The Frances Lehman Loeb Art Center

The Frances Lehman Loeb Art Center The Frances Lehman Loeb Art Center at Vassar College. Link in bio: linktr.ee/theloeb
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The Frances Lehman Loeb Art Center was founded in 1864 as the Vassar College Art Gallery. Vassar was the first college or university in the country to include an art museum as part of its original plan. The current 36,000 square foot facility was designed by Cesar Pelli and named in honor of the new building’s primary donor Frances Lehman Loeb, a member of the Class of 1928. The Lehman Loeb Art Ce

nter’s collections chart the history of art from antiquity to the present and comprise over 22,000 works, including paintings, sculptures, drawings, prints, photographs, textiles, and glass and ceramic wares. Teaching students and working as an important tangible complement to the curriculum is the main focus of the collection. Notable holdings include the Warburg Collection of Old Master prints, an important group of Hudson River School paintings given by Matthew Vassar at the college’s inception, and a wide range of works by major European and American twentieth century painters. The design of the galleries and the storage facilities are geared to ease of presentation for groups of faculty and students. This is particularly true of the Project Gallery where faculty can request works of art from storage at short notice and have them installed for class use. Often multiple classes from different disciplines present work in this space thereby offering unexpected but revealing comparisons among different cultures and eras. While the Department of Art is the Lehman Loeb Art Center’s primary client, classes from other disciplines as diverse as Drama and Film, Botany, Classics, and Hispanic Studies make regular use of the broad collections. Designed by Cesar Pelli and opened to the public in November 1993, the Frances Lehman Loeb Art Center is a distinguished addition to a campus internationally known for its fine buildings. Called "a symphony of architecture" by the New York Times, the Frances Lehman Loeb Art Center comprises a new museum, home to one of the finest teaching collections in the nation, as well as the renovated collegiate-gothic building, Taylor-Van Ingen Hall, home of the art department and the art library. The entrance to the Frances Lehman Loeb Art Center is the Blanchette Hooker Rockefeller, class of 1931, Entrance Pavilion, a glass hexagon visible from just inside the college's main gate. A symbol of the art center, the pavilion is connected to Taylor-Van Ingen Hall by a buttress screen, creating a forecourt for the complex. The pavilion and glass-walled passageway leading to the exhibition areas offer views of the campus. The Hildegarde Krause Baker, class of 1911, Sculpture Garden, the Briarcombe Sculpture Courtyard, and the entry forecourt were designed by landscape architect Diana Balmori and recently renovated to a design by Michael Van Valkenburgh Associates.

Family Fun is back at The Loeb! 🍂Join us on Sunday, September 20, from 1–3pm for a free, drop-in family program — the fi...
09/02/2026

Family Fun is back at The Loeb! 🍂

Join us on Sunday, September 20, from 1–3pm for a free, drop-in family program — the first in our fall series, continuing October 11, November 15, and December 13.

No registration necessary! Just drop in any time during the window.
This event is free and open to the public.

Thank you to everyone who joined us this past Saturday for "Atelier 17 at 100," a lecture celebrating the legacy of the ...
08/31/2026

Thank you to everyone who joined us this past Saturday for "Atelier 17 at 100," a lecture celebrating the legacy of the legendary printmaking workshop founded in Paris in 1927. We're grateful to curator John Murphy, and our guest speaker, Christina Weyl, Executive Director of the Atelier 17 Project and a leading scholar of twentieth-century printmaking, for sharing her deep knowledge of the workshop's history.

This lecture accompanied our current exhibition, "Atelier 17: Myths in Motion," on view now in the Loeb's galleries. Thank you to all who came out to learn, ask questions, and see the show.

This is the last week to see “Splitting the Horizon: Frederic Church Between Border and Bridge” on view through August 3...
08/26/2026

This is the last week to see “Splitting the Horizon: Frederic Church Between Border and Bridge” on view through August 31. This one gallery show was part of the Frederic Church 200 initiative, launched by the Olana Partnership to celebrate and extend the artist’s legacy on the bicentenary of his birth. Church and other landscape painters’ depictions of the so-called “wild” contradictorily rendered the land empty and uninhabited, promoting a terrain for capital production. Visit us and learn more!

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Photo by Thomas Barratt

We lost one of photography's most incisive voices this summer. Duane Michals died June 9, 2026, at 94.One of my favorite...
08/25/2026

We lost one of photography's most incisive voices this summer. Duane Michals died June 9, 2026, at 94.

One of my favorite works in the Loeb's collection is his four-image series “The Dream of Flowers” (1986). A man, eyes closed, slowly subsumed by flowers frame by frame. A beautiful elegy for the many lives tragically lost to the AIDS epidemic, especially within Duane's own q***r community.

Years ago, curator Jessica Brier visited Duane's studio, where he inscribed our prints with the letters "A.I.D.S." an important part of the work that had been accidentally omitted from the original printing. Last year, Jessica met Leslie Ann Kossoff, the master printer who worked alongside Duane from 1980–1989 and mom to Sam Evans '27, one of our former student guides. Leslie recognized the piece instantly; she most likely printed our very edition.

In her words: "Working with Duane was a dream — collaborative, kind, respectful. We were fellow q***r creatives who shared an understanding of the language of q***r vision and beauty."

Leslie and Duane’s collaboration is but one example of the hidden labor behind a work of art and a testament to artmaking as a form of building and strengthening our communities.

— Jessica Brier, Curator of photography

Artwork | Duane Michals (American, 1932–2026), Likely printed by: Leslie Ann Kossoff, “The Dream of Flowers,” 1986, gelatin silver prints, Edition 3 of 25, Purchase, Francis Woolsey and Helen Silkman Bronson, class of 1924, Fund, 1987.40.4

Join us this Saturday, August 29 at 2pm for a talk with Christina Weyl, Executive Director of the Atelier 17 Project, in...
08/24/2026

Join us this Saturday, August 29 at 2pm for a talk with Christina Weyl, Executive Director of the Atelier 17 Project, in conjunction with our exhibition "Atelier 17: Myths in Motion."

Weyl is New York–based curator and author of The Women of Atelier 17: Modernist Printmaking in Midcentury New York (Yale University Press, 2019), she will share new perspectives on the legendary avant-garde printmaking workshop as it approaches its 100th anniversary — exploring the spirit of collaboration and technical innovation that defined it.

This event is free and open to the public.
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Photo courtesy of Christina Weyl

Join us on Saturday, September 19th at 2:30pm, in the Loeb Galleries as we mark the closing weekend of “A Living Legacy:...
08/19/2026

Join us on Saturday, September 19th at 2:30pm, in the Loeb Galleries as we mark the closing weekend of “A Living Legacy: Gifts from Lynn Gross Straus."

This program will feature three generations of scholars who have been impacted by Lynn’s generosity: Elizabeth Prelinger, Professor Emeritus of Art History at Georgetown University; John Murphy, the Philip and Lynn Straus Curator of Prints and Drawings at the Loeb; and Ruby Funfrock, Vassar Class of 2024 and former Loeb curatorial student assistant.

This event is free and open to the public. A reception in the Loeb’s atrium will follow the program.

In 1920, Edith Roberts founded the Vassar Ecological Laboratory on an unused plot of land adjacent to Raymond Avenue. Sh...
08/14/2026

In 1920, Edith Roberts founded the Vassar Ecological Laboratory on an unused plot of land adjacent to Raymond Avenue. She later went on to head the renamed plant sciences department. Like many of her peers, Roberts embraced technological innovations to investigate the complexities of plant studies, becoming the first to capture images of plant cells using an electron microscope and discovering that chromoplasts produce vitamin A.

Roberts’s work, like many other scientists in her field, used image-capturing techniques to aid in the scientific discovery of plants. The Botanist explores the intersections between these two fields and how the two have worked in tandem to uncover new modes of expression and discovery.

Experience “The Botanist” through October 4. This exhibition brings together a diverse array of paintings, drawings, and photographs paired with rare books and archival objects to explore the intersections of science and art.
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“Edith Roberts in her office at Vassar College,” 1940s, gelatin silver print, Courtesy of the Vassar Biology Department, SL2026.2.6

Loeb Alums Archive and Catalog Prints Abroad! This past month, Collections and Registrarial fellow Betsy Subiros '25 and...
08/13/2026

Loeb Alums Archive and Catalog Prints Abroad!

This past month, Collections and Registrarial fellow Betsy Subiros '25 and recent graduate Charlotte Hampton '25 spent three weeks working abroad in Vienna. The Loeb partnered with Director Stephan Koja and Curator Larissa Mohr at the Lichtenstein Princely Collections to catalog prints in their archive, building valuable professional skills for these young alums.

Poughkeepsie-based artist Julia Whitney Barnes will join us on September 10 at 5:30pm in Taylor Hall 203, to share insig...
08/10/2026

Poughkeepsie-based artist Julia Whitney Barnes will join us on September 10 at 5:30pm in Taylor Hall 203, to share insights into her wide-ranging artistic practice, which is based in reverent observation of the natural world. Whitney Barnes’s work is a highlight of the Loeb’s exhibition “The Botanist at Vassar”, on view through October 4. She is also the creator of The Botanist’s Mural, a mural commissioned for Vassar’s Heartwood/Institute of the Liberal Arts.

Born in Newbury, VT, Julia Whitney Barnes spent two decades in Brooklyn/NYC before moving to the Hudson Valley in 2015. She received a BFA from Parsons School of Design and MFA from Hunter College. Whitney Barnes works in a variety of media from cyanotypes, watercolor, combined media works on paper, oil paintings, glass, ceramic sculptures, murals, site-specific installations, and limited-edition prints.

This event is free and open to the public. We hope to see you there.

Photo Credit: Artist Julia Whitney Barnes. (Photo by Sean Hemmerle)

Address

124 Raymond Avenue
Poughkeepsie, NY
12604

Opening Hours

Tuesday 10am - 5pm
Wednesday 10am - 5pm
Thursday 10am - 7pm
Friday 10am - 5pm
Saturday 10am - 5pm
Sunday 10am - 5pm

Telephone

+18454375237

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