The IAIA Museum of Contemporary Native Arts is open to the public. We will be open from 10:00AM to 5
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IAIA Museum of Contemporary Native Arts (MoCNA) is dedicated to increasing public understanding and appreciation of contemporary Native art, history and culture through presentation, collection and acquisition, preservation, and interpretation. MoCNA is recognized as the preeminent organizer of exhibitions devoted exclusively to the display of dynamic and diverse arts practices representative of Native North America.
Dear IAIA Community,
Due to inclement weather and road conditions, the IAIA campus, and our museum, the IAIA Museum of Contemporary Native Arts (MoCNA), are closed today, Monday, January 8.
For a view of the IAIA Campus, watch the livestream on our website.
The IAIA Museum of Contemporary Native Arts is excited to announce our next exhibition “Inuk Silis Høegh: Arctic Vertigo”, opening on Friday, February 2, 2024.
Inuk Silis Høegh: Arctic Vertigo analyzes the Inuit artist’s experimental and interdisciplinary art practices. Høegh’s art contributes to the revival of Greenland’s spirit of independence from Danish colonialism and reflects the country’s new identity. An award-winning filmmaker, Høeghchallenges stereotypes about Inuit, chronicles Greenland’s way to self-government, and addresses environmental issues the country is facing.
For more information visit: https://iaia.edu/event/inuk-silis-hoegh-arctic-vertigo/
We are excited to share this great opportunity from the Independent Curators International (ICI) organization. The open call for the 2024 Curatorial Research Fellowships is now open and available specifically to one Indigenous curator based in the U.S.!
ICI’s Curatorial Research Fellowships program reflects the organization’s commitment to the advancement of new knowledge and practices. The program supports curators’ research, travel, and the development of their professional networks, promoting experimentation, collaboration, and international engagement in the field. Learn more at https://curatorsintl.org/about/
Please find the link to the application here https://ici.awardsplatform.com/, which are due January 15, 2024. Good luck!
Independent Curators International supports the work of curators to help create stronger art communities through experimentation, collaboration, and international engagement.
If you haven’t had the chance to see our current exhibition “The Art of Jean LaMarr”, make sure to stop by in the next few weeks!
Jean LaMarr’s colorful and seductive yet hard-hitting satirical artworks challenging long-held cultural stereotypes and preconceptions about Native American people and cultures will be on view until January 7, 2024!
“The Art of Jean LaMarr” traveling exhibition was organized by the Nevada Museum of Art (NMA) and features more than 60 artworks including paintings, prints, and sculptures spanning from the 1970s to the present. Jean LaMarr (Susanville Indian Rancheria), an internationally recognized artist, educator, and Native American advocate with ancestral ties to Pyramid Lake, Nevada, and Susanville, California, sparks powerful and important conversations about racist imagery, representations of Native women, legacies of colonization, and environmental justice.
Over the holidays, the IAIA Museum of Contemporary Native Arts will be open for our normal hours Wednesday through Monday (10 am to 5 pm) and will close early on December 24 and 31 at 3pm, last admission will be 45 minutes before closing. The museum will be closed on December 25 &26 and January 1 &2.
Lear more at https://iaia.edu/event/the-art-of-jean-lamarr/
The IAIA Museum of Contemporary Native Arts (MoCNA) wishes you a happy Holiday Season and a peaceful and joyful New Year! When a year comes to an end, people like to look back and share memories. We hope you enjoy this wonderful IAIA winter scene from 1967/68 from our Honors Collection!
Over the holidays, MoCNA will be open for our normal hours Wednesday through Monday (10 am to 5 pm) and will close early on December 24 and 31 at 3pm, last admission will be 45 minutes before closing. The museum will be closed on December 25 &26 and January 1 &2.
We forward to sharing exiting new exhibitions highlighting international Indigenous artists and programs in 2024!
Image credits: Ruth Charles (Klallam), Untitled, 1967-1968, photograph, 10.5 x 13.5 in. IAIA Museum of Contemporary Native Arts (MoCNA) Collection: CL-1; Honors Collection. ©Ruth Charles. Image courtesy of Eric Wimmer.
Recently, MoCNA’s Chief Curator Manuela Well-Off-Man participated in the SRP Annual Grant Recipient Meeting and presented on the panel “EXPOSURE: Integrating Research and Art to Understand a Patteryof Global Indigenous Risks” together with panelists: Dr Johnnye Lewis (University of New Mexico), Mallery Quetawki (Zuni Pueblo, University of New Mexico, “Exposure” exhibition artist), De Haven Solimon Chaffins (Laguna & Zuni Pueblo, “Exposure” exhibition artist). Examples of MoCNA’s traveling exhibition “Exposure: Native Art & Political Ecology” were on view at the conference.
https://www.niehs.nih.gov/research/supported/centers/srp/events/srp_annual_mtgs/index.cfm
Although the artworks of our very successful traveling exhibition “Exposure: Native Art & Political Ecology” will now be return to artists and institutions in Australia, Australia, Canada, Greenland, Japan, Pacific Islands, you will always have the chance to view the exhibition through our virtual exhibitions at https://iaia.edu/event/mocna-virtual-museum-exposure-and-manifesting-our-destinies/ or with the purchase of the exhibition catalogue!
Canceled:
Due to inclement weather, today’s afternoon event “Readings with Emerson, Reed, and Taffa” at the IAIA Museum of Contemporary Native Arts will be canceled.
https://iaia.edu/event/readings-with-emerson-reed-and-taffa/?fbclid=IwAR1A1JKd3DOFIbdp1aQfhTCWrRPGYsO8lQZOBGr2uUPXEKjk1_4kJCaBjFc
We hope everyone stays safe in this snowy weather in Santa Fe.
Please join the IAIA Museum of Contemporary Native Arts (MoCNA) on Thursday, December 14, 3 – 5:00 pm, for readings with Emerson, Reed, and Taffa!
Discover Edgar Award-nominated author Ramona Emerson (Diné) as she reads from her debut paranormal thriller, Shutter, celebrated as “a perfect blend of thriller, horror, and coming-of-age story” by the Boston Globe. In 2022, Emerson was longlisted for the National Book Award and was interviewed by NPR about her book. Ramona Emerson is a Diné writer and filmmaker originally from Tohatchi, New Mexico. She has a Bachelor in Media Arts from the University of New Mexico and a Master of Fine Arts in Creative Writing (MFACW) from the Institute of American Indian Arts (IAIA). As a police department photographer in Albuquerque, New Mexico, she spent 16 years documenting crime scenes before becoming a novelist. She is an Emmy nominee, a Sundance Native Lab Fellow, a Time-Warner Storyteller Fellow, a Tribeca All-Access Grantee, and a WGBH Producer Fellow.
Emerson will be joined by current MFACW student Brianna Reed (Diné), who will read poetry, as well as MFACW Director Deborah Taffa (Quechan Nation, Laguna Pueblo, and Chicana), who will share an excerpt from her forthcoming title, Whiskey Tender, named a most anticipated book of 2024 by Zibby Media.
Emerson will be engaged in an interview and audience Q&A after the reading.
Learn more at www.iaia.edu/event/readings-with-emerson-reed-and-taffa.
Join MoCNA for readings with Ramona Emerson, Brianna Reed, and Deborah Taffa.
Thank you to everyone who joined IAIA artist Jamison Chās Banks's (Seneca Cayuga Nation of Oklahoma) ’12 screen-printing demonstration. Participants enjoyed watching his process, and created their own screen-prints using an original design by Jamison.
We are thrilled to announce that the Henry Luce Foundation has awarded the IAIA Museum of Contemporary Native Arts a grant for the upcoming exhibition and catalogue titled "Reclaiming/Transforming Spaces." This exhibition will be the first major investigation of contemporary Indigenous art from Canada and the United States that transforms and reclaims spaces through light, sound, installation, and 2-D art.
The Luce Foundation's American Art Program supports innovative museum projects nationwide that advance the role of visual arts of the United States in an open and equitable society, and the potential of museums to serve as forums for art-centered conversations that celebrate creativity, explore difference, and seek common ground. The Foundation empowers museums to reconsider accepted histories, foreground the voices and experiences of underrepresented artists and cultures, and welcome diverse communities into dialogue.
Many thanks to the Henry Luce Foundation for their support and we are looking forward of sharing more about the exhibition in the future!
To kick off the IAIA Museum of Contemporary Native Arts’ (MoCNA) Members Holiday Appreciation Weekend, join us at MoCNA for a members-only event on Friday, December 1. Gather for holiday treats and hot chocolate around cozy outdoor firepits and heaters while enjoying holiday tunes and special readings by IAIA’s MFACW students. MoCNA members will receive an additional 10% holiday savings on top of your membership discount at our Museum Store. This is our special thanks to you for being a MoCNA member!
Not a MoCNA member? Become a member and join the fun! MoCNA continues to share world-class exhibitions and offer and expand a rich array of programming through the support of our members.
Learn more and become a member today at www.iaia.edu/event/mocna-members-holiday-appreciation.
Photograph by Jason S. Ordaz, Institute of American Indian Arts
Please join us this week on Saturday, November 18 from 2 – 4 pm for our next public program. Jamison Chās Banks (Seneca Cayuga Nation of Oklahoma) ’12 will lead a free, open-to-the-public screen-printing demonstration, held in the Education Classroom.
Banks will discuss his work, the process of screen-printing, and the relationship of his work to the work of Jean LaMarr (Susanville Indian Rancheria), which is on exhibit in “The Art of Jean LaMarr” at MoCNA through January 7, 2024.
“The Art of Jean LaMarr” features Jean LaMarr’s colorful and seductive yet hard-hitting satirical artworks challenging long-held cultural stereotypes and preconceptions about Native American people and cultures.
Learn more at https://www.facebook.com/events/344444371411938
Image: Jean LaMarr, Me y Tu, 1992, Silkscreen/serigraph, 22 x 30 inches. Collection of the Nevada Museum of Art, purchased with funds provided by the Orchard House Foundation.
Mark your calendar for our exciting new public program on Saturday, November 18 from 2 – 4 pm. Jamison Chās Banks (Seneca Cayuga Nation of Oklahoma) ’12 will lead a free, open-to-the-public screen-printing demonstration, held in the Education Classroom or the North Courtyard, weather permitting.
Banks is currently the lead instructor in the Printmaking Studio for the Studio Arts Department at the Institute of American Indian Arts (IAIA) and has been with IAIA since 2012, where he earned his BFA. Banks is a multi-disciplinary artist who creates films, paintings, performances, and installations. His works often explore the history of war and territorial expansion, both literal and psychological. Banks appropriates and alters symbols employed in propaganda and popular culture and redeploys them in contexts that subvert their original meanings. He usually begins with an area of investigation that spawns a series of interrelated artworks in different media.
Learn more at https://www.facebook.com/events/344444371411938
Image Credit: Frosley “Frost” Fowler (Diné) '16
We are excited MoCNA’s traveling exhibition "Action/Abstraction Redefined: Modern Native Art, 1940s-1970s" successfully opened at the Schingoethe Center of Aurora University in Aurora, Illinois and will be on view until December 15,2023.
MoCNA’s Curator of Collection Tatiana Lomahaftewa-Singer (Choctaw/Hopi) and Chief Curator Manuela Well-Off-Man joined the opening reception and gave presentations, talks, and tours, while enjoying their conversations with the students and visitors. Exhibition artist Linda Lomahaftewa’s (Hopi/Choctaw) ’65 also participated at the events, generously sharing her stories related to her art on view with the audience.
Enjoy the installation photos of "Action/Abstraction Redefined" at the Schingoethe Center.
Image Credit: Schingoethe Center of Aurora University
IAIA Museum of Contemporary Native Arts’s traveling exhibition "Action Action/Abstraction Redefined" has successfully opened at the Schingoethe Center of Aurora University this month and had over 1000 visitors in the first two weeks! CBS Chicago covered this exhibition for Indigenous Peoples’ Day, inviting viewers to visit this “first traveling exhibition of Modern Native American Art” and shared a conversation with Auroa University President Dr. Rivera Mills!
https://www.cbsnews.com/chicago/news/indigenous-peoples-day-celebration-in-aurora/
Please make sure to visit our traveling exhibition if you are in the area of Aurora, Illinois or take a look at the exhibition website at https://abstraction.iaia.edu/.
Photo Credit: Schingoethe Center of Aurora University
“Even with all the chaos, we must find our peace,” Jean LaMarr says of the message this screenprint is intended to send. “We can’t become part of the chaos; we must remain one with the land.”
This screenprint honors the wisdom of Indigenous Elders across the Americas. LaMarr remembers, one night, helicopters circled the Self Help Graphics & Art Center in Los Angeles, spraying insecticides to eradicate crop-destroying medflies that had invaded the area during the summer of 1990. To mark the incident, LaMarr incorporated a fleet of helicopters transformed into human skulls. She recalls that the intrusion felt like an attack, and she remembers bonding with Chicanx artists working alongside her at the time.
She was fascinated by their story of how, after Aztec goddes Coyolxāuhqui’s death, her brother tossed her head into the sky to become the Moon. LaMarr took comfort in this story, just as she did the stories or songs of her ancestors.
“The Art of Jean LaMarr”, curated by Ann M. Wolfe and organized by the Nevada Museum of Art will be on view from August 18, 2023 through January 7, 2024.
Image: Jean LaMarr, I Heard the Song of My Grandmother, 1990, screenprint, 34 ½ x 46 inches. Collection of the Nevada Museum of Art, purchased with funds provided by the Orchard House Foundation.
Congratulations to IAIA Indigenous Liberal Studies Faculty Emeritus Stephen Wall (Ojibwe), who introduced his lates publication “American Indian Tribal Governance: A Critical Perspective” during his book signing at MoCNA last Monday on Indigenous Peoples Day!
This is the first book of its kind, which gives a concise topical overview and an expression of self-determination, sovereignty, and decolonization. The book is published through the Tribal College Press and is now available online.
https://tribalcollegepress.org/?fbclid=IwAR2f90gBUFjesmiiulbZIXyU-n3N_i_02vdgOgUwPHn5EJUnbdujhQ8PMHQ
In celebration of Indigenous Peoples’ Day, the IAIA Museum of Contemporary Native Arts offers free admission all day!
Please stop by to enjoy our current exhibitions “The Art of Jean LaMarr”, featuring LaMarr’s colorful and seductive yet hard-hitting satirical artworks challenging long-held cultural stereotypes and preconceptions about Native American people and cultures and “The Stories We Carry”, highlighting contemporary jewelry created by more than 100 Indigenous artists across decades stewarded by the MoCNA permanent collection.
Today, on Indigenous Peoples’ we invite visitors to celebrate the resilience and diversity of Indigenous Peoples. MoCNA promotes Indigenous perspectives through exhibitions such as "The Art of Jean LaMarr”, which showcases works that comment on the impacts of colonization such as “Seven from Hell”.
The on and off rain did not keep folks away last Monday for the Fall Harvest of the amaranth in our museum garden here at MoCNA. Everyone helped gather, sort, and extract the tiny grain like seeds from the beautiful purple red colored six-foot-tall plants. We would like to thank everyone who attended the event and showed so much interest and commitment to learning about the history and importance of resiliency it has to Indigenous peoples, that was reflected in the teachings by Paul (Cochiti) and Theresa Quintana (Kiowa) and about the mural in our Allan Houser Art Park by Ehren Kee Natay (Dine, Kewa).
“This was also the first time our newly renovated education space was used for public programming. I am excited that we can announce more events in the future to use for all ages in our multifunctional space!”
- Wayne Nez Gaussoin, Museum Educator
Please join IAIA Land Grant Program Associate Teresa Quintana (Kiowa) and painter Ehren Kee Natay (Dine, Kewa Pueblo) today from 1 pm – 3 pm in the South Courtyard for our Fall Harvest!!!
Teresa Quintana will demonstrate amaranth harvesting and will talk about the process and importance of amaranth, followed by artist Ehren Kee Natay, who will discuss how growing and harvesting plants has inspired his artwork.
This event is free and open to the public, learn more at https://fb.me/e/1xhigI7yq .
The IAIA Museum of Contemporary Native Arts (MoCNA) is the country’s only museum for exhibiting, collecting, and interpreting the most progressive work of contemporary Native artists. MoCNA is dedicated solely to advancing the scholarship, discourse, and interpretation of contemporary Native art for regional, national, and international audiences—as such, it stewards over 10,000 Contemporary Indigenous artworks (created 1962 to present). MoCNA is at the forefront of contemporary Native art presentation and strives to be flexible, foresighted, and risk-taking in its exhibitions and programs. MoCNA is located in the heart of downtown Santa Fe, New Mexico.
The museum is open Wednesday through Monday from 10 am to 5 pm, except Sunday from 11 am to 4 pm.
Make sure to mark your calendar for the IAIA Museum of Contemporary Native Arts Fall Harvest and Talk on Monday, October 2, 1 - 3pm!
Teresa Quintana (Kiowa), IAIA Land-Grant Program Associate, will demonstrate and discuss amaranth harvesting and talk about the importance of amaranth and the other vegetables and herbs that the Land-Grant planted in the spring at the IAIA Museum of Contemporary Native Arts (MoCNA). Ehren Kee Natay (Diné and Kewa Pueblo), who painted the mural Three Sisters in MoCNA’s Allan Houser Art Park, will discuss how growing and harvesting plants has inspired his artwork.
For questions regarding the event, please contact Teresa Quintana (Kiowa), IAIA Land Grant Program Associate, at [email protected] or (505) 424-5943.
We expanded our current jewelry exhibition “The Stories We Carrie” with artwork from the IAIA Museum of Contemporary Native Arts’s (MoCNA) permanent collection and added new cases with jewelry pieces from private collections.
“Our Stories” highlights the personal jewelry collection of community members, such as MoCNA Director Patsy Phillips (Cherokee), MoCNA Museum Educator Wayne Gaussoin, well-known beadwork artist Marcus Amerman (Choctaw) '84, IAIA jewelry instructor and guest curator Brian Fleetwood (Mvskoke Creek), and IAIA MFA Cultural Administration Program Jessie Ryker-Crawford (White Earth Chippewa). Take a look at the new cases on the second floor and learn more about the personal stories connected to these fascinating jewelry collections!
The Institute of American Indian Arts (IAIA) became a Land-Grant University in 1994. Since then, the IAIA Land-Grant Program has focused on promoting healthy Native communities by providing agriculture education to the 22 Indigenous communities in New Mexico, as well as to Indigenous communities across the country, through culturally accepted outreach education programs.
The IAIA Land Grant collaborated with IAIA Museum of Contemporary Native Arts (MoCNA) on establishing a garden in the Northeast courtyard, which was part of MoCNA’s “Reconciliation” exhibition (2019). The Land Grant program continues to grow native plants, vegetables, and flowers every year. Corn, gorgeous sunflowers, and reddish-pink amaranth are once again reaching record heights in this year's garden beds!
Our museum store has received new merchandise accompanying our current exhibition “The Art of Jean La Marr”. One of her iconic works is her “Vuarneted Indian Cowboy” (1984), which honors Native American men who challenge stereotypes by competing in the Indian Rodeo circuit.
“He’s wearing Western attire, but he is a very modern Indian. His lenses reflect images of an eagle and two fighter jets. He’s aware of what is happening to our Earth. I call it spiritual power versus manmade power,” LaMarr says, reflecting on the warrior tendency these men carry into their contemporary lives.
After visiting “The Art of Jean LaMarr”, make sure to stop by the Museum Store and ask our staff about the exhibition bundle offers.
We are very excited to announce that the IAIA Museum of Contemporary Native Arts’ catalog “Exposure: Native Art and Political Ecology” has won the New Mexico Book Association’s award for best Scholarly and Technical publication. This exhibition catalog documents international Indigenous artists’ responses to the impacts of nuclear testing, nuclear accidents, and uranium mining on Native peoples and the environment.
https://www.santafenewmexican.com/news/local_news/new-mexico-book-association-honors-authors-editors-book-designers/article_71f4573e-434e-11ee-9a1d-a7f6016b5f7f.html
“Exposure: Native Art and Political Ecology” is on display at its last venue, the El Paso Museum of Art until November 2, 2023, before the artworks will be returned to Australia, Greenland, and other national and international collections.
https://epma.art/art/exhibitions/exposure-native-art-and-political-ecology
The IAIA Museum of Contemporary Native Arts would like to thank everyone who attended this year’s opening reception for “The Art of Jean LaMarr” and our public programs during Indian Market weekend. It was great to see so many people wearing purple in celebration of Jean LaMarr, who joined us for the opening reception and shared wonderful stories about her artistic career during her artist panel.
“The Art of Jean LaMarr” will be on view until January 7, 2024.
Image 1: Exhibition view during the opening reception of “The Art of Jean LaMarr”.
Image 2: Jean LaMarr at the opening reception of her solo exhibition on August 19, 2023.
Photograph by Nicole Lawe (Karuk) ’16, Institute of American Indian Arts
Please join us tomorrow, Sunday, August 20, 11 am–12 pm for The Stories We Carry—Panel Discussion, a panel with guest curator and IAIA Assistant Professor Brian Fleetwood (Mvskoke Creek) ’12 and MoCNA Curator of Collections Tatiana Lomahaftewa-Singer (Choctaw and Hopi). This panel conversation, held in the Allan Houser Art Park at the IAIA Museum of Contemporary Native Arts (MoCNA) in downtown Santa Fe, New Mexico, will discuss the recent history of Indigenous jewelry and use the exhibition as a jumping-off point for a discussion on contemporary Indigenous jewelry.
The Stories We Carry features contemporary jewelry created by more than 100 Indigenous artists across decades stewarded by the MoCNA permanent collection. Many of the works were made by Institute of American Indian Arts (IAIA) students, faculty, alums, and artists-in-residence, presenting another side to IAIA’s rich story.
This event is free and open to the public, learn more at www.iaia.edu/event/the-stories-we-carry-panel-discussion.
Photograph by Nicole Lawe (Karuk) ’16, Institute of American Indian Arts
Join us for a panel discussion at the IAIA Museum of Contemporary Native Arts (MoCNA) by notable film and television content creators to discuss Indigenous content today, and for the future. Where is the content headed, and what are their personal insights for longevity in the industry.
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Earlier this year, the IAIA Museum of Contemporary Native Arts hosted the group exhibition Inherent Memory, featuring contemporary Indigenous basketry-related art created by Indigenous women and nonbinary artists from California and the Great Basin. If you have missed this exhibition, you can now enjoy this exhibition overview with guest curator Melissa Melero-Moose (Northern Paiute and Modoc). Melero-Moose talks about the underrepresentation of Indigenous artists from the Great Basin area in museums and galleries and her efforts to promote these artists. She also discusses the significance of Great Basin Basketry and its contributions to contemporary Indigenous art. The video was created with the generous support of the Association of Tribal Archives, Libraries, and Museums and the National Endowment for the Humanities SHARP Program. https://vimeo.com/showcase/10718475/video/831337006 The video was created with the generous support of the Association of Tribal Archives, Libraries and Museums, and the National Endowment for the Humanities SHARP Program.
Please enjoy this exhibition overview of "The Stories We Carry" with guest-curator Brian Fleetwood (Mvskoke). Our jewelry exhibition, The Stories We Carry, features contemporary jewelry created by over 100 Indigenous artists from MoCNA’s permanent collection. Each work highlights how the adornment of the human body is central to many cultural practices. The video was created with the generous support of the Association of Tribal Archives, Libraries and Museums, and the National Endowment for the Humanities SHARP Program. "The Stories We Carry" will be on display until September 30, 2024. https://vimeo.com/showcase/10718386/video/824239483
Join us for a panel discussion at the IAIA Museum of Contemporary Native Arts (MoCNA) by notable film and television content creators to discuss Indigenous content today, and for the future. Where is the content headed, and what are their personal insights for longevity in the industry.
Please join us for a panel conversation featuring contemporary Native activist-artist Jean LaMarr and Nevada Art Museum Associate Director and Chief Curator, Ann Wolfe at the IAIA Museum of Contemporary Native Arts (MoCNA). Together, they will delve into LaMarr’s artistic practices, inspirations, and the powerful messages behind her work.
Enjoy the trailer of Imagining The Indian and come to our film screening on Friday, June 30 from 3:00 pm-6:30 pm. “Imagining the Indian” is a comprehensive examination of the movement to eradicate the words, images, and gestures that many Native Americans and their allies find demeaning and offensive. The film takes a deep-dive into the issues through archival footage and interviews with those involved in the fight. The psychological research is clear, the use of Native American mascots is detrimental, not only to Native people, but to marginalized groups everywhere. Please join directors Ben West (Cheyenne) and Aviva Kempner, producers Kevin Blackistone and Yancey Burns, and interviewee Rick West (Cheyenne) for a conversation about the misappropriation of Native cultures and an evening film screening of “Imagining the Indian: The Fight Against Native American Mascoting”. 3:00–4:30 pm: Film Screening 4:30–5:30 pm: Panel Conversation 5:30–6:30 pm: Reception #imaginingtheindian #TheFightContinues #NotYourMascot #StopTheChop Learn more about the film at www.imaginingtheindianfilm.org.
Take a look at this short video with Cara Romero (Chemehuevi) ’05, who explains the creation of her 2021 photograph Oil & Gold. The work addresses the issue of federal tribal recognition. There are 18 tribes along the California coast that never received federal recognition in the mid-1800s because the state of California failed to ratify their treaties. It was no coincidence that these tribes’ traditional lands were nestled within regions rich in gold and oil. The photograph Oil & Gold by Cara Romero Photography is on display in “Inherent Memory” until June 25, 2023. This documentation was created with help from the Association of Tribal Archives, Libraries, and Museums and the National Endowment for the Humanities.
As part of the IAIA Museum of Contemporary Native Arts’ (MoCNA) ongoing programming for Rick Rivet: Journeys, Mounds and the Metaphysical, please join us for an online conversation with MoCNA’s Chief Curator Manuela Well-Off-Man and Rick Rivet (Sahtu-Métis). They will talk about Rivet’s creative process and the recurring themes in his works. For more information or to schedule an interview, please contact Jason S. Ordaz, IAIA Director of Communications, at [email protected]. The livestream event happens on Wednesday, May 3, 2023, 2–3 pm (MDT). For questions, please contact MoCNA Membership and Program Assistant Nuttaphol Ma at [email protected] or (505) 428-5925. Image Credit: Rick Rivet (Sahtu-Métis), Amundsen – 14/12/1911, 2011, acrylic on canvas. Image courtesy of artist.
We are excited to share four videos by BFA Cinematic Arts seniors as part of MoCNA’s current “2022–2023 IAIA BFA Exhibition: Beyond Reflections.” The videos include a short film by Alica Mteuzi (Caddo, Cheyenne and Arapaho about a future Afro-Indigenous uprising against a corrupt and incompetent colonial government; a comedy by Erik Sanchez (Shoalwater Bay / Chinook / Chicano) featuring mock western-designed Native American stereotypes. Also on view are two short videos by Tyrell Etsitty (Dinè), who is inspired by the duality of light and darkness, prosperity and tragedy, and good and evil. All videos are screened in MoCNA’s Helen Hardin Media Gallery. Enjoy this short video “Meet Up By The Totah, 2022” created by Tyrell Etsitty (Dinè), and make sure to visit MoCNA’s North Gallery to view a wide range of works created by this year’s BFA students. "2022–2023 IAIA BFA Exhibition: Beyond Reflections” will be on view until May 14, 2023.
2022 IAIA Commencement Ceremony
The IAIA Museum of Contemporary Native Arts (MoCNA) is the country’s only museum for exhibiting, collecting, and interpreting the most progressive work of contemporary Native artists. MoCNA is dedicated solely to advancing the scholarship, discourse, and interpretation of contemporary Native art for regional, national, and international audiences. As such, it stewards—9,000 Contemporary Indigenous artworks (created 1962 to present). MoCNA is at the forefront of contemporary Native art presentation and strives to be flexible, foresighted, and risk-taking in its exhibitions and programs. MoCNA is located in the heart of downtown Santa Fe, New Mexico.
Bahti Indian Arts Santa Fe and Tucson
E Palace Avenue
