Georgia O'Keeffe Museum

Georgia O'Keeffe Museum A Great American Artist. A Great American Story. Explore the remarkable career of Georgia O’Keeffe.

The Georgia O'Keeffe Museum in Santa Fe, New Mexico, opened to the public in July 1997, eleven years after the death of the artist from whom it takes its name. Welcoming visitors from all over the world, it is the only museum in the United States dedicated to an internationally-known woman artist.

In 1940, Georgia O’Keeffe purchased her Ghost Ranch home. She had been visiting Taos and the surrounding areas every sum...
06/19/2020

In 1940, Georgia O’Keeffe purchased her Ghost Ranch home. She had been visiting Taos and the surrounding areas every summer since 1929 but she decided upon the remote village of Abiquiú to settle. O’Keeffe transformed the residence into her studio, installing large picture windows and placing a ladder on the side of the house, so she could climb onto the roof and view the majestic mountains and canyons surrounding her.

The location of the Ghost Ranch home enabled O'Keeffe to paint the stunning views of Pedernal Mountain, the vast desert, and the red-orange cliffs of New Mexico in an intimately personal environment.

This work was painted during the artist's first summer at Ghost Ranch and depicts the side of the home.O’Keeffe captured the white washed walls, deep earth red roof, and yellow ochre outlines, contrasted against a saturated blue sky. The wooden beams in the roof cast deep shadows on the white walls in a geometric rhythm. The simple shape of the structure appealed to O’Keeffe’s reductionist modern taste and provided many opportunities for her to explore geometric patterning within her artistic practice.

O’Keeffe felt a profound emotional and artistic attachment to not only the Northern New Mexico landscape, but the structures that gave her a sense of home.

If you could paint your home any color what would it be? Let us know in the comments! 💙

Click the link below to explore Ghost Ranch!
http://ow.ly/chr850AcOTG

Georgia O'Keeffe. The Patio No. I, 1940. Oil on canvas, 24 x 19 in. Private Collection.

#GeorgiaOKeeffe #OKeeffe #OKeeffeInspired #GhostRanch #DesertHome #DesertArchitecture #Taos #ArtistExploration #Abiquiu #Pedernal #VastDesert #CreatingHome #SenseofPlace #Geometric #ArtisticPractice #SenseofHome #WhiteWashed #WoodBeams #OrangeCliffs #Shadows #LittleWindows #EmotionalAttachment #NortherNewMexico #NewMexicoHomes #GeometricRhythm.

06/18/2020
Building Home - Construction of O'Keeffe's Home and Studio

The Abiquiú area has been inhabited for over 5,000 years by various groups of indigenous peoples as evidenced by archeological and oral history data.

Abiquiú is a Tewa name with various meanings. The indigenous people of Ohkay Owingeh Pueblo call it P’efubu’u which means the end of a log or stick, a projection of mesa land, or end of timber town.

In 1945, Georgia O'Keeffe purchased the 4.75-acre Home & Studio property in Abiquiú from the Archdiocese of Santa Fe. At the time, the site was a ruin. A three-year process transformed the abandoned site into the iconic modernist adobe compound we see today. O'Keeffe lived in the home until the end of her life.

O'Keeffe hired her friend Maria Chabot, a Texas native and student of regional architecture with experience managing large properties, to oversee the reconstruction of the house. They relied on a local crew to rebuild the structure using traditional techniques and knowledge of vernacular materials such as adobe brick construction, viga and latila roofing, and other design elements that have generally come to be known as the Pueblo Revival style.

The O'Keeffe Museum is committed to the ongoing preservation needs of this historic property and works with conservation experts and members of the local community to research and maintain the artist's home.

What does home mean to you? Let us know in the comments!

#GeorgiaOKeeffe #HistoricPlaces

"I love music more than anything. Only the color makes me feel the same thrill.” - Georgia O’KeeffeAt the beginning of h...
06/16/2020

"I love music more than anything. Only the color makes me feel the same thrill.” - Georgia O’Keeffe

At the beginning of her career Georgia O’Keeffe often favored abstract forms. She she felt abstraction was the best way for her to express thoughts, feelings and emotions. Music, Pink and Blue, No. I is among O’Keeffe’s first major oil paintings. She painted it after moving to New York City in 1918, departing from the more intimate media of charcoal and watercolor to take up the ambitious medium of oil.

The title of this work conveys O’Keeffe’s love for a different type of creative expression. Music served as an inexhaustible source of inspiration for the artist and she was fascinated by the idea of turning music into something visible to the eye. To O’Keeffe, painting, like music, did not need words in order to be felt and understood. This work demonstrates her ability to bring this idea to life.

O’Keeffe had an eclectic taste in music, but she preferred classical composers. At both her Home and Studio in Abiquiu as well as her Ghost Ranch house, she kept a collection of vinyl records, including the works of Beethoven, Bach, Haydn, Schumann and many others. For O’Keeffe’s works inspired by music, they not only serve as visualization of aural sensations, but as the closest analogy to her own form of artistic expression.

What song do you think of when you look at this painting? Let us know in the comments! 💙

Georgia O'Keeffe. Music Pink and Blue No. I, 1918. Oil on canvas, 35 x 29 in. (88.9 x 73.7 cm), Gift of Barney A. Ebsworth, Seattle Art Museum, 2000.161, © Georgia O’Keeffe Museum.

#GeorgiaOKeeffe

Georgia O’Keeffe met photographer Todd Webb in 1946. That year she was the first woman to be honored with a retrospectiv...
06/15/2020

Georgia O’Keeffe met photographer Todd Webb in 1946. That year she was the first woman to be honored with a retrospective exhibition at the Museum of Modern Art (MoMA). Webb, a protégé of the artist’s husband Alfred Stieglitz, documented the exhibition.

O’Keeffe and Webb went on to have a long friendship and his 30-year photographic record of the artist’s life in New Mexico is among the most candid.

One aspect of O’Keeffe’s life captured by Webb was the artist’s love for her dogs. In this rare color photograph, O’Keeffe sits in her Abiquiú Home and Studio Garden with two of her pet Chow Chows. O’Keeffe got her first Chow Chow in 1952, just three years after permanently moving to New Mexico. She absolutely adored her Chow Chows, and owned at least six during her lifetime.\

We love stories about pets so tell us about your furry friends in the comments! 💙

#GeorgiaOKeeffe #toddwebbarchive

Todd Webb. Georgia O'Keeffe and Chows in Abiquiu Garden, ca. 1962. Chromogenic print, 5 x 3 1/2 inches. Georgia O'Keeffe Museum. Gift of The Georgia O'Keeffe Foundation. © Todd Webb Archive. [2006.6.1035] -

“I have wanted to paint the desert and I haven’t known how. I always think that I cannot stay with it long enough. So I ...
06/13/2020

“I have wanted to paint the desert and I haven’t known how. I always think that I cannot stay with it long enough. So I brought home the bleached bones as my symbols of the desert. To me they are as beautiful as anything I know. To me they are strangely more living than the animals walking around–hair, eyes and all with their tails switching. “I have wanted to paint the desert and I haven’t known how. I always think that I cannot stay with it long enough. So I brought home the bleached bones as my symbols of the desert. To me they are as beautiful as anything I know. To me they are strangely more living than the animals walking around–hair, eyes and all with their tails switching. The bones seem to cut sharply to the center of something that is keenly alive on the desert even though it is vast and empty and untouchable–and knows no kindness with all its beauty.” - Georgia O'Keeffe

In 1930 O’Keeffe witnessed a drought in the Southwest that resulted in the starvation of many animals, whose skeletons littered the landscape. She was fascinated by these bones and shipped a number of them back to New York City.

From the grandeur and vastness of the western landscape,O'Keeffe extracted a compressed, concise, and reductive style. The bones provided her with interesting shapes and textures, and she painted them frequently, intrigued as much by their symbolism as by their formal potential.

Describe this painting in one word! 💙

Georgia O'Keeffe. Horse's Skull with White Rose, 1931. Oil on canvas, 30 1/16 x 16 1/8 in. Georgia O'Keeffe Museum. Extended Loan, Private Collection.[L.1997.3.2]

In 1918, Georgia O’Keeffe moved from Texas to New York, where she painted 59th St. Studio, the place the artist lived an...
06/11/2020

In 1918, Georgia O’Keeffe moved from Texas to New York, where she painted 59th St. Studio, the place the artist lived and worked.

The studio belonged to Alfred Stieglitz’s niece. The gallerist gave O’Keeffe a year’s financial assistance so that she could devote all of her energy to painting, without having to teach.

This painting invites the viewer to peer through a loosely-shaped doorframe between rooms. A soft light comes in through an elongated window—its oddly beautiful, glowing color suggesting an urban, street-lit dusk. The sharply pointed white and colored planes declare the painting’s modernity, introducing a new cosmopolitan edge.

O’Keeffe’s starting point is clearly architecture—not nature. Yet the overall form of the painting is similar to the artist's still lifes. Light and colored planes suggest a dynamic movement around the painting’s edges, while the dark interior has a warm, enveloping quality. The painting doesn’t tell us much about the physical space within, but it gives us hints about her attitude towards that place.

From this painting, how do you think O'Keeffe felt about her New York Studio? Let us know in the comments! 💙

Georgia O'Keeffe. 59th Street St. Studio, 1919. Oil on canvas. Private collection.

#GeorgiaOKeeffe

"The light would begin to appear and then it would disappear and there would be a kind of halo effect, and then it would...
06/10/2020

"The light would begin to appear and then it would disappear and there would be a kind of halo effect, and then it would appear again." - Georgia O'Keeffe

While teaching at West Texas State Normal College in Canyon, Texas, during the summer of 1917, O’Keeffe captured the halation of the Texas sky in three abstract watercolors, Light Coming on the Plains, Nos. I, II, and III. The works contain circles within circles in time rendered in monotones similar to the blue neutrals of cyanotype photography.

O’Keeffe stayed up all night to experience dawn when the effects of light were the most transitory and ephemeral. In these watercolors, she spontaneously layered deep ultramarine pigment on paper, allowing the fluidity of the medium to form the final design.

The works reflect the young O'Keeffe's bold individuality at a time before she was a well known artist.

In the comments, share with us the memorable sunrise you've experienced! 💙

Georgia O'Keeffe. Light Coming on the Plains No. III , 1917. Watercolor on thin, beige, smooth wove paper, newsprint. Amon Carter Museum, Fort Worth, Texas [purchase] (1966.31)

#GeorgiaOKeeffe #Watercolors

06/09/2020
Watering O'Keeffe's Garden

“Water is a living thing, hence its form is deep and quiet, or soft and smooth, or broad and ocean-like, or thick like flesh.” - Georgia O'Keeffe
◦

On Monday mornings between 8:00 and 11:00 AM, you can watch as O'Keeffe's Home and Studio garden in Abiquiú is flood irrigated by the historic acequia.
◦
⁠
Acequia systems consist of gravity-fed earthen canals that divert stream flow for distribution to fields and gardens. They are a community resource that local irrigators have a shared right to use, and a responsibility to manage, and protect.⁠
◦
⁠
Acequia agroecosystems promote soil conservation and soil formation, provide terrestrial wildlife habitat and movement corridors; protect water quality and fish habitat, promote the conservation of domesticated biodiversity of land race heirloom crops, and encourage the maintenance of a strong land and water ethic and sense of place, among other ecological and economic values.
◦
⁠
The acequia that provides water to the Abiquiú Home & Studio is sourced from the Upper Rio Grande watershed. It is one of the Museum's most precious resources, as it allows for O'Keeffe's unique and productive garden to flourish, while serving as a teaching tool for youth in our community. It also serves as a source of beauty for all those who have a chance to experience it in person.
◦
⁠
You can watch the garden any time by visiting gokm.org/abiquiu-camera.⁠
◦
◦
⁠
What does water mean to you? Let us know in the comments! 💙⁠
◦
◦
⁠
#GeorgiaOKeeffe #HistoricGardens #Acequia
◦

Video Footage: #toddballantycreative

"It is lines and colors put together so that they say something. For me that is the very basis of painting. The abstract...
06/08/2020

"It is lines and colors put together so that they say something. For me that is the very basis of painting. The abstraction is the most definite form for the intangible thing in myself that I can only clarify in paint." - Georgia O'Keeffe

O’Keeffe developed a personal vocabulary of abstract forms and compositional strategies early in her career and 1919 was a particularly important year of experimentation and creative development. Around this time, the artist painted a number of artworks exploring, as she later recalled, “the idea that music could be translated into something for the eye.”

Black Spot, No. I, is one of the artist's more unusual paintings with its combination of a bold, black rectangle placed at an angle near the center of an otherwise highly curvilinear composition. O’Keeffe creates a melody of brilliant hues and disembodied shapes that flow in and out from organic to linear, and from dark to light.

How O'Keeffe used line, color, and composition is the essence of what makes an O’Keeffe an O’Keeffe. The fluid, seemingly effortless outlines and contours of the abstract shapes define regions of the canvas and divide the compositions into dynamic and striking zones of color.

O'Keeffe was a brilliant colorist, her strong, vibrant colors glow with energy and vitality. Time and time again in her work, we see an artist pushing the boundaries.

What do you see in this abstract work? Let us know in the comments! 💙

Georgia O'Keeffe. Black Spot No. I, 1919. Oil on canvas. Private collection.

#GeorgiaOKeeffe #Abstraction

Seeking to escape the pressures of her life with Alfred Stieglitz in New York City, Georgia O'Keeffe drove to the Gaspé ...
06/07/2020

Seeking to escape the pressures of her life with Alfred Stieglitz in New York City, Georgia O'Keeffe drove to the Gaspé Peninsula in Quebec, Canada in the summer of 1932 for a few weeks respite. There she painted a series of seven barns whose austere design and blackened doors prefigure her later series of New Mexico patio doors.

O’Keeffe’s attraction to barns as subject matter was deeply personal. The artist found inspiration in the countryside of the northern landscape, which reminded her of her childhood home of Sun Prairie, Wisconsin. She once wrote, “The barn is a very healthy part of me—There should be more of it—It is something that I know too—it is my childhood."

O'Keeffe was particularly captivated by the white barns that peppered the Canadian landscape. In this work, O’Keeffe depicts the barn in severely reduced terms. The minimal forms of the composition is striking. Stripped of all graphic details, the structure is composed of large geometric areas of pure color. The crisp white of the façade contrasts dynamically with the touch of brilliant blue and touch of green she utilizes to render the sky and earth.

She later recalled, "That was a wonderful trip...The soil there was a marvelous deep black after it had been turned over, and there were beautiful blossoming potato flowers—very lush."

Where do you go when you need to get away from it all? Let us know in the comments! 💙

Georgia O'Keeffe. Canadian Barn, 1932. Oil on canvas. Private collection.

#GergiaOKeeffe #Barns

“One is a good painter or one is not, sex is not the basis of this difference.” - Georgia O'Keeffe, 1972.O'Keeffe carved...
06/05/2020

“One is a good painter or one is not, sex is not the basis of this difference.” - Georgia O'Keeffe, 1972.

O'Keeffe carved out her own style apart from the chaotic modern art scene of the 1920s, and paved the way for many women artists to come. Close-up flowers were among the artist a signature motifs. They have a powerful presence that overrides any sense of fragility and speak to O'Keeffe's ability to capture beauty that often went unobserved.

The spectacular size of many of the flower paintings, along with their bold colors and sensual shapes, made them subject to widely varying, sometimes controversial interpretations. Certainly, in the era in which she was working, the art world was male-dominated and O'Keeffe was repeatedly reminded of her gender and otherness as she moved through the art world.

Many speculated that the flowers referenced female sexuality, an idea that seemed to be fueled by controversial nude photographs that O’Keeffe’s husband, Alfred Stieglitz had taken of her and exhibited publicly. This seemed to confirm the idea among critics that O’Keeffe was an artist with a tendency towards overt sexuality. Notably, O'Keeffe repeatedly denied these interpretations throughout her life, and it was largely male critics who expounded the view that her work contained sexual references.

O’Keeffe herself often commented that the color and form of the flowers was more important than the subject matter, suggesting that she was interested in the natural form and capturing its beauty.

Have there been times in your life when you have been constantly reminded of your own otherness. Share your experience with us in the comments! 💙

Georgia O'Keeffe. Red Poppy, 1927. Oil on canvas. Private collection.

#GeorgiaOKeeffe

Stories from the O'Keeffe: Service, Support, and Solidarity: What Working at the O'Keeffe Means to MeEven for those of u...
06/05/2020

Stories from the O'Keeffe: Service, Support, and Solidarity: What Working at the O'Keeffe Means to Me

Even for those of us who prioritize equity and social justice work in our daily lives, this past week has been tough. Many of us are dealing with a range of feelings, from deep reflection, outrage, sadness, worry, exhaustion, hopelessness, and even hope.

Read the story from the Museum's Social and Digital Media Specialist, Nicole Davis!

https://www.okeeffemuseum.org/service-support-and-solidarity/

Address

217 Johnson St
Santa Fe, NM
87501

From the New Mexico Rail Runner Express station at the Santa Fe Railyard, take the Santa Fe Pick-Up shuttle to the plaza. The Georgia O'Keeffe Museum is a short walk northwest of the plaza. (To walk directly from the railyard, go north on Guadalupe, then east on Johnson.) www.nmrailrunner.com Also, the Museum is located just two blocks of the Santa Fe Trails public transit's downtown transit center. www.santafenm.gov, then click Public Transportation and Parking

Telephone

(505) 946-1000

Website

Alerts

Be the first to know and let us send you an email when Georgia O'Keeffe Museum posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Museum

Send a message to Georgia O'Keeffe Museum:

Videos

Building Home - Construction of O'Keeffe's Home and Studio
Building Home - Construction of O'Keeffe's Home and Studio

The Abiquiú area has been inhabited for over 5,000 years by various groups of indigenous peoples as evidenced by archeological and oral history data. Abiquiú is a Tewa name with various meanings. The indigenous people of Ohkay Owingeh Pueblo call it P’efubu’u which means the end of a log or stick, a projection of mesa land, or end of timber town. In 1945, Georgia O'Keeffe purchased the 4.75-acre Home & Studio property in Abiquiú from the Archdiocese of Santa Fe. At the time, the site was a ruin. A three-year process transformed the abandoned site into the iconic modernist adobe compound we see today. O'Keeffe lived in the home until the end of her life. O'Keeffe hired her friend Maria Chabot, a Texas native and student of regional architecture with experience managing large properties, to oversee the reconstruction of the house. They relied on a local crew to rebuild the structure using traditional techniques and knowledge of vernacular materials such as adobe brick construction, viga and latila roofing, and other design elements that have generally come to be known as the Pueblo Revival style. The O'Keeffe Museum is committed to the ongoing preservation needs of this historic property and works with conservation experts and members of the local community to research and maintain the artist's home. What does home mean to you? Let us know in the comments! #GeorgiaOKeeffe #HistoricPlaces

Watering O'Keeffe's Garden
Watering O'Keeffe's Garden

“Water is a living thing, hence its form is deep and quiet, or soft and smooth, or broad and ocean-like, or thick like flesh.” - Georgia O'Keeffe ◦ On Monday mornings between 8:00 and 11:00 AM, you can watch as O'Keeffe's Home and Studio garden in Abiquiú is flood irrigated by the historic acequia. ◦ ⁠ Acequia systems consist of gravity-fed earthen canals that divert stream flow for distribution to fields and gardens. They are a community resource that local irrigators have a shared right to use, and a responsibility to manage, and protect.⁠ ◦ ⁠ Acequia agroecosystems promote soil conservation and soil formation, provide terrestrial wildlife habitat and movement corridors; protect water quality and fish habitat, promote the conservation of domesticated biodiversity of land race heirloom crops, and encourage the maintenance of a strong land and water ethic and sense of place, among other ecological and economic values. ◦ ⁠ The acequia that provides water to the Abiquiú Home & Studio is sourced from the Upper Rio Grande watershed. It is one of the Museum's most precious resources, as it allows for O'Keeffe's unique and productive garden to flourish, while serving as a teaching tool for youth in our community. It also serves as a source of beauty for all those who have a chance to experience it in person. ◦ ⁠ You can watch the garden any time by visiting gokm.org/abiquiu-camera.⁠ ◦ ◦ ⁠ What does water mean to you? Let us know in the comments! 💙⁠ ◦ ◦ ⁠ #GeorgiaOKeeffe #HistoricGardens #Acequia ◦ Video Footage: #toddballantycreative

Whiskey & Clay for Facebook Post.mp4
Whiskey & Clay for Facebook Post.mp4

Virtual Studio Showcase & Pop-up Shop Featuring Whiskey & Clay Thursday, May 28, 5:30 PM! (Free) You're invited to virtually visit the studio of Santa Fe based ceramicist Kimmy Rohrs of Whiskey & Clay! Studio Showcase is a free online program presented by the O'Keeffe Museum! invites you to virtually visit the studio of one of the many wonderful artisans featured in the Georgia O’Keeffe Museum Store. Join us on Zoom to learn about the vendor’s artistic process and the development of their business. We will wrap up with a virtual studio tour and a Q&A. As part of this program, we are launching a monthly virtual pop-up store highlighting the Studio Showcase vendor’s incredible work. To help support our local creative community during this difficult time, the vendor will receive 60% of the sales. First up is Kimmy Rohrs of Whiskey & Clay based in Santa Fe. Kimmy creates ceramics for everyday use. Inspired by the far west Texas sky and earth, she blends porcelain with stoneware to give each piece a timeless desert feel. Pieces are high fired in a heavy-reduction gas kiln, the outcome creates dark rust tones and brightly developed glazes that give each its own identity Click to register! https://www.okeeffemuseum.org/event/studio-showcase-whiskey-clay/

From the Curator: Georgia O'Keeffe. East River, 1932.
From the Curator: Georgia O'Keeffe. East River, 1932.

Hear Ariel Plotek, the O'Keeffe Museum's Curator of Fine Art discuss Georgia O'Keeffe's 1932 charcoal drawing of the East River in New York.

O’Keeffe’s Abiquiú Book Room
O’Keeffe’s Abiquiú Book Room

National Library Week is April 19 - 25, 2020! To kick things off, check out this short clip from inside of Georgia O’Keeffe’s book room at the artist’s Home and Studio in Abiquiú. Due to the fragility of the space, this room is one rarely seen by the public. Our team at the Museum is working hard to document and catalog O’Keeffe’s immense collection of books and share their findings with the world. From cookbooks, to magazines, to unique out-of-print publications, the Abiquiú book room gives us incredible insight into O’Keeffe’s interests and curiosities. National Library Week is a time to celebrate the contributions of our nation's libraries and library workers and to promote library use and support. From free access to books and online resources for families to library business centers that help support entrepreneurship and retraining, libraries offer opportunity to all. To celebrate, we will be sharing all the wonderful things our team at the O’Keeffe Museum’s is doing to support and advance our understanding of Georgia O’Keeffe, as well as uplifting the work of our local libraries in New Mexico and other great institutions across the country. Take a close look at the video - What book jumps out to you? Let us know in the comments!💙 #GeorgiaOKeeffe #NationalLibraryWeek

Abiquiú Home and Studio Spring Fly By
Abiquiú Home and Studio Spring Fly By

Spring in Northern New Mexico is a season of contradictions. One moment the sun in shining and white fluffy clouds pop against impossibly blue skies, the next moment it’s frigidly cold, and the landscape is covered in a thick layer of snow. The wind can be especially fierce in springtime, sending enormous tumbleweeds flying across the land. Though when the trees come to life, they carpet the high desert in vibrant, technicolor green. The view from the O’Keeffe’s Home and Studio in Abiquiú provided the artist with endless sources of inspiration. O’Keeffe was intimately familiar with the ebb and flow of seasons in this part of the world, and her depictions of the New Mexico landscape at different times of year powerfully evoke a sense of place. In this video, you can get a sense of what she experienced in the springtime. Located about 50 miles northwest of Santa Fe, O’Keeffe’s Abiquiú home exemplifies the artist’s singular aesthetic and was the location where she created some of her most significant works, such as the ‘In The Patio,’ and ‘Cottonwood’ series of paintings. O’Keeffe’s Home and Studio is National Historic Landmark and a living example of the beauty of this country. What’s your favorite season? Let us know in the comments! #GeorgiaOKeeffe Video: #toddballantycreative

Summer in Georgia O'Keeffe's Abiquiú Garden
Summer in Georgia O'Keeffe's Abiquiú Garden

In the verdant walled yard behind Georgia O’Keeffe’s house in Abiquiú, lies the artist’s spectacular garden. A raised walkway cuts through the center of the vegetable garden, bisecting the long, rectangular plot. Tall sunflowers dot the garden between patches of herbs, leafy greens, peppers, an assortment of other edible plants. It is fed water by an elegant stone irrigation canal channels, a communal resource known as an acequia. In 1945, O’Keeffe purchased a run-down adobe house in Abiquiu and took the next four years to renovate the building. In her original renovation plans, O’Keeffe included detailed drawings for the vegetable garden. Her meticulous notes recorded the plant varieties she grew after moving in, and her bookshelves bore tomes on organic gardening and composting. The garden at her Abiquiú home remains much as it was during her lifetime. You can view the Museum’s live feed, captured by a video camera installed on the roof of Georgia O’Keeffe’s home in Abiquiú. The camera runs year round, documenting daily and seasonal changes in the garden. What are you growing in your garden or in your home? Let us know in the comments! 💙 #GeorgiaOKeeffe Images: @krysta_jab and O'Keeffe Museum

“When you start making a home, it is difficult to stop changing it, imagining it different.” - Georgia O’Keeffe Though modest in appearance, it exudes a certain harmony, as if every element were in its proper place, reflecting O'Keeffe's attention to detail. Interior furnishings do not follow a particular style. Simple furnishings represents years of collecting, including an Eames chair in her living room which was a birthday gift from the designers, as well as an Eero Saarinen coffee table and a Noguchi lampshade she hung over one of the bare light bulbs, O'Keeffe never kept anything she couldn't live with. As O’Keeffe wrote: “My house in Abiquiu is pretty empty; only what I need is in it.” The uncluttered spaces, and simple adornments and furniture O'Keeffe favored demonstrate how her life in New Mexico was itself a component of the minimalistic aesthetic that is one of the distinguishing features of her art. In the comments, tell about a favorite piece of furniture, art, or design element in your own home! How does your home reflect your personality? 💙 #GeorgiaOKeeffe Photos: @krystajab_ © Georgia O’Keeffe Museum

Documenting O'Keeffe's Collection of Animal Bones
Documenting O'Keeffe's Collection of Animal Bones

Documenting Georgia O'Keeffe's Collection of Animal Bones University of New Mexico Zooarcheology Research Student, Victoria Monagle discusses her project at the O'Keeffe Museum documenting and identifying O'Keeffe's collection of animal bones.

Faces of O'Keeffe Inspired 💙
Faces of O'Keeffe Inspired 💙

A new edition of Faces of O'Keeffe Inspired! We absolutely love it when you share your #OKeeffeInspired moments! Whether you're visiting our galleries in Santa Fe, exploring beautiful New Mexico, or out and about in your own part of the world, seeing your lovely faces and your incredible creativity fills us with so much joy! At the O'Keeffe Museum, we are called on to research, share, and advance Georgia O'Keeffe's iconic legacy, but we couldn't do it without your truly wonderful contributions. Thank you for all you do to help keep O'Keeffe's vision alive! We love you! 💙📸 #GeorgiaOKeeffe #FacesofOKeeffeInspired

O’Keeffe’s drawing practice was the lens for each new experience and her sketches form a journal of her explorations. The artist was steadfast in her commitment to the discipline of drawing, which she adopted early in her career. To understand the richness of Georgia O’Keeffe’s artistic practice, one must understand her disciplined drawing practice and her innovative sense for composition through paintings and drawings that span her career. One can see how O'Keeffe became a master by exploring the artist's preliminary sketches and drawings, and how they translate to the fluid, seemingly effortless outlines that define regions of her compositions. Talent like O'Keeffe's isn't born. It is made, cultivated, and practiced over decades, and through uncompromised commitment to craft. What skill do you practice over and over again? Let us know in the comments! 💙

2019 Wrap Up!
2019 Wrap Up!

It's our 2019 Wrap Up! Check out some of the amazing things we got up to this year. There is never a dull day at the O'Keeffe Museum. We have the best team anyone could ask for. Their dedication to preserving and presenting the life, art, and legacy of one of the world's most iconic artists is second to none! We are also incredibly grateful for all of you! Thank you for sharing this transformative year with us. We can't wait for all the new and exciting things to come in 2020. Comment on the most memorable O'Keeffe Inspired experience you had this year! 💙 Happy New Year! #GeorgiaOKeeffe #NewYearFeelings

Georgia O'Keeffe: Details of a Modern Life
Georgia O'Keeffe: Details of a Modern Life

Though modest in appearance, O’Keeffe’s homes exude a certain harmony, as if every element were in its proper place, reflecting O'Keeffe's attention to detail.⁠ Displayed on the mantel and windowsills, as well as on the naturally grained cedar ledge encircling the room, are gnarled branches and animal bones, reminiscent of the objects that she scavenged from the desert. ⁠ ⁠ Her daily routine here was marked by her reverence for simple rituals and an inner clarity that allowed her to be fully present in each moment. She would rise early and take a long walk before breakfast, accompanied by her dogs. After breakfast, she would venture back into the desert for a day of painting, often using her Model A Ford as a portable studio. Upon returning home, she would take an evening walk before dinner. The lasting impression of O'Keeffe's legendary life and art, and the Abiquiú and Ghost Ranch homes that stood at its center, is that of a woman completely at ease with the natural world and with herself.⁠ ⁠ What is your favorite aspect of O'Keeffe's lifestyle? Let us know in the comments! 💙⁠ ⁠ #GeorgiaOKeeffe #modestlifestyle #OKeeffeLifestyle⁠ ⁠ Images: @krystajab_⁠ Text: @archdigest

Santa Fe and Abiquiú are located in the high desert. While hot summers, blazing sun, and blue skies are common, this part of northern New Mexico truly experiences all four seasons - sometimes all at the same time! Georgia O'Keeffe's home at Ghost Ranch is surrounded by stunning landscape that is constantly changing. It is easy to see why this place served as an ongoing inspiration for the artist. This time lapse shows a snow storm as it comes and goes over the Pedernal mountain and O'Keeffe's front porch. What is your favorite season in New Mexico? 💙🌨 #GhostRanch #okeeffe #GeorgiaOKeeffe #okeeffeinspired #snowstorm #blueskies #NewMexico #northernnm #Abiquiu #pedernal #flattopmountain #seeformiles #landscapeinspiration #snowyseason #seasonchange #tranquility #watchthesky

As with her art, her aesthetic, and her public image, Georgia O'Keeffe lived every aspect of her life with great intention. This extended into her kitchen.⁠ ⁠ Cooking, nutrition, and health were all of great interest and importance to O'Keeffe. From organic gardening, canning and pickling, grinding wheat, and making yogurt—she did it all.⁠ ⁠ O'Keeffe liked her food cooked simply and loved the flavors of fresh herbs and produce. She was especially fond of summer salads. She enjoyed vegetables steamed until cooked, but still crisp, and served with just a splash of butter or oil, salt, and pepper. She wanted their distinct flavors to shine through.⁠ ⁠ With Thanksgiving just a few days away, enjoy these stunning images of O’Keeffe's kitchen!⁠ ⁠ What is your favorite Thanksgiving or harvest season dish? Let us know in the comments! 💙⁠ ⁠ #GeorgiaOKeeffe

Happy 132nd Birthday Georgia O'Keeffe! Born on this day in 1887, Georgia O'Keeffe remains one of the most iconic American artists of all time. Today is a day of celebration and also a day for thanks. It is only because of our amazing friends all around the world that O'Keeffe's art, life, and legacy continues to inspire. The artist lives though you! To show our appreciation, we invite you to join us this afternoon for a slice of cake in the O'Keeffe Museum Galleries in downtown Santa Fe, 217 Johnson Street. You can also check out our new interactive and hands on exhibits! Today is the perfect day to get inspired! 💙🍰 #GeorgiaOKeeffe

Fresh Explorations at the O'Keeffe Museum
Fresh Explorations at the O'Keeffe Museum

Opening to the public tomorrow, November 8! Be the first to see the Museum’s new immersive exhibits and experience fresh explorations into Georgia O'Keeffe's life, art, and creative legacy.⁠ ⁠ The new installations, Travels, The Natural World, and Seeing Beyond will be on view November 2019 through October 2020!⁠ ⁠ Stay tuned over the next few weeks as we share more about these unique and exciting exhibits! 💙⁠ ⁠ #GeorgiaOKeeffe

“Someone else's vision will never be as good as your own vision of your self." - Georgia O'Keeffe Georgia O'Keeffe passed away more than 33 years ago, yet her legacy is as alive as ever - thanks to you! We at the O'Keeffe Museum love, more than anything, the creative work you do to ensure the artist, the icon, the singular Georgia O'Keeffe continues to live on. These unique and stunning photos, provided by so many different people, from so many different places and backgrounds prove that there is nothing more uniting than art. Each image tells a story about an individual, their journey, and their creative vision. We have so much appreciation for all those who help us keep the artist alive for current and future generations! Much love to you all! 💙💙💙 Keep sharing your O'Keeffe Inspired photos and make sure to tag us! @okeeffemuseum #GeorgiaOKeeffe

O’Keeffe’s homes at Ghost Ranch and in Abiquiu are a designer’s dream! The artist's modern aesthetic extended far beyond just her artwork. O'Keeffe was a Modern woman, living in a new Modern era, and her timeless sense of style never ceases to inspire! ⁠ ⁠ #GeorgiaOKeeffe

Documenting O'Keeffe's Bones! Meet Victoria Monagle! She is a zooarchaeologist, and 4th year PhD student at the University of New Mexico. This fall she will be photographing and identifying the bones collected (and sometimes painted) by Georgia O’Keeffe. Her findings will be summarized for the O’Keeffe Museum and shared with the public. Stay tuned to learn more about her discoveries! 💙 #GeorgiaOKeeffe #OKeeffeInspired #Zooarcheology The University of New Mexico - UNM

"I often painted fragments of things because it seemed to make my statement as well as or better than the whole could." - Georgia O'Keeffe #quotes

Contemporary Voices: Ken Price
Contemporary Voices: Ken Price

Contemporary Voices: Ken Price Closing October 31, 2019! As part of its Contemporary Voices series, the O’Keeffe Museum presents work by Ken Price (1935-2012). One of the foremost American sculptors of his day, Price was also an accomplished graphic artist. Ten ceramic sculptures by Price, a longtime resident of Taos, New Mexico, will be displayed on pedestals throughout the Museum’s galleries. The organic, sensual forms, and chromatic complexity of Price’s sculptures will be paired and juxtaposed with O’Keeffe’s still life and landscape subjects, inviting visitors to view both artists in a new light. Watercolors by Georgia O’Keeffe will be presented alongside kindred works on paper, an homage to the high desert, by Ken Price. #GeorgiaOKeeffe All works © Georgia O’Keeffe Museum or © Ken Price except for the following: Georgia O'Keeffe. Pelvis IV, 1944. Oil on Masonite, 36 1/16 x 40 3/8 inches. Georgia O'Keeffe Museum. Gift of The Burnett Foundation. © Private Collection. [1997.6.1]

"The days you work are the best days." - Georgia O'Keeffe ⁠ ⁠ ⁠ #GeorgiaOKeeffe #okeeffe

"The unexplainable thing in nature that makes me feel the world is big fat beyond my understanding — to understand maybe by trying to put it into form. To find the feeling of infinity on the horizon line or just over the next hill." - Georgia O'Keeffe 💙💙💙 #GeorgiaOKeeffe

"I want real things - live people to take hold of - to see - to talk to - Music that pokes holes in the sky." - Georgia O'Keeffe 💙 Share one song that never fails to inspire you! 🎵 #GeorgiaOKeeffe #quotes

"I have already settled it for myself so flattery and criticism go down the same drain and I am quite free" - Georgia O'Keeffe As an artist or creative person, what makes you feel free? Let us know in the comments! 💙 #GeorgiaOKeeffe #Quotes #okeeffeinspired #wisewords #freedom #creativefreedom #inspiration #WomeninArt #okeeffe

"I know I can not paint a flower. I can not paint the sun on the desert or on a bright summer morning but maybe in terms of paint color I can convey to you my experience of the flower..." - Georgia O'Keeffe⁠ ⁠ The desert is so full of color, it's no wonder Georgia O'Keeffe and great artists past and present are so inspired by this place. 💙⁠ ⁠ #GeorgiaOKeeffe #Quotes

Contemporary Voices: Ken Price
Contemporary Voices: Ken Price

Contemporary Voices: Ken Price! On view at the O'Keeffe Museum through October 23, 2019. ⠀ ⠀ One of the foremost American sculptors of his day, Price was also an accomplished graphic artist. Ten ceramic sculptures by Price, a longtime resident of Taos, New Mexico, will be displayed on pedestals throughout the Museum’s galleries. The organic, sensual forms, and chromatic complexity of Price’s sculptures will be paired and juxtaposed with O’Keeffe’s still life and landscape subjects, inviting visitors to view both artists in a new light. ⠀ ⠀ #ContemporaryArt #KenPrice

Color Blind Visitors Experience O'Keeffe's Artwork Using Enchroma Color Blind Glasses!
Color Blind Visitors Experience O'Keeffe's Artwork Using Enchroma Color Blind Glasses!

The Georgia O’Keeffe Museum and EnChroma® are partners on an innovative collaboration to expand the gallery experience for visitors with color vision deficiencies, more commonly known as “color blindness.” Utilizing a unique spectral lens technology invented by the Berkeley-based company, EnChroma color blind glasses are designed to help the estimated 300 million people in the world with red-green color blindness see colors more vibrantly and clearly. Beginning May 3, visitors with color vision deficiencies can borrow EnChroma glasses from the Museum’s visitor services team to see Georgia O’Keeffe’s creations in the vibrant colors and hues for which her work is famous.

"Sometimes I think I'd like to live out here in a tent." - Georgia O'Keeffe⁣⠀ ⁣⠀ It’s #cody_week! Like Georgia O’Keeffe, our new director Cody is an avid outdoorsman. He’s known to take his F150 off into the wilderness to get off the grid. On snowy days, you can probably find him skiing on at Kachina Peak, in Taos. The rest of the year, you can find him daydreaming about said ski slopes. ⠀ ⠀ Six more months to go, Cody!⠀ ⠀ #winterisnotcoming #skitaos #howdycody #okeeffeinspired #Taos

Shortcuts

Category

Our Story

The Georgia O’Keeffe Museum, in Santa Fe, New Mexico, opened to the public in July 1997, eleven years after the death of our namesake artist. A visit to the O’Keeffe Museum offers insight not only into the artist’s paintings, but also her creative process and the light and landscape that inspired her. In addition to the main Museum campus in Santa Fe, the O’Keeffe Museum maintains O’Keeffe’s two homes and studios in northern New Mexico, a research center and library, and a variety of collections relating to O’Keeffe and modern art.

One of the most significant artists of the 20th century, Georgia O’Keeffe (1887-1986) was devoted to creating imagery that expressed what she called “the wideness and wonder of the world as I live in it.” O’Keeffe’s images—instantly recognizable as her own —include abstractions, large-scale depictions of flowers, leaves, rocks, shells, bones and other natural forms, New York cityscapes and paintings of the unusual shapes and colors of architectural and landscape forms of northern New Mexico.

The Museum’s collections of over 3,000 works comprises 140 O’Keeffe oil paintings, nearly 700 drawings, and hundreds of additional works dating from 1901 to 1984, the year failing eyesight forced O’Keeffe into retirement. Throughout the year, visitors can see a changing selection of these works. In addition, the Museum presents exhibitions that are either devoted entirely to O’Keeffe’s work or combine examples of her art with works by her American modernist contemporaries.

In 2006, the Museum took responsibility for the care and preservation of O’Keeffe’s home and studio along the Chama River in Abiquiu, New Mexico, about an hour north of Santa Fe. A national historic landmark and one of the most important artistic sites in the United States, the home where the artist lived and worked is open for tours by appointment. O’Keeffe’s first home in New Mexico, about 30 minutes northwest of Abiquiu at the Ghost Ranch is also cared for by the Museum though it is not currently open to the public.

The Georgia O’Keeffe Museum Research Center opened in July 2001 to house offices for staff and fellows, and The Michael S. Engl Family Foundation Research Center Library. The Research Center serves as the intellectual hub of the Georgia O’Keeffe Museum by promoting and sponsoring research and conversation about Georgia O’Keeffe, Alfred Stieglitz, the Stieglitz Circle, and their contemporaries. It also promotes research into issues of Modernist art, architecture, design photography, literature, and music from the 1890s to the present. The Georgia O’Keeffe Museum’s unique library and archive collections in the Research Center Library are open to the public by appointment.

Educational programs at the Museum serve more than 7,100 students and adults per year with a robust slate of workshops, lectures, conversations, and classroom activities.

Nearby museums

Other Art Museums in Santa Fe

Show All

Comments

LETTER - A ( UTUS....DEUS....AM.. ) .+. I AM THE ELOHIM .+. THE ONLY ONE DEUS FATHER AND HOLY SPIRIT, WHO HAS SEATED IN ONLY ONE FORM AND BODY EARTH OF SAINT CHRIST JESUS…. I AM THE ELOHIM .+. THE CREATOR OF HEAVEN AND EARTH, THE ONLY ONE VOICE AND HOLY SPIRIT WHO HAS SPOKEN IN MY FORM AND HUMAN BODY OF TRUE JESUS CHRIST, AND I HAVE SAID THIS HOLY WORD!!! YOU CANNOT MEASURE OR MAKE GREATER THAN MY TRUE COMMANDMENT THE OTHER TEACHINGS, WHICH ONLY CAME FROM YOUR INTELLIGENCE AND RESEARCHES FROM YOUR DILIGENT STUDIES… BECAUSE ALL OF YOU WHO ARE INTELLIGENT IN THE WHOLE WORLD, ALL THAT YOU HAD ESTABLISHED OR FOUNDED BY THE PEOPLE, LIKE RELIGION OR ANY KIND OF DEEDS HERE ON EARTH COULD BE IMITATED AND CAN BE COPIED BY DEMON; BUT TO ACCEPT AND RAISE ME IN MY TRUE AND HOLY COMMANDMENT, THIS IS WHAT THE DEMON CANNOT ACCEPT AND COPIED FOREVERMORE… NOTHING WILL BE GREATER THAN MY THREE HOLY COMMANDMENTS…. ( 1. ) LOVE ME, THE ELOHIM .+. YOUR ONLY ONE DEUS FATHER AND FOLLOW MY HOLY COMMANDMENT MORE THAN ALL AND EVEN MORE THAN ANYONE ELSE. ( 2. ) HONOR YOUR FATHER AND MOTHER AS I AM WHO COMMANDS, THE ELOHIM .+. YOUR ONLY ONE DEUS FATHER. ( 3. ) PRAY FOR THE SOULS, SPIRITS, BODIES, AND LIFE, WITHOUT MENTIONING ANYONE’S NAME BECAUSE I AM THE ELOHIM .+. YOUR ONLY ONE DEUS FATHER WHO SEES, LISTENS, AND KNOWS WHO MUST I SAVE AND GIVE MERCY. THIS IS MY TRUE AND THREE HOLY COMMANDMENTS, AND THE ONLY ONE CLEAN PRAYER THAT I HAVE GIVEN ABBA AVE O MARIAE .+. I AM THE CHRIST JESUS, THE ONLY ONE MESSIAH WHO INTRODUCED AND GAVE THE ONLY ONE NAME THAT I TAUGHT, THAT I BE CALLED IN ONLY ONE NAME, ON CORRECT CALL TO THE HOLY NAME OF MY ONLY ONE DEUS FATHER ELOHIM .+. AND THIS IS COMMANDMENT TO ME OF THE ONLY ONE HOLY SPIRIT, THAT I FOLLOW THE ONLY ONE WILL OF MY ONLY ONE DEUS FATHER, THE ELOHIM WHO HAS SEATED IN MY HUMAN BODY, MY ONLY ONE DEUS FATHER WHO COMMANDED, AND HOLY SPIRIT THAT SPEAKS IN ME…. AND THIS IS WHAT I GAVE WHICH IS ONLY ONE CLEAN AND HOLY PRAYER, ON CORRECT CALL AND TRUE ACCEPTANCE OF THE ONLY ONE NAME THAT I TAUGHT, IN THE HOLY NAME AND SPIRIT OF MY ONLY ONE DEUS FATHER!!! O MY ONLY ONE FATHER O DEUS ELOHIM .+. THAT IS FATHER OF OURS ONLY ONE FATHER DEUS ELOHIM ABBA AVE O MARIAE .+. SO FULL OF GRATIAM THE DEUS IS WITH YOU, BENEDECTAM ARE YOU AMONG WOMEN AND BENEDECTUM ARE YOU BY YOUR SON JESUS, O SANTA MARIAE MOTHER OF DEUS PRAY FOR THE SOULS, SPIRITS, BODIES, AND LIFE ESPECIALLY FOR THOSE WHO TRULY AND IN MOST NEED OF YOUR HELP, CONSOLATION, AND MISERICORDIA, HAVE MERCY AND SAVE THEM, O OUR FATHER ONLY ONE FATHER DEUS…. EL NOMENE DEL DEUS PATER DEUS FILIO EL' DEUS ESPIRITU SANCTO AM.. I AM THE ELOHIM .+. THE ONLY ONE VOICE AND HOLY SPIRIT OF CHRIST JESUS WHO HAS SPOKEN; I AM THE ELOHIM .+. THE ONLY ONE DEUS FATHER, WHO HAS NO DEATH AND EVERLASTING IS MY HOLY POWER…. YOU WILL SEE THE TRUTH IN MY HOLY WORD AND ON THESE MESSAGES, WHICH ARE MY SIGNS AND PROOFS THAT THE HOLY POWER OF MY SPIRIT IS MOVING; AND THIS WILL CONTINUE TO HAPPEN AND WILL BE WITNESSED BY THE PEOPLE IN THE WHOLE WORLD AT THIS TIME OF MY HOLY FINAL JUDGEMENT!!! LIKE THE STRONG SHAKE AND FAST MOVEMENT OF THE SPIRITS OF FOUR ELEMENTS; WATER, AIR, FIRE, AND EARTH! THAT WILL CAUSE DEATH TO THE PEOPLE, AND WILL BRING FAMINE, DIFFICULTY, AND DISEASE, WHICH WILL BE WEEPED ON BY THE PEOPLE LIVING HERE IN THE WORLD! AND THE SAME ALSO THAT YOU WILL WITNESS THE FAST PROLIFERATION AND WIDESPREAD IN THE WHOLE WORLD OF DIFFERENT KINDS OF DISEASES WITHOUT CURE, AND THE SPIRIT OF DISEASE WILL AFFECT OR HIT THE PEOPLE AND THE LIVING HERE IN THE WORLD; AND THE SPIRIT OF DISEASE WILL MAKE PEOPLE SUFFER, AND YOU WILL WEEP BECAUSE OF THE FEELING OF PAIN AND SUFFERING THAT HAVE COME AND HAVE AFFECTED YOUR BODY EARTH! AND MOST OF ALL WHICH IS THE MOST DIFFICULT AND THE MOST PAINFUL THAT THE PEOPLE IN THE WHOLE WORLD WILL PASS THROUGH, ARE THE SPIRITS OF DISEASES WHICH ARE GOING THROUGH AND AFFECTING THE BODY EARTH OF THE PEOPLE, THAT THE PAIN AND SUFFERING WITHOUT COMPARISON WHICH PENETRATE UP TO THE SOULS WILL BE FELT! AND YOU WILL LOOK FOR DEATH, BUT I WILL HIDE THE SPIRIT OF DEATH FROM THE PEOPLE, AND YOU WILL NOT FIND IT INSTANTLY, WHICH IS THE CAUSE AND FRUIT OF THE SINS YOU HAD COMMITTED WHICH YOU DID NOT REPENT, AND MOST OF ALL, THE DISOBEDIENCE AND VIOLATION THAT YOU DID TO MY THREE HOLY COMMANDMENTS!!! THE TRUE ATTITUDE AND WILL OF EACH OF THE PEOPLE AND SPIRITS WILL BE EXPOSED AND WILL BE KNOWN TO EACH OTHER; ALL SECRETS WILL BE DISCLOSED AND EACH TRUTH WILL BE SEEN; IT WILL BE WITNESSED BY ALL AND BY THE WHOLE WORLD THAT UNBELIEVABLE THINGS TO THE EYES OF THE PEOPLE WILL HAPPEN, WHICH WILL OCCUR HERE ON EARTH AND IN THE WHOLE WORLD…. THIS IS THE WORD OF ONLY ONE HOLY SPIRIT, OUR ONLY ONE DEUS FATHER ELOHIM .+. WHO HAS SEATED AND IS REPRESENTING IN ME…. FOR THE PEOPLE AND THE WHOLE WORLD, I AM CALLING ALL OF YOU, IN THE NAME OF CORRECT OBEDIENCE TO THE HOLY COMMANDMENT OF OUR ONLY ONE DEUS FATHER ELOHIM .+. THIS IS THE KEY OF SALVATION AND HOLY HEAVEN THAT WAS GIVEN BY OUR ONLY ONE DEUS FATHER ELOHIM .+. WHO ASKS NOTHING AS EXCHANGE OR MONEY AS PAYMENT FROM ANYONE…. THE SCRIPTURE AND HOLY WORD OF OUR ONLY ONE DEUS FATHER ELOHIM IS SPIRITUAL; THE ONLY ONE CLEAN AND HOLY PRAYER ABBA AVE O MARIAE .+. IS SPIRITUAL FOOD AND DRINK OF EACH OF YOUR BODY EARTH AND SOULS!!! ABBA AVE O MARIAE .+. THE BOLO WHICH IS A WEAPON, ARMOR, AND SALVATION THAT I TAUGHT AND GAVE TO THE PEOPLE FOR THE WHOLE WORLD…. ABBA AVE O MARIAE .+. IS PEACEFULNESS IN MY HOLY KINGDOM AND LIFE WITH INFINITE JOY AND GLADNESS THAT I GAVE TO THE SOULS AND SPIRITS, WHO ARE MY ANGELS AND BELOVED CHILDREN IN HEAVEN WHERE THE HOLY GLORY IS EVERLASTING…. ABBA AVE O MARIAE .+. IS MY ONLY ONE HOLY SPIRIT AND WILL THAT HAS NO ANY STAIN, WHICH IS THE SOURCE WHEN I POURED AND HAVE FLOWED IN THE WHOLE WORLD MY BLESSINGS AND MERCY, THAT SPRANG FROM MY HOLY LOVE THAT IS EVERLASTING…. ABBA AVE O MARIAE .+. IS MY WORD AND HOLY SPIRIT, WHICH IS MY COMMANDMENT WHEN I TAUGHT AND GAVE TO THE PEOPLE FOR THE SALVATION OF THE SOULS IN THE WHOLE WORLD!!! THAT YOU MUST SHARE EVERYDAY THE ONLY ONE CLEAN AND HOLY PRAYER ABBA AVE O MARIAE .+. THROUGH CORRECT CALL AND TRUE ACCEPTANCE OF THE ONLY ONE NAME THAT I TAUGHT, THAT I BE CALLED IN THE HOLY NAME OF MY ONLY ONE DEUS FATHER ELOHIM .+. WHO HAS SEATED IN MY BODY EARTH AND HOLY SPIRIT WHO COMMANDED AND WHO SPEAKS IN ME; AND THIS IS THE KEY TO MY HOLY KINGDOM, THE LIFE IN HEAVEN WITH EVERLASTING AND INFINITE HOLY GLORY THAT I GAVE TO THE SOULS, AND SALVATION THAT I TAUGHT TO THE PEOPLE FOR THE WHOLE WORLD!!! O MY ONLY ONE FATHER O DEUS ELOHIM .+. THAT IS FATHER OF OURS ONLY ONE FATHER DEUS ELOHIM ABBA AVE O MARIAE .+. SO FULL OF GRATIAM THE DEUS IS WITH YOU, BENEDECTAM ARE YOU AMONG WOMEN AND BENEDECTUM ARE YOU BY YOUR SON JESUS, O SANTA MARIAE MOTHER OF DEUS PRAY FOR THE SOULS, SPIRITS, BODIES, AND LIFE ESPECIALLY FOR THOSE WHO TRULY AND IN MOST NEED OF YOUR HELP, CONSOLATION, AND MISERICORDIA, HAVE MERCY AND SAVE THEM, O OUR FATHER ONLY ONE FATHER DEUS…. EL NOMENE DEL DEUS PATER DEUS FILIO EL' DEUS ESPIRITU SANCTO AM.. ( UTUS....DEUS....AM.. ) .+. CAN BE OPENED AND BE READ https://cristianos.altervista.org/ENGLISH.html https://cristianos.altervista.org/SPANISH.html https://cristianos.altervista.org/TAGALOG.html https://cristianos.altervista.org/ITALIANO.html https://youtu.be/1T3cNEDjo7k - ENGLISH
I remember when Miss O'Keeffe said, "I lived through 2 wars, a depression, and Stieglitz." If she was alive now, she would have a fourth ordeal to mention.
Thought you all would want to know if you didn't before..
May be of interest... https://m.facebook.com/story.php?story_fbid=10158137239062369&substory_index=0&id=27029077368
Having just finished Britta Benke's 2018 book "O'Keeffe", I was curious to learn more about the artist's time in southern Virginia, specifically when she attended Chatham Episcopal Institute. It turns out this school is still very much in business, and quite proud of its O'Keeffe connection.
Just Bought another O’Keeffe book yesterday - just can’t get enough!
https://www.indiegogo.com/projects/georgia-o-keeffe-life-at-90-book-of-color-photos#/
This is one of the best museum pages I've seen. It does honor to both Georgia O'Keeffe and your museum. There is very little clutter. Examples of your collection are ample. The most impressive aspect of your page is the artwork and its relation to the landscape. For someone in New Jersey, this relationship is important to understanding her art.
Well my feed glitches out, but "In the Patio" that you posted today was from the San Diego Museum of Art.
A freelance journalist from Denver fills BBC readers in on the "Bisti Badlands".
Its lovely... do stop n check it out.
https://www.brownpapertickets.com/event/4257168 **Anne Frank Remembrance Day with Deborah Lipstadt, Sunday August 4, 2019 3 pm** The Santa Fe Distinguished Lecture Series and the Santa Fe Jewish Film Festival are sponsoring this Anne Frank Remembrance Day on Sunday, August 4, the 75 anniversary of the arrest and deportation of Anne Frank and her family. In a special event for New Mexico, Deborah Lipstadt will speak on Antisemitism: Here and Now on August 4 in Santa Fe at the James A. Little Theater at 3 pm. There will be a VIP reception for her after the talk. Her new book on Antisemitism, published earlier this year, sold out immediately and went into a second printing on the second week after its release. In addition to the American edition, it is now being published in England, Germany, the Czech Republic, and Israel. Lipstadt came to national attention in 2016 with the movie Denial in which she was played by Rachel Weisz, a movie about her international court case with David Irving, a Holocaust denier in England. Lipstadt had long fought Holocaust deniers, and in this court case she was able to prove the falsehoods of those who denied it happened. After a successful in in theaters, Denial can now be seen on Amazon Prime Video, YouTube, and other streaming services. Her TED talk abut the trial has received 1.2 million views. Prof. Deborah Lipstadt has held the Presidential appointment to the United States Holocaust Memorial Council and represented President George W. Bush at the 60th anniversary of the liberation of Auschwitz. She is the Dorot Professor of Modern Jewish History and Holocaust Studies at Emory University. Her books include The Eichmann Trial, Denial: Holocaust History on Trial (a National Jewish Book Award-winner), Denying the Holocaust: The Growing Assault on Truth and Memory, and Beyond Belief: The American Press and the Coming of the Holocaust, 1933-1945. Public officials will help us in this program "United Against Antisemitism", an initiative of the Jewish Federation of New Mexico.