10/26/2021
It is impossible to ignore the historical references to painting when viewing Christian Garcia-Olivo’s work. Specifically, the monochrome, a symbol of spiritual purity and simplicity, highlighting the painting's physical form, color, and texture.
While Untitled White and Pearlescent Green on Nacreous, 2020 appears to be a flat white square canvas from afar, a closer look reveals hundreds of tiny acrylic paint loops clinging to the pearlescent surface. The precise layering of loops mimics the interlocking threads of a woven textile.
Garcia-Olivo references craft techniques such as weaving and collaging to challenge contemporary issues of race, gender and identity.
When one thinks of ‘craft art’ textiles immediately come to mind. And textile’s inherent nature, like paint, is fluid. It is always in motion - it can shape and reshape in any environment or by any hand.
By alluding to the nature of paint and paint’s ability to act like a textile Christian Garcia-Olivo establishes a connection between textile and paint, that equalizes them; disrupting the hierarchy of fine art that considers Craft a lesser form of art.
Featured artwork: Untitled White and Pearlescent Green on Nacreous, 2020
acrylic paint on wood panel, 48” x 48”.