Printer's Proof

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Printer's Proof Copenhagen Fine Art Etching Studio & Gallery

Copenhagen Fine Art Etching Studio & Gallery
Publisher of Original Fine Art Edition Prints
Fondazione Il Bisonte Master Printer Kell Johan Frimor
Leiden University Art History Master of Arts Olga Zolin

I absolutely love this photogravure by Annette Harboe Flensburg! To build the imaginary room in this series, she used a ...
09/10/2026

I absolutely love this photogravure by Annette Harboe Flensburg!

To build the imaginary room in this series, she used a beautiful, dusty blue-gray palette.

But look closer... it’s actually not the room itself that takes center stage. The true star of this scene is the light. It pours into the space with a brilliant clarity that somehow feels both sharp and totally dreamlike.

This piece perfectly reflects Flensburg's broader focus on capturing the fleeting, vulnerable nature of being. Just like light shifting through a window, she reminds us that all boundaries in life are temporary - only lasting a moment before reality shifts and they dissolve.

If you could capture a fleeting moment like this, where would it lead you? Let me know in the comments!

02/10/2026

Det var en kæmpe fornøjelse at opleve Ruth Campaus soloudstilling ’Color Push’ på Esbjerg Kunstmuseum sidste fredag!

På udstillingen kan du opleve Ruth Campaus monumentale installationer side om side med hendes grafiske værker. Mødet mellem akrylplader og det taktile bøttepapir i monoprint-serien ’This Moment for You’ skaber en helt fantastisk kontrast mellem det industrielle og det traditionelle håndværk og viser, hvor alsidig en kunstner Ruth Campau er.

Kæmpe cadeau til Ruth Campau og kuratorteamet på Esbjerg Kunstmuseum – museumsdirektør Inge Merete Kjeldgaard samt Christiane Mosegaard Finsen og Birgitte Ørom – for en smukt kurateret udstilling, der absolut er et besøg værd.

Oplev 'Color Push' på Esbjerg Kunstmuseum!

25/09/2026

Selvom vi i øjeblikket trykker ætsninger, er valser stadig en vigtig del af vores arbejdsgang.

En spit-bite akvatinte er så delikat, at Kell valser sværten på kobberpladerne for at undgå utilsigtede ridser.

Når dagen er omme, står vi tilbage med valser, glasplader og gummispatler, der skal rengøres. Denne lille timelapsevideo har nedkogt mere end 30-minutters værktøjsrengøring til et lidt over et minut.

Regelmæssig rengøring forhindrer at gummivalserne indtørrer og revner over tid. At rengøre grafikværkstedet efter hver arbejdsdag føles som den perfekt optakt til den kommende dag.

Indrømmet. Vi er totale kontrolfreaks! Hvordan ser din arbejdsplads ud?

17/09/2026

Der er intet, der kan måle sig med følelsen af at løfte et færdigt tryk fra pressen og se, hvordan alt står præcis, som det var tænkt.

Denne ætsning af Jóhan Martin Christiansen er opbygget omkring en stregætsningsplade, hvorpå der er tilføjet skyggevirkninger ved hjælp af sukkerakvatinte. Da Jóhan Martin overvejede at tilføje en farve, fandt vi frem til en løsning, hvor Kell valsede en tynd, lyserød streg hen over bunden af en ekstra plade. Det var her, den virkelige magi opstod!

Det er fascinerende at se, hvordan en enkelt ide forskubber billedets balancepunkt og får hele kompositionen til at falde på plads. Samarbejdet med Jóhan Martin er altid en fantastisk proces. Værket afspejler på fornemste vis hans øvrige kunstneriske virke – en ubesværet balance mellem et stringent koncept og en rå, taktil æstetik.

It has been a while since we last posted, but we are excited to share with you the thrilling news that a monotype from t...
04/09/2026

It has been a while since we last posted, but we are excited to share with you the thrilling news that a monotype from the portfolio Seascapes has been added to the permanent collection at the Benton Museum of Art in Claremont, California.

Huge congratulations to Liat Yossifor! This recognition highlights her incredible versatility as an artist, seamlessly moving from large-format oil paintings to intimate watercolours.

This unique, hand-pulled monotype reflects Liat’s daily practice of oil drawings on paper. Known for her bold, expressive canvases, she took a different approach here, using a non-absorbent surface instead of paper. This allowed her to explore the passage of time, as the watercolour remained unfixed until printing.

Liat described the process as intuitive, almost like working in the dark. The gap between creating on glass and the final print raised fascinating questions about absorption, transformation, and the very act of translation in art.

We truly value your support, so please stay tuned for more updates as we look forward to sharing more with you soon!

13/03/2026

Reels are not our strongest skill. But we did try our best!
We used a whole day on filming and another half a day on editing.

I don’t know if IG had improved their software or our previous experience in reel-editing helped this time but it felt like it wasn’t as hard as I remembered. Who knows maybe it will be a start of a whole new era for Printer’s Proof’s social media presence 😉?

Kell is right though, it’s amazing how all those people can do what they do while they are documenting the process, it requires a talent or a special skill that we, early Millennials, were not born with.

Are you also struggling with reels? Would love to know how you tackle them!

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