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Nunu Fine Art Nunu Fine Art is dedicated to presenting a broad cross-section of international talent. https://linktr.ee/nunufineart

『路由藝術』成立於2014年的夏天,這個別具後現代之名取自於科技通訊一詞”路由器”, 『路由藝術』自許能有如同路由器的功能一般,”集結資訊,分享訊息”。這個藝廊呈現從歐洲到北美,從東北亞到東南亞當代藝術家其所最精粹的作品。透過在『路由藝術』的展演,提供台灣喜好當代藝術的朋友另一個觀展的優質空間。

『路由藝術』所代理和合作的藝術家除了早已得到歐美從大都會美術館,紐約當代美術館,龐畢度,倫敦泰德…等重要藝術機構所肯定的藝術家之外,更包括台灣、東南、東北亞中生代的創作者,更重要的事,我們不斷向歷史上重要的藝術家推手看齊,期許能不斷的挖掘並培養藝術新血。

Founded in 2014 by veteran art dealer Nunu Hung, Nunu Fine Art is dedicated to presenting a broad cross-section of both emerging and established international artistic talent. The first contemporary art gallery in Taipei with a deeply multicultural outlook, Nunu Fine Art centers an innate sensibility to Asia’s cultural heritage, coupled with seasoned insight into the global contemporary art landscape. The gallery’s multifaceted program ranges from solo presentations to group exhibitions from a wide breadth of artistic endeavors across continents spanning the Americas, Europe, and Asia. Since its inception, Nunu Fine Art has presented over 50 solo exhibitions, including the first in Asia by artists Petah Coyne, Rosy Keyser, Rona Pondick, and Rose Wylie. Nunu Fine Art also works with artists Thordis Adalsteinsdottir, Ana Barboza, Kaspar Bonnén, ChiaoHan Chueh, Kees Goudzwaard, Maya Hewitt, Iabadiou Piko, and Peter Zimmermann among many others. As a platform for multidisciplinary storytelling, Nunu Fine Art is committed to presenting educational programming in tandem with artistic presentations.

We sincerely invite you to join the opening reception of American artist Mia Westerlund Roosen’s first solo exhibition i...
10/14/2026

We sincerely invite you to join the opening reception of American artist Mia Westerlund Roosen’s first solo exhibition in Taiwan, “Material Matters: Process and Interplay since the 1970s,” at Taipei Nunu Fine Art this Saturday, October 17, from 3:00 to 5:00 PM. We are delighted to welcome the artist in person to Taipei for this special occasion.

Emerging in the late 1960s and early 1970s, the artist developed a distinctive artistic language that challenged the conventions of Minimalism. Rather than reducing sculpture to impersonal industrial forms, she explored the tactile qualities of materials, bringing a sense of the human body into concrete and metal.

Spanning sculpture and works on paper, the exhibition presents the artist’s exploration of concrete, lead, steel, charcoal, and oil pastel, revealing how texture, weight, and the traces of the artist’s hand shape her works.

Through her sustained engagement with material and process, the artist challenges the boundaries between sculpture and drawing, inviting viewers to reconsider the relationship between artistic form, physical matter, and the human body.

“Mia Westerlund Roosen: Material Matters: Process and Interplay since the 1970s” Opening Reception

|Venue: Taipei Nunu Fine Art�
|Date & Time: October 17, 3–5 PM

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誠摯邀請您於本週六10月17日下午3點至5點,於台北 路由藝術,參與美國藝術家米亞・維斯特倫德・羅森(Mia Westerlund Roosen, b. 1942)在台灣的首次個展「材料與過程的交互性——從七十年代開始」(Material Matters: Process and Interplay since the 1970s)開幕活動。藝術家本人將親臨現場,與觀眾分享其創作歷程。

自1960年代末至1970年代初展開創作以來,藝術家逐步發展出獨特的藝術語彙,挑戰極簡主義的既有規範。她不將雕塑簡化為缺乏個人痕跡的工業形式,而是深入探索材料的觸感與特性,將人體的質感與生命感融入混凝土及金屬之中。

本展涵蓋雕塑與紙上作品,呈現藝術家對混凝土、鉛、鋼材、炭筆與油性粉彩等媒材的探索,展現觸感、重量與手部創作痕跡如何形塑作品。透過對材料與創作過程的持續探索,藝術家不斷拓展雕塑與繪畫之間的界線,邀請觀者重新思考藝術形式、物質與人體之間的關係。

「米亞・維斯特倫德・羅森:材料與過程的交互性——從七十年代開始」開幕活動

|地點:台北 路由藝術�
|時間:10月17日(六)下午3點至5點

Nunu Fine Art New York is pleased to announce "Ana Teresa Barboza: A Message from Water." Featuring a selection of new w...
10/10/2026

Nunu Fine Art New York is pleased to announce "Ana Teresa Barboza: A Message from Water." Featuring a selection of new work, this exhibition traces a journey through the changing landscape of Peru’s high forest, from the dry forests of the Utcubamba Valley to Gocta Waterfall, in the heart of the Amazonas region. Barboza reimagines the diverse terrain with her signature mixed-media textiles, created with locally sourced materials, incorporated into digital photographs.

With a practice grounded in exploration of the natural world, Barboza's installations combine fine art and craft, as well as traditional and contemporary media. Inspired by Peru’s centuries-old weaving heritage, which dates to the pre-Colombian era with early processing of reed and totora fibers into thread, the artist travels to communities across the country to learn time-honored methods. Through the incorporation of natural dyes made from local plant material and detailed photographs of the landscape, Barboza creates a direct link between her pieces and the distinct environments that inspired them.

Continuing Barboza’s practice of preserving cultural and ecological knowledge from across the country of her birth, "A Message from Water" invites us to slow down and observe the patterns and variations of nature, changing our habitual rhythms and finding novel ways of relating to our environments, our communities, and ourselves.

Please join us for the opening reception on Friday, November 6 from 6:00 to 8:00 pm at Nunu Fine Art New York, 381 Broome St.

A review of "Chia-Yun Wu: Elsewhere," the exhibition currently on view at Nunu Fine Art New York as part of the PROJECT ...
10/09/2026

A review of "Chia-Yun Wu: Elsewhere," the exhibition currently on view at Nunu Fine Art New York as part of the PROJECT SPACE: ASIAN VOICES series, has recently been published in Impulse Magazine.

Written by Wei Huang, the review covers the artist's investigations into film and photography, her relationship to national identity, her recent experience of migration, and her inner sense of self.

We'd like to thank Impulse for publishing this perceptive piece, which marks the first solo presentation of Chia-Yun Wu's work in New York, and highly encourage visiting "Elsewhere" before it closes on October 31.

We're delighted to share that a piece on "Yu-Wen Wu: From Rock to Cloud" by Wei Huang has been published in Boston Art R...
10/08/2026

We're delighted to share that a piece on "Yu-Wen Wu: From Rock to Cloud" by Wei Huang has been published in Boston Art Review.

"'From Rock to Cloud': Yu-Wen Wu Assembles Diasporic Lineages" touches on the artist's early experience of migration, her close ties to Taiwanese cultural identity, her material process, and the overarching themes present in the exhibition. We'd like to thank Wei Huang for writing such an insightful piece, and the Boston Art Review for featuring Wu's work and our gallery.

The article is available online through the Boston Art Review or Nunu Fine Art webpages, and is accessible through the link below. "Yu-Wen Wu: From Rock to Cloud" will remain on view at Nunu Fine Art New York through October 31, 2026.

https://www.bostonartreview.com/read/yu-wen-wu-from-rock-to-cloud-nunu-fine-art-wei-huang

American artist Mia Westerlund Roosen will present her solo exhibition, “Material Matters: Process and Interplay since t...
10/07/2026

American artist Mia Westerlund Roosen will present her solo exhibition, “Material Matters: Process and Interplay since the 1970s,” at Taipei Nunu Fine Art.

Spanning decades of artistic practice, Westerlund Roosen’s work explores materiality, sensuality, and scale, examining how the manipulation of form and material can shape meaning and perception.

Born and raised in New York, Mia Westerlund Roosen is a multidisciplinary artist whose work has been presented in solo exhibitions at institutions including Storm King Art Center, SculptureCenter, the New Museum of Contemporary Art, Vancouver Art Gallery, and Leo Castelli Gallery. Her work has also been exhibited at the Solomon R. Guggenheim Museum, Yale University Art Gallery, The Cleveland Museum of Art, The High Museum of Art, and the Institute of Contemporary Art, among others.

Westerlund Roosen has received a Fulbright Fellowship and a John Simon Guggenheim Memorial Foundation Fellowship, as well as awards from the National Endowment for the Arts, Canada Council Art Grant, and Anonymous Was A Woman. Her works are held in the permanent collections of the Metropolitan Museum of Art, Solomon R. Guggenheim Museum, National Gallery of Canada, and Albright-Knox Art Gallery, among others. She is represented by Betty Cuningham Gallery, New York.

“Mia Westerlund Roosen: Material Matters: Process and Interplay since the 1970s” Opening Reception�

|Venue: Taipei Nunu Fine Art�
|Date & Time: October 17, 3–5 PM

-

美國藝術家米亞・維斯特倫德・羅森(Mia Westerlund Roosen)個展「材料與過程的交互性——從七十年代開始」(Material Matters: Process and Interplay since the 1970s)將於台北 路由藝術展出。維斯特倫德・羅森長期以材料、感官與尺度為創作核心,透過對形體與材料的轉化與操弄,探討其如何影響作品的意義與觀看感知。

維斯特倫德・羅森出生並成長於紐約,是一位跨領域藝術家。其個展曾於 Storm King Art Center、SculptureCenter、New Museum of Contemporary Art、Vancouver Art Gallery 及 Leo Castelli Gallery 等重要藝術機構與藝廊舉行;作品亦曾於所羅門・R・古根漢美術館(Solomon R. Guggenheim Museum)、耶魯大學美術館(Yale University Art Gallery)、克里夫蘭美術館(The Cleveland Museum of Art)、高等美術館(The High Museum of Art)及當代藝術學院(Institute of Contemporary Art)等機構展出。

維斯特倫德・羅森曾獲富布萊特獎學金(Fulbright Fellowship)及約翰・西蒙・古根漢紀念基金會獎學金(John Simon Guggenheim Memorial Foundation Fellowship),並獲美國國家藝術基金會(National Endowment for the Arts)、加拿大藝術委員會(Canada Council Art Grant)及 Anonymous Was A Woman 等獎項。其作品亦獲紐約大都會藝術博物館、所羅門・R・古根漢美術館、加拿大國家美術館及 Albright-Knox Art Gallery 等機構永久典藏。現由紐約 Betty Cuningham Gallery 代理。

「米亞・維斯特倫德・羅森:材料與過程的交互性——從七十年代開始」開幕活動�

|地點:台北 路由藝術�
|時間:10月17日 下午3點至5點

We sincerely invite you to join the opening reception of American artist Mia Westerlund Roosen’s first solo exhibition i...
10/06/2026

We sincerely invite you to join the opening reception of American artist Mia Westerlund Roosen’s first solo exhibition in Taiwan, “Material Matters: Process and Interplay since the 1970s,” at Taipei Nunu Fine Art on Saturday, October 17, from 3:00 to 5:00 PM. We are delighted to welcome the artist in person to Taipei for the opening.

Spanning works from the late 1970s to the early 1980s, the exhibition explores Roosen’s longstanding engagement with the physical properties of materials and the processes through which they take form.

Working across sculpture and drawing, Roosen transforms concrete, lead, steel, wax, charcoal, and oil pastel into works that foreground texture, weight, surface, and the traces of the artist’s hand.

At the heart of her practice is an understanding of materials not as passive mediums, but as active participants in the creative process. Through her sustained exploration of their physical qualities, Roosen challenges the boundaries between painting and sculpture, revealing a practice shaped by material, process, and interplay.

“Mia Westerlund Roosen: Material Matters: Process and Interplay since the 1970s” Opening Reception�

|Venue: Taipei Nunu Fine Art �
|Date & Time: October 17, 3–5 PM�

-

誠摯邀請您於10月17日(六)下午3點至5點,參與戰後西方當代藝術重要藝術家米亞・維斯特倫德・羅森(Mia Westerlund Roosen, b. 1942)於台北路由藝術舉辦的台灣首次個展「材料與過程的交互性——從七十年代開始」(Material Matters: Process and Interplay since the 1970s)開幕活動。藝術家本人將親臨台北,出席開幕並與觀眾交流。

本展聚焦於藝術家自1970年代末至1980年代初的創作,呈現她對材料物理特性與成形過程的持續探索。從雕塑至紙上作品,她運用混凝土、鉛、鋼材、蠟、炭筆與油性粉彩等媒材,將觸感、重量、表面質地與手部創作痕跡轉化為作品的重要元素。

對藝術家而言,材料並非被動承載創作的媒介,而是創作過程中的積極參與者。透過對材料物理特性的長期探索,她不斷模糊繪畫與雕塑之間的界線,展現出由材料、過程與彼此作用所形塑的創作實踐。

「米亞・維斯特倫德・羅森:材料與過程的交互性——從七十年代開始」開幕活動�

|地點:台北 路由藝術�
|時間:10月17日(六)下午3點至5點

We are pleased to share that Caroline Monnet has been featured in "These 18 Artists Are Dominating U.S. Museums Right No...
10/03/2026

We are pleased to share that Caroline Monnet has been featured in "These 18 Artists Are Dominating U.S. Museums Right Now," a piece by Ben Davis published in Artnet News. Her work is featured alongside that of prominent artists such as Carrie Mae Weems, Mickalene Thomas, Kara Walker, Dale Chihuly, Nick Cave, and Virgil Ortiz. The piece lists Monnet's recent commissions for The Gund in Gambier, OH and the Institute of Contemporary Art/Boston in Boston, MA; as well as exhibitions of the artist’s at the Dennos Museum Center in Traverse City, MI; the Frist Museum in Nashville, TN; and the IAIA Museum of Contemporary Native Arts in Santa Fe, NM. This piece serves as an important milestone in establishing Monnet as a major figure across prominent institutions displaying contemporary art.

特別感謝《L’Opinionista》對 Peter Zimmermann 創作的關注與報導,文章從色彩、光線與環氧樹脂媒材的運用,探討藝術家獨特的抽象語彙。歡迎透過下方連結閱讀完整報導,或造訪路由藝術官方網站,了解更多 Peter Zim...
10/02/2026

特別感謝《L’Opinionista》對 Peter Zimmermann 創作的關注與報導,文章從色彩、光線與環氧樹脂媒材的運用,探討藝術家獨特的抽象語彙。

歡迎透過下方連結閱讀完整報導,或造訪路由藝術官方網站,了解更多 Peter Zimmermann 的作品與藝術家資訊。

閱讀全文:https://www.lopinionista.it/la-tridimensionalita-di-colore-e-luce-nellastrattismo-materico-di-peter-zimmermann-tra-spunti-visivi-e-dissolvenza-narrativa-228583.html

Included in “Yu-Wen Wu: From Rock to Cloud,” the exhibition currently on view at Nunu Fine Art New York, is a collection...
10/01/2026

Included in “Yu-Wen Wu: From Rock to Cloud,” the exhibition currently on view at Nunu Fine Art New York, is a collection of porcelain, ceramic, concrete, and gilded stone sculptures. Created by the artist as part of her “Artifacts” series, these works reinterpret the scholars’ rocks traditionally collected as tokens of study or objects of contemplation in cultures across Asia. Also known as "viewing stones" or "Gongshi," scholars’ rocks were originally prized for their naturally eroded exteriors and judged on four principal aesthetic criteria: thinness, openness, perforations, and wrinkling. Though they became widely popular in China during the Tang Dynasty (618-970), they can be found today across Asia, called "Suseok" in Korea and "Suiseki" in Japan.

Altering stones found on forays into nature with gilding or mimicking natural perforation with thoughtfully sculpted concrete, ceramic, or porcelain, Wu creates contemporary interpretations of scholars’ rocks that reflect her experience as a member of the Taiwanese diaspora.

We are glad to share that objects from her “Artifacts” series are not only on view at Nunu Fine Art New York but have also been included in "Shi: Stories in Stone" at the Davis Museum at Wellesley College and “Interpreting the Natural: Contemporary Visions of Scholars Rocks” at The Art Complex Museum. Come see Wu’s scholars’ rocks at Nunu Fine Art New York through October 31, at the Davis Museum through May 30, 2027, and at The Art Complex Museum through January 17, 2027.

Since moving from her birthplace of Taipei, Taiwan, to New York City just over a year ago, photographer and filmmaker Ch...
09/26/2026

Since moving from her birthplace of Taipei, Taiwan, to New York City just over a year ago, photographer and filmmaker Chia-Yun Wu has explored her relationship to identity through the experience of migration. Drawing from a vast personal archive of photographs she captured while traveling both Taiwan and the United States, Wu reinterprets the trope of self-discovery through the open road often utilized in American cinema. Covering the surfaces of her photographs with clear plastic film, open-ended subtitles, or constructions crafted from paper clay, the artist subverts these seemingly tranquil scenes, thus placing the viewer in the shoes of an outsider who observes without access to full context. Wu attempts to translate feelings of loneliness she experiences in an unfamiliar landscape through her photos, pulling from her own life with her subtitle-like captions. For example, “Will you come back?” is the first thing Wu’s family asked her when she announced she would leave for the United States. By placing her family’s words over a photograph of the landscape, Wu questions that which is left behind.

“Chia-Yun Wu: Elsewhere” will be on view at Nunu Fine Art New York through October 31st, 2026, as part of our PROJECT SPACE: ASIAN VOICES series, which highlights emerging Asian and Asian diasporic artists.

Images:
1. “Elsewhere (i)”, 2026, giclée and UV print, 18 7/8 x 28 3/8 x 1 5/8 in; 48 x 72 x 4 cm
2. “Elsewhere (vii),” 2026, giclée print and paper clay, 23 5/8 x 35 3/8 x 1 5/8 in; 60 x 90 x 4 cm
3. “Elsewhere (v),” 2026, giclée print, 15 3/4 x 23 5/8 x 1 5/8 in; 40 x 60 x 4 cm

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New York, NY
10013

Opening Hours

Wednesday 1:30pm - 6pm
Thursday 1pm - 6pm
Friday 1pm - 6pm
Saturday 1pm - 6pm
Sunday 1pm - 6pm

Telephone

+19179652070

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