Van Cortlandt House Museum

Van Cortlandt House Museum Van Cortlandt House Museum - where history lives in The Bronx!

Since 1896, Van Cortlandt House Museum has been under the stewardship of The National Society of Colonial Dames in the State of New York through a license agreement with the City of New York. The Society is responsible for preserving and restoring the interiors, providing and caring for the collections, offering educational opportunities to school children throughout New York City, and assuring that the doors to Van Cortlandt House are open to visitors 5 days a week all year round.

09/02/2026

250 years ago, your neighborhood may have been a warzone.

On September 2, 1776 — days after the Continental Army’s retreat from Long Island following the Battle of Brooklyn — General William Heath and two contingents of American troops were stationed at King’s Bridge, in what is now the Bronx.

Writing to the Continental Congress one week later, Commander-in-Chief George Washington reported that he was sending 9,000 troops northward to reinforce the area: “The post at Kingsbridge is naturally strong, and is pretty well fortified: the heights about it are commanding, and might soon be made more so.”

The Van Cortlandt House lay just north of this increasingly militarized landscape. As the British prepared to advance on Manhattan, the roads, crossings, fields and farms of the Bronx would soon become part of the Revolutionary War’s front line.

Learn more at VCHM!

Images:
Background: Disposition of British troops, with fortifications north of Fort Knipehausen, i.e. Fort Washington to Fort Independence, J. Montrésor, 1778 (Library of Congress).
Foreground: An American Officier [sic] & An American Soldier, F. von Germann, c. 1788 (NYPL).

09/01/2026

Overlapping Empires, the first contemporary art exhibition in the history of Van Cortlandt House Museum, has officially closed.

Samantha Box’s site-wide, multi-media installation effected a radical intervention in this, New York City’s oldest historic house museum, bringing photographic, sonic, and installed elements into dialogue with its many layered histories. We would like to express our sincere gratitude to Samantha, for sharing her artistic vision with VCHM — and to all those who participated in the exhibition, for contributing to a summer of conversation and new perspectives.

Pictured: Construction 1(1), 2018.
Audio: Hum, 2024 (by Charlie Rauh Charlie Rauh).

Photo credit: Samantha Box Samantha Nalini Box.

Overlapping Empires was supported, in part, by public funds from the New York City Department of Cultural Affairs NYC Dept of Cultural Affairs in partnership with the City Council. VCHM’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

VCHM will be closed from Wednesday, September 2nd through Friday, September 4th for the deinstallation of Overlapping Em...
08/31/2026

VCHM will be closed from Wednesday, September 2nd through Friday, September 4th for the deinstallation of Overlapping Empires. The Museum will resume regular public hours on Saturday, September 5th.

Thank you for your patience as we conclude this large-scale, site-wide exhibition!

VCHM would like to thank everyone who came out for our artist-led walkthroughs of Overlapping Empires. We’re proud to ha...
08/28/2026

VCHM would like to thank everyone who came out for our artist-led walkthroughs of Overlapping Empires. We’re proud to have welcomed so many visitors into conversation with Samantha Box and her work over the course of the exhibition.

Overlapping Empires closes this Sunday, August 30th. Don’t miss your chance to take in the first contemporary art installation in the history of VCHM, and to experience the Bronx's oldest house in an entirely new way.

This program was supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. VCHM’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

08/28/2026

In this series, we offer a closer look at the pieces featured in Overlapping Empires, Samantha Box's site-wide installation at VCHM.
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Quarters of the African and African-descended People Enslaved by the Van Cortlandt Family
Van Cortlandt House Museum

On view: Transport Family Portrait, 2020; Navel, 2022.
Audio: Hum, 2024 (by Charlie Rauh).

These rooms are suffused with magenta light, and knit together with Hum, a sound piece by Charlie Rauh; appearing as reverberations throughout the House, these two non-embodied articulations of lives, histories and movements towards freedom of the enslaved African and African-descended people are revealed to have their source within these chambers. Transplant Family Portrait points to the ways in which those who have been caught in the currents of global transportation of knowledge and labor have created safety nets of survival under the shadow of a capitalist system which reduces them to commodities. Navel presents a definition of freedom and power that stands in opposition to the definitions of freedom and power and wealth held by the enslaver – freedom to gain wealth and power through commerce, freedom to own people – as delineated in the luxury goods populating period rooms of the House. The form of a cowrie shell, a potent and multi-faceted African and African-diasporic symbol of spirituality and power, stands in an imagined landscape inflected by movement and transport, over which the inescapable shadow of capitalism remains. There is, as expressed in Navel’s inset image, movement towards agency, a non-commodity based notion of freedom: freedom from enslavement, and the echoes of enslavement that still bind.

Text credit: Samantha Box Samantha Nalini Box

This program was supported, in part, by public funds from the New York City Department of Cultural Affairs NYC Dept of Cultural Affairs in partnership with the City Council. VCHM’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Objects in Focus 🔍 From the Collections SpecialistSporting Couple with dogs. Polychrome soft-paste porcelain. Wm. Duesbu...
08/26/2026

Objects in Focus 🔍 From the Collections Specialist

Sporting Couple with dogs. Polychrome soft-paste porcelain. Wm. Duesbury, Chelsea Derby, c. 1770. Likely an assembled pair.

Two figures: a man and woman with their dogs. The man holds the barrel of a r***e and rests on a vine- and flower-covered stump. He and his dog sit atop a domed base adorned with gilt rococo scrolls. The man wears a black hat, purple fur-lined coat, patterned waistcoat, and red breeches; a powder flask is slung over his right shoulder. His companion stands with her right hand on a seated greyhound, and her left hand holding a bird. She wears a green fur-lined coat, orange waistcoat, purple skirt decorated with flowers, and is crowned by a feathered, rose-colored hat. Green leaves as well as pink and white flowers decorate a domed base touched with green and gilt scrolling.

The sportsman and his companion are presented here in a moment of dynamic movement. The elegant twist of their bodies, and of the swirling gilt ornamentation surrounding them, exemplify the s-curve or ‘line of beauty’ valued in rococo aesthetics.

Highly collectible even in the 18th century, these figures are rare survivors. Early porcelain goods were aimed at the higher end of the marketplace and therefore were carefully molded, glazed, and enameled. As the market expanded to include middle-class consumers, the type and quality degraded.

NSCDNY Purchase, March 1956, D.M.T.P Manheim / 46 East 57th St/ New York City.

On view in the East Parlor.

In this series, we offer a closer look at the pieces featured in Overlapping Empires, Samantha Box's site-wide installat...
08/26/2026

In this series, we offer a closer look at the pieces featured in Overlapping Empires, Samantha Box's site-wide installation at VCHM.
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Nursery
Van Cortlandt House Museum

Pictured: Tree, 2026; Bricks, 2024; An Origin, 2020.

This room is typically styled as the Nursery, a space where enslaved African and African-descended people would have looked after toddlers and older children. The original didactics of this space state: “...Families in the colonial period did not typically see their newborn children as individuals – often referring to them not by s*x or by name but rather as ‘it.’” The intimacy that presumably took place in this space does not erase the insurmountable divide in legal and social standing between the children and the enslaved people who cared for them. Still, a question remains: what would care have looked like from the perspective of those who shared this room, closeness between people who were considered objects, or barely human?

Tree documents a memorial created by a community of substance users who congregate not far from the artist’s studio for one of their own who recently passed. These individuals – who are barely acknowledged by most of society, except as nuisance, or number – are the only ones who see each other as individuals worthy of care and memory, despite living so extremely close to the edge. An Origin, as installed here, speaks to the potentials of this deep, and deeply human way of caring for each other; while this care can happen within the compromised context of a capitalist society, how can it happen? Bricks are positioned in the space to reinforce the return of this room, as well as other rooms in which they appear, to a constructed zone of decisions related to the history of the Van Cortlandt House.

Photo/text credit: Samantha Box Samantha Nalini Box

This program was supported, in part, by public funds from the New York City Department of Cultural Affairs NYC Dept of Cultural Affairs in partnership with the City Council. VCHM’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Join us this Saturday, August 29th, as we celebrate the closing of Overlapping Empires with a live performance by musici...
08/26/2026

Join us this Saturday, August 29th, as we celebrate the closing of Overlapping Empires with a live performance by musician Charlie Rauh! We invite you to explore VCHM or walk the grounds as we mark the conclusion of Samantha Box's site-wide exhibition. Rauh will perform solo guitar lullabies inspired by the poetry of Phyllis Wheatley, and read from his upcoming book, "Amizdel".

This event is free and open to the public. RSVP via Eventbrite.

There’s just over one week left to experience Overlapping Empires! Samantha Box’s site-wide exhibition brings contempora...
08/22/2026

There’s just over one week left to experience Overlapping Empires! Samantha Box’s site-wide exhibition brings contemporary art into direct dialogue with one of New York City's oldest historic houses.

Before the exhibition closes on August 30th, join us for our final artist-led walkthroughs on Sunday, August 23rd, and Thursday, August 27th. Don't miss this unique opportunity to explore VCHM alongside our artist-in-residence.

Space is limited! Register via Eventbrite.

Photo credit: Samantha Box.

This program was supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. VCHM’s programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

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6036 Broadway
The Bronx, NY
10471

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Friday 11am - 4pm
Saturday 11am - 4pm
Sunday 11am - 4pm

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