09/01/2026
Around 1873, shortly after moving to Argenteuil, Monet had a boat built with a small wooden cabin on deck, just enough room, in his words, to set up his easel. He got the idea from his friend and fellow painter Charles-François Daubigny, who had built a similar floating studio years earlier, nicknamed Le Botin, to paint scenes along the Seine, Oise, and Marne rivers.
The boat gave Monet access to views no one could paint from shore, sailboats gliding past, reflections shifting on the water, riverbanks from angles only reachable by drifting alongside them. He worked from it regularly at Argenteuil throughout the 1870s, and his friend Édouard Manet even painted him at work aboard it in 1874, with his wife Camille seated nearby.
Monet later brought the same boat with him to Giverny, mooring it near his water garden and using it well into his later years. He painted the boat itself several times, including a well-known 1876 canvas titled The Studio Boat, now held at the Barnes Foundation in Philadelphia.
The original boat no longer survives, but full-scale replicas have been built for exhibitions, including the one shown here, giving visitors a sense of the cramped, floating workspace where some of Monet's river scenes were painted.