Portland Art Museum

Portland Art Museum Connecting communities through art since 1892. Open: Tue–Sun, 10 am–5 pm (Closed Mon)
Free for Members, Youth 17 & under, and on Free First Thursday

🧳Get ready for Portland Staycation Weekend, September 11–13! Rediscover Portland with exclusive Staycation hotel offers,...
09/04/2026

🧳Get ready for Portland Staycation Weekend, September 11–13!

Rediscover Portland with exclusive Staycation hotel offers, local perks, and unforgettable downtown experiences. Explore, indulge, wander — and fall in love with the city all over again.

🚲 Stop by on 9/13 during Portland Sunday Parkways and check out the new Cultural District Plaza in front of the Museum!

Plan your Staycation → https://www.portlandstaycation.com/

👻 🎬 This October, join PAM CUT @ The Whitsell for a month of haunting classics. Also, catch Fresh Cut Flowers x PAM CUT ...
09/03/2026

👻 🎬 This October, join PAM CUT @ The Whitsell for a month of haunting classics. Also, catch Fresh Cut Flowers x PAM CUT for “Night Blooming Jasmine: A David Lynch Screening Weekend” including a screening of BLUE VELVET in 35mm plus wine and music.

Sat, Oct 3, 2 p.m. | THE THING (1982)
Sun, Oct 4, 2 p.m. | DON'T LOOK NOW (1973) x Film School
Sat, Oct 10, 2 p.m. | THE SHINING (1980)
Sun, Oct 11, 2 p.m. | ADDAMS FAMILY (1991) x ScreenPLAY!
Sat, Oct 17, 2 p.m. | ERASERHEAD (1977) x Fresh Cut Flowers
Sat, Oct 17, 5 p.m. | BLUE VELVET in 35MM (1986) x Fresh Cut Flowers
Sun, Oct 18, 2 p.m. | LOST HIGHWAY (1997) x Fresh Cut Flowers
Sat, Oct 24, 2 p.m. | ROSEMARY'S BABY (1968)
Sun, Oct 25, 2 p.m. | EYES WITHOUT A FACE (4K Restoration) (1960)
Sat, Oct 31, 2 p.m. | NIGHT OF THE LIVING DEAD (1968)

Get tickets → https://portlandartmuseum.org/event/vintage-spooky/

"Art is the soul of a people." –Romare Bearden, born  . You can visit his work, "Tidings," in the youth-curated exhibiti...
09/02/2026

"Art is the soul of a people." –Romare Bearden, born . You can visit his work, "Tidings," in the youth-curated exhibition, "Harriet Tubman Center Museum," featuring responses from the 4th and 5th grade curators from Dr. Martin Luther King Jr. Elementary School (KSMOCA-King School Museum of Contemporary Art).

"It makes me think about Black people and the old days. It's probably like the 90s because of the background." –Aniya
"It's really colorful and it gives me the old time vibes." –Z'maya


Romare Bearden (American, 1911-1988), “Tidings,” 1973. Screenprint on paper; 15 15/16 × 23 3/4 in. Gift of Forstmann-Leff Associates, 80.27.3

Today marks the 137th birthday of Yasuo Kuniyoshi. From navigating the immense social, cultural, and political challenge...
09/01/2026

Today marks the 137th birthday of Yasuo Kuniyoshi. From navigating the immense social, cultural, and political challenges of WWII to making history with the Whitney Museum’s first-ever retrospective for a living artist, Kuniyoshi was a visionary painter, printmaker, photographer, and teacher. Excluded from citizenship and classified an "enemy alien" during the Second World War, his work remains a powerful reflection of the artist’s resilience and humanity.


Max Yavno (American, 1911-1985), “Yasuo Kuniyoshi,” ca. 1941. Gift of David Shaw, 1998.58.10; Yasuo Kuniyoshi (American, born Japan, 1889-1953), “Girl with an Accordion,” 1941. Museum Purchase: Ella M. Hirsch Fund, 41.12; “Wire Cyclist,” 1939. Gift of the Collection of Henry Goldman, 2017.75.12

This week, PAM CUT @ The Whitsell and Hi Books present two screenings from indie filmmaker Lizzie Borden:Sat, Sep 5, 2 p...
09/01/2026

This week, PAM CUT @ The Whitsell and Hi Books present two screenings from indie filmmaker Lizzie Borden:

Sat, Sep 5, 2 p.m. | BORN IN FLAMES (1983) is a dystopian sci-fi/drama. This provocative, thrilling classic is a fantasy of female rebellion set in America ten years after a social democratic cultural revolution. When the Black radical founder of the Woman’s Army is mysteriously killed, a diverse coalition of women emerges to blow the System apart.

Sun, Sep 6, 2 p.m. | WORKING GIRLS (1986) follows a day in the life of a photographer working part-time in a Manhattan brothel. Throughout the day she juggles a steady stream of clients, balances relationships with her coworkers with the demands of an ambitious madam, and above all fights to maintain her sense of self.

Get tickets → https://bit.ly/4biHRbc

📢 Don’t miss this month’s Free First Thursday on September 3, 10 a.m.–7 p.m. Enjoy free admission, extended hours, scree...
08/31/2026

📢 Don’t miss this month’s Free First Thursday on September 3, 10 a.m.–7 p.m. Enjoy free admission, extended hours, screenings, close-looking tours, art making, and more!

12–7 p.m. | Basement Sessions vinyl DJs will respond to art on view through their playlists (Gallery 300)
12–2 p.m. and 3–5 p.m. | Art making inspired by cassette tape cover art (Finley Learning Studio)
3 p.m. and 5 p.m. | Drop-in screenings of “Monterey Pop” (1967) that documents the first American rock festival with Jimi Hendrix, Janis Joplin, and more. (Whitsell Auditorium)

Generous support provided by Art Bridges Foundation's Access for All program.

Learn more and reserve your free ticket → https://portlandartmuseum.org/event/free-first-thursday-9/

📷 Nina Johnson

Today is the birthday of Thelma Johnson Streat (1911–1959) who would have turned 115 today. The Yakima, Washington-born ...
08/29/2026

Today is the birthday of Thelma Johnson Streat (1911–1959) who would have turned 115 today. The Yakima, Washington-born artist and educator bridged both visual and performance art and would inspire generations of Northwest artists.

With the support of 1803 Fund Community, the naming of Thelma Johnson Streat Gallery centers the Black Art and Experiences Galleries on Level 1, commemorating her legacy while exhibiting artists of the African diaspora of our time and place. Currently on view: “Tenderhead,” the solo exhibition by artist and educator Lisa Jarrett.

📷 Estate of Thelma Johnson Streat, researched by Intisar Abioto; "Tenderhead" installation photos by Single File Studio

One week until “The Stars We Do Not See: Australian Indigenous Art,” organized by the National Gallery of Victoria (NGV)...
08/28/2026

One week until “The Stars We Do Not See: Australian Indigenous Art,” organized by the National Gallery of Victoria (NGV) for North American audiences.

On September 5, discover contemporary work by over 140 Aboriginal and Torres Strait Islander artists—the world’s oldest continuous living culture.

Organized by the NGV and the National Gallery of Art, Washington, in association with the Denver Art Museum, the Portland Art Museum, and the Peabody Essex Museum.

Reserve your ticket now! → https://bit.ly/3Ydup26


Kuruwarriyingathi Bijarrb Paula Paul (Kaiadilt 1937–2021), “My Country,” 2009. Synthetic polymer paint on canvas; 198.1 × 305.2 cm. National Gallery of Victoria, Melbourne. Purchased, NGV Supporters of Indigenous Art, 2009 (2009.578) © Paula Paul/Copyright Agency, 2024. Photo: Selina Ou / NGV

Emily Kam Kngwarray (Anmatyerre c. 1910–96), “Anwerlarr Anganenty (Big Yam Dreaming),” 1995. Synthetic polymer paint on canvas; 291.1 × 801.8 cm. National Gallery of Victoria, Melbourne. Presented through The Art Foundation of Victoria by Donald and Janet Holt and family, Governors, 1995 (1995.709) © Emily Kam Kngwarray/Copyright Agency, 2024. Photo: Christian Markel / NGV

Rest in peace, Yayoi Kusama.—Yayoi Kusama (Japanese, 1929–2026), “Aki no nami wa yoseru (Autumn Waves Roll On),” 1978. S...
08/27/2026

Rest in peace, Yayoi Kusama.


Yayoi Kusama (Japanese, 1929–2026), “Aki no nami wa yoseru (Autumn Waves Roll On),” 1978. Shikishi: color on paper; 10 3/4 × 9 1/2 in. Gift of Mary and Cheney Cowles, 2021.64.19

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97205

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