Tanya Bonakdar Gallery

Call Directions Website Contact the museum

Tanya Bonakdar Gallery Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from Tanya Bonakdar Gallery, Art Gallery, 521 West 21st Street, New York, NY.

Yuko Mohri’s solo exhibition, ‘In Concert’ is on view at the Barbican Centre in London.Mohri’s exhibition for The Curve ...
10/13/2026

Yuko Mohri’s solo exhibition, ‘In Concert’ is on view at the Barbican Centre in London.

Mohri’s exhibition for The Curve has been shaped through the artist’s site-responsive process during a residency at the Barbican. Having attended a rehearsal of the London Symphony Orchestra, Mohri was struck by the Concert Hall’s proximity to The Curve, which wraps like an ear around the Hall and is porous to its sounds. ‘In Concert’ speaks to the sonic element of Mohri’s practice, while also sharing an affinity with the Latin word ‘consertare’: to mend, bind, or fasten together, referencing the idea of repair at the heart of Mohri’s work, and resonating with the Barbican’s current renovation as part of its Centre-wide Renewal programme.

The artists’ interest in repair coincides with the current renovation at the Barbican, a monumental Brutalist structure made fragile and increasingly porous by the passage of time. Mohri embraces this in three site-responsive installations with leaky outputs - sound, light and water - resulting from the interplay between salvaged Barbican objects and interacting atmospheric phenomena in The Curve. As they continuously transform, the works convert the gallery into what Mohri describes as a biotope: a community in relation with its physical environment.

Image: Installation view, Yuko Mohri, In Concert, The Curve, 2026. Photo by Thomas Adank / Barbican Centre.

Happy Birthday to Martin Boyce! Martin Boyce’s sculptures, photographs and installations poetically investigate the inte...
10/13/2026

Happy Birthday to Martin Boyce!

Martin Boyce’s sculptures, photographs and installations poetically investigate the intersections between art, architecture, design, and nature. Since the beginning of his career, he has incorporated a palette of shapes and forms that frequently recall familiar structures from the built environment – a phone booth, a chain-linked fence, a ventilation grill, to name a few – yet presents them in a way that is entirely new. Collapsing distinctions between past, present, and future, Boyce’s works seem to exist in their own autonomous world, untethered to any fixed time or place.

Image: Portrait of Martin Boyce, A4 Art Museum, Chengdu, Sichuan, China. Photo by Fang Zheng.

Sabine Hornig’s site specific sculpture ‘Plurality Is the Law of the Earth’ (2026) was recently unveiled along the water...
10/10/2026

Sabine Hornig’s site specific sculpture ‘Plurality Is the Law of the Earth’ (2026) was recently unveiled along the waterfront path of the Alte Fahrt, as the newest addition to the “Walk of Modern Art” in Potsdam, Germany.

The sculpture consists of two vertically positioned, intersecting Corten steel plates featuring cut-out letters—both positive and negative—that together form the quote: “It is not Man who inhabits this planet, but men. Plurality is the law of the earth.” - Hannah Arendt, ‘The Life of the Mind I’

The theme of plurality is expressed both in the work’s conceptual content and in its formal design. Drawing on Arendt’s ideas, Hornig understands plurality as a prerequisite for an open mode of thinking that resists authoritarian one-dimensionality. Initially closed steel plates are transformed into a multilayered spatial form through their intersecting, upward-opening arrangement. What at first appears to be a simple geometric structure repeatedly reveals new aspects when viewed from different perspectives. Positioned along the heavily frequented waterfront path of the Alte Fahrt, the work becomes an immediate part of the everyday urban environment. Pedestrians encounter the sculpture as they walk along the Havel or towards Friendship Island, and are invited to perceive this familiar place from changing perspectives.

With ‘Plurality Is the Law of the Earth’, Potsdam’s “Walk of Modern Art” gains a striking new place for pause and exchange — and, at the same time, a work that makes the significance of plurality and polyphony in public space visible.

Images: Sabine Hornig, ‘’Plurality is the law of the earth,’ 2026. “Walk of Modern Art” in Potsdam, Germany.

‘Sarah Sze: Images in Translation’ at the Yale University Art Gallery opens today!In 2019, around the time that Sze init...
10/09/2026

‘Sarah Sze: Images in Translation’ at the Yale University Art Gallery opens today!

In 2019, around the time that Sze initiated her practice of layering paint and collage materials, she showed a group of new paintings and sculptures in a solo exhibition at Tanya Bonakdar Gallery, in New York. Among the works on view was ‘Images in Translation’, a sprawling and interconnected mass of technical equipment, boxes, stools, tripods, papers, and cords, with videos projected onto surrounding surfaces. In this sculptural installation, clusters of disparate items are arranged to resemble an unoccupied studio—not abandoned but maintained in a state of buzzing, automated activity. Projections of flickering light, which appear alongside scenes that echo the sense of interiority in her paintings, stretch the work’s dimensional footprint while establishing its time-bound quality; all the digital equipment must be synchronized for their outputs to align. The result is a video made up of “blanks,” Sze’s term for the images that have been blacked out by passing through her apparatus.

‘Sarah Sze: Images in Translation’ pairs the eponymous 2019 sculpture with paintings made in 2026.

Image: Sarah Sze, Images in Translation, 2019, installed at Tanya Bonakdar Gallery, New York. Promised gift of Laurie and Bruce W. Benenson.

We are pleased to be participating in Art Basel Paris, October 20-25 at the Grand Palais. This year we will be exhibitin...
10/08/2026

We are pleased to be participating in Art Basel Paris, October 20-25 at the Grand Palais.

This year we will be exhibiting new and exciting works by Monica Bonvicini, Sandra Cinto, Olafur Eliasson, Rodrigo Hernández, Mark Manders, Yuko Mohri, Ernesto Neto, Rivane Neuenschwander, Amalia Pica, Analia Saban, Tomás Saraceno, Sandra Vásquez de la Horra, and Gillian Wearing.

Images:
1. Olafur Eliasson, Far away, close by, 2026
2. Sandra Cinto, Paisagem com Sol / Landscape with Sun, 2026
3. Mark Manders, Bonewhite Clay Torso, 2014-2026
4. Analia Saban, Flowchart, Paint on Linen (Still Life, Flower Vase, Cadmium Red), 2026
5. Tomás Saraceno, HD 80606 b/M+M, 2026
6. Sandra Vásquez de la Horra, Eclipsada, 2026



Art Basel

Yuko Mohri’s first solo exhibition in a US museum, ‘Unviolated Imperfection’ is on view at The Bass, Miami Beach through...
10/06/2026

Yuko Mohri’s first solo exhibition in a US museum, ‘Unviolated Imperfection’ is on view at The Bass, Miami Beach through May 30th, 2027.

The exhibition spans three galleries, each highlighting three interconnected ideas that embody her exploration of imperfect compositions. Through nature and technology in ‘Decomposition’, improvisation and kinetics in ‘Moré Moré (Leaky)’, and chance and sound in ‘Piano Solo’, the installations reveal the invisible systems that connect people, objects, and environments.

Bringing her improvisational practice into the museum, Mohri challenges the idea that artwork is unchanging. Rather than a fixed medium, her pieces revolve around actions that take place because of their site-specificity. Mohri transforms everyday objects into complex, multi-sensory constructions in which each element influences the others. Beyond objects, her artistic media includes the forces that form the conditions of our world—gravity, light, and time—creating her self-propelled, kinetic installations, reliant on improvisation, chance, and physics.

Images: Installation view, Yuko Mohri, ‘Unviolated Imperfection’, The Bass, Miami Beach, 2026.

Amalia Pica’s solo exhibition ‘Lecturas Posibles’ is on view now at The Bass, Miami Beach, through February 12th, 2027. ...
10/06/2026

Amalia Pica’s solo exhibition ‘Lecturas Posibles’ is on view now at The Bass, Miami Beach, through February 12th, 2027.

Everyone is invited into Amalia Pica’s world. Emphasizing imagination, language, and play as fundamental tools for human connection, Pica constructs environments that encourage participants to redraw, rewrite, and recontextualize their surroundings. ‘Lecturas Posibles’ takes the form of an almost two-dimensional library. Bookshelves, desks, and seating areas—populated by reclaimed and repurposed objects—evoke the familiar architecture of a library while seamlessly liberating it. Here, the fused-shut books function less as fixed repositories of knowledge than as catalysts for imagination, prompting the viewer with associations of educational systems, narrative construction, and the authority of the written word.

Pica’s practice, shaped in part by her early experience as a primary school teacher, frequently returns to pedagogical frameworks, both formal and informal, as sites where meaning is produced, negotiated, and contested. Chalk, chosen for its ephemerality, foregrounds the experience of participation over the permanence of its results. Marks accumulate, overlap, and are periodically erased, producing a cyclical rhythm of inscription and disappearance that resists fixed interpretation. This ongoing transformation reflects a broader relinquishing of authorial control: what begins as a pristine, monochromatic environment—at once precise and abstract—gradually gives way to the unpredictable, and often playful, contributions of its audience.

Images: Installation view, Amalia Pica, ‘Lecturas Posibles’, The Bass, Miami Beach, 2026.

Come visit Sandra Vásquez de la Horra’s ‘Reading the Waves’ at the gallery!With drawing as the foundation of her artisti...
10/03/2026

Come visit Sandra Vásquez de la Horra’s ‘Reading the Waves’ at the gallery!

With drawing as the foundation of her artistic practice, Sandra Vásquez de la Horra creates a poetic visual universe that depicts the interconnectedness of the human body and the natural world.

Works in the small gallery space upstairs highlight our spiritual and physical connection to the earth through plants and their auras. A large triptych portrays Pacha-Mama, the mother goddess whose universal energy sustains and connects all life. The beeswax that envelopes all the works further links the practice to the organic world – offering the paper both a protective covering and an alchemical transformation.

Image 1&3: Sandra Vásquez de la Horra, ‘Nacer de la Pacha-Mama’, 2026. Photo by Dan Bradica

Image 2: Installation view, Sandra Vásquez de la Horra, ‘Reading the Waves’, 2026. Photo by Dan Bradica



Sandra Vàsquez de la Horra

Happy Birthday to Sherrill Roland!Sherrill Roland’s interdisciplinary practice deals with concepts of innocence, identit...
10/02/2026

Happy Birthday to Sherrill Roland!

Sherrill Roland’s interdisciplinary practice deals with concepts of innocence, identity, and community; reimagining their social and political implications in the context of the American criminal justice system. For more than three years, Roland’s right to self-determination was lost to a wrongful incarceration. After spending ten months in prison for a crime he was later exonerated for, he returned to his artistic practice, which he now uses as a vehicle for self-reflection and an outlet for emotional release. Converting the haunting nuances of his experiences into drawings, sculptures, multimedia objects, performances, and participatory activities, Roland shares his story and creates space for others to do the same, illuminating the invisible costs, damages, and burdens of incarceration.

Image: Sherrill Roland, ‘Portraits #826’, 2025.

Happy Birthday, Charles Long!Our first exhibition with Charles Long was in 1995: Charles Long and Stereolab: ‘The Amorph...
09/30/2026

Happy Birthday, Charles Long!

Our first exhibition with Charles Long was in 1995: Charles Long and Stereolab: ‘The Amorphous Body Study Center’.

“Separating the irretrievably adult from those still in touch with the inner child, ‘Bubblegum Station’ was definitely the hit of the several installations in Long’s “Amorphous Body Study Center”… ‘Bubblegum Station’ was also the piece that most substantiated the rather lofty concept behind “The Amorphous Body Study Center, ” in which Long aimed to focus awareness on the body and reaffirm its status, which he believes is threatened by the advent of an information-based culture. Long reckons that ‘the biological body is ignored politically and exploited economically with its vulnerability now being its major characteristic.’” —Simon Reynolds in Artforum, 1995.

Works from this exhibition are now in the collection of the Walker Arts Center; Louisiana Museum of Modern Art, Denmark; MCA Chicago; and St. Louis Art Museum. “Bubble Gum Station” and “3 to 1 in Groovy Green” were included in the 1997 Whitney Biennial.

Address

521 West 21st Street
New York, NY
10011

Opening Hours

Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 10am - 6pm

Telephone

+12124144144

Alerts

Be the first to know and let us send you an email when Tanya Bonakdar Gallery posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Museum

Send a message to Tanya Bonakdar Gallery:

Shortcuts

Share

Category