Equity Gallery

Equity Gallery Equity Gallery New York Artists Equity Association, Inc. It operates Equity Gallery, an art space located on the Lower East Side of New York City.
(1)

is a 501(c)(3) non-profit organization founded in 1947 by artists and art patrons with the mission to promote opportunities for artists.

Equity Gallery is pleased to present "Nose to Tail," a group exhibition curated by Patricia Fabricant and Jeanne Heifetz...
06/09/2026

Equity Gallery is pleased to present "Nose to Tail," a group exhibition curated by Patricia Fabricant and Jeanne Heifetz.

Please join us for the opening reception on Thursday, June 11, from 6–8 PM. Additional programming will include an exhibition walkthrough on Wednesday, July 1, at 6 PM and a closing Tea & Reception on Saturday, July 11, from 3–5 PM.

As inflation ticks ever higher and resources more precious, curators Patricia Fabricant and Jeanne Heifez offer a timely and prudent exploration of thrift with Nose to Tail, a group show featuring artworks sourced from studio process by-products, down-time doodles, and happy accidents.

Exemplifying a virtuous “let nothing in the studio go to waste” theme, the show’s cohort includes: Damien Berdichevsky, Patricia Fabricant, Joan Grubin, William Holton, James Lecce, Jessica Nissen, Jason Rohlf, Gabrielle Shelton, Oriane Stender, Audrey Stone, Shira Toren

Fabricant and Heifetz note, “Nose to Tail celebrates the generative possibilities of the decision to let nothing in the studio go to waste. The artists in the show repurpose studio materials that serve a practical function, or the outtakes and offcuts from other works, finding sustenance in happy accidents that become artworks in their own right.”

Final days to see Aaron Brodeur, "Is it going good in the garden?" in the Equity Gallery Courtyard alongside concurrent ...
06/05/2026

Final days to see Aaron Brodeur, "Is it going good in the garden?" in the Equity Gallery Courtyard alongside concurrent exhibitions Linnea Paskow, “Ecstatic Collapse” in Equity Gallery and Carol Diamond, "Go Ahead, Make Me," in the Equity Gallery Project Space. The gallery is open today and tomorrow, 12–6 PM.

Additionally, please join us for the closing reception tomorrow, Saturday, June 6, from 3–5 PM. Light refreshments will be provided as the artists lead tours of their respective shows.

"The sculptures [in "Is it going good in the garden?"] suggest adaptive relics from a world that continues to pursue paradise through artificial means, creating environments that feel both resilient and quietly tragic. The sculptures are assembled from accumulated, sourced, reclaimed, and transformed materials including concrete, wood, plastics, marine debris, and industrial remnants. Through processes of coating, layering, heating, carving, assembling, and painting, discarded matter is converted into hybrid forms that appear grown, contained, eroded, or sustained through synthetic ecosystems. These works operate as specimens within an evolving landscape, occupying a middle ground where cultural fossils continue to metabolize debris and invent new functions, revealing a sense of awkward dignity, endurance, and dark humor. The title frames the installation as a gentle but uneasy inquiry, half curious and half doubtful, a deadpan wellness check on paradise long after it has been reshaped by human intervention.”

—Aaron Brodeur

Featured Work (L to R):

Aaron Brodeur, "Devil’s Purse," 2026, cement, burlap, wood, plastic, marine debris, metal, foam, 52” x 36” x 34”

Aaron Brodeur, "Something South of Eden," 2026, wood, wire, marine debris, plastic, hardware, cement, plaster, rubber, fabric, burlap, mesh, muslin, metal, 95” x 36” x 30”

Aaron Brodeur, "Violence in Paradise," 2026, cement clay, mortar, foam, wood, acrylic, spray paint, hardware, mesh, marine debris, 90” x 33” x 29”

Final week to see Carol Diamond, “Go Ahead, Make Me” in the Equity Gallery Project Space, presented concurrently with Li...
06/04/2026

Final week to see Carol Diamond, “Go Ahead, Make Me” in the Equity Gallery Project Space, presented concurrently with Linnea Paskow, “Ecstatic Collapse” in Equity Gallery and Aaron Brodeur, “Is it going good in the garden?” in the Equity Gallery Courtyard. The gallery is open daily through Saturday, 12–6 PM.

Additionally, please join us for the closing reception on Saturday from 3–5 PM. Light refreshments will be provided as the artists lead tours of their respective shows.

In "Go Ahead, Make Me," Carol Diamond presents small to mid-sized sculptures built from discarded urban materials-bent metal, broken glass, car parts, cables, fabric, and wire mesh-bound together with epoxy and concrete. Through an intuitive process, these cast-off fragments are transformed into abstract, organic forms that explore growth from destruction, beauty from imperfection, and resilience from fragility. The title evokes a dialogue between artist and material, as the city's remnants seem to challenge their own transformation.

Featured Work:

Slide One: Carol Diamond, "Resilience," 2026, pigeon strip, broken glass, burned car parts, copper wire, epoxy, marble, 17” x 13” x 9”

Slide Two: Carol Diamond, "Blue Shell," 2025, found glass, epoxy, marble, 9” x 9” x 9”

Slide Three: Carol Diamond, "Helmut," 2026, broken glass, wire mesh, concrete, toy gun, wheel, 9” x 9” x 9”

Slide Four: Carol Diamond, "Beyond Repair," 2026, windshield glass, metal tray, concrete, latex, 16” x 12” x 2”

Slide Five: Carol Diamond, "Silver Skirt," 2025, mirror, metal, glass, marble, wire mesh, concrete, epoxy, 12” x 9” x 9"

Final week to see Linnea Paskow, “Ecstatic Collapse” at Equity Gallery, presented concurrently with Carol Diamond, “Go A...
06/03/2026

Final week to see Linnea Paskow, “Ecstatic Collapse” at Equity Gallery, presented concurrently with Carol Diamond, “Go Ahead, Make Me” in the Equity Gallery Project Space and Aaron Brodeur, “Is it going good in the garden?” in the Equity Gallery Courtyard. The gallery is open daily through Saturday, 12–6 PM.

Additionally, please join us for the closing reception on Saturday from 3–5 PM. Light refreshments will be provided as the artists lead tours of their respective shows.

In “Ecstatic Collapse,” Linnea Paskow's inaugural solo exhibition in Equity Gallery, the artist debuts a cycle of vibrantly colored works painted on salvaged drop cloths that loosely correspond to the classical elements—earth, air, fire, and water—not as illustrations of elemental conditions, but as “energy states” emerging from environmental overload.

Needing space to act out the psychic push/pull of mind vs. emotion whilst resisting a complacency culminating in a disquieting stasis, Paskow spread 6 × 9 ft. drop cloths across the rooftop of her Bushwick home and let it rip with a Pollock-like chromatic storm that paid homage to both abstract action-painting techniques and earlier narrative mythologies—albeit through an unabashedly feminist lens. Fragments accumulate throughout the works—plastic debris, rooftop skies, animal forms, and gestural marks—pressing against one another until a fragile order begins to emerge. Images surface and dissolve within dense fields of color and texture, at times vivid and immediate, at others slipping back into the surrounding atmosphere.

For Paskow, “the work circles a wound”; a chromatic storm where destruction, color, and elemental force become vehicles for spiritual transformation. The paintings “resist resolution,” they remain “suspended between coherence and unraveling” as “beauty can arise from visual excess.”

Featured Work:

Slide One: Linnea Paskow, "Slurp Flower (Earth)," 2025, mixed media (acrylic and oil) on drop cloth, 72” x 108” (6’ x 9’)

Slide Two: Linnea Paskow, "Low Signal (Water)," 2025, mixed media (acrylic and oil) on drop cloth, 72" x 108" (6' x 9')

Please join us this Saturday, June 6, from 3:00–5:00 PM for the Closing Reception of Linnea Paskow, "Ecstatic Collapse";...
06/01/2026

Please join us this Saturday, June 6, from 3:00–5:00 PM for the Closing Reception of Linnea Paskow, "Ecstatic Collapse"; Carol Diamond, "Go Ahead, Make Me"; and Aaron Brodeur, "Is it going good in the garden?"

The afternoon will include a Tea & Tour—enjoy light refreshments and insight from the artists as they lead visitors through their respective exhibitions.

All three exhibitions remain on view at Equity Gallery through June 6. The gallery is open Wednesday–Saturday, 12–6 PM.

Carol Diamond, "Go Ahead, Make Me," is on view in the Equity Gallery Project Space through June 6, alongside concurrent ...
05/30/2026

Carol Diamond, "Go Ahead, Make Me," is on view in the Equity Gallery Project Space through June 6, alongside concurrent exhibitions Linnea Paskow, “Ecstatic Collapse” in the main exhibition space and Aaron Brodeur, "Is it going good in the garden?" in the Equity Gallery Courtyard. The gallery is open Wednesday through Saturday, 12–6 PM.

In "Go Ahead, Make Me," Carol Diamond presents small to mid-sized sculptures built from discarded urban materials-bent metal, broken glass, car parts, cables, fabric, and wire mesh-bound together with epoxy and concrete. Through an intuitive process, these cast-off fragments are transformed into abstract, organic forms that explore growth from destruction, beauty from imperfection, and resilience from fragility. The title evokes a dialogue between artist and material, as the city's remnants seem to challenge their own transformation.

Featured Work: Carol Diamond, "Fossil Flower," 2026, pigeon strip, metal, glass, concrete, epoxy, 14”x 9”x 9”

Linnea Paskow, “Ecstatic Collapse,” is on view at Equity Gallery through June 6, alongside concurrent exhibitions Carol ...
05/29/2026

Linnea Paskow, “Ecstatic Collapse,” is on view at Equity Gallery through June 6, alongside concurrent exhibitions Carol Diamond, "Go Ahead, Make Me" in the Equity Gallery Project Space, and Aaron Brodeur, "Is it going good in the garden?" in the Equity Gallery Courtyard. The gallery is open Wednesday through Saturday, 12–6 PM.

In “Ecstatic Collapse,” Linnea Paskow's inaugural solo exhibition in Equity Gallery's main exhibition space, the artist includes a cycle of vibrantly colored works painted on salvaged drop cloths that loosely correspond to the classical elements—earth, air, fire, and water—not as illustrations of elemental conditions, but as “energy states” emerging from environmental overload.

For Paskow, “the work circles a wound”; a chromatic storm where destruction, color, and elemental force become vehicles for spiritual transformation. The paintings “resist resolution,” they remain “suspended between coherence and unraveling” as “beauty can arise from visual excess.”

Featured Work:

Slide One: Linnea Paskow, "Night Cat," 2024, oil on panel, 10” x 10”

Slide Two: Linnea Paskow, "Ember," 2025, oil on panel, 10” x 10”

Slide Three: Linnea Paskow, "Split Infinites,” 2025, oil on panel, 10” x 10”

Aaron Brodeur, "Is it going good in the garden?" is on view in the Equity Gallery Courtyard through June 6, alongside c...
05/27/2026

Aaron Brodeur, "Is it going good in the garden?" is on view in the Equity Gallery Courtyard through June 6, alongside concurrent exhibitions Linnea Paskow, “Ecstatic Collapse” in the main exhibition space and Carol Diamond, "Go Ahead, Make Me," in the Equity Gallery Project Space. The gallery is open Wednesday through Saturday, 12–6 PM.

"The sculptures [in "Is it going good in the garden?"] suggest adaptive relics from a world that continues to pursue paradise through artificial means, creating environments that feel both resilient and quietly tragic. The sculptures are assembled from accumulated, sourced, reclaimed, and transformed materials including concrete, wood, plastics, marine debris, and industrial remnants. Through processes of coating, layering, heating, carving, assembling, and painting, discarded matter is converted into hybrid forms that appear grown, contained, eroded, or sustained through synthetic ecosystems. These works operate as specimens within an evolving landscape, occupying a middle ground where cultural fossils continue to metabolize debris and invent new functions, revealing a sense of awkward dignity, endurance, and dark humor. The title frames the installation as a gentle but uneasy inquiry, half curious and half doubtful, a deadpan wellness check on paradise long after it has been reshaped by human intervention.”

—Aaron Brodeur

Featured Work: Aaron Brodeur, "Violence in Paradise," 2026, cement clay, mortar, foam, wood, acrylic, spray paint, hardware, mesh, marine debris, 90” x 33” x 29”

Carol Diamond, "Go Ahead, Make Me," is on view in the Equity Gallery Project Space through June 6, alongside concurrent ...
05/22/2026

Carol Diamond, "Go Ahead, Make Me," is on view in the Equity Gallery Project Space through June 6, alongside concurrent exhibitions Linnea Paskow, “Ecstatic Collapse” in the primary gallery and Aaron Brodeur, "Is it going good in the garden?" in the Equity Gallery Courtyard. The gallery is open Wednesday through Saturday, 12–6 PM.

In "Go Ahead, Make Me," Carol Diamond presents small to mid-sized sculptures built from discarded urban materials-bent metal, broken glass, car parts, cables, fabric, and wire mesh-bound together with epoxy and concrete. Through an intuitive process, these cast-off fragments are transformed into abstract, organic forms that explore growth from destruction, beauty from imperfection, and resilience from fragility. The title evokes a dialogue between artist and material, as the city's remnants seem to challenge their own transformation.

Featured Work: Carol Diamond, "Light Moves," 2026, repurposed glass, cable wires, epoxy, 10” x 8” x 8”

Linnea Paskow, “Ecstatic Collapse,” is on view at Equity Gallery through June 6, alongside concurrent exhibitions Carol ...
05/20/2026

Linnea Paskow, “Ecstatic Collapse,” is on view at Equity Gallery through June 6, alongside concurrent exhibitions Carol Diamond, "Go Ahead, Make Me" in the Equity Gallery Project Space, and Aaron Brodeur, "Is it going good in the garden?" in the Equity Gallery Courtyard. The gallery is open Wednesday through Saturday, 12–6 PM.

In “Ecstatic Collapse,” Linnea Paskow's inaugural solo exhibition in Equity Gallery's main exhibition space, the artist debuts a cycle of vibrantly colored works painted on salvaged drop cloths that loosely correspond to the classical elements—earth, air, fire, and water—not as illustrations of elemental conditions, but as “energy states” emerging from environmental overload.

Needing space to act out the psychic push/pull of mind vs. emotion whilst resisting a complacency culminating in a disquieting stasis, Paskow spread 6 × 9 ft. drop cloths across the rooftop of her Bushwick home and let it rip with a Pollock-like chromatic storm that paid homage to both abstract action-painting techniques and earlier narrative mythologies—albeit through an unabashedly feminist lens. Fragments accumulate throughout the works—plastic debris, rooftop skies, animal forms, and gestural marks—pressing against one another until a fragile order begins to emerge. Images surface and dissolve within dense fields of color and texture, at times vivid and immediate, at others slipping back into the surrounding atmosphere.

For Paskow, “the work circles a wound”; a chromatic storm where destruction, color, and elemental force become vehicles for spiritual transformation. The paintings “resist resolution,” they remain “suspended between coherence and unraveling” as “beauty can arise from visual excess.”

Featured Work: Linnea Paskow, "Sky Tags (Air)," 2025, mixed media (acrylic and oil) on drop cloth, 72” x 108” (6’ x 9’)

Address

245 Broome Street
New York, NY
10002

Opening Hours

Wednesday 12pm - 6pm
Thursday 12pm - 6pm
Friday 12pm - 6pm
Saturday 12pm - 6pm

Telephone

+19314100020

Website

Alerts

Be the first to know and let us send you an email when Equity Gallery posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Museum

Send a message to Equity Gallery:

Shortcuts

Share

Category