Russo Lee Gallery

Russo Lee Gallery Portland's Russo Lee Gallery specializes in contemporary art by emerging & established PNW artists

Portland, Oregonโ€™s Russo Lee Gallery specializes in contemporary art by emerging and established Pacific Northwest artists.

Tomorrow night, in collaboration with PADA Talks, Russo Lee Gallery is pleased to present ๐˜ˆ๐˜ฏ ๐˜Œ๐˜ท๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜‘๐˜ฐ๐˜ฉ๐˜ฏ ๐˜๐˜ฐ๐˜ฌ๐˜ฆ ๐˜๐˜๐˜....
08/12/2026

Tomorrow night, in collaboration with PADA Talks, Russo Lee Gallery is pleased to present ๐˜ˆ๐˜ฏ ๐˜Œ๐˜ท๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜‘๐˜ฐ๐˜ฉ๐˜ฏ ๐˜๐˜ฐ๐˜ฌ๐˜ฆ ๐˜๐˜๐˜. Join us at the gallery to hear from Hoke regarding his selection process for the current exhibition, ๐˜ˆ ๐˜Œ๐˜ ๐˜Œ โ€” ๐˜Š๐˜ถ๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ช๐˜ค ๐˜๐˜ฏ๐˜ต๐˜ฆ๐˜ญ๐˜ญ๐˜ช๐˜จ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ, as well as his approach to art collection. Doors will open at 5:30 PM on Thursday, August 13, and the talk will begin at 6:00 PM. The event is free and open to the public, though we request that an RSVP be sent ahead of time to [email protected].

๐™€๐™ซ๐™š๐™ฃ๐™ฉ ๐˜ฟ๐™š๐™ฉ๐™–๐™ž๐™ก๐™จ:
๐Ÿ“ Russo Lee Gallery
๐Ÿ“… Thursday, August 13
โฐ 6:00 โ€” 8:00 PM; doors open at 5:30 PM
โœจ Free and open to the public
๐Ÿ“ฎ RSVP requested โ€” please send RSVP to [email protected]

โ€”โ 
โ 
For more information, please contact [email protected]

08/06/2026

Join us TONIGHT, August 6th from 5 to 7 PM, for the opening reception of ๐˜ˆ ๐˜Œ๐˜ ๐˜Œ โ€” ๐˜Š๐˜ถ๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต๐˜ช๐˜ค ๐˜๐˜ฏ๐˜ต๐˜ฆ๐˜ญ๐˜ญ๐˜ช๐˜จ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ, an exhibition guest-curated by acclaimed designer, architect, and art collector John Hoke III. Hokeโ€™s curation is built on three guiding promptsโ€”Artistic Inspiration, Artist Intention, and Artful Intersectionโ€”that he developed as a personal, human framework for selecting works that champion imagination, emotion, and craft. In his curatorial statement, Hoke writes: โ€œArt keeps us human. Helping us to see, think, question and feel. This show invites us to rethink and redefine A.I. To go beyond artificiality and embrace the uniquely human experience of seeing, feeling and experiencingโ€”human made art.โ€

Exhibiting artists include Jay Backstrand, Heather Lee Birdsong, Louis Bunce, Michael Brophy, Kaโ€™ila Farrell-Smith, Dan Gluibizzi, Sally Haley, James Lee Hansen, Manuel Izquierdo, Lisa Jarrett, Hilda Morris, Lucinda Parker, Michele Russo, Dirk Staschke, Eric Stotik, Whiting Tennis, Samantha Yun Wall, Gina Wilson, and Sherrie Wolf.

โ€”โ 
โ 
Images: Sally Haley, ๐˜œ๐˜ฏ๐˜ต๐˜ช๐˜ต๐˜ญ๐˜ฆ๐˜ฅ (๐˜ž๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฏ ๐˜ข๐˜ต ๐˜ž๐˜ช๐˜ฏ๐˜ฅ๐˜ฐ๐˜ธ), ca. 1933, egg tempera on wood panel, 18 x 19 inches framed; Michael Brophy, ๐˜”๐˜ข๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜ฆ 1, 2026, oil on canvas, 31 x 36 inches; Whiting Tennis, ๐˜”๐˜ข๐˜ป๐˜ข๐˜ฎ๐˜ข ๐˜š๐˜ช๐˜ต๐˜ฆ #2, 2001, acrylic and collage on canvas, 24 x 34 inches; Kaโ€™ila Farrell-Smith, ๐˜Ž๐˜ฉ๐˜ฐ๐˜ด๐˜ต๐˜ด ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜”๐˜ข๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜ฆ 021, 2022-2023, Northern Paiute lithium top soil, acrylics, aerosols, graphite on stretched canvas, 72 x 36 inches; Sherrie Wolf, ๐˜›๐˜ถ๐˜ญ๐˜ช๐˜ฑ๐˜ด ๐˜ข๐˜ต ๐˜•๐˜ช๐˜ข๐˜จ๐˜ข๐˜ณ๐˜ข, 2026, oil on canvas, 60 x 48 inches; Heather Lee Birdsong, ๐˜š๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ณ๐˜ด (๐˜๐˜ฐ๐˜ณ๐˜จ๐˜ฆ๐˜ต๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ฏ๐˜ฅ ๐˜™๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ๐˜ช๐˜ฏ๐˜จ), 2026, flashe paint on translucent Yupo (recto and verso), 33 1/8 x 27 1/8 inches framed
โ 
โ€”โ 
โ 
For more information, please contact gallery@russoleegallery

07/10/2026

Russo Lee Gallery is pleased to announce our participation in the inaugural ๐˜ผ๐™จ๐™จ๐™š๐™ข๐™—๐™ก๐™ฎ ๐˜ผ๐™ง๐™ฉ ๐™๐™–๐™ž๐™ง, taking place later this month at West Canal Yards in Seattle. โ 
โ 
For tickets, more information about the fair, and a preview of the work weโ€™re bringing, please visit the link in our bio.โ 
โ 
๐Ÿ• ๐™‹๐™ช๐™—๐™ก๐™ž๐™˜ ๐™ƒ๐™ค๐™ช๐™ง๐™จ:โ 
July 23 | 11 AM โ€” 5 PMโ 
July 24 | 11 AM โ€” 7 PMโ 
July 25 | 11 AM โ€” 7 PMโ 
July 26 | 11 AM โ€” 5 PMโ 
โ 
๐Ÿ“ ๐™‡๐™ค๐™˜๐™–๐™ฉ๐™ž๐™ค๐™ฃ:โ 
West Canal Yards - Suite #270โ 
1100 W. Ewing Streetโ 
Seattle, WA 98119โ 
โ 
Assembly Art Fairโ 
โ 
โ€”โ 
โ 
Images: Kaโ€™ila Farrell-Smith, ๐˜Ž๐˜ฉ๐˜ฐ๐˜ด๐˜ต๐˜ด ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜”๐˜ข๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜ฆ 013, 2022-23, Northern Paiute lithium top soil, acrylics, aerosols, and graphite on panel, 12 x 9 inches; Fay Jones, ๐˜—๐˜ฐ๐˜ณ๐˜ต๐˜ณ๐˜ข๐˜ช๐˜ต: ๐˜š๐˜ฐ๐˜ฏ๐˜ช๐˜ข ๐˜‹๐˜ฆ๐˜ญ๐˜ข๐˜ถ๐˜ฏ๐˜ข๐˜บ, ๐˜‹๐˜ข๐˜ท๐˜ช๐˜ฅ ๐˜š๐˜ช๐˜ฒ๐˜ถ๐˜ฆ๐˜ช๐˜ณ๐˜ฐ๐˜ด, ๐˜๐˜ข๐˜บ ๐˜‘๐˜ฐ๐˜ฏ๐˜ฆ๐˜ด, 2024, acrylic on paper, 58 x 132 inches framed; Michael C. Spafford, ๐˜๐˜ค๐˜ข๐˜ณ๐˜ถ๐˜ด, 1964, oil on paper, 40.25 x 29.75 inches framedโ 
โ 
โ€”โ 
โ 
For more information, please contact [email protected]

07/01/2026

Tomorrow evening, July 2nd from 5โ€”7 PM, please join us at the gallery for the opening of ๐˜Š๐˜ฐ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ถ๐˜ถ๐˜ฎ: ๐˜–๐˜ง๐˜ง๐˜ฆ๐˜ณ๐˜ช๐˜ฏ๐˜จ๐˜ด ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜š๐˜ฆ๐˜ค๐˜ฐ๐˜ฏ๐˜ฅ๐˜ข๐˜ณ๐˜บ ๐˜”๐˜ข๐˜ณ๐˜ฌ๐˜ฆ๐˜ต. This marks the galleryโ€™s first exhibition dedicated to secondary market works by both active artists and artistsโ€™ estates. The more-than-fifty selected works for this inaugural show create a conversation between distinct moments in contemporary art and highlight connections across generations.

As its title suggests, ๐˜Š๐˜ฐ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ถ๐˜ถ๐˜ฎ emphasizes continuity and reflects a significant expansion of Russo Lee Galleryโ€™s longstanding commitment to the artists and collectors who have shaped its history. The secondary market offers an opportunity to revisit important works, reconsider them within a broader historical context, and introduce them to new audiences. By bringing these works back into public view, the exhibition underscores the enduring relevance and the lasting relationships between artists and collectors.

Comprised of paintings, sculpture, and works on paper, featured artists include Jay Backstrand, Michael Brophy, Judith Poxson Fawkes, Tom Fawkes, Gregory Grenon, Roll Hardy, Frederick Heidel, Manuel Izquierdo, Fay Jones, Mel Katz, Michihiro Kosuge, Elizabeth Malaska, Michael Paul Miller, Geoffrey Pagen, Lucinda Parker, Renรฉ Rickabaugh, Anne Siems, Eric Stotik, Akio Takamori, Gina Wilson, Sherrie Wolf, and Samantha Yun Wall.

โ€”โ 
โ 
Images: Sherrie Wolf, ๐˜๐˜ข๐˜ด๐˜ฆ ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ, 2018, oil on canvas, 34 x 60 in; Michael Brophy, ๐˜—๐˜ถ๐˜ญ๐˜ญ, 1991, oil on canvas, 72 x 66 in; Fay Jones, ๐˜š๐˜ข๐˜ท๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜‰๐˜ข๐˜ฃ๐˜บ, 1991, acrylic on paper, 34 x 45.25 in
โ 
For more information, please contact [email protected]

06/03/2026

Tomorrow evening, from 5โ€”7, please join us at the gallery for the opening of ๐˜•๐˜ฆ๐˜ธ ๐˜ž๐˜ฐ๐˜ณ๐˜ฌ๐˜ด, an exhibition of recent paintings by Tom Fawkes. Continuing his longstanding exploration of classical Italian Renaissance gardens and Mediterranean landscapes, Fawkes creates immersive compositions that draw viewers into spaces shaped by light, architecture, and memory. Working from years of travel and observation in Italy, Fawkes depicts environments that are both contemplative and transportive. His works balance architectural structure with painterly surface through intricate detail and carefully orchestrated perspective. Whether portraying the quiet geometry of formal gardens or the weathered grandeur of doors and passageways, his paintings and painted constructions evoke a timeless sense of stillness and remembrance.โ 
โ 
June 4โ€”June 27, 2026โ 
๐™Š๐™ฅ๐™š๐™ฃ๐™ž๐™ฃ๐™œ ๐™๐™š๐™˜๐™š๐™ฅ๐™ฉ๐™ž๐™ค๐™ฃ: June 4, 2026 | 5:00โ€”7:00 PMโ 
๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™๐™–๐™ก๐™ : June 13, 2026 | 11:00 AMโ 
โ 
โ 
โ 
โ€”โ 
โ 
Images: Tom Fawkes, ๐˜ˆ๐˜ญ๐˜ฃ๐˜ฆ๐˜ณ๐˜ฐ - ๐˜Š๐˜ข๐˜ฑ๐˜ณ๐˜ช, 2026, acrylic on linen, 38.5 x 58.5 inches framed; ๐˜—๐˜ฐ๐˜ณ๐˜ต๐˜ข - ๐˜๐˜ช๐˜ญ๐˜ญ๐˜ข ๐˜Ž๐˜ช๐˜ถ๐˜ญ๐˜ช๐˜ข, 2026, acrylic on birch, 36 x 27.5 x 2.5 inches; ๐˜๐˜ช๐˜ญ๐˜ญ๐˜ข ๐˜“๐˜ข ๐˜—๐˜ช๐˜ฆ๐˜ต๐˜ณ๐˜ข ๐˜๐˜, 2025, acrylic on paper, 36.25 x 48.25 inches framedโ 
โ 
โ€”โ 
โ 
For more information, please contact [email protected]

06/03/2026

Tomorrow evening, from 5โ€”7, please join us at the gallery for the opening of ๐˜›๐˜ฆ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜›๐˜ข๐˜ญ๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜™๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ๐˜ช๐˜ฏ๐˜จ, a new exhibition of work by Kim Osgood. This new body of work reflects a lifelong engagement with the natural world, informed by travel, spiritual study, and years spent hiking and climbing throughout the Pacific Northwest. Drawing from forests, gardens, and mountain landscapes, her compositions are filled with birds, trees, flowers, and the presence of volcanoes. The eruption of Mt. Saint Helens proved a formative event for the artist, a reminder of natureโ€™s capacity for both destruction and renewal. Osgoodโ€™s paintings and monotypes evoke spaces that feel observed and dreamlike, conveying wonder and connection to the natural world.โ 
โ 
June 4โ€”June 27, 2026โ 
๐™Š๐™ฅ๐™š๐™ฃ๐™ž๐™ฃ๐™œ ๐™๐™š๐™˜๐™š๐™ฅ๐™ฉ๐™ž๐™ค๐™ฃ: June 4, 2026 | 5:00โ€”7:00 PMโ 
๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™๐™–๐™ก๐™ : June 13, 2026 | 11:00 AMโ 
โ 
โ 
โ 
โ€”โ 
โ 
Images: Kim Osgood, ๐˜›๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ 2, 2026, monotype, 37 x 29.25 inches framed; ๐˜”๐˜ฆ๐˜ฎ๐˜ฐ๐˜ณ๐˜บ ๐˜’๐˜ฆ๐˜ฆ๐˜ฑ๐˜ฆ๐˜ณ, 2026, acrylic on wood panel, 36 x 36 inches; ๐˜—๐˜ข๐˜ณ๐˜ข๐˜ฅ๐˜ช๐˜ด๐˜ฆ ๐˜“๐˜ฐ๐˜ด๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ, ๐˜”๐˜ต. ๐˜š๐˜ข๐˜ช๐˜ฏ๐˜ต ๐˜๐˜ฆ๐˜ญ๐˜ฆ๐˜ฏ๐˜ด, 2026, acrylic with 23k gold on paper on wood panel, 36 x 48 inchesโ 
โ 
โ€”โ 
โ 
For more information, please contact [email protected]

๐˜›๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ค๐˜ฆ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ, 2026. โ โ Rooted in Margot Voorhies Thompsonโ€™s decades-long engagement with Oregonโ€™s remote Northern Great ...
05/21/2026

๐˜›๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ค๐˜ฆ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ, 2026. โ 
โ 
Rooted in Margot Voorhies Thompsonโ€™s decades-long engagement with Oregonโ€™s remote Northern Great Basinโ€”Fort Rock, Summer Lake, Abert Rim, Hart Mountain, and the Warner Valleyโ€”the works in ๐˜๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜Œ๐˜ฅ๐˜จ๐˜ฆ ๐˜ฐ๐˜ง ๐˜‰๐˜ฆ๐˜ข๐˜ถ๐˜ต๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜š๐˜ถ๐˜ณ๐˜ท๐˜ช๐˜ท๐˜ข๐˜ญ draw their palette directly from the desertโ€™s lichen colonies, yielding colors of vermillion-orange, cochineal red, cadmium yellow, and brilliant green, alongside pigments the artist has collected on-site in the form of ditch dirt, minerals, and sand. The paintings explore themes of cosmology, survival, and cultural memory, informed by petroglyphs dating back 10,000 to 18,000 years that speak to the ingenuity of the regionโ€™s Paleolithic nomadic cultures. Accompanying the exhibition, two short documentary film clipsโ€”๐˜Œ๐˜ข๐˜ณ๐˜ญ๐˜บ ๐˜š๐˜ถ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ณ and ๐˜“๐˜ข๐˜ต๐˜ฆ ๐˜š๐˜ถ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ณโ€”will stream on the gallery monitor, offering an intimate look at Thompson making art on location under the intense desert sun.โ 

Margot Voorhies Thompsonโ€™s ๐˜๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜Œ๐˜ฅ๐˜จ๐˜ฆ ๐˜ฐ๐˜ง ๐˜‰๐˜ฆ๐˜ข๐˜ถ๐˜ต๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜š๐˜ถ๐˜ณ๐˜ท๐˜ช๐˜ท๐˜ข๐˜ญ is on view through May 30, 2026. โ 
โ 
โ€”โ 
โ 
Image: Margot Voorhies Thompson, ๐˜›๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ค๐˜ฆ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ, 2026, gouache and charcoal on watercolor paper, 25 x 19 inches framed.โ 
Installation view: ๐˜๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜Œ๐˜ฅ๐˜จ๐˜ฆ ๐˜ฐ๐˜ง ๐˜‰๐˜ฆ๐˜ข๐˜ถ๐˜ต๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜š๐˜ถ๐˜ณ๐˜ท๐˜ช๐˜ท๐˜ข๐˜ญ by Margot Voorhies Thompson, 2026.โ 
โ 
โ€”โ 
โ 
For more information, please contact [email protected]

05/06/2026

Tomorrow evening, please join us at the gallery for the opening of ๐˜›๐˜ฉ๐˜ฆ ๐˜–๐˜ณ๐˜ช๐˜จ๐˜ช๐˜ฏ, an exhibition of early works by Michael C. Spafford. The exhibition brings together a notable body of work spanning 1960 to 1967, comprising large-scale works on canvas alongside mixed media works on paper. Executed in a mostly monochromatic palette, the works in The Origin reveal a pivotal moment in Spaffordโ€™s development as an artist, one in which abstract technique expanded to encompass iconic and mythological themes. Spafford forged a visual language rooted in narrative and archetype that would define his practice for decades to come. These early works do more than document a beginning, they shape the artistic vision that would carry Spaffordโ€™s practice forward throughout his career of enduring significance.
โ 
May 7โ€”May 30, 2026โ 
๐™Š๐™ฅ๐™š๐™ฃ๐™ž๐™ฃ๐™œ ๐™๐™š๐™˜๐™š๐™ฅ๐™ฉ๐™ž๐™ค๐™ฃ: May 7, 2026 | 5:00โ€”7:00 PMโ 
โ 
โ€”โ 
โ 
Images: Michael C. Spafford, ๐˜๐˜ค๐˜ข๐˜ณ๐˜ถ๐˜ด, 1964, oil on paper, 40.25 x 29.75 inches framed; ๐˜–๐˜ณ๐˜ช๐˜จ๐˜ช๐˜ฏ ๐˜”๐˜บ๐˜ต๐˜ฉ 15, 1964, oil on canvas, 68 x 84.5 inches framed; ๐˜–๐˜ณ๐˜ช๐˜จ๐˜ช๐˜ฏ ๐˜”๐˜บ๐˜ต๐˜ฉ 10, 1963, oil on canvas, 71.25 x 73.5 inches framed
โ 
โ€”โ 
โ 
For more information, please contact [email protected]

05/06/2026

Tomorrow evening, please join us at the gallery for the opening of ๐˜๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜Œ๐˜ฅ๐˜จ๐˜ฆ ๐˜ฐ๐˜ง ๐˜‰๐˜ฆ๐˜ข๐˜ถ๐˜ต๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜š๐˜ถ๐˜ณ๐˜ท๐˜ช๐˜ท๐˜ข๐˜ญ, a new exhibition of paintings by Margot Voorhies Thompson. Rooted in Thompsonโ€™s decades-long engagement with Oregonโ€™s remote Northern Great Basinโ€”Fort Rock, Summer Lake, Abert Rim, Hart Mountain, and the Warner Valleyโ€”these works draw their palette directly from the desertโ€™s lichen colonies, yielding colors of vermillion-orange, cochineal red, cadmium yellow, and brilliant green, alongside pigments the artist has collected on-site in the form of ditch dirt, minerals, and sand. The paintings explore themes of cosmology, survival, and cultural memory, informed by petroglyphs dating back 10,000 to 18,000 years that speak to the ingenuity of the regionโ€™s Paleolithic nomadic cultures. Accompanying the exhibition, two short documentary film clipsโ€”๐˜Œ๐˜ข๐˜ณ๐˜ญ๐˜บ ๐˜š๐˜ถ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ณ and ๐˜“๐˜ข๐˜ต๐˜ฆ ๐˜š๐˜ถ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ณโ€”will stream on the gallery monitor, offering an intimate look at Thompson making art on location under the intense desert sun.โ 
โ 
May 7โ€”May 30, 2026โ 
๐™Š๐™ฅ๐™š๐™ฃ๐™ž๐™ฃ๐™œ ๐™๐™š๐™˜๐™š๐™ฅ๐™ฉ๐™ž๐™ค๐™ฃ: May 7, 2026 | 5:00โ€”7:00 PMโ 
๐˜ผ๐™ง๐™ฉ๐™ž๐™จ๐™ฉ ๐™๐™–๐™ก๐™ : May 16, 2026 | 11:00 AMโ 
โ 
โ 
โ 
โ€”โ 
โ 
Images: Margot Voorhies Thompson, ๐˜›๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ค๐˜ฆ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ, 2026, gouache and charcoal on watercolor paper, 25 x 19 inches framed; ๐˜‹๐˜ฆ๐˜ด๐˜ฆ๐˜ณ๐˜ต ๐˜—๐˜ฐ๐˜ฆ๐˜ฎ, ๐˜“๐˜ข๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ง ๐˜”๐˜บ๐˜ต๐˜ฉ๐˜ด, 2026, gouache and charcoal on watercolor paper, 25 x 19 inches framed; ๐˜๐˜ช๐˜จ๐˜ฉ ๐˜‹๐˜ฆ๐˜ด๐˜ฆ๐˜ณ๐˜ต ๐˜“๐˜ช๐˜ค๐˜ฉ๐˜ฆ๐˜ฏ๐˜ด 4, 2026, gouache and charcoal on watercolor paper, 14.75 x 10.25 inches framedโ 
โ 
โ€”โ 
โ 
For more information, please contact [email protected]

Address

805 NW 21st Avenue
Portland, OR
97209

Opening Hours

Tuesday 11am - 5:30pm
Wednesday 11am - 5:30pm
Thursday 11am - 5:30pm
Friday 11am - 5:30pm
Saturday 11am - 5pm

Telephone

+15032262754

Alerts

Be the first to know and let us send you an email when Russo Lee Gallery posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Museum

Send a message to Russo Lee Gallery:

Shortcuts

Share

Category