Pulitzer Arts Foundation

Pulitzer Arts Foundation A museum where ideas are freely explored, new art exhibited, and historic work reimagined. Louis region. Connect with us
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Located in the Grand Center Arts District, the Pulitzer Arts Foundation is dedicated to bringing world-class art and exhibitions to the St. Exhibitions include both contemporary and historical art, complemented by a wide range of free public programs, including music, literary arts, dance, and cultural discussions. Open and free to all, the Pulitzer is a cultural and civic asset to the St. Louis community and a popular destination for visitors from around the world.

Fred Wilson: Irma, Ota, and MeMarch 5–August 8, 2027Renowned artist Fred Wilson (b. 1954) explores how models of collect...
09/03/2026

Fred Wilson: Irma, Ota, and Me
March 5–August 8, 2027

Renowned artist Fred Wilson (b. 1954) explores how models of collecting and display shape our understanding of identity, memory, and power. This exhibition examines the intertwined histories of the Louisiana Purchase Exposition (1904 World's Fair) held in St. Louis and Wilson's own familial history, which spans several generations in the city during the late nineteenth and early twentieth centuries.

The exhibition brings together sculptures, paintings, and works on paper produced by Wilson over the past three decades. Alongside his own work, Wilson presents historic artworks from local collections related to the 1904 World's Fair and its legacy, as well as personal objects belonging to his paternal grandmother, Irma Dixon, who was born and raised less than a mile from the Pulitzer.

Through these juxtapositions, Wilson's iconic works, such as flag paintings, Murano glass chandeliers, and mirrors, enter into dialogue with historic objects, interrogating the construction of national and racial identity while inviting reflection on histories of the African diaspora in a global context.

Learn more about "Fred Wilson: Irma, Ota, and Me," opening March 2027, here: https://pulitzerarts.org/art/fred-wilson-irma-ota-and-i/


Image Credit:
1) Courtesy of Fred Wilson and Pace Gallery. Photography by Heather Johnson
2) Fred Wilson, "Speak of Me as I Am: Chandelier Mori," 2003. Murano glass and light bulbs. 70 × 66 15/16 × 66 15/16 inches (177.8 × 170 × 170 cm). © Fred Wilson, courtesy of Pace Gallery. Photography by: Ellen Labenski
3) Fred Wilson, "Ota Benga," 2008. Bronze with silk scarf and wood base. 59 1/2 × 12 × 12 inches (151.1 × 30.5 × 30.5 cm). © Fred Wilson, courtesy of Pace Gallery. Photography by Kerry Ryan McFate
4) Fred Wilson, "Bat," 2009. Murano glass and wood. 45 × 42 1/2 × 5 1/2 inches (114.3 × 108 × 14 cm). © Fred Wilson, courtesy of Pace Gallery. Photography by: Kerry Ryan McFate

In a new interview with The Brooklyn Rail, Pulitzer founder and board chair Emily Rauh Pulitzer reflects on more than se...
09/02/2026

In a new interview with The Brooklyn Rail, Pulitzer founder and board chair Emily Rauh Pulitzer reflects on more than seven decades in the art world—from her Bauhaus-influenced upbringing to the decision to commission Tadao Ando, and the story behind our 25th anniversary exhibition, "Dialogues & Conversations."

Read the full conversation with Jennifer Stockman and Joachim Pissarro here: https://brooklynrail.org/2026/09/art/emily-rauh-pulitzer-with-jennifer-stockman-and-joachim-pissarro/


Image Credit: Photograph by Alise O'Brien Photography

Before specializing in textiles at the Cranbrook Academy of Art, Olga de Amaral studied architectural drafting in Bogotá...
08/29/2026

Before specializing in textiles at the Cranbrook Academy of Art, Olga de Amaral studied architectural drafting in Bogotá. The influence of her earlier studies can be found in several works in our upcoming exhibition, including this 1980 weaving, "Paisaje de calicanto" (Stone Wall Landscape).

The title refers to calicanto, a masonry technique for binding stones together with mortar that is found in Colombian architecture. Amaral translates this method into fiber by bringing together individual strips, each woven from wool, horsehair, and other materials, into a larger weaving.


Image Credit: Olga de Amaral, "Paisaje de calicanto," 1980. Cotton, wool, horsehair, and acrylic, 90 9/16 × 78 3/4 in. (230 × 200 cm). © Olga de Amaral, courtesy of La Cometa Gallery.

Please join us in welcoming Sarah Paulsen as the Pulitzer Arts Foundation's new Program Manager!Raised in Kirkwood, Miss...
08/24/2026

Please join us in welcoming Sarah Paulsen as the Pulitzer Arts Foundation's new Program Manager!

Raised in Kirkwood, Missouri, Sarah Paulsen is an artist, filmmaker, and community organizer whose artwork has been exhibited widely in local and national exhibitions and film festivals. She received the 2025 Visionary Arts Award for Outstanding Artist in St. Louis and won the 2018 Great Rivers Biennial. A 2010 C.A.T. Institute Fellow and 2015 Regional Arts Commission Artist Fellow, she has garnered numerous awards and completed several residencies, including the Cité Internationale des Arts in Paris.

A dedicated advocate for social change, Paulsen’s practice includes large-scale community projects such as participatory public murals, thematic roundtable discussions, and the People’s Joy Parade. She holds a B.F.A. from Mizzou and an M.F.A. from WashU Sam Fox School.

She lives and works in St. Louis and has taught at Marian Middle School and St. Louis Community College. Her recent Kranzberg Arts Foundation Residency culminated in "Mother(ing) as Meditation," a book and exhibition at High Low.

Welcome to the team, Sarah!

In 1957, Olga de Amaral and her husband, Jim, founded Telas Amaral, a textile design studio producing rugs, upholstery, ...
08/20/2026

In 1957, Olga de Amaral and her husband, Jim, founded Telas Amaral, a textile design studio producing rugs, upholstery, and clothing from wool, horsehair, leather, and cotton.

"Telas Amaral became an important site of experimentation," says Pulitzer Senior Curator Stephanie Weissberg, "where Olga refined her process, introducing the use of modular, repeatable units as a way to generate seemingly endless formal possibilities."

"Olga de Amaral: Weaving the Infinite" will place Amaral's design practice and functional textiles in conversation with her artworks, tracing the creative exchange between the two bodies of work.


Image Credit: Olga de Amaral (Colombian, b. 1932), "Reproduction," Photographic reproduction. 11 × 8 inches (27.9 × 20.3 cm). © Olga de Amaral, courtesy of Numena Collection

Please join us in welcoming Jenny Harris as the Pulitzer Arts Foundation's new Associate Curator!Jenny comes to us from ...
08/17/2026

Please join us in welcoming Jenny Harris as the Pulitzer Arts Foundation's new Associate Curator!

Jenny comes to us from Chicago, where she recently organized the exhibition “Longer Than the Sky: Art of the Obama Years” (2026) in collaboration with the Logan Center for the Arts. From 2013 to 2019, she worked in the Department of Painting and Sculpture at The Museum of Modern Art, New York, where she contributed to the inaugural reinstallation of the museum’s collection in 2019 as well as exhibitions including “Robert Rauschenberg: Among Friends” (2017) and “The Shape of Shape, Artist’s Choice: Amy Sillman” (2019). She has since held curatorial fellowships at the Art Institute of Chicago and the Museum of Contemporary Art Chicago.

Jenny’s writing has appeared in exhibition catalogues, books, and publications including The New York Times and Artforum. She holds a bachelor’s degree from Wellesley College and is currently a doctoral candidate in art history at the University of Chicago.

We are thrilled to welcome Jenny to the team!

Thank you, St. Louis! We're honored to be named a finalist in the Best Art Museum category for this year's St. Louis Mag...
08/15/2026

Thank you, St. Louis! We're honored to be named a finalist in the Best Art Museum category for this year's St. Louis Magazine A-List Readers' Choice Awards. 🏆

We're also thrilled to be in the A-List Editors’ Choice Awards 2026: Arts, Culture & Entertainment! Thank you, Christine Jackson, Tony Rehagen, Daniel Hill, Joseph Hess & Max Havey.

Explore the full lists here:
https://www.stlmag.com/alist/
https://www.stlmag.com/a-list/arts-culture-entertainment-2026/


Photography by Virginia Harold

The Pulitzer is closed as we prepare our next exhibition. Join us Thursday, Sep 10, from 6–9pm for the opening of "Olga ...
08/13/2026

The Pulitzer is closed as we prepare our next exhibition. Join us Thursday, Sep 10, from 6–9pm for the opening of "Olga de Amaral: Weaving the Infinite."

At 94 years old, Colombian artist Olga de Amaral is one of fiber art's most groundbreaking figures. This exhibition spans her five-decade career and features fabric and furnishings from her design studio, Telas Amaral, alongside artworks from her personal collection, monumental fiber art, and works on paper.

Learn more here: https://pulitzerarts.org/art/olga-de-amaral-weaving-the-infinite/


Image Credit: © Olga de Amaral, courtesy of Numena Collection

Lisson

We're hiring! 🎨 Pulitzer Arts Foundation is looking for new Visitor Associates to join our team. If you love art, people...
08/11/2026

We're hiring! 🎨

Pulitzer Arts Foundation is looking for new Visitor Associates to join our team. If you love art, people, and creating a welcoming experience for every guest, we'd love to hear from you.

More details and how to apply: https://pulitzerarts.org/about/jobs/


Photography by Virginia Harold

Celebrating the wrap of this year's Gyo Obata Fellowship! 🎉It was a pleasure working with Gateway Foundation's Gyo Obata...
08/10/2026

Celebrating the wrap of this year's Gyo Obata Fellowship! 🎉

It was a pleasure working with Gateway Foundation's Gyo Obata Fellow Adel Abudayeh this year. Adel worked closely with the Contemporary Art Museum St. Louis's learning + engagement and curatorial departments to help bring future exhibitions and programs to life, under the supervision of Ferring Foundation Chief Curator Dean Daderko. His fellowship mentor was the Pulitzer Arts Foundation's Director of Marketing and Communications, Mona Sabau.

This program gives emerging arts professionals real museum experience and connections that last. Thank you to the Gateway Foundation for investing in the next generation of arts leaders!

Congratulations to Adel and all this year's fellows. We can't wait to see what you do next!

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