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Wednesday 1:30pm - 6pm Thursday 1pm - 6pm Friday 1pm - 6pm Saturday 1pm - 6pm Sunday 1pm - 6pm

Nunu Fine Art

Nunu Fine Art is dedicated to presenting a broad cross-section of international talent. https://linktr.ee/nunufineart

merging and established international artistic talent. The first contemporary art gallery in Taipei with a deeply multicultural outlook, Nunu Fine Art centers an innate sensibility to Asia’s cultural heritage, coupled with seasoned insight into the global contemporary art landscape. The gallery’s multifaceted program ranges from solo presentations to group exhibitions from a wide breadth of artistic endeavors across continents spanning the Americas, Europe, and Asia. Since its inception, Nunu Fine Art has presented over 50 solo exhibitions, including the first in Asia by artists Petah Coyne, Rosy Keyser, Rona Pondick, and Rose Wylie. Nunu Fine Art also works with artists Thordis Adalsteinsdottir, Ana Barboza, Kaspar Bonnén, ChiaoHan Chueh, Kees Goudzwaard, Maya Hewitt, Iabadiou Piko, and Peter Zimmermann among many others. As a platform for multidisciplinary storytelling, Nunu Fine Art is committed to presenting educational programming in tandem with artistic presentations.

06/11/2025

Nunu Fine Art New York is pleased to present “Until Harvest”, Purvai Rai’s first solo exhibition with the gallery as part of our “Project Space: Asian Voices "program.

Delhi-based multimedia artist Purvai Rai’s (b.1994) practice is deeply connected to her ancestral land in Punjab. Her interest in ecologies, community, architecture, orality, and land is not just academic but deeply personal.

She is committed to absorbing the essence of her generational land, family stories, and their living archive to unearth the transformative power of traditional knowledge systems and community collaborations. Her work delves into the themes of memory, identity, and materiality, which are intricately woven into her land's (contemporary and historical) socio-political, cultural, and spatial realities. Rai’s work reflects the fragmentation of this land and the psycho-spiritual and imaginative landscapes that emerge from exploring placemaking through an auto-ethnographic lens while navigating the complex histories of colonialism, feudalism, and capitalism.

｜Exhibition: Purvai Rai: Until Harvest
｜Venue: Nunu Fine Art New York (381 Broome Street, New York, NY 10013)
｜Open Hours: Tue - Sat, 11 AM - 6 PM
｜Duration: June 20, 2025 – August 23, 2025

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路由藝術紐約榮幸呈現「直到豐收」，這是印度藝術家普瓦伊·萊在紐約的首次個展，也是我們「計畫空間：亞洲之聲」系列的一部分。

德里出身的複合媒材藝術家普瓦伊・萊（1994年生），其創作深植於旁遮普的祖傳土地。她對生態、社群、建築、口述傳統與土地的關注不僅停留於學術層面，還蘊含濃厚的個人情感。

她致力於吸收這片世代相傳土地的精髓，挖掘家族故事及其生活檔案，並揭示傳統知識體系與社群合作的轉化力量。她的作品探討記憶、身份和物質性的主題，將這些元素複雜地交織於家鄉從古至今的社會政治、文化和空間現實中。透過自我民族誌的視角，她探索場域營造中的精神與心理層面，並在殖民、封建與資本主義的複雜歷史背景下，捕捉出想像中的景觀，映射出這片土地的破碎性。

「普瓦伊・萊：直到豐收」
｜地點：路由藝術紐約
｜開放時間：週二至週六，上午11點至下午6點
｜展期：2025年6月20日至2025年8月23日

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06/08/2025

Marta Katavić’s First Exhibition in Asia — “Shadows and Steel” Opens in 6 Days!

Last summer, our founder Nunu Hung visited the Museum of Contemporary Art, Zagreb in Croatia, where she encountered Marta Katavić’s solo exhibition. Deeply moved by the works, she immediately decided to bring a curated selection to our gallery in Taipei.

At the heart of Katavić’s practice lies her innovative approach to portraiture. Her oil paintings of everyday scenes focus on individuals whose faces and bodies are intentionally obscured, imbuing them with a universal quality that transcends a specific identity. The exhibition brings together both figurative oil paintings on canvas as well as abstract landscapes on stainless steel and metallic paper, creating a dialogue between figuration and abstraction.

We warmly invite you to join us for the opening on Saturday, June 14, from 3 to 5 PM. The artist will be present and will give a guided tour at 3:30 PM.

| Venue: Nunu Fine Art Taipei
| Opening Reception: Saturday, June 14, 3 – 5 PM
| Duration: June 14 – August 10, 2025

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瑪爾塔・卡塔維奇的亞洲首展「影與鋼」，開幕倒數6天！

去年夏天，創辦人 Nunu Hung 到了克羅埃西亞首都札格瑞布的當代美術館，參觀了瑪爾塔・卡塔維奇的個展。當下興奮地決定一定要將其中精選之作移地呈現在台北藝廊。

卡塔維奇的創作核心在於她對肖像畫的嶄新詮釋。她筆下的日常場景人物，其臉龐與身體經常被刻意模糊與遮蔽，使形象跳脫具體身分，轉化為具有普遍象徵性的存在。本次展覽將呈現藝術家近期的作品：從畫布上的具象油畫到不鏽鋼板與金屬紙上的抽象風景，構築出一場橫跨具象與抽象的心理對話。透過這些作品，卡塔維奇邀請觀者探索內在深層的聯想與情感，並激發對熟悉與未知的深思。

我們誠摯邀請您參加6月14日(週六)下午3點至5點的開幕會，藝術家本人將親自來台，並於當日下午3:30進行展覽導覽與現場交流。

｜地點：路由藝術台北
｜開幕時間：2025年6月14日，星期六，下午3點至5點
｜展覽期間：2025年6月14日至8月10日

06/06/2025

Nunu Fine Art Taipei is pleased to present “Marta Katavić: Shadows and Steel”, her first exhibition in asia. We warmly invite you to join us for the opening reception on Saturday, June 14 from 3 – 5 PM, including a guided tour with the artist at 3:30PM!

Marta Katavić, born in 2000, in Križevci, Croatia, is a distinguished artist whose journey began early. In 2015, she published a children's picture book titled “Nebeska tvornica,“ marking the start of her creative endeavors. She commenced her studies at the Academy of Fine Arts in Zagreb in 2019 and earned her master’s degree in painting in 2024. During her academic years, Marta actively participated in group exhibitions across Croatia and internationally, showcasing her work in cities such as Belgrade (Serbia), Mostar (Bosnia and Herzegovina), and San Luis Potosí (Mexico). She also held several significant solo exhibitions, including at the City Museum of Križevci, Gallery Uža in Zagreb, T&AC Gallery in Bratislava (Slovakia), Lauba, and the Museum of Contemporary Art in Zagreb.

| Venue: Nunu Fine Art Taipei
| Opening Reception: Saturday, June 14, 3 – 5 PM
| Duration: June 14 – August 10, 2025

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路由藝術台北榮幸呈獻克羅埃西亞藝術家瑪爾塔・卡塔維奇（Marta Katavić，生於2000年）亞洲首展「影與鋼」。我們誠摯邀請您參加6月14日(週六)下午3點至5點的開幕會，藝術家本人將親自來台，並於當日下午3:30進行展覽導覽與現場交流。

瑪爾塔・卡塔維奇，2000 年出生於克羅埃西亞克里熱夫齊，是一位備受矚目的藝術家，自幼便展開創作旅程。2015 年，她出版了繪本《天空工廠》，為她的創作生涯揭開序幕。2019 年，卡塔維奇進入薩格勒布美術學院就讀，並於 2024 年取得繪畫碩士學位。在學期間，她積極參與克羅埃西亞及國際間的聯展，作品曾於賽爾維亞貝爾格勒、波士尼亞與赫塞哥維納的莫斯塔爾、墨西哥聖路易斯波托西等地展出。此外，她亦舉辦多場個展，展出地點包括克里熱夫齊市立美術館、薩格勒布的 Uža 畫廊、斯洛伐克布拉提斯拉瓦的T&AC 畫廊、Lauba 以及薩格勒布當代美術館等重要藝術機構。

｜地點：路由藝術台北
｜開幕時間：2025年6月14日，星期六，下午3點至5點
｜展覽期間：2025年6月14日至8月10日

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06/05/2025

「這種卡通化的特質反覆出現，但絕非郭旭達作品的全部焦點。近看之下，他的作品表面細膩誘人，有些表面似乎經過刻削，黑色以外的深色調並非單一色階，而是斑駁的色彩，一切都鼓勵觀者細細端詳。」- Janet Koplos

路由藝術衷心感謝 Ceramics: Art + Perception Magazine與 Janet Koplos 對「郭旭達：嚴選作品 1993-2023 」的報導。其中細膩描述對於郭旭達作品的欣賞以及其引發之趣味想像。

更多資訊：
www.mansfieldceramics.com

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06/04/2025

“This cartoonish quality thus appears repeatedly. But it’s certainly not all that interests Kuo. In a close view, all his surfaces are subtly attractive. Some surfaces look whittled, and dark colors other than black are not a single tone but mottled shades. All encourage slow looking.” - Janet Koplos

A heartfelt thank you to Ceramics: Art + Perception Magazine and Janet Koplos for covering Shida Kuo “Work 1993-2023”. The review thoughtfully details their appreciation of Shida Kuo’s artworks and the playful imaginations they evoke.

Learn more: www.mansfieldceramics.com

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06/01/2025

It’s the last week to see “Everything Just As You Left It.” exhibition at Nunu Fine Art Taipei !

In “Everything Just As You Left It”, each artist engages memory as material or as a guiding concept. Through myriad techniques—whether painting, thread-wrapping, sculpture, or collage—they transform personal histories, cultural symbols, and even mundane objects into works of art that challenge the truths of our recollections and invites us to rethink the role of cultural memory in shaping both identity and society.

We’re deeply grateful for the heartfelt responses and resonance this exhibition has received. Your willingness to engage with the artists’ memories, emotions, and narratives has brought the works to life in ways we couldn’t have imagined.As we approach the close of this show, we invite those who haven’t yet visited to experience it.

| Venue: Nunu Fine Art Taipei
| Duration: April 19 – June 8, 2025�
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本週是「一切如你離開時」展出的最後一週。

在展覽「一切如你離開時」中，每位藝術家都將記憶作為材料或指導概念進行創作。通過各種手法——無論是繪畫、纏線、雕塑還是拼貼——他們將個人歷史、文化符號甚至平凡物品轉化為藝術作品，挑戰我們對記憶的認知，並邀請我們重新思考文化記憶在塑造身份與社會中的角色。

在這段時間，我們收到許多觀眾深刻的回應與共鳴，對於大家願意在作品中尋找記憶的線索、感受創作者的情感與思索，我們深表感謝。這些對話與感受，也讓這檔展覽的生命變得更加完整。

誠摯邀請尚未前來的朋友把握最後機會。

｜地點：路由藝術台北
｜展期：2025年4月19日至6月8日

05/30/2025

“Adalsteinsdottir’s brushstrokes hold up a mirror to the complexities of our existence.” - Xintian Wang for the Brooklyn Rail

We came across this beautiful piece in the March 2024 issue of The Brooklyn Rail—a thoughtful review by Xintian Wang on Thordis Adalsteinsdottir’s exhibition at Nunu Fine Art.

Wang captured Thordis’s world with such clarity and sensitivity, unfolding the themes of her work in a way that deepens how we see and feel it.

As our founder Nunu Hung likes to say, “A thoughtful text can open up new layers of imagination in the way we see art.”

We're grateful to and for this generous reading and for giving the exhibition another life through words.

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「阿德丹斯多堤（ Adalsteinsdottir ）的筆觸映照出我們存在的複雜性。」
——Xintian Wang，《Brooklyn Rail》

我們在 2024 年 3 月號的《Brooklyn Rail》中讀到這篇動人的評論——由王昕恬撰寫，深入細膩地評析了索迪絲·阿德丹斯多堤於路由藝術的展覽。

筆者以敏銳的筆觸捕捉了索迪絲·阿德丹斯多堤（ Thordis Adalsteinsdottir ）的創作世界，層層展開作品的主題，也讓我們的觀看與感受更加深刻與豐富。

正如我們創辦人Nunu Hung常說的：「一篇用心的文字，能為觀看藝術開啟全新的想像層次。」

感謝與的細緻書寫，讓這場展覽得以透過文字延續其生命，觸及更多觀者的心靈。

Thordis Adalsteinsdottir
Events Taking Place Outside, 2023
acrylic and flashe on canvas
47 1/4 x 47 1/4 in
120 x 120 cm

索迪絲·阿德丹斯多堤
〈外面發生的事情〉，2023
壓克力與福喜顏料於畫布上
47 1/4 × 47 1/4 英寸
120 × 120 公分

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05/28/2025

Rose Wylie draws from her observations of daily life and popular culture, taking images that inspire her, filtering and reorganizing her memories, then interpreting them into a visual diary that is structurally concise and full of liveliness. In Camel and Monkey, Wylie captures a scene of childlike playfulness through intuitive brushstrokes. From the cutting and pasting of the paper, one can see the process of Wylie's painting, in which she repeatedly covers and collages until she creates a satisfactory image. The creative process is thus presented in the painting, which becomes a part of the artwork itself. This piece demonstrates how she transforms her inner emotions and everyday observations into images, vividly expressing a visual language that moves between memory and intuition.

Image
Rose Wylie
“Camel and monkey”, 2012
watercolor and paper collage
33 1/8 x 23 1/4 x 1 1/8 in
84 x 59 x 3 cm

“Everything Just As You Left It”
| Venue: Nunu Fine Art Taipei
| Duration: April 19 – June 8, 2025
| Opening Hours: 1pm – 6pm

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蘿斯．薇莉從日常生活與流行文化中的觀察取材，擷取令她印象深刻的畫面，將記憶過濾重組，詮釋成結構簡潔而充滿活力的視覺日記。〈駱駝與小猴子〉中，薇莉以直覺性的筆畫描繪了一個富有童趣的場景。從畫紙的剪貼，可以看出薇莉作畫的過程，她再三遮蓋拼貼，直到創造出滿意的圖像。如此創作脈絡便呈現於畫面中，進而成為了作品的一部份。從這幅作品展現了她將內在情感與日常觀察轉化為畫面，將遊走在記憶與直覺之間的視覺語言表現得淋漓盡致。

蘿斯・薇莉
〈駱駝與小猴子〉， 2012
水彩於紙上
33 1/8 x 23 1/4 x 1 1/8 in｜84 x 59 x 3 cm

「一切如你離開時」
｜地點：路由藝術台北
｜展期：2025年4月19日至6月8日
｜開放時間：下午1點至6點

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05/25/2025

「東方書寫的精準與嚴謹與莎莎、梅倫格舞蹈的自然律動，以及哥斯大黎加加勒比海岸獨有的色彩與光影融合成形，形成強烈的視覺對話，也比喻著形塑了她生命經驗的文化與政治混血。」—Yohanna M Roa

通過音樂，Mimian總能將思緒飄流回到台灣。她將張學友的歌曲《我等到花兒也謝了》以視覺形式翻譯為西班牙語，連結了音樂、記憶與語言，追尋著傳承下來的文字與親身經歷之間的脈絡。這件作品致敬了她祖母長達五十年等後丈夫信息的歲月，同時也反映了藝術家通過愛與關懷的實踐重新連結她台灣根源的旅程。

路由藝術衷心感謝INES Magazine與 Yohanna M Roa對「Mimian Hsu（徐丰）：每個人都在問」的報導。

「Mimian Hsu: 每個人都在問」
｜地點：路由藝術紐約
｜開放時間：週二至週六，上午11點至下午6點
｜展期：2025年4月9日至2025年6月14日

欲閱讀完整評論，請至https://inesmagazina.com/magazina/nunu_fine_art_yohannamroa/

圖片由

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05/24/2025

“The precision and discipline of Eastern script merge with the natural choreography of salsa and merengue and the colors and light characteristic of Costa Rica’s Caribbean coast. This fusion is a robust visual dialogue and a metaphor for the cultural and political mestizaje that defines her lived experience.” -Yohanna M Roa
Always drifting back to Taiwan through music, Mimian Hsu visually translates Jacky Cheung’s song “I Waited Until the Flowers Wilted” into Spanish, bridging music, memory, and language, tracing a path between the words passed down and the ones lived in. The work honors her grandmother’s 50-year wait for news of her husband’s fate, while reflecting Hsu’s own journey to reconnect with her Taiwanese heritage through acts of love and care.
A heartfelt thank you to INES Magazina and Yohanna M. Roa for featuring “Mimian Hsu: Everyone is Asking “.
| Exhibition: Mimian Hsu: Everyone is Asking
| Venue: Nunu Fine Art New York (381 Broom Street, New York, NY 10013)
| Duration: April 9 – June 14 2025

To read the full article, visit
https://inesmagazina.com/magazina/nunu_fine_art_yohannamroa/

Image by

@ ines_magazina

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05/23/2025

Caroline Monnet’s film Creatura Dada is currently featured in the spring exhibitions of The Image Centre at Toronto Metropolitan University (TMU). With both Anishinaabe and French ancestry, as well as a background in sociology and communications, Monnet is a multidisciplinary artist creating sculptures, installations, and films that explore the Indigenous identity and the impacts of colonialism. In Creatura Dada, six francophone Indigenous women are gathered around a dining table, Caroline Monnet utilizes Dadaist techniques of collage, montage, and assemblage to present this scene as a celebration of Indigenous women’s identity and cultural heritage.

Monnet’s solo exhibition will be hosted by Nunu Fine Art, New York this fall.

Image
Caroline Monnet, Creatura Dada, single-channel video (still), 2016. Courtesy of the artist.

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卡洛琳．莫內的短片作品〈達達造物〉正展出於多倫多都會大學(TMU)圖像中心的春季展覽。莫內是一位跨領域藝術家，她同時具有阿尼希那比 (Anishinaabe) 和法國血統，並持有社會學及傳播的學術背景。莫內以雕塑、裝置藝術和影片的創作來探索原住民身分及殖民主義的影響。〈達達造物〉中，莫內以拼貼、蒙太奇與組合等達達主義敘事手法，呈現六位法語系原住民女性齊聚於餐桌前的場景，形成了對於原住民女性身分認同與文化遺產的慶典。

莫內的個展將於今年秋季在路遊藝術紐約展出。

圖片
卡洛琳．莫內，〈達達造物〉，單頻道錄影（靜態），2016年。由藝術家提供。

monnet

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New York, NY
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Wednesday	1:30pm - 6pm
Thursday	1pm - 6pm
Friday	1pm - 6pm
Saturday	1pm - 6pm
Sunday	1pm - 6pm

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http://www.nunufineart.com/

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『路由藝術』成立於2014年的夏天，這個別具後現代之名取自於科技通訊一詞”路由器”, 『路由藝術』自許能有如同路由器的功能一般，”集結資訊，分享訊息”。這個藝廊呈現從歐洲到北美，從東北亞到東南亞當代藝術家其所最精粹的作品。透過在『路由藝術』的展演，提供台灣喜好當代藝術的朋友另一個觀展的優質空間。『路由藝術』所代理和合作的藝術家除了早已得到歐美從大都會美術館，紐約當代美術館，龐畢度，倫敦泰德…等重要藝術機構所肯定的藝術家之外，更包括台灣、東南、東北亞中生代的創作者，更重要的事，我們不斷向歷史上重要的藝術家推手看齊，期許能不斷的挖掘並培養藝術新血。 Nunu Fine Art was established in the summer of 2014. Its Mandarin name adapted from the IT equipment “router” representing the gallery’s vision to act as a platform for converging and sharing information, just as the device does, gathering the cream of essence of European, North American and South East Asian contemporary art, and providing a brand new sphere for Taiwanese contemporary art lovers. Nunu Fine Art not only represents internationally recognized artists long endorsed by museums such as the MET, MoMA, le Centre Pompidou, Tate London, but also mid-career artists from Taiwan, South East and North East Asia. Most importantly, we look up to historic art patrons and how they have discovered and nurtured generation after generation of brilliant new artists.