iSculpture

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iSculpture isculpture - international art gallery. The first contemporary sculpture gallery. San Gimignano - Casole d'Elsa
www.isculpture.it

iSculpture (San Gimignano) was established in 2012 by Francesca Cundari and Patrick Pii, with the aim to promote both young and successful Italian sculptors. Our attention is mostly focused on the research of the new borders of the Italian figurative arts.Updated in taste and in the concept of "beauty", sculpture is perhaps the most complete art kind, in which matter and shape come together in a continuous challenge to renewal, without ever leaving a constant acquisition of consolidated parameters relating to balance and know-how.The works of our selected artists represent a significant example of contemporary Italian sculptures in the field of ceramics, bronze, alabaster, wood, marble and iron.Tradition and modernity merge together in the 14th century architecture and the renovation works, facilitating a timeless dialogue between the art works and the spectator.Its first location in San Gimignano, is today joined by a further exhbiting space in Casole d'Elsa (SI), at the border between the provinces of Siena and Pisa, crossed by international cultural and artistic fervors since many years ago.

14/10/2026

𝑾𝒉𝒂𝒕 𝒊𝒔 𝒕𝒉𝒆 𝒓𝒆𝒍𝒂𝒕𝒊𝒐𝒏𝒔𝒉𝒊𝒑 𝒃𝒆𝒕𝒘𝒆𝒆𝒏 𝒔𝒑𝒂𝒄𝒆, 𝒕𝒊𝒎𝒆 𝒂𝒏𝒅 𝒊𝒅𝒆𝒏𝒕𝒊𝒕𝒚?
𝑨𝒏𝒅 𝒘𝒉𝒂𝒕 𝒉𝒂𝒑𝒑𝒆𝒏𝒔 𝒘𝒉𝒆𝒏 𝒕𝒉𝒆𝒔𝒆 𝒄𝒐𝒏𝒄𝒆𝒑𝒕𝒔 𝒆𝒏𝒕𝒆𝒓 𝒕𝒉𝒆 𝒍𝒂𝒏𝒈𝒖𝒂𝒈𝒆 𝒐𝒇 𝒂𝒓𝒕?

In the dialogue between curator Valerio Dehò and Virgilio Rospigliosi, physics and philosophy become tools for reflecting on the possibility of repetition and the nature of difference.

Through gesture, material and variation, Rospigliosi brings these questions into his artistic practice, revealing how what appears identical can, upon closer inspection, disclose its own unrepeatable nature.

An excerpt from the video interview dedicated to 𝑺𝒑𝒂𝒕𝒊𝒐𝒕𝒆𝒎𝒑𝒐𝒓𝒂𝒍 𝑼𝒏𝒓𝒆𝒑𝒆𝒂𝒕𝒂𝒃𝒊𝒍𝒊𝒕𝒚, offering a deeper insight into the ideas explored throughout the exhibition.

Watch the full video interview on:
web site: www.isculpture.it/en/journal/virgilio-rospigliosi-spatiotemporal-unrepeatability/
or
isculpture YouTube channel: https://youtu.be/a4LNa8mboPc

13/10/2026

𝑻 𝑯 𝑬 𝑺 𝑪 𝑨 𝑹 𝑬 𝑪 𝑹 𝑶 𝑾 | Coderch & Malavia

What if what we are searching for has been within us all along?

In the celebrated story 𝑻𝒉𝒆 𝑾𝒐𝒏𝒅𝒆𝒓𝒇𝒖𝒍 𝑾𝒊𝒛𝒂𝒓𝒅 𝒐𝒇 𝑶𝒛, the Scarecrow sets off on a journey to the Emerald City, convinced that he needs a brain. His head is filled with straw, and he believes he lacks what he desires most: the ability to think.

Yet, along the way, he displays intuition, intelligence, and a remarkable strategic mind. In searching for wisdom, he reveals that he already possesses it.

With The Scarecrow, Coderch & Malavia transform this character into a sculptural presence in bronze, cast using the lost-wax technique and finished with a patina.

An artwork that invites us to look beyond appearances and reflect on a universal question: how often do we search outside ourselves for something we simply need to learn to recognise within?

The Scarecrow —2022 |
Patinated lost-wax cast bronze
Coderch & Malavia, Sculptors

Discover the artwork on: www.isculpture.it/it/scarecrow-ed-6-di-8/

𝑺𝒐𝒎𝒆 𝒄𝒐𝒍𝒍𝒂𝒃𝒐𝒓𝒂𝒕𝒊𝒐𝒏𝒔 𝒈𝒐 𝒃𝒆𝒚𝒐𝒏𝒅 𝒂𝒏 𝒆𝒙𝒉𝒊𝒃𝒊𝒕𝒊𝒐𝒏.They become encounters, shared visions and relationships that grow over time...
09/10/2026

𝑺𝒐𝒎𝒆 𝒄𝒐𝒍𝒍𝒂𝒃𝒐𝒓𝒂𝒕𝒊𝒐𝒏𝒔 𝒈𝒐 𝒃𝒆𝒚𝒐𝒏𝒅 𝒂𝒏 𝒆𝒙𝒉𝒊𝒃𝒊𝒕𝒊𝒐𝒏.

They become encounters, shared visions and relationships that grow over time, and, above all, opportunities to bring beauty into people's lives.

Our collaboration with Stefano Bombardieri is one of these.

Returning to his studio at the close of this remarkable season was a special gift: reconnecting with his vision, discovering new works and once again being surprised by the depth and continuity of his artistic exploration.

For us, supporting and helping share Stefano’s artistic journey is a privilege. It also reflects the true meaning of the relationships we value: building connections with artists and like-minded partners who share our belief that beauty generates energy, fosters connections and opens up new ways of seeing the world.

We are sharing a few glimpses of our visit, inviting you to step inside his world with us.

Beauty is the fuel that moves life.

𝙒𝙝𝙚𝙣 𝙖𝙧𝙩 𝙚𝙣𝙩𝙚𝙧𝙨 𝙖 𝙝𝙤𝙢𝙚, 𝙚𝙫𝙚𝙧𝙮𝙙𝙖𝙮 𝙨𝙥𝙖𝙘𝙚𝙨 𝙘𝙖𝙣 𝙩𝙚𝙡𝙡 𝙖 𝙙𝙞𝙛𝙛𝙚𝙧𝙚𝙣𝙩 𝙨𝙩𝙤𝙧𝙮.𝑪𝒂𝒔𝒂𝒍𝒊 𝒅𝒊 𝑪𝒂𝒔𝒐𝒍𝒆 - 𝑽𝒆𝒎𝒊𝒈𝒏𝒂𝒏𝒐A new chapter of 𝑳𝒊𝒗𝒊𝒏𝒈 𝑨...
08/10/2026

𝙒𝙝𝙚𝙣 𝙖𝙧𝙩 𝙚𝙣𝙩𝙚𝙧𝙨 𝙖 𝙝𝙤𝙢𝙚, 𝙚𝙫𝙚𝙧𝙮𝙙𝙖𝙮 𝙨𝙥𝙖𝙘𝙚𝙨 𝙘𝙖𝙣 𝙩𝙚𝙡𝙡 𝙖 𝙙𝙞𝙛𝙛𝙚𝙧𝙚𝙣𝙩 𝙨𝙩𝙤𝙧𝙮.
𝑪𝒂𝒔𝒂𝒍𝒊 𝒅𝒊 𝑪𝒂𝒔𝒐𝒍𝒆 - 𝑽𝒆𝒎𝒊𝒈𝒏𝒂𝒏𝒐

A new chapter of 𝑳𝒊𝒗𝒊𝒏𝒈 𝑨𝒓𝒕 has recently taken place in one of the Casali di Casole, part of the Timbers Resorts collection.

Born from the collaboration between 𝒊𝒔𝒄𝒖𝒍𝒑𝒕𝒖𝒓𝒆 𝑨𝒓𝒕 𝑮𝒂𝒍𝒍𝒆𝒓𝒚, SensiArte Galleria and Casali di Casole, the project brings contemporary sculpture into the intimate dimension of a lived space.

For a limited period, a private casale becomes a temporary setting for works by artists represented by isculpture: Ernest Massuet, Simona Ragazzi, Andrea Roggi, Emanuel Zoncato.

Here, sculpture is not experienced apart from its surroundings. It becomes part of the rhythm of the rooms, meeting natural light, materials, views and the architecture of the casale.

The result is deliberately temporary: an exhibition that does not simply occupy a space, but changes the way that space is perceived.

This is the essence of 𝑳𝒊𝒗𝒊𝒏𝒈 𝑨𝒓𝒕: creating moments in which art can be encountered naturally, unexpectedly, and as part of an experience.

Link: www.isculpture.it/en/partnerships/art-meetings-at-the-casali-di-casole/

Timbers Resorts

𝑨𝑹𝑻𝑾𝑶𝑹𝑲𝑺 𝑰𝑵 𝑮𝑨𝑳𝑳𝑬𝑹𝒀 - 𝑯𝒆𝒓𝒎𝒆𝒔C’è qualcosa di eterno nelle figure che attraversano il tempo senza appartenere davvero a un...
06/10/2026

𝑨𝑹𝑻𝑾𝑶𝑹𝑲𝑺 𝑰𝑵 𝑮𝑨𝑳𝑳𝑬𝑹𝒀 - 𝑯𝒆𝒓𝒎𝒆𝒔

C’è qualcosa di eterno nelle figure che attraversano il tempo senza appartenere davvero a un’epoca.

Hermes è il messaggero degli dèi, colui che conosce le strade, attraversa i confini, accompagna i viaggiatori e porta parole da un mondo all’altro. È il dio del movimento e dell’incontro, della soglia e della trasformazione.

Jesús Curiá ne conserva l’archetipo, ma lo conduce altrove.

Nel suo **bronzo a cera persa**, il corpo umano diventa essenziale, quasi sospeso tra presenza e segno. La superficie si apre a geometrie, incisioni e dettagli dal carattere industriale, mentre le patine calde restituiscono alla materia una profondità quasi tattile.

È proprio in questo incontro che vive la forza della scultura di Curiá: l’antico non viene imitato, viene trasformato.

Il mito diventa materia.
La materia diventa linguaggio.
E una figura che appartiene a un tempo lontanissimo sembra improvvisamente parlarci del nostro.

Forse è questo il dono più affascinante di Hermes: ricordarci che attraversare una soglia significa sempre lasciare qualcosa alle spalle e portare con sé qualcosa di nuovo.

Un messaggero, allora, non è soltanto colui che porta un messaggio.

È colui che mette in comunicazione mondi diversi.

E Curiá, ancora una volta, costruisce proprio quel passaggio.

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There is something timeless about figures that travel through history without ever truly belonging to a single era.

Hermes is the messenger of the gods, the one who knows the roads, crosses boundaries, guides travellers and carries words from one world to another. He is the god of movement and encounter, of thresholds and transformation.

Jesús Curiá preserves this archetype, but takes it somewhere else.

In his lost-wax bronze, the human figure becomes essential, almost suspended between presence and sign. The surface opens into geometric forms, incised details and industrial references, while warm patinas give the material an almost tactile depth.

It is precisely in this encounter that the strength of Curiá’s sculpture lies: the ancient is not imitated, but transformed.

Myth becomes matter.
Matter becomes language.
And a figure belonging to a distant time suddenly seems to speak to our own.

Perhaps this is Hermes’ most fascinating gift: reminding us that crossing a threshold always means leaving something behind and carrying something new with us.

A messenger, then, is not simply someone who carries a message.

He is the one who brings different worlds into communication.

And once again, Curiá creates precisely that passage.

👉 www.isculpture.it/en/hermes-ed-1-8/




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𝑨𝒏 𝒆𝒙𝒉𝒊𝒃𝒊𝒕𝒊𝒐𝒏 𝒘𝒂𝒊𝒕𝒊𝒏𝒈 𝒕𝒐 𝒃𝒆 𝒅𝒊𝒔𝒄𝒐𝒗𝒆𝒓𝒆𝒅!A few images from Virgilio Rospigliosi’s exhibition, a project that brings togeth...
03/10/2026

𝑨𝒏 𝒆𝒙𝒉𝒊𝒃𝒊𝒕𝒊𝒐𝒏 𝒘𝒂𝒊𝒕𝒊𝒏𝒈 𝒕𝒐 𝒃𝒆 𝒅𝒊𝒔𝒄𝒐𝒗𝒆𝒓𝒆𝒅!

A few images from Virgilio Rospigliosi’s exhibition, a project that brings together art, mathematics and philosophy and, through forms and variations, invites us to pause for a moment and look at things differently.

Make the most of it, time is passing, and every moment is an opportunity to visit the exhibition, on view until October 10, 2026.

And perhaps, standing in front of the works, a few questions will come naturally.

02/10/2026

𝑬 𝒔𝒆 𝒄𝒊ò 𝒄𝒉𝒆 𝒔𝒆𝒎𝒃𝒓𝒂 𝒊𝒅𝒆𝒏𝒕𝒊𝒄𝒐 𝒏𝒐𝒏 𝒍𝒐 𝒇𝒐𝒔𝒔𝒆 𝒂𝒇𝒇𝒂𝒕𝒕𝒐?

Quindici opere.
Una ricerca sulla possibilità, o forse sull’impossibilità, di ripetere davvero la stessa cosa.

Dieci opere nascono dalla ripetizione di uno stesso soggetto, ma ogni volta qualcosa cambia: un dettaglio, una tonalità, una materia, una relazione nello spazio. Cinque ulteriori opere ampliano e completano questa riflessione, portandola verso nuove possibilità di lettura.

In Irripetibilità Spaziotemporale, Virgilio Rospigliosi ci invita così a guardare oltre ciò che riconosciamo al primo sguardo.

Perché ciò che sembra uguale può diventare diverso.
E ciò che osserviamo oggi non sarà mai esattamente ciò che vedremo domani.

Virgilio Rospigliosi — Irripetibilità Spaziotemporale
A cura di Valerio Dehò
isculpture Art Gallery
Fino al 10 ottobre 2026

Ci vediamo in galleria.

www.isculpture.it/it/eventi/virgilio-rospigliosi-irripetibilit%C3%A0-spaziotemporale/

There are moments when, looking at a work of art in its new home, we feel that it has finally found the place where it b...
24/09/2026

There are moments when, looking at a work of art in its new home, we feel that it has finally found the place where it belongs.

That is exactly what we thought when we saw this olive tree by Andrea Roggi, surrounded by its new family.

Two figures reach towards one another, support each other, and together become the trunk of a tree.
Life rises from the earth, the branches open towards the sky, and among the leaves, small golden olives ripen.

It is one of the most cherished images in Roggi’s artistic journey: love as a root, as a union, as something that grows over time and, when cared for, bears fruit.

For this reason, knowing that it is now “home” moved us deeply.

Because a work like this does not speak only of a family.
It speaks of the desire to build, to grow together, to let time do its work. It speaks of what we choose to protect and of what we decide to give a place in our lives.

And perhaps this is what makes the journey of a work of art so special: to be born from an artist’s hands, to pass through the eyes of those who choose it, and finally to become part of a family’s story.

Today, this olive tree has found its family.

𝑨 𝒍𝒐𝒗𝒆 𝒕𝒐 𝒄𝒉𝒆𝒓𝒊𝒔𝒉.

𝑨𝑹𝑻𝑾𝑶𝑹𝑲𝑺 𝑰𝑵 𝑮𝑨𝑳𝑳𝑬𝑹𝒀 - 𝑺𝑬𝑸𝑼𝑬𝑵𝒁𝑨 𝟐L’eleganza dei dettagli.A volte è proprio nei dettagli che un’opera rivela la propria co...
23/09/2026

𝑨𝑹𝑻𝑾𝑶𝑹𝑲𝑺 𝑰𝑵 𝑮𝑨𝑳𝑳𝑬𝑹𝒀 - 𝑺𝑬𝑸𝑼𝑬𝑵𝒁𝑨 𝟐

L’eleganza dei dettagli.

A volte è proprio nei dettagli che un’opera rivela la propria complessità.

In Sequenza 2, Simona Ragazzi affida alla terracotta una presenza silenziosa, costruita attraverso segni, incisioni, rilievi e variazioni della superficie che diventano parte essenziale della forma.

È qui che la materia rivela la sua profondità: ogni dettaglio non è decorazione, ma traccia. Un gesto, una memoria, una possibilità di racconto.

La ceramica appartiene alla storia più antica dell’arte italiana, ma nelle mani dell’artista non rimane ancorata alla tradizione. La terra diventa un linguaggio contemporaneo, capace di parlare di identità, di tempo e di ciò che rimane quando tutto ciò che è superfluo viene sottratto.

Forse è proprio questa una delle forme più autentiche dell’eleganza: lasciare alla materia lo spazio per parlare.

Ambientazione realizzata con AI

🇺🇸

The elegance of details.

Sometimes, it is in the details that an artwork reveals its complexity.

In Sequenza 2, Simona Ragazzi entrusts terracotta with a quiet presence, shaped through marks, incisions, reliefs and variations across the surface that become an essential part of the form.

This is where the depth of the material emerges: each detail is not decoration, but a trace. A gesture, a memory, a possibility of storytelling.

Ceramics belong to one of the oldest traditions in Italian art, yet in the artist’s hands, the material is not bound to tradition. Earth becomes a contemporary language, capable of speaking of identity, time, and what remains when everything superfluous has been stripped away.

Perhaps this is one of the most authentic forms of elegance: allowing the material space to speak.


Inquiries for the artist's full portfolio are welcome via DM.
Professional bespoke crating and international delivery.



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Via San Giovanni N. 56
San Gimignano
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