecture, memory, and displacement, shaped by a lifelong journey of moving between rented houses after the loss of a sense of permanence. Each relocation left traces of transition — altering my understanding of belonging and creating pauses in both education and personal growth.

Through the tactile medium of graphite, I translate these fragmented experiences into architectural forms that embody both instability and endurance. Graphite, with its dual nature of delicacy and depth, becomes a metaphor for memory itself — capable of both erasure and permanence.

The scale of the work challenges the limits of the medium and the imagination. From the miniature nib of a pencil — a tool traditionally used for drawing — emerge three-dimensional graphite sculptures that hold weight and volume beyond the expectations of their material. These forms give tangible shape to intangible memories, bridging the line between the ephemeral and the enduring.

The contrast between the delicate, constricted model and the obstructive presence of concrete reflects a dialogue between modernist and anachronistic structures — between what stands and what is lost.

Meher Afroz is one of Pakistan’s leading contemporary artists, with a career spanning over five decades. She graduated w...
12/06/2026

Meher Afroz is one of Pakistan’s leading contemporary artists, with a career spanning over five decades. She graduated with honours in Fine Arts from the Government College of Arts and Crafts, Lucknow, India, in 1971. Her practice encompasses painting, printmaking, installation, and video, and has played a significant role in shaping contemporary art discourse in Pakistan.

In November 2025, a major retrospective curated by Niilofur Farrukh ... Connecting internal and external time... was presented by Chawkandi Art Gallery in collaboration with Alliance Française de Karachi at AFK gallery and Chawkandi Art Gallery, bringing together works from across her career and reaffirming her position as one of Pakistan’s most influential contemporary artists.

Afroz is the recipient of numerous awards, including the Pride of Performance Award by the Government of Pakistan in 2014 and an Honorable Mention at the 6th Asian Biennale, Bangladesh, in 1993. In 2025, she received the RAK Art Foundation Prize at ASIA NOW, Paris, in recognition of her outstanding contribution to contemporary art.

Her work has been featured in landmark publications such as 50 Years of Visual Arts in Pakistan by Quddus Mirza, Pioneering Perspectives by Niilofur Farrukh, and Image and Identity by Akbar Naqvi. Farrukh also documented Afroz’s artistic journey in A Beautiful Despair and ... Connecting internal and external time...

Afroz has exhibited extensively in solo and group exhibitions across Pakistan and internationally, including in the United Kingdom, France, Italy, India, Bangladesh, Nepal, Hong Kong, Australia, Canada, Iraq, the United Arab Emirates, Sri Lanka, and the United States.
Meher Afroz

Work details:

Untitled series
Acrylic on Nepalese paper
12 x 6 inches
2026

Ramzan JafriThe Thinking ManGouache on wasli11.50 x 7.50 inches2025
12/06/2026

Ramzan Jafri
The Thinking Man
Gouache on wasli
11.50 x 7.50 inches
2025

Arlsan FarooqiThe Moment of Surrender (diptych)Gouache on canvas72 x 48 each2026Arslan Farooqi (born in 1992, Faisalabad...
11/06/2026

Arlsan Farooqi
The Moment of Surrender (diptych)
Gouache on canvas
72 x 48 each
2026

Arslan Farooqi (born in 1992, Faisalabad) is a contemporary Pakistani artist currently based in Lahore. He studied at the National College of Arts, Lahore, where he was trained in the traditional discipline of Indo-Persian miniature painting, earning his Bachelor of Fine Arts. Farooqi’s practice spans multiple mediums, including drawing, painting, sculpture, animation, large-scale installation, and video.

Farooqi’s recent series delves into spiritual and mythological stories, using symbolic imagery to explore universal themes of trust, resilience, and the human condition. His work reflects a fascination with the intersection of faith and fate, transforming classical narratives into contemporary meditations on the unseen forces that guide our lives.

04/06/2026

Babar Gull’s Rites of Repetition, curated by Aasim Akhtar continues at Chawkandi Art Gallery.

In the curator’s words, “To draw is to plot time, to memorise and memorialise. It may also be an exercise against time and the linearity of timelines…To draw is to hold and sometimes let go; to depend on something or to dream with freedom….Babar Gull approaches drawing as a scaffold, a suture, a lament or revision.”

In Rites of Repetition, forms and shapes “teeter,” in the artist’s words, between line and grid. Drawing from landscape and traditional visual vocabularies, the works explore the expressive and contemplative potential of line as both structure and passage.

Rites of Repetition continues through 5th June.

“To draw is to dismantle a structure. It is to seek new ways of imagining our lives – a fiction of histories – that we m...
04/06/2026

“To draw is to dismantle a structure. It is to seek new ways of imagining our lives – a fiction of histories – that we may call the truth. In these works, we see the potential of a claim and the hollowness of form without the charge of lives and words.” –Curator Aasim Akhtar on Babar Gull’s Rites of Repetition.

The exhibition explores forms and structures that, in the artist’s words, “teeter” between line and grid. While grounded in the discipline of miniature painting, Gull’s practice expands into minimalist abstraction and draws from the visual languages of sculpture, painting, and architecture. Engaging with geometry, belief, and spatial experience, the works take inspiration from landscape and traditional visual vocabularies, examining line as both a formal device and a meditative pathway.

Based in Lahore, Babar Gull holds a BFA in Miniature Painting and an MA Visual Arts (Hons.) from the National College of Arts. He has exhibited locally and internationally and contributed extensively to teaching and curatorial work within Pakistan’s contemporary art landscape.

Babar Gull’s Rites of Repetition continues through 5th June.

Image 1
Untitled | Sumi ink on archival paper | 20 x 40 inches | 2026

Image 2
Untitled | Sumi ink on archival paper | 20 x 40 inches | 2026

Image 3
Converging Lines | Sumi ink on archival paper | 16 x 40 inches | 2026

In Babar Gull's Rites of Repetition, the artist’s reliance “on the grid”, according to curator Aasim Akhtar, is “an inte...
03/06/2026

In Babar Gull's Rites of Repetition, the artist’s reliance “on the grid”, according to curator Aasim Akhtar, is “an interdependency that prevents a collision, a collapse. There is an inherent, structural relationship between architecture and the meters that make poetry. They are both negotiations, sometimes a compromise, a manifestation, a marker or an apology.”

While grounded in the discipline of miniature painting, Gull’s practice expands into minimalist abstraction and draws from the visual languages of sculpture, painting, and architecture. Engaging with geometry, belief, and spatial experience, the works take inspiration from landscape and traditional visual vocabularies, examining line as both a formal device and a meditative pathway.

Based in Lahore, Babar Gull holds a BFA in Miniature Painting and an MA Visual Arts (Hons.) from the National College of Arts. He has exhibited locally and internationally and contributed extensively to teaching and curatorial work within Pakistan’s contemporary art landscape.

Babar Gull’s Rites of Repetition continues through 5th June.

Image
Babar Gull
Untitled | Sumi ink on archival paper | 7.5 x 11 inches | 2026

Babar GullUntitledArchival ink on montval10 x 14 inches each2026Artist Statement:Starting with basic forms and shapes te...
03/06/2026

Babar Gull
Untitled
Archival ink on montval
10 x 14 inches each
2026

Artist Statement:
Starting with basic forms and shapes teetering between line and grid, I often use lines in my work to explore concepts of belief and divinity and to travel from one point to another. As my studio practice has evolved, my major interest in exploring ways in which we defy the status quo continue to persist. My work - embodies that contemplative process in all its manifestation and explores the potential of line as a tool of expression/communication.

This work is on display at Chawkandi Art, part of Babar Gull's solo exhibition 'Rites of Repetition' curated by Aasim Akhtar. Babar's works are on display until Saturday, June 5th, 2026.

“To draw is to dismantle a structure. It is to seek new ways of imagining our lives – a fiction of histories – that we m...
02/06/2026

“To draw is to dismantle a structure. It is to seek new ways of imagining our lives – a fiction of histories – that we may call the truth. In these works, we see the potential of a claim and the hollowness of form without the charge of lives and words.” –Curator Aasim Akhtar on Babar Gull’s Rites of Repetition.

The exhibition explores forms and structures that, in the artist’s words, “teeter” between line and grid. While grounded in the discipline of miniature painting, Gull’s practice expands into minimalist abstraction and draws from the visual languages of sculpture, painting, and architecture. Engaging with geometry, belief, and spatial experience, the works take inspiration from landscape and traditional visual vocabularies, examining line as both a formal device and a meditative pathway.

Based in Lahore, Babar Gull holds a BFA in Miniature Painting and an MA Visual Arts (Hons.) from the National College of Arts. He has exhibited locally and internationally and contributed extensively to teaching and curatorial work within Pakistan’s contemporary art landscape.

Babar Gull’s Rites of Repetition continues through 5th June.

Through acts of repetition, incision, and careful observation, Babar Gull’s Rites of Repetition, curated by Aasim Akhtar...
01/06/2026

Through acts of repetition, incision, and careful observation, Babar Gull’s Rites of Repetition, curated by Aasim Akhtar, invites viewers to consider drawing as both structure and contemplation. In the curator’s words, “To draw is to plot time, to memorise and memorialise. It may also be an exercise against time and the linearity of timelines… To draw is to hold and sometimes let go; to depend on something or to dream with freedom…. Babar Gull approaches drawing as a scaffold, a suture, a lament or revision.”

In Rites of Repetition, forms and shapes “teeter,” in the artist’s words, between line and grid. Drawing from landscape and traditional visual vocabularies, the works explore the expressive and contemplative potential of line as both structure and passage.

Rites of Repetition continues through 5th June at Chawkandi Art Gallery.

Address

105, Marine Point, DCI, Kehkashan, Block 9, Clifton
Karachi

Opening Hours

Monday 11:00 - 20:00
Tuesday 11:00 - 20:00
Wednesday 11:00 - 20:00
Thursday 11:00 - 20:00
Friday 11:00 - 20:00
Saturday 11:00 - 20:00

Telephone

+922135373582

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