Urbana Museum of Photography

Urbana Museum of Photography Serving Art of Photography Art Gallery, Darkroom, Photo Lab, Photo Studio.

“Dead men will have indeed died in vain if live men refuse to look at them.” A photograph has the rare ability to preser...
03/03/2026

“Dead men will have indeed died in vain if live men refuse to look at them.”

A photograph has the rare ability to preserve a historic moment in time and to provide viewers with the uncanny sense of having been present when it was taken.
Margaret Bourke-White accompanied General George Patton’s Third Army on its storied march through a collapsing Germany in the spring of 1945. Life magazine published her photographs of the concentration camps in the May 7, 1945, issue with the caption, “Dead men will have indeed died in vain if live men refuse to look at them.” The Living Dead at Buchenwald, however, was not published in the magazine until 1960, in a special anniversary issue. One of the most extraordinary photographs of the Holocaust, it captures both N**i barbarism as well as the strength of prisoners who survived forced labor and brutality within one of the worst of Germany’s twenty thousand concentration camps.

"Buchenwald was the first major concentration camp to be liberated by the American troops while it was still populated with inmates. To be sure, more than twenty thousand inmates had already been driven away on death marches, but nearly the same amount had remained behind in the camp. The Americans encountered survivors from the Soviet Union, Poland, France, Germany, Czechoslovakia, Hungary, Spain, and many other countries. Among them were several hundred children and a large number of adolescents who had been deported to Buchenwald from the extermination camps in the east over the course of the preceding months. Aside from the parent camp with its exclusively male population, the Americans also liberated Buchenwald subcamps in which women had had to work for the German armaments industry."

Margaret Bourke-White.
"The Living Dead at Buchenwald" 1945.
On Display --"Between War and Peace" show.

"Between War and Peace"War and Peace are not fixed states but experiences filtered through memory, power and perspective...
02/19/2026

"Between War and Peace"

War and Peace are not fixed states but experiences filtered through memory, power and perspective, where one person's liberation can be another's catastrophe. What is called peace by those in safety may feel like silent violence to those living under occupation, hunger, or fear. In this way, history does not record war and peace as truths, but as competing stories shaped by who survives to tell them.

Minor White (1908-1976.)“Hands”. 1949San Francisco, CA.Silver Gel. Print. Signed.
02/16/2026

Minor White (1908-1976.)
“Hands”. 1949
San Francisco, CA.
Silver Gel. Print. Signed.

“Jack Kerouac, railroad brakeman’s rule-book in pocket,couch pillows airing on fire-escape overlooking backyard clothesl...
01/23/2026

“Jack Kerouac, railroad brakeman’s rule-book in pocket,
couch pillows airing on fire-escape overlooking backyard clotheslines three flights up, my apartment 206 East 7th Street between Avenue B and C, Lower East Side Manhattan. Jack’d completed On the Road (after publishing The Town and the City four years earlier) as well as Visions of Cody and Dr. Sax, and’d begun Book of Dreams and Pic. I was in midst of Ju**ie manuscript offer with ‘Murder for’ that novel completed same year along with his romance Maggie Cassidy. Burroughs then in residence edited Yage letters and Q***r mss; Gregory Corso visited that season, probably September 1953.”
Allen Ginsberg

"Jack". NY, 1953
by Allen Ginsberg
Platinum/Palladium print.
UMoP.

Film Crash-Course at UMoP..and we're crashing it!
01/17/2026

Film Crash-Course at UMoP..and we're crashing it!

Danny Lyon (b. 1942)"Four Youngsters" 1965.Silver gel. print. Signed.(from "Uptown Chicago" series.)"Brooklyn native Dan...
01/17/2026

Danny Lyon (b. 1942)
"Four Youngsters" 1965.
Silver gel. print. Signed.
(from "Uptown Chicago" series.)

"Brooklyn native Danny Lyon received a BA in history in 1963 from the University of Chicago, where he served as staff photographer for the Student Non-Violent Coordinating Committee. A self-taught photographer, he traveled with the Chicago Outlaws motorcycle club in 1965-1966 and published his pictures of the club members as The Bikeriders (1968). Since 1967 he has been an independent photographer and an associate at Magnum, and he has made films since 1969. Lyon has received Guggenheim Fellowships in photography and filmmaking, and his work has been included in many major exhibitions, including Toward a Social Landscape at the George Eastman House. His first solo exhibition was held at the Art Institute of Chicago. In addition to The Bikeriders, Lyon has published a number of photographic books based upon his experiences with a group of people or in a particular place, among them The Movement (1964), about the Civil Rights movement, and Conversations with the Dead (1971), a study of life in Texas prisons. Among the films he has produced are Social Services 127, Los Niños Abandonados, and Little Boy."

(On display)

William F. Heick (1916-2012)"Hats". 1948.11x14 silver gel. print. Signed.Seattle. Father's Day Picnic.William Heick is a...
01/17/2026

William F. Heick (1916-2012)
"Hats". 1948.
11x14 silver gel. print. Signed.
Seattle. Father's Day Picnic.

William Heick is a San Francisco Bay Area photographer who studied with Minor White and Ansel Adams at the California School of Fine Arts. He has been associated with many of the great California photographers of the 20th century, including Dorothea Lange, Imogen Cunningham and Edward Weston.
His fine art photography has been exhibited at the San Francisco Museum of Modern Art, the California Palace of the Legion of Honor, the DeYoung Museum, the Seattle Museum of Art, the Henry Gallery (University of Washington), the Phoebe A. Hearst Museum of Anthropology, and the University Art Gallery (Cal State at Chico) among others. His photographs have been selected for the permanent collections of the Museum of Modern Art, New York, the Smithsonian Institution, the High Museum of Art, Atlanta, the Santa Barbara Museum of Art, and the Monterey Peninsula Museum of Art.

(On display)

Edward Steichen. 1934Portrait of Nancy White(Editor of Bazaar magazine 1957-1971)
12/03/2025

Edward Steichen. 1934
Portrait of Nancy White
(Editor of Bazaar magazine 1957-1971)

Harold Feinstein.Coney Island. 1949."Harold Feinstein was born in Coney Island, New York, in 1931 to Jewish immigrant pa...
11/24/2025

Harold Feinstein.
Coney Island. 1949.

"Harold Feinstein was born in Coney Island, New York, in 1931 to Jewish immigrant parents. When he was 15, he borrowed a Rolleiflex from a neighbor and began photographing Coney Island and the streets of Brooklyn. He never stopped.
By 16 he had dropped out of school, got a room at the YMCA and began to devote himself full-time to photography. In 1948, at the age of 17, he became the youngest member of the historic Photo League and by the age of 19, Edward Steichen, director of photography at the Museum of Modern Art, had become an early supporter and purchased Harold’s work for the museum’s permanent collection. According to photography critic, A.D. Coleman, Feinstein “was considered by the photo world as something of a child prodigy.” When he died in June 2015, the New York Times declared him “one of the most accomplished recorders of the American experience.”

…one exhibit is down, another goes up. Stay close.
11/24/2025

…one exhibit is down, another goes up.
Stay close.

Address

110 S. Race Street
Urbana, IL
61801

Opening Hours

Wednesday 1pm - 4pm
Thursday 1pm - 4pm
Friday 1pm - 4pm
Saturday 11am - 4pm
Sunday 11am - 4pm

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+12176495605

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