05/26/2026
Instead of brushes like traditional paintings, Carlos Villa used his own body as the tool—pressing his chest, hands, feet, and face onto canvas. The result is made to feel like a ritual, a movement.
Villa’s face emerges and fades within the paint, a powerful affirmation of his identity as a Filipino American artist. In the 1950s, he was told “Filipino art history doesn’t exist.” He spent the rest of his career proving otherwise—drawing inspiration from Indigenous, Asian, and Western traditions to create a vibrant personal aesthetic.
This piece “During” (1982) is currently on view at the Smithsonian American Art Museum (SAAM)
Carlos Villa, “During,” 1982, acrylic on canvas, 82 x 72 in. (208.3 x 182.9 cm), Smithsonian American Art Museum, Museum purchase made possible through Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center and the Luisita L. and Franz H. Denghausen Endowment, 2023.26, © Carlos Villa Art Estate.