Aldis Browne Fine Arts, Inc

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MONEY LAUNDERING OR CONSPIRACY THEORY?Not a fictional thriller, reality! A Russian oligarch, a Saudi prince, an American...
01/10/2019

MONEY LAUNDERING OR CONSPIRACY THEORY?

Not a fictional thriller, reality! A Russian oligarch, a Saudi prince, an American president, a trusted cabinet member, the world's most expensive painting and a special counsel. NotWe.org tracks their trail at: FollowTheRussianMoney.com

01/08/2019

THE RENAISSANCE N**E
J. Paul Getty Museum, through Jan. 27th
Exhibition link: RenaissanceN**es.com

Among the most compelling museum exhibitions currently on view in California, none surpass The Renaissance N**e at the Getty.

Because of Facebook's strict policy against boosting any n**e images, whether from classical antiquity, the Sistine Chapel or a Getty exhibition, this post reproduces one of the iconic paintings in the Getty collection, a fully clothed figure which is included in this exhibition to complement the artist's drawings of male n**es.

"Jacopo Carucci, called Pontormo after the Tuscan town from which he came, was one of the leaders of the Mannerist movement, but as Mannerism increasingly focused on masks and artificiality, there was little room for his keen sensitivity and profound feeling for human states of mind. This quality is unmistakable in the elegant Portrait of a Halberdier, which shows Pontormo introducing an insightful new dimension of meaning to portraiture, expressing the sitter's public image while suggesting his inner life." The Getty

Pontormo (Jacopo Carucci) ( 1494 - 1557 ,Portrait of a Halberdier (Francesco Guardi?) 1529-30 Oil (or oil and tempera) on panel transferred to canvas, 37 1/2 × 28 3/4 in.

'The Impressionist Exhibitions of 1874-1886, The World's First Art Fairs'Aldis Browne's daily December online exhibit po...
01/07/2019

'The Impressionist Exhibitions of 1874-1886, The World's First Art Fairs'
Aldis Browne's daily December online exhibit posts are now together at ImpressionistExhibitions.com

EPILOGUE - IMPRESSIONISM REACHES AMERICA

Mary Cassatt's brother, Alexander, was president of the Pennsylvania Railroad, America's largest and most powerful railway. Following his sister's guidance, he began to collect impressionist paintings in 1880. By the time the Amerian Art Association introduced impressionism with 300 paintings sent by Durand-Ruel for its1885 exhibition in New York, Alexander Cassatt's private collection numbered some thirty paintings. He lent seven to the exhibition. A scion of wealth and power, his imprimatur strongly endorsed the new movement even before it crossed the Atlantic.

American painters had long studied abroad, frequently in Paris. Thus, the impact of impressionism had rapidly become two-fold, both among young artists and the collecting public. Accordingly, it was hardly surprising that Durand-Ruel opened a gallery in New York in 1887.

Numerous American artists were strongly influenced by impressionism. Among masters of modern painting who today are considered iconic were (clockwise, top, below) William Merritt Chase, John Singer Sargent, and Childe Hassam. The relationship between their works and the paintings of Mary Cassatt, Claude Monet, Edouard Manet is further explored at ImpressionistExhibitions.com, just as the influence of Gustav Caillebotte's 'Paris Street, Rainy Day" upon Childe Hassam's 'Rainy Day, Boston' is made clear here.

William Merritt Chase, A Friendly Call, 1895, oil on canvas, 30.1 x 48.2 inches.Collection National Gallery of Art, Washington DC

John Singer Sargent. Morning Walk, 1888, oil on canvas, 26 3/8 x 19 3/4 inches, private collection, the Ormond family.(Richard Ormond was the grand-nephew of the artist.)

Childe Hassam Rainy Day, Boston, 1885, oil on canvas, 26.1 x 48.03 inches, collection Toledo Museum of Art, Toledo Ohio

Gustave Caillebotte, Paris Street; Rainy Day, 1877, 212.2 × 276.2 centimetres (83.5 × 108.7 in), Art Institute of Chicago

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