Amazwi South African Museum of Literature

Amazwi South African Museum of Literature Amazwi South African Museum of Literature is the custodian of South Africa's literary heritage. Welcome to the official digital home of Amazwi Museums.

Amazwi collects, preserves and promotes the literature of South Africa's official languages. This is a space to celebrate South African literary heritage, to explore our archives, and to engage in meaningful cultural dialogue. To ensure this remains a welcoming environment for everyone, we ask our community to follow these guidelines:

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ur comments civil and constructive. Personal attacks, harassment, or trolling will not be tolerated.
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• Zero tolerance: Any content containing hate speech, discrimination, profanity, or threats of violence will be removed immediately, and the user may be blocked. Moderation note: While we encourage engagement, we reserve the right to hide or delete comments, and/or to close comment threads that violate these rules. Thank you for helping us protect and promote the voices of South Africa!

01/09/2026

Happy Spring Day! We celebrate the change of season with the poem by JJR Jolobe, 'Ntlakohlaza Siyakubulisa' ('Spring We Greet You'), a long-standing part of school curricula. SABC News isiXhosa reporter, Lilitha Ntsundwani, created this recording, with an English translation.

Today is the last day of August and the last day of Women's Month 2026. The last women Amazwi features in our daily post...
31/08/2026

Today is the last day of August and the last day of Women's Month 2026. The last women Amazwi features in our daily posts about Sourh African women writers is Nadia Davids.

An award-winning playwright, writer, and researcher, Nadia Davids was norn in Cape Town. Her writing engages with memory, place, migration, and the intricate histories of the Western Cape. She captured national attention with her celebrated debut solo play 'At Her Feet' (2002), which explored the lives of Muslim women in Cape Town, and won multiple Fleur du Cap Theatre Awards.

Her acclaimed play 'What Remains' (2017) won five Fleur du Cap Awards, including Best New South African Play, while her novel 'An Imperfect Blessing' was longlisted for the Sunday Times Fiction Prize and shortlisted for the Pan-African Etisalat Prize for Literature. Davids holds a PhD from the University of Cape Town and served as President of PEN South Africa.

Photo from her website, www.nadiadavids.com

August is Women's Month! Each day Amazwi will share some inspiration from one of the many women authors of our nation. ​...
30/08/2026

August is Women's Month! Each day Amazwi will share some inspiration from one of the many women authors of our nation.

​Koleka Putuma is a theatre director, poet and a powerhouse of creativity! ​Born Gqeberha (then Port Elizabeth), she took the literary world by storm with her groundbreaking debut poetry collection, 'Collective Amnesia' (2017). The collection was awarded the 2018 Glenna Luschei Prize for African Poetry and became a bestseller, translated into multiple languages and studied at universities worldwide. ​Her work explores themes of identity, race, religion, womanhood, and q***r identity in post-apartheid South Africa.

Her second book 'Hullo, Bu-Mbuyiselo' (2021) and her award-winning plays reflect her dynamic artistry as a producer and performance artist through her multidisciplinary company, Manyano Media.

​Putuma continues to push boundaries and redefine contemporary South African literature. The photo is from her website, www.kolekaputuma.com

August is Women's Month! Each day, Amazwi will share some inspiration from one of our nation's many women authors.Phylli...
29/08/2026

August is Women's Month! Each day, Amazwi will share some inspiration from one of our nation's many women authors.

Phyllis Ntantala-Jordan (1920-2016) was a teacher, political activist, writer and translator. She was born near Idutywa and raised and educated in schools in the Eastern Cape, and later Fort Hare University. She became a teacher in Kroonstad in the Free State. In 1939, she married the author and academic Archibald Campbell Jordan. While living in Cape Town Jordan, along with her husband, became involved in protest action against apartheid education. In the aftermath of the Sharpeville massacre A.C. Jordan was arrested and briefly detained, and so when he was offered a Carnegie Bursary to visit American universities, the family opted to leave South Africa for exile.

After the death of her husband in 1965, Ntantala-Jordan chose to remain in the US for the remainder of her life. She wrote and lectured extensively about South Africa, in particular the issues surrounding women and their rights.

In her autobiography, 'A Life's Mosaic' (1992), Ntantala-Jordan recounts the challenges of growing up and raising a family in apartheid South Africa and then in exile, tied up with the need to continue the struggle against apartheid outside the county.

Ntantala assisted with the translation of her husband's IsiXhosa novel, 'Ingqumbo Yeminyanya: (1940) into English as 'The Wrath of the Ancestors' (1980).

Photo of Ntantala-Jordan in 2006 courtesy of Cornelius Thomas.

August is Women's Month! Each day Amazwi will share some inspiration from one of our nation's many women writers.Today w...
28/08/2026

August is Women's Month! Each day Amazwi will share some inspiration from one of our nation's many women writers.

Today we celebrate Ouma Katrina Esau, the last keeper of an ancient tongue. Ouma Katrina is a living legend and indigenous culture champion from Upington. She is the last remaining fluent speaker of N|uu, one of the oldest surviving Khoisan languages, and she has dedicated her life to ensuring her ancestral mother tongue does not fade from memory and into silence.

Refusing to let history be forgotten, Ouma Katrina has taken bold strides in literature and preservation. She published the first ever N|uu Children's Book, ‘!Qhoi n|a Tjhoi’ (‘Tortoise and Ostrich’), a trilingual children's book written in N|uu, Afrikaans, and English, in order to pass ancient storytelling down to the next generation.

She contributed her lifelong knowledge to the comprehensive ‘N|uu Dictionary’ and the trilingual learning reader ‘Ouma Geelmeid ke k’xu //xa//xa N|uu’, and founded the ǂAqe ǁXǃāqe (Gaze at the Stars) language school in her own backyard to teach local children her language and heritage. She says, ‘Our language is written in its own style and format... “Tortoise and Ostrich” will hopefully chart a path to remembering Africa's authentic identity.’

Amazwi celebrates her courage, her literary legacy, and her fierce dedication to keeping the soul of the Kalahari alive.

The photograph is from Wikipedia: https://en.wikipedia.org/wiki/Katrina_Esau

August is Women's Month! Each day Amazwi will share some inspiration from one of our nation's many women writers.In 1994...
27/08/2026

August is Women's Month! Each day Amazwi will share some inspiration from one of our nation's many women writers.

In 1994, Julia Martin introduced herself as, ‘a woman, as a writer, a university English teacher, a music-maker, a vegetarian, a middle-class South African, so-called “white,” brown-haired, green-eyed, an only child, a person in a committed relationship, an eco-political worker, a Buddhist, 33 years old, a ceramicist, a karate sempai, a pruner of roses, a friend.’ Born in 1959, Martin grew up in Pietermaritzburg and studied at Natal University and the University of Cape Town. Since the mid-1980s she has been teaching at the University of the Western Cape.

Her books are concerned with memory, ecology and human belonging. ‘Writing Home’ brings together three poetic narrative essays, thoughtful of the lives of all beings on earth. ‘A Millimetre of Dust’ recounts a trip with her family from Cape Town to the Northern Cape to visit archaeological sites, and integrates environmental issues with postcolonial writing.
‘Nobody Home: Writing, Buddhism, and Living in Places’ collects interviews between American poet Gary Snyder and Martin, and a selection of their correspondence from 1983 to 2011. ‘Syntax of the River: The Pattern which Connects’ records Martin’s conversations with another American author, Barry Lopez, about the practice of writing in the face of the present environmental catastrophe. Her most recent work, ‘On the Sponge Islands: Loss and Restoration in the Aegean’ shows a similar concern for ecological harmony.

Although Martin has written and published poems and short stories since childhood, she worked in the sphere of creative non-fiction as author, academic and reviewer, blending personal essay with a deep concern for the world as a spiritual and ecological whole. Historical insight and memory are considered in a context of justice, kindness and responsibility.

It could not have happened at a better time than Women’s Month! Amazwi is excited to announce our acquisition of the 193...
26/08/2026

It could not have happened at a better time than Women’s Month! Amazwi is excited to announce our acquisition of the 1933 diary of the iconic South African author Helen Nontando 'Noni’ Jabavu. With the diary is a letter in which Jabavu gifts the diary to her friends, Iona and Philip Mayer. The images below show the title page of the diary, and a page of the letter (an aerogramme – who remembers those?) in which she makes her generous gift to the Mayers. The photo of Jabavu shows her at work in her office at 'The New Strand' magazine, London, 1961.

Professor William Beinart, who facilitated the donation to Amazwi and for which the museum is deeply grateful to him, writes that, ‘Noni Jabavu’s childhood diary of her early experience in Britain was found in the papers of Philip and Iona Mayer in Oxford by their family. A letter by Noni Jabavu explains the circumstances in which she sent it to them in 1983. The Mayers were clearly good friends to Jabavu and she sent the diary as part of a dispersal of her papers to different people when she was in Zimbabwe at that time. Philip and Iona Mayer spent many years at Rhodes University, Makhanda, where he was Professor of Anthropology. They were immersed in researching Eastern Cape society. In the early 1980s they retired to Oxford, where Philip had lived prior to going to Rhodes in the 1950s. By chance, the Mayers lived close to where Noni Jabavu had lived as a child in Oxford. Philip and Iona’s papers have been deposited in the Bodleian library, Oxford, but they are unavailable for use until they are fully catalogued, which may be some years. The Mayer family agreed that it would be appropriate to send the diary to South Africa so that it could be available to those who are interested in Noni Jabavu’s life and writing. The Amazwi South African Museum of Literature seemed the ideal location.’

Amazwi expresses its deep gratitude to Professor Beinart and the Mayers. Donations such as this add to the great value of Amazwi as the custodian of South Africa’s literary heritage.

Visit Amazwi’s website for more information on donating literary heritage to the museum: www.amazwi.museum/collections



Department of Sport, Arts and Culture LitNet Rhodes University Library LIASANews

August is Women's Month! Each day Amazwi will share some inspiration from one of our nation’s many women writers.D**e wa...
25/08/2026

August is Women's Month! Each day Amazwi will share some inspiration from one of our nation’s many women writers.

D**e was born in Langa township outside Cape Town in 1948, and was educated in Langa and at a convent-style boarding school in Rustenburg run by Irish Dominican nuns. Working at a bookshop led to a passion for dramatics. In the early 1970s while volunteering as a stage manager at the iconic Space Theatre in Cape Town, she wrote her first play, ‘The Sacrifice of Kreli,’ which became the first published play by a Black woman writer. Staged at Johannesburg’s Market Theatre, it was well received and became the start of a remarkable career in theatre. Between 1979 and 1983 D**e lived in the United States and worked in theatres. She then returned to her home in Langa, to continue her career as a playwright, actor, director and mentor.

Much of D**e’s work focusses on the injustices of apartheid. Working primarily in English but also in Afrikaans and IsiXhosa, her plays resonated both within her community and beyond. A prolific playwright, her published plays include ‘The First South African’ (1977), a play for children entitled ‘The Crafty Tortoise’ (1978), ‘Glasshouse’ (1979), ‘So What's New?’ (1991), ‘Street Walking and Company Valet Service’ (2000), and ‘The Return’ (2008).

With Chris Wildman, D**e wrote picture books for children, including ‘Look What I Can Do’ (1998) and ‘Grandpa’s Hat’ (1999). She has also compiled a two-volume anthology of plays for children, titled ‘African Folktales Onstage!’ (2015). Her directing credits include John, Kani’s ‘Nothing but the Truth’ (2012).

With the playwright and director Roy Sargeant, D**e founded the Siyasanga South African Theatre Company in 2002, which aimed to offer opportunities to aspiring actors and writers. She lectures at the New Africa Theatre in Cape Town and is a highly respected teacher and mentor.

Photo by Amazwi, Pretoria 2002.

August is Women's Month! Each day Amazwi will share some inspiration from one of our nation's many women writers.Athambi...
24/08/2026

August is Women's Month! Each day Amazwi will share some inspiration from one of our nation's many women writers.

Athambile Masola has a PhD from Rhodes University which focuses on black women’s life writing, with an emphasis on Noni Jabavu and Sisonke Msimang. As a lecturer and researcher at the University of Cape Town she specializes in black women’s life writing and historiography. As well as an academic, she is a poet and a creative write. Below is a list of the books she has written and published, both literary and academic, including both solo projects collaborations with other authors and academics:
‘Ilifa’ (2021), her debut collection of isiXhosa poetry.
‘Noni Jabavu: A Stranger at Home’ (2023), co-edited with Makhosazana Xaba.
‘Imbokodo: Women Who Shape Us’, A children’s history book series co-authored with Xolisa Guzula.
‘Inyathi Ibuzwa Kwabaphambili’ / ‘Theorising South African Women’s Intellectual Legacies’ (2025), co-edited with Siphokazi Magadla and Babalwa Magoqwana.
‘Together Apart: The Story of Living in Apartheid’ (2025), with Xolisa Guzula.

She is also a translator, and her latest offering is an English translation of her isiXhosa book ‘Ilifa’ to ‘Inheritance’ (2026).
In 2022 ‘Ilifa’ received the National Institute for the Humanities and Social Sciences’ ‘Best Fiction: Poetry’ prize.

Photo from the Open Book Festival: https://openbookfestival.co.za/authors/athambile-masola/

August is Women's Month! Each day Amazwi will share some inspiration from one of our nation's many women writers.Born in...
23/08/2026

August is Women's Month! Each day Amazwi will share some inspiration from one of our nation's many women writers.

Born in Middledrift in the Eastern Cape, Helen Nontando (Noni) Jabavu (1919 - 2008) was a pioneering South African writer who worked and lived all over the world.

Jabavu grew up in the family home in Middledrift and on the Fort Hare University campus in Alice. She began her career in England as a freelance writer and radio journalist for the British Broadcasting Corporation. 'Drawn in Colour: African Contrasts' (1960) was the first book published by a black South African woman, followed by her most famous work, 'The Ochre People: Scenes from a South African Life' (1963). Jabavu was the first black person to edit an important British literary magazine, 'The New Strand'. She also authored a series of popular columns for the 'Daily Dispatch' in 1977, which made her a household name in South Africa. Black women of her era were not expected to write professionally, or to travel extensively. Jabavu made a life doing both.

Jabavu did not fit into the moulds available for black women of her time. She wrote often of her multifaceted identity, forged between her South African home and her adopted home of England. Mongane Wally Serote later said of Jabavu, ‘We men ... did not know how to relate to her. She was a woman living far ahead of our times’.

The photo shows Jabavu in London in 1960.

Amazwi's exhibition on Noni Jabavu, 'Two Worlds,' explores her complicated identity and her profound influence as a woman ahead of her time. The exhibition is available for loan. Contact us for more information.

Address

25A Worcester Street
Grahamstown
6139

Opening Hours

Monday 08:30 - 16:30
Tuesday 08:30 - 16:30
Wednesday 08:30 - 16:30
Thursday 08:30 - 16:30
Friday 08:30 - 16:30

Telephone

(+27) 0466227042

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