06/07/2026
Currently on display in Cut It Out: Papercutting Traditions and Beyond through July 18, UW-Madison professor Michael Velliquette (1971 – ) uses cut paper to create books, two-dimensional reliefs, and three-dimensional sculpture. Velliquette’s practice investigates the potential of color as a spiritual and metaphorical tool while also exploring pattern and design. With his most recent work, he foregrounds labor, process, and materiality. Rather than planning and drawing studies, he allows works “to accrue cut-by-cut and piece-by-piece” in a process that he refers to as “slow-motion improvisation.”
Building on his long-standing relationship with paper and transferring that knowledge to light durable Tyvek panels, Velliquette is creating a large-scale installation for RAM’s Windows on Fifth Gallery which opens July 22. The project, titled “Intuitive Patterns,” reflects his interest in color theory, pattern-making, and papercraft. Beginning as a seamless gradient before being rearranged mid-way through the exhibition into more contrasting color relationships, the installation features a series of multi-colored panels inspired by Ellsworth Kelly’s Spectrum series.
Image Credits:
1
Michael Velliquette, Helios, 2009, Paper, 38 x 37 inches, Racine Art Museum, Gift of the Artist in Honor of Tehshik Yoon, Photography: Rachel Comande, Currently on display at the Racine Art Museum in Cut It Out: Papercutting Traditions and Beyond through July 18, 2026
2
Michael Velliquette, Babooma, 2010, Colored cardstock paper, 31 x 33 inches, Racine Art Museum, Gift of the Artist in Honor of Tehshik Yoon, Photography: Rachel Comande, Currently on display at the Racine Art Museum in Cut It Out: Papercutting Traditions and Beyond through July 18, 2026