06/24/2026
New exhibitions are now on view! Learn more about these exhibitions on our website: https://www.nermanmuseum.org/exhibitions/index.html
🔹Carlos Rolón: ALL WE HAVE IS RIGHT NOW
📍The Richard I. and Jeanne S. Galamba Lobby, First Floor and The Harrison Jedel Mezzanine, Second Floor
Carlos Rolón’s artworks serve as a meditation on impermanence, survival, and the fragile beauty of the present moment. ALL WE HAVE IS RIGHT NOW explores how histories of migration, colonialism, environmental devastation, and cultural resilience shape both personal and collective identity. Rolón’s sculpture, drawing, painting, and fabric works remind viewers that the present moment may be fleeting, but it is also where resilience, care, and transformation become possible.
📷: Carlos Rolón, Sigue Palante (Keep Going), 2024, laser cut hand painted canvas, embroidered appliques and fabric on repurposed tarpaulin, 49 x 90 in. Courtesy the Artist and Hexton Gallery
🔹Norman Akers Navigates the Space Between
📍Kansas Focus Gallery, First Floor
Norman Akers Navigates the Space Between showcases a series of new paintings featuring the artist’s visual vernacular of landscapes, road maps, and Osage philosophy. Using the elk and the turtle as metaphors for nature, both depicted in distress, the artist asks us to consider our role in the environmental situation we now exist within. This project is part of the initiative Home Is Where We Are: Art of First Americans, spanning institutions across the Great Plains.
📷: Norman Akers, Where Are We Going, 2026, oil on canvas, 75 x 60 1/4 x 2 in. Courtesy the Artist
🔹Sport and Spectator
📍H. Tony and Marti Oppenheimer Gallery; Dean E. Thompson Gallery, First Floor
Sport and Spectator celebrates the dynamic intersection of the visual arts and sports culture, presenting an array of works that transform sports imagery and equipment such as basketballs, helmets, and jerseys into artworks. The exhibition invites viewers to consider how sports shape our society, from their impact on the individual to their broader cultural influences.
This exhibition, originally on view at the McNay Art Museum, was organized by René Paul Barilleaux, Head of Curatorial Aff