Tanya Bonakdar Gallery

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‘Signal Fires,’ our summer group exhibition, opens tonight at our LA gallery!Join us for an opening reception from 6-8pm...
07/20/2024

‘Signal Fires,’ our summer group exhibition, opens tonight at our LA gallery!

Join us for an opening reception from 6-8pm.

Including artists:
Tanya Brodsky, Eduardo Consuegra, Yaron Michael Hakim, Saj Issa, Hilja Keading, Hings Lim, Muna Malik, Nobuhito Nishigawara, Hayley Quentin, Sarah Rosalena, Lenard Smith, Claudia V. Solórzano

This show is organized by Lia Trinka-Browner.


1,3-6. Installation view, ‘Signal Fires,’ Tanya Bonakdar Gallery, Los Angeles, 2024. Photo by Paul Salveson
2 Hayley Quentin, ‘Stranger,’ 2024. .v.solorzano

Happy Birthday, Lisa Williamson!Save the date: Her new solo exhibition will open at Tanya Bonakdar Gallery, Los Angeles ...
07/19/2024

Happy Birthday, Lisa Williamson!

Save the date: Her new solo exhibition will open at Tanya Bonakdar Gallery, Los Angeles on Saturday, September 7th.

Interested in language and its inevitable abstraction, Lisa Williamson leans into the formal considerations of sculpture to create works that are visually precise, physically resonant, and often attune to the spaces in which they are exhibited. The artist’s idiosyncratic practice follows a logic that is associative; compressing internal experience into forms that are both tangible and resistant at once. While there is a significant level of reduction and abstraction throughout the artist’s work, aspects of architecture, landscape and the figure remain visible throughout.


Photo by Pierre Le Hors

‘Liu Shiyuan: CRISPR Whisper’ is on view at Fotografiska Shanghai, through October 7th.The exhibition brings together fi...
07/18/2024

‘Liu Shiyuan: CRISPR Whisper’ is on view at Fotografiska Shanghai, through October 7th.

The exhibition brings together five series of works, including an early work ‘A Conversation with Photography;’ the photographic, digital series ‘A Shaking We;’ the series ‘Almost Like Rebar;’ her latest photographic series ‘Cold-Blooded Animals;’ and a new film, ‘For the Photos I Didn’t Take, For the Stories I Didn’t Read.’

Within the multi-layered arena she constructs, viewers are invited not only to re-examine how images shape perceptions and implicit biases, but also to delve into the multifaceted meanings and latent attributes of these images in contemporary society. Within this complex visual information, viewers are invited to explore the delicate interplays between ‘frames’ in the construction of narrative meaning.


Installation view of Liu Shiyuan: CRISPR Whisper, 2024 ©Fotografiska Shanghai .shanghai

Sneak peek of ‘Signal Fires,’ opening this Saturday at our Los Angeles gallery!Join us for an opening reception from 6-8...
07/17/2024

Sneak peek of ‘Signal Fires,’ opening this Saturday at our Los Angeles gallery!

Join us for an opening reception from 6-8PM.

Including artists: Tanya Brodsky, Eduardo Consuegra, Yaron Michael Hakim, Saj Issa, Hilja Keading, Hings Lim, Muna Malik, Nobuhito Nishigawara, Hayley Quentin, Sarah Rosalena, Lenard Smith, and Claudia V. Solórzano

This show is organized by Lia Trinka-Browner


Hings Lim, ‘Flaming Tower (Altar Plate), 2024; Hayley Quentin, ‘Stranger,’ 2024, ‘Pursuant,’ 2024.

Over the last decade, Meschac Gaba has braided synthetic hair into wigs the shape of architectural symbols of power from...
07/16/2024

Over the last decade, Meschac Gaba has braided synthetic hair into wigs the shape of architectural symbols of power from cities like New York, London, Paris, Amsterdam, Milan, Cape Town and in this instance, Washington D.C, the epicenter of global politics. Pictured here is the , , , and the .

Based on traditional African hair braiding styles and techniques, these complex and enigmatic wigs combine architecture and hairstyle—rendering the two as equally powerful signifiers of modern culture.

These works are currently on view in ‘The Objects We Choose,’ curated by Pedro Alonzo, on view at our NY gallery through July 31st.


Installation view, Tanya Bonakdar Gallery, New York. Photo by Pierre Le Hors
Meschac Gaba, ‘Hirshorn Museum,’ 2017. Photo by Jean Vong

Happy Birthday, Hannah Starkey!Quietly contemplative yet intensely evocative, Hannah Starkey’s photographs explore the p...
07/12/2024

Happy Birthday, Hannah Starkey!

Quietly contemplative yet intensely evocative, Hannah Starkey’s photographs explore the physical and psychological connections between the individual and her everyday urban surroundings. Since the beginning of her career, the artist has worked predominantly with women as her subjects, collaborating closely with actresses as well as anonymous acquaintances she meets on-site to develop intricately textured scenes. Stark architectural backdrops and strong associations of color and imagery heighten the sensation of her compositions on both a formal and associative level, triggering personal interpretations and a deeper mediation on the experience of the visual world at large.

Image: Hannah Starkey, ‘Acts of Resistance: Photography, Feminisms and the Art of Protest,’ 2024. South London Gallery. Photo: Jo Underhill

Tanya Bonakdar Gallery, Los Angeles is pleased to present ‘Signal Fires,’ a group exhibition which brings together twelv...
07/12/2024

Tanya Bonakdar Gallery, Los Angeles is pleased to present ‘Signal Fires,’ a group exhibition which brings together twelve artists with ties to Southern California, all of whom are negotiating concepts of communication across vast distances: conceptually, formally, spiritually, and geographically.

This show is organized by Lia Trinka-Browner.

Join us for an opening reception, Saturday, July 20th, from 6-8PM.

Including artists: Tanya Brodsky, Eduardo Consuegra, Yaron Michael Hakim, Saj Issa, Hilja Keading, Hings Lim, Muna Malik, Nobuhito Nishigawara, Hayley Quentin, Sarah Rosalena, Lenard Smith, and Claudia V. Solórzano

Image 1: Hings Lim, ‘Flaming Tower,’ 2024- ongoing
Image 2: Eduardo Consuegra, ‘Untitled (casa Calderon, [Fernando Martinez Sanabria], 1963),’ 2023
Image 3: Tanya Brodsky, ‘Deadbolt,’ 2023
Image 4: Hayley Quentin, ‘Senex,’ 2022 and ‘Puer,’ 2022
Image 5: Nobu Nishigawara, ‘Qualia,’ #457, 2024
Image 6: Lenard Smith, ‘R.S. #4452,’ 2024
Image 7: Saj Issa, ‘They’ve Changed the Signs (2),’ 2023

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Susan Philipsz’s new solo exhibition is currently on view at fjk3 - Contemporary Art Space in Vienna through September 1...
07/11/2024

Susan Philipsz’s new solo exhibition is currently on view at fjk3 - Contemporary Art Space in Vienna through September 15th!

With her site-specific sound installations on themes such as displacement, loss and memory, Scottish artist Susan Philipsz is one of the outstanding artists of our time. For her exhibition in Vienna, she has combined sound installations and sound sculptures with films and photographic works to create an atmospheric space of remembrance that also reflects the architectural features of the exhibition venue and its history.

Bringing to mind the past is a constant in Philipsz’s work – in particular reflecting on the remembrance of the Second World War and the havoc it wreaked on the culture. Along with other works in the exhibition, her 12-channel sound installation ‘Study for Strings’ (2012) and the film installation ‘Sokol Terezín’ (2023) are exemplary of this approach. Both draw on an orchestral work that Czech-Jewish composer Pavel Haas created in the Terezín / Theresienstadt concentration camp before he was murdered in Auschwitz. His ‘Study for String Orchestra’ made its debut as part of a N**i propaganda film documenting the supposedly good living conditions of European Jews in the ghetto. Philipsz’s sound installation and her film, which takes us through extant rooms of the former ghetto, are based on instrumental sequences the artist has isolated, note by note, from Haas’s composition. This process of deconstructing and rearranging reinforces the awareness of absence and loss.

Images: Susan Philipsz, fjk3 – Contemporary Art Space, Vienna 2024. Photo: Lena Deinhardstein

Save the date: Monica Bonvicini ‘Put All Heaven in a Rage’ opens at Tanya Bonakdar Gallery, NY on Wednesday, September 4...
07/10/2024

Save the date: Monica Bonvicini ‘Put All Heaven in a Rage’ opens at Tanya Bonakdar Gallery, NY on Wednesday, September 4th!

Among the most important artists of her generation, Monica Bonvicini’s evocative and thought-provoking works explore the relationship between architecture, gender, and power. As a strong female voice, Bonvicini’s multifaceted practice has addressed issues of institutional critique and the politics of space through a feminist lens for over thirty years. For her first exhibition at Tanya Bonakdar Gallery, the artist juxtaposes ideas of innocence and evil, commenting on the conflicting reality of the world today.


Closing soon: ‘Lisa Oppenheim: At the Lace Shop and Other Light Drawings,’ on view through July 13th!At a time when cons...
07/09/2024

Closing soon: ‘Lisa Oppenheim: At the Lace Shop and Other Light Drawings,’ on view through July 13th!

At a time when considerable attention is being given to repatriation and restitution of cultural objects, Oppenheim turns her critical eye to artworks stolen by various arms of the N**i regime from Jewish collections. Specifically, she looks at artworks and objects whose whereabouts remain unknown or are known to have been destroyed. Oppenheim presents a new series of Jacquard woven textiles that expand upon her previous investigations of the relationship between lace and textile production with the advent of photographic technologies.

‘Other Light Drawings’ refers to Oppenheim’s work with photography as a mode of image translation. She examines the looted collection of the Lederer family, prominent art collectors in Vienna and patrons of Egon Schiele and Gustav Klimt, in particular. Using documentation photos from the Lederers’ own inventory, Oppenheim reworks these images in her darkroom, conjuring the lost works, utilizing documents of their presumed loss as the source of new artworks.



Images:
1, 3, 6: Installation view, Lisa Oppenheim, ‘At the Lace Shop and Other Light Drawings,’ Tanya Bonakdar Gallery, Los Angeles, 2024. Photo by Jeff McLane
2. ‘Beim Spitzenhändler, 1943/2024 (Version II) (detail),’ 2024.
4. ‘Mödling I (Graue Stadt), 1945/2024 (Version I),’ 2024
5. ‘Drei Skizzen eines Kindes, Kauernder Mädchenakt mit emporgezogenem l
inken Knie, Weiblicher Rückenakt nach links, 1938/2024 (Version I),’ 2024
7. ‘Untitled, 1939/2024,’ 2024.
8. ‘Goldener Apfelbaum, 1945/2024 (Version II),’ 2024.

‘The Objects We Choose,’ curated by Pedro Alonzo, is on view at our NY gallery through July 31st!The exhibition explores...
07/08/2024

‘The Objects We Choose,’ curated by Pedro Alonzo, is on view at our NY gallery through July 31st!

The exhibition explores economic matters and social systems, such as in Shilpa Gupta’s ‘StillTheyKnowNotWhatIDream.’ Rendered in neon, the work is a defiant statement at a time of rising nationalism and growing governmental control and surveillance in the artist’s native India and across the planet, affirming that our dreams and minds will always be ours.

Image: Shilpa Gupta, ‘StillTheyKnowNotWhatIDream,’ 2022. Neon.

‘Liu Shiyuan: Crispr Whisper’ is on view now at Fotografiska Shanghai, through October 7th! .shanghai
07/04/2024

‘Liu Shiyuan: Crispr Whisper’ is on view now at Fotografiska Shanghai, through October 7th!

.shanghai

Our galleries in NY and LA will close at 3PM today for the holiday, and will be closed tomorrow, and through the weekend...
07/03/2024

Our galleries in NY and LA will close at 3PM today for the holiday, and will be closed tomorrow, and through the weekend.

Our NY gallery is now open for summer hours, Monday - Friday 10am - 6pm.
Our LA gallery is open Tuesday - Saturday, 10am - 6pm.

Image: Dana Powell, ‘Fireworks’, 2024
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Happy Birthday, Ernesto Neto!Since the mid-1990s, Ernesto Neto has produced an influential body of work that explores co...
07/02/2024

Happy Birthday, Ernesto Neto!

Since the mid-1990s, Ernesto Neto has produced an influential body of work that explores constructions of social space and the natural world by inviting physical interaction and sensory experience. Drawing from Biomorphism and minimalist sculpture, along with Neo-concretism and other Brazilian vanguard movements of the 1960s & 70s, the artist both references and incorporates organic shapes and materials – spices, sand and shells among them—that engage all five senses, producing a new type of sensory perception that renegotiates boundaries between artwork and viewer, the organic and manmade, the natural, spiritual and social worlds.

Ernesto Neto’s major newly commissioned work is currently on view through November 3rd at Museum Frieder Burda, Baden-Baden, Germany.



Photo by Eduardo Ortega

‘Shilpa Gupta: I did not tell you what I saw, but only what I dreamt’ is on view at the Madison Museum of Contemporary A...
07/01/2024

‘Shilpa Gupta: I did not tell you what I saw, but only what I dreamt’ is on view at the Madison Museum of Contemporary Art through January 14, 2025.

The exhibition, ‘I did not tell you what I saw, but only what I dreamt’ presents the Mumbai-based artist practice of Shilpa Gupta (b.1976) with several of her recent installation works, sculptures, and drawings. A conceptual artist, Gupta’s interactive pieces focus on human agency and information’s power to shape societal behavior and one’s identity.

A central theme of Gupta’s practice is her inquiry into language and how dominant institutions and individuals often utilize it to inform our understanding of reality—to define and enforce societal values or as a tool to spark new possibilities and challenge power structures.



Image: Installation view, Shilpa Gupta, ‘I did not tell you what I saw, But only what I dreamt,’ Amant, New York, 2023. Photo by Sebastian Bach. Courtesy of the artist and Amant.

‘I Feel the Earth Whisper,’ featuring a major newly commissioned installation by Ernesto Neto, is open through November ...
06/28/2024

‘I Feel the Earth Whisper,’ featuring a major newly commissioned installation by Ernesto Neto, is open through November 3rd at Museum Frieder Burda, Baden-Baden, Germany!

Amidst a world rapidly changing under the weight of climate change, the exhibition ‘I Feel the Earth Whisper’ at Museum Frieder Burda invites us to contemplate the fragile beauty of the natural world and our profound interconnectedness with it. Through the installations of Bianca Bondi, Julian Charrière, Sam Falls and Ernesto Neto – including sculpture, painting, video and photography – the show curated by Patricia Kamp and Jérôme Sans, invites us to reflect upon our relationship with the forests and unique ecosystems of the planet, and to rekindle our historically rooted role as guardians of these vibrant living spaces. Exceptionally united for the first time, the artists’ works not only draw our gaze outward to the natural landscapes but also invite the living world inside, creating immersive spaces that allow us to experience the interconnected realms of the human and the more-than-human. By weaving together threads of mythology, cosmology, and ecology, the exhibition encourages its guests to listen to and feel the voices and vibrations of the Earth anew.

Images: Ernesto Neto, ‘The Birth of Contemporous Blue Tree,’ Museum Frieder Burda, 2024 ©Ernesto Neto; photo: N. Kazakov

Sherrill Roland’s ‘Forecast’ (2023) and Shilpa Gupta’s ‘Untitled (There is No Border Here)’ (2005-2006) are on view in ‘...
06/27/2024

Sherrill Roland’s ‘Forecast’ (2023) and Shilpa Gupta’s ‘Untitled (There is No Border Here)’ (2005-2006) are on view in ‘Seeing Through Stone,’ open at the San José Museum of Art through January 5, 2025!

‘Seeing through Stone’ brings together artwork by over 80 artists and collectives from around the globe whose work engages prisons, justice and freedom. Moving beyond exhibitions that are about prisons and instead oriented towards artists who help provide a vision—and a model—of abolition in practice, ‘Seeing through Stone’ highlights global networks of care and abolitionist world-building.

The exhibition is co-curated by Gina Dent, Lauren Schell Dickens, and Rachel Nelson, as part of Visualizing Abolition, the ongoing series exploring justice, prisons and art, with exhibitions co-organized by the Institute of the Arts and Sciences and San José Museum of Art.

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Images:

1&2: Installation view of ‘Seeing through Stone’ at San José Museum of Art, April 26, 2024–January 5, 2025. Photo by Glen Cheriton.
3&4: Shilpa Gupta, ‘Untitled (There is No Border Here), 2005-2006. Self adhesive tapes.

Sabine Hornig’s work is on view in ‘Patterns of (In)Security II,’ on view through June 30th at Die Möglichkeit einer Ins...
06/26/2024

Sabine Hornig’s work is on view in ‘Patterns of (In)Security II,’ on view through June 30th at Die Möglichkeit einer Insel in Berlin!

‘Patterns of (In)Security II’ is a collaborative exhibition with artists Sabine Hornig and Tamuna Chabashvili. The works of both artists examine the changing social and political perspectives within a constructed environment, driven and shaped by political developments within and outside Europe, against the backdrop of the formerly divided Berlin and the current situation of post-Soviet Georgia. Together they explore a duplicity; how, on the one hand, personal and collective views are manifest in space and, one the other, how such perspectives express the feasibility and fragility of societal participation. The site-specific works interact, made of rope, textile and permeable metal structures; layers of the artists’ observation and memory each unfold gradually - fragmented elements associatively re-assemble and suddenly become tangible as one walks through the installation.

Photos by Stephanie Kloss Kopie

‘The Objects We Choose,’ curated by Pedro Alonzo, is on view through July 31st!Brazilian artist Laura Lima’s ‘Communal N...
06/25/2024

‘The Objects We Choose,’ curated by Pedro Alonzo, is on view through July 31st!

Brazilian artist Laura Lima’s ‘Communal Nest #2’ transforms straw hats into surreal dwellings for birds in an effort to challenge the human tendency to disregard other species who co-inhabit our planet. The use of goods as art-making materials transcends national boundaries and cultures, allowing for artists to contrast the natural world with synthetic materials, traditional forms of creation with mass production, or ancient world views with consumer society.

Images:
1. Installation view, ‘The Objects We Choose,’ Curated by Pedro Alonzo, Tanya Bonakdar Gallery, New York, June 20 – July 31, 2024. Photo by Pierre Le Hors
2,3: Laura Lima, ‘Communal Nest #2,’ 2021. Straw, wood, and thread.

Martin Boyce’s ‘Forgotten Seas’ and ‘Evaporated Pools’ are on view as part of the Flag Foundation’s group show ’The Swim...
06/22/2024

Martin Boyce’s ‘Forgotten Seas’ and ‘Evaporated Pools’ are on view as part of the Flag Foundation’s group show ’The Swimmer,’ on view though August 9th!

‘The Swimmer,’ curated by Jonathan Rider, is an expansive group exhibition inspired by John Cheever’s 1964 short story of the same name. FLAG’s exhibition similiarly confuses time and unfolds through a series of disappearances in bodies of water—in pools, lakes, and oceans—through serial works that concern loss and losing oneself. Navigating themes inherent in ‘The Swimmer’ and Cheever’s broader oeuvre, including alcoholism, grandiosity, loss of innocence, selective memory, privilege, sexuality, etc., the exhibition trains an eye to the crumbling of an American dream, set against the glittering backdrop of a string of swimming pools.

Images: Installation view of ‘The Swimmer’ at The FLAG Art Foundation, 2024. Photography by Steven Probert.

Happy Birthday, Dirk Stewen!Regarded for his works on paper, Dirk Stewen has developed a rich and varied practice that i...
06/21/2024

Happy Birthday, Dirk Stewen!

Regarded for his works on paper, Dirk Stewen has developed a rich and varied practice that incorporates aspects of photography, drawing, assemblage, collage, and embroidery. Drawing from his own collection of images, the artist presents unexpected yet poignant juxtapositions of forms, materials and ideas that suggest new associations and narratives. Faded photographs, watercolors, confetti and thread are among the many materials Stewen has recombined into poetic compositions that are at once visually arresting and charged with emotion.



Image: Dirk Stewen, ‘Le Chariot,’ 2017. Gouache and watercolor on paper.

Opening tonight, 5-7pm in NY: ‘The Objects We Choose,’ curated by Pedro AlonzoIncluding works by: Meschac Gaba, Ximena G...
06/20/2024

Opening tonight, 5-7pm in NY: ‘The Objects We Choose,’ curated by Pedro Alonzo

Including works by: Meschac Gaba, Ximena Garrido-Lecca, Shilpa Gupta, Brian Jungen, Kimsooja, Laura Lima, Patrick Martinez, Moris, Rivane Neuenschwander, Clarissa Tossin, Marie Watt, and Héctor Zamora

@brianjungen .art

Images: Installation view, ‘The Objects We Choose,’ curated by Pedro Alonzo, Tanya Bonakdar Gallery, New York, 2024. Photo by Pierre Le Hors.

‘Math Bass: Full Body Parentheses’ is on view at Lumber Room, in Portland, Oregon, through July 13th!The lumber room pre...
06/19/2024

‘Math Bass: Full Body Parentheses’ is on view at Lumber Room, in Portland, Oregon, through July 13th!

The lumber room presents ‘Full Body Parentheses,’ a mid-career survey of Math Bass’s sculptural works, accompanied by the artist’s site-specific murals and a selection of small paintings. Best known for their paintings, which iterate on a lexicon of symbols to create a unique language, Bass’s sculptures in ‘Full Body Parentheses’ animate and complicate those more familiar, flattened forms, creating a resonant, playful world of iconic objects.

Bass has been interested in the intersection between performance and sculpture since they began making sculptures to appear as characters in videos as a student. Seriality, the repetition of forms, and sculpture as character remain crucial themes in their practice.

Images: ‘Full Body Parentheses,’ lumber room 2024. Photo by Mario Gallucci. Courtesy of the Artist and the lumber room.

Tanya Bonakdar Gallery is pleased to present ’The Objects We Choose,’ a group show curated by Pedro Alonzo, opening next...
06/15/2024

Tanya Bonakdar Gallery is pleased to present ’The Objects We Choose,’ a group show curated by Pedro Alonzo, opening next Thursday, June 20th.

Join us for an opening reception, Thursday, June 20th, from 5-7PM.

Including works by: Meschac Gaba, Ximena Garrido-Lecca, Shilpa Gupta, Brian Jungen, Kimsooja, Laura Lima, Patrick Martinez, Moris, Rivane Neuenschwander, Clarissa Tossin, Marie Watt, and Héctor Zamora

1. Laura Lima, ‘Communal Nest #2,’ 2021
2. Brian Jungen, ‘This Will Not Be All Right,’ 2016. Courtesy the artist and Casey Kaplan, New York, Photo by Jean Vong
3. Clarissa Tossin, ‘Entanglement 1,’ 2019, Courtesy of the artist and Commonwealth and Council, Los Angeles, Mexico City. Photo: Paul Salveson
4. Rivane Neunschwander, ‘Deadline Calendar,’ 2002.

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Visit us at Art Basel this week!Rivane Neuenschwander’s ‘Trópicos malditos, gozosos e devotos (caderno II)/ Tropics: Dam...
06/12/2024

Visit us at Art Basel this week!

Rivane Neuenschwander’s ‘Trópicos malditos, gozosos e devotos (caderno II)/ Tropics: Damned, Or****ic and Devoted (notebook II)’ will be on view at our booth (P9).

Taking as aesthetic reference the “cordel” pamphlets popular in Northeastern Brazil and the Japanese erotic woodblock prints known as Shungas, the ‘Tropics: Damned, Or****ic and Devoted’ series reflects the political, ecological, and social upheaval of the post-colonial world as a whole. The title references the famous book by Brazilian writer, Hilda Hilst titled ‘Poemas Malditos, Gozosos e Devotos’ (1984).

Rivane Neuenschwander will open a solo presentation at the Kinder Kunst Labor in St. Pölten, Austria in September, followed by a solo presentation opening at the Instituto Inhotim, Brazil in October.



Images: Rivane Neuenschwander, ‘Trópicos malditos, gozosos e devotos (caderno II)/ Tropics: Damned, Or****ic and Devoted (notebook II),’ 2024. Acrylic on paper. Photo: Eduardo Ortega.

Happy Birthday, Nicole Wermers!    Pictured: Nicole Wermers, ‘Abwaschskulptur (Dishwashing Sculpture)  #14,’ 2020. Vario...
06/11/2024

Happy Birthday, Nicole Wermers!



Pictured: Nicole Wermers, ‘Abwaschskulptur (Dishwashing Sculpture) #14,’ 2020. Various china, ceramic, kitchen utensils, modified dishwasher basket, plinth

Happy Birthday, Lisa Oppenheim!The artist’s ‘Sitzender weiblicher Akt, Drei Skizzen eines Kindes, Kauernder Mädchenakt m...
06/10/2024

Happy Birthday, Lisa Oppenheim!

The artist’s ‘Sitzender weiblicher Akt, Drei Skizzen eines Kindes, Kauernder Mädchenakt mit emporgezogenem linken Knie, 1938/2024 (Version II)’ will be on view this week at our Art Basel booth (P9).

‘Sitzender weiblicher Akt, Drei Skizzen eines Kindes, Kauernder Mädchenakt mit emporgezogenem linken Knie, 1938/2024 (Version II)’ draws on the collection of the Lederer family, a prominent Viennese family of collectors and major patrons of Egon Schiele and Gustav Klimt. In May of 1938, more than 300 artworks were seized by the Gestapo from the home of August and Serena Lederer in Vienna, which largely remain unaccounted for. Many of them were reported to have been destroyed in the fire at the Immendorf Castle, however due to inconsistencies in the report, many believe the works were in fact looted. Some of the looted objects have been retrieved by their heirs and subsequently donated or sold to important museum collections including the Metropolitan Museum of Art and the J. Paul Getty Museum.

Lisa Oppenheim’s first survey show in The Netherlands is on view at the Huis Marseille until June 16th, and her show at our Los Angeles gallery is on view until July 13th.



1. Lisa Oppenheim, ‘Sitzender weiblicher Akt, Drei Skizzen eines Kindes, Kauernder Mädchenakt mit emporgezogenem linken Knie, 1938/2024 (Version II),’ 2024. Silver toned silver gelatin photograph. Photo by Dawn Blackman

2. Lisa Oppenheim, ‘Frau mit Kopftuch und Fächer, Weiderholung der Figur, 1938/2024 (Version II), 2024. Silver toned silver gelatin photograph. Photo by Dawn Blackman.

3. Installation view, Lisa Oppenheim, ‘At the Lace Shop and Other Light Drawings,’ Tanya Bonakdar Gallery, Los Angeles, 2024. Photo by Jeff McLane

4. Installation view, Lisa Oppenheim, ‘Spolia,’ Huis Marseille, Amsterdam, 2024, Photo by Eddo Hartmann.

Visit us at Art Basel next week!Shilpa Gupta’s ‘Untitled, 2023-2024’ will be on view at our booth (P9).The hourglass, an...
06/09/2024

Visit us at Art Basel next week!

Shilpa Gupta’s ‘Untitled, 2023-2024’ will be on view at our booth (P9).

The hourglass, an age-old method of measuring time, is used to reconsider whether it is truly necessary to divide life up into minutes and seconds, proposing instead that we suspend definitions known to us and celebrate an expanded imagination, particularly that which our unconscious offers. These irregularly shaped sand “clocks” allude to the conflict between our obsession with systems of measurement and labeling (productive time, body size, personal success) and our organic, fluid and distorted nature.

Image: Shilpa Gupta, ‘Untitled, 2023-2024.’ Glass, sand, nails

We are pleased to present Mark Manders: ‘Room with All Existing Words’ (2005-2024) for Art Basel Unlimited next week (lo...
06/08/2024

We are pleased to present Mark Manders: ‘Room with All Existing Words’ (2005-2024) for Art Basel Unlimited next week (location U21), in collaboration with !

In ‘Room with All Existing Words,’ Mark Manders has created a surreal installation, giving form to a mythical narrative built from artifacts and source material of intentionally questionable authenticity. Inspired by the psychology of fake news and alternative realities, Manders has even created his own fake wikipedia page in connection with the project. The installation exists at the core of Mark’s practice, exploring the potential for language and images to construct new worlds of meaning and experience
manders

Image: Mark Manders, ‘Room with All Existing Words,’ 2005-2024.

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Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 10am - 6pm

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