09/21/2024
Andre Cartier-Bresson, “Jakarta 1949”. silver gelatin print. un-mounted. numerous back stamps, including Bresson’., handwritten notations, et al.
“Together with the prominent photographers Robert Capa, George Rodger and David Seymour, Cartier-Bresson had initiated Magnum Photos in 1947: a legendary photographers’ collective focused on supplying (news) photography to media, galleries and museums. To this end, the Magnum Photos photographers travelled the world to document key events.
After having visited India and then China, in late 1949 Cartier-Bresson left for Indonesia in service of the collective. This country, that had been called the Dutch East Indies until the Japanese invasion in 1942, was on the verge of an important historical change. Following Japan’s capitulation in 1945, a chaotic and violent period of decolonization had ensued. After a bloody guerilla and counter-guerilla war, the official transfer of power was finally to take place.
That was the moment at which Cartier-Bresson arrived on central Java. This region, with the important cities of Yogyakarta and Surakarta (Solo), was the Indonesian republicans’ center of power at the time. This was where it was all going to happen, and Cartier-Bresson was to report on it with his camera.
The photographs Cartier-Bresson took depict the final episode of the tragic process toward Indonesian independence: the moment when the transfer of power is about to take place and the Dutch troops must leave the region, followed by the marching in of Indonesian troops and – symbolically important to the transfer of power and the birth of the new Republik Indonesia – Sukarno’s inauguration as the republic’s first ever president.”