Platform Bunker

Platform Bunker platform BUNKER is an intimate exhibition space for hybrid practices and immersive art forms. Located in Asgård, Rolfsvej 10-12, Frederiksberg

Thank you to everyone who came yesterday to the opening of Waters at Quarry, Waters that Carry by Eliza Bozek and Nanna ...
08/08/2026

Thank you to everyone who came yesterday to the opening of Waters at Quarry, Waters that Carry by Eliza Bozek and Nanna Elvin Hansen!

The exhibition is open today and tomorrow and next weekend from Friday to Sunday at 15-18.

Tomorrow we are also hosting an artist talk and a screening of the film Groundings (2024) by Nanna Elvin Hansen, featuring field recordings by Eliza Bozek.

Groundings looks into the extraction of the mineral quartzite at the Giemaš mountain in the Sápmi region of northern Norway used for new remote sensing technology. The quartzite becomes a point of departure for a forensic and poetic journey, considering how this stone can bear witness to geopolitical exploitation. The film thus asks who—human or non-human—gets to pose political demands and control a landscape?

Programme August 9:

15:00 Exhibition open
16:00 Screening of Groundings (43 min)
17:00 Artist talk with Nanna Elvin Hansen and Eliza Bożek, moderated by Lukas Quist Lund

We’re looking forward to the next exhibition at platform BUNKER opening this Friday: Nanna Elvin Hansen & Eliza Bozek – ...
03/08/2026

We’re looking forward to the next exhibition at platform BUNKER opening this Friday:

Nanna Elvin Hansen & Eliza Bozek – Waters at Quarry, Waters that Carry on 7-16 August.

The collaborative practice of Nanna Elvin Hansen and Eliza Bożek (moltamole) is rooted in field recording and collective listening as methods for attending to landscapes, watery bodies and the political conditions that shape them. Together they have developed sonic research into the extractive landscape of the quartzite quarry at the Giemaš mountain in Sápmi, Norway - resulting in a radio live-stream, a vinyl release and the audio-visual installation Waters at Quarry, Waters that Carry.

The audio-visual installation Waters at Quarry, Waters that Carry explores the politicisation of the underground from the perspective of water. With the rising need for minerals for new technologies, including green technologies such as solar panels and wind turbines, demand is ever-increasing, and the subterranean is becoming increasingly politicised. Extractivism not only creates scars in the landscape by wresting minerals from the underground but also proliferates zones of dispute, sacrifice, and transformation.
Waterways play a central role in the extraction of minerals, as they function as infrastructure for transportation and the supply of power around mining sites.

PRACTICAL INFORMATION
Open August 7-9 and 14-16 at 15-18
Vernissage on 7 August 15-18
Artist talk and film screening on 9 August at 15-18
platform BUNKER - Rolfsvej 10-12, 2000 Frederiksberg

This year's exhibition program is kindly supported by Frederiksbergfonden, Frederiksberg Kommune, and Statens Kunstfond. This exhibition is additionally funded by the Danish Composer’s Society and KODA Kultur.

Thank you everyone who came to our latest exhibition - Blowout by S McEvoy.Our next exhibition will open on August 7. Ho...
29/07/2026

Thank you everyone who came to our latest exhibition - Blowout by S McEvoy.
Our next exhibition will open on August 7. Hope to see you there!

Thank you everyone who came yesterday to the opening of Blowout by S McEvoy!The exhibition is open all weekend from 15-1...
25/07/2026

Thank you everyone who came yesterday to the opening of Blowout by S McEvoy!
The exhibition is open all weekend from 15-18. Free entrance as always.

S McEvoy (IE/DK) investigates structures of power and belief through sound, sculpture, and performance. Using the adversarial as a methodology, they stage disquieting sensory encounters that function as critical inquiry.
In Blowout they apply these methods to the spectacle of technological failure, framing sonic destruction as a site of ritual.

YouTube is a vast repository of sonic subcultures, from the intimate whispers of ASMR to more visceral phenomena.
Blowout investigates the ritualistic destruction of speakers—a thriving online genre dedicated to the spectacle of audio hardware being overdriven to failure, billowing smoke, and bursting cones. This artistic research project aims to develop sonic and spatial methods for navigating our cultural fascination with technological death. By compiling these moments of destruction and, crucially, reversing them, S McEvoy complicates narratives of gleeful obsolescence. The question driving this research is: under what circumstances do repair and restoration become thinkable, or even possible?

PRACTICAL INFORMATION
Open 24-26 July at 15-18
Performance on 24 July at 16
platform BUNKER - Rolfsvej 10-12, 2000 Frederiksberg

This year's exhibition program is kindly supported by Frederiksbergfonden, Frederiksberg Kommune, KODA Kultur, and Statens Kunstfond. This exhibition is a guest-pop up.

Presenting the next exhibition at platform BUNKER: S McEvoy - Blowout on 24-26 JulyS McEvoy (IE/DK) investigates structu...
10/07/2026

Presenting the next exhibition at platform BUNKER:

S McEvoy - Blowout on 24-26 July

S McEvoy (IE/DK) investigates structures of power and belief through sound, sculpture, and performance. Using the adversarial as a methodology, they stage disquieting sensory encounters that function as critical inquiry.
In Blowout they apply these methods to the spectacle of technological failure, framing sonic destruction as a site of ritual.

YouTube is a vast repository of sonic subcultures, from the intimate whispers of ASMR to more visceral phenomena.
Blowout investigates the ritualistic destruction of speakers—a thriving online genre dedicated to the spectacle of audio hardware being overdriven to failure, billowing smoke, and bursting cones. This artistic research project aims to develop sonic and spatial methods for navigating our cultural fascination with technological death. By compiling these moments of destruction and, crucially, reversing them, S McEvoy complicates narratives of gleeful obsolescence. The question driving this research is: under what circumstances do repair and restoration become thinkable, or even possible?

PRACTICAL INFORMATION
Open 24-26 July at 15-18
Performance on 24 July at 16
platform BUNKER - Rolfsvej 10-12, 2000 Frederiksberg

This year's exhibition program is kindly supported by Frederiksbergfonden, Frederiksberg Kommune, KODA Kultur, and Statens Kunstfond. This exhibition is a guest-pop up.

Adresse

Asgård, Rolfsvej 10-12
Frederiksberg
2000

Underretninger

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