02/09/2026
In Bangladesh, snakes hold a complex and deeply rooted significance that blends religious mythology, folklore, and fear, particularly in rural areas. They are simultaneously revered as divine, sacred creatures associated with fertility and protection, and feared as dangerous beings.
A Naga, Sanskrit for snake, is a divine or semi-divine half-human, half-serpent being in Hindu and Buddhist mythology. They inhabit the netherworld, acting as nature spirits and guardians of water, fertility and treasures.
The form of the serpent, or Naga, recurs throughout our current exhibition, Mrinalini Mukherjee: Unbound Forms - Women Sculptors of India and Bangladesh. In particular, it recurs across Mrinalini Mukherjee and Novera Ahmed’s work, both artists using the snake to symbolise the duality between power and nature.
Un serpent nommé désir (A snake called desire), Novera Ahmed, 1972, bronze © The Musee Novera Ahmed. Image by Michael Pollard.
Find out more: https://hepworthwakefield.org/whats-on/mrinalini-mukherjee/