Daphne Alazraki Fine Art

Daphne Alazraki Fine Art Daphne Alazraki Fine Art offers superior quality European paintings of the 17th through 21st centuri

European Paintings

19th-21st Century European Paintings

Fine Art.

*Hours by appointment only

05/21/2026

Adolph Gottlieb, a prominent figure in the mid-20th century New York School of artists, was a trailblazing American painter known for his significant contributions to the development of abstract art, particularly within the Abstract Expressionist movement. His life and career are a testament to his commitment to pushing the boundaries of artistic expression.

Adolphe GOTTLIEB (1903-1974) 🇺🇸

Flying Lines (1967)
Acrylic on Paper
32 x 27 in (81 x 68.6 cm)

Table (1956)
Oil on Canvas
30.5 x 35.5 in (77.5 x 90 cm)

For further inquiries please contact [email protected]

04/30/2026

Born in Milwaukee in 1913, Vivian Springford came of age within a socially prominent family that relocated to New York at the start of the 1930s. After attending the Spence School, she committed to artistic training at the Art Students League, where she studied for over a decade under figures such as Jon Corbino and Robert Brackman. Her early professional life was rooted in commercial illustration and portraiture, producing refined, realist images for newspapers and private clients. This academic grounding, combined with the discipline of observational drawing, provided a technical foundation that would later underpin her move into abstraction.

Springford’s mature practice unfolded in dialogue with mid-century abstraction, particularly Abstract Expressionism and later Color Field painting. In the 1950s she shifted away from figuration, developing gestural, calligraphic works influenced by East Asian art and philosophy, especially through her exposure to Chinese calligraphy and Taoist thought. These “one-shot” paintings emphasized immediacy and the irrevocable mark, aligning her with action painting while remaining distinct in their linear lyricism. By the 1970s, she transitioned toward stain painting, pouring thinned acrylics onto canvas to create expansive, fluid fields of color– an evolution that replaced gesture with diffusion, and line with atmosphere. Though she exhibited steadily in New York, her work gained wider recognition only later in life, as critics reassessed her contribution to postwar abstraction and the broader history of women artists in the movement.

Avery Milton (1885-1965) 🇺🇸March Relaxing (1945)Oil on canvas11 1/2 x 15 1/2 inches (50 x 64 cm)Milton Avery was an infl...
04/23/2026

Avery Milton (1885-1965) 🇺🇸
March Relaxing (1945)
Oil on canvas
11 1/2 x 15 1/2 inches (50 x 64 cm)

Milton Avery was an influential American modernist painter known for his lyrical simplification of form and color. Born in Altmar, New York, he moved to Hartford, Connecticut as a young man, where he worked a variety of jobs before committing himself to art. Unlike many artists of his generation, Avery did not pursue extensive formal academic training; instead, he studied part-time at the Connecticut League of Art Students while largely developing his style independently. His early exposure to American Impressionism gradually evolved into a highly personal approach centered on flat areas of color, simplified forms, and balanced compositions.

Avery’s career developed primarily in New York City, where he became associated with a circle of modern painters and writers. By the 1920s and 1930s he gained recognition for a distinctive style that bridged representation and abstraction. While often linked to European modernist ideas, Avery maintained a uniquely American sensibility, frequently painting quiet scenes of domestic life, landscapes, and figures. His work would have a profound influence on later artists, particularly the Abstract Expressionists, including Mark Rothko and Adolph Gottlieb, who admired his ability to create emotional resonance through subtle color relationships and simplified shapes.

Paul Wonner (1920-2008) 🇺🇸Still Life of Fruit, 2000Acrylic on paper mounted on board36 × 49 in | 91.4 × 124.5 cmPaul Won...
04/13/2026

Paul Wonner (1920-2008) 🇺🇸
Still Life of Fruit, 2000
Acrylic on paper mounted on board
36 Ă— 49 in | 91.4 Ă— 124.5 cm

Paul Wonner, an artist celebrated for his distinctive style and profound contributions to the art world, captivates audiences with his unique approach to painting. Born in Tucson, Wonner’s early life was marked by a curiosity and affinity for art. He received formal training at the California School of Fine Arts, where he honed his skills and began to develop his distinct artistic voice. Influenced by the Bay Area Figurative Movement and later by the Pop Art and Photorealist movements, Wonner’s style evolved over the years, blending elements of realism with a deep psychological undercurrent.

Judith Rothschild 🇺🇸Untitled (c.1945)Gouache, watercolor and ink with collage on blue paper9 x 12 inches (23 x 30.5 cm)F...
04/03/2026

Judith Rothschild 🇺🇸
Untitled (c.1945)
Gouache, watercolor and ink with collage on blue paper
9 x 12 inches (23 x 30.5 cm)
Framed: 16 ½ x 19 ½ inches (42 x 49 cm)

New York-based artist Judith Rothschild was a pioneer in the world of American Abstract art, known for her contributions to the Post-War era. She was the daughter of Herbert, an owner of a furniture factory, and Nanette Rothschild. Her early education was at the Ethical Culture Fieldston School, which her parents also attended. Growing up in a well-to-do family, she was exposed to art and culture from an early age, which helped foster her interest in the field. Rothschild studied art and was deeply influenced by the European modernist movement and artists Pablo Picasso, Juan Gris, and Piet Mondrian.

Her interest in art, writing and music led her to attend Wellesley College, a liberal arts women’s college in Massachusetts. Upon graduating in 1943, she returned to New York and studied at the Art Student’s League where she met Hans Hoffman, a pioneers of Abstract Expressionism, which gave her the confidence to explore more her artistic ambitions. It was then she experimented with different techniques and two years later landed a solo exhibition at the Jane Street Art Gallery. She was a member of the American Abstract Artists Association.

Her work has been exhibited in numerous solo and group exhibitions, and her paintings are part of permanent collections in several major institutions including the National Gallery, the Metropolitan, The Whitney and Guggenheim. In 1993, the Judith Rothschild Foundation was established to promote and support the understanding and appreciation of modern art, particularly through the preservation of abstract and contemporary works. The foundation has made substantial contributions to the Museum of Modern Art and other institutions, particularly through the donation of important art collections, helping to ensure Rothschild’s place in the history of modern art.

This work is from Rothschild’s early years during her first NY period and is reminiscent of her earlier influence by Hans Hoffman.

Alex Katz (1928 - ) 🇺🇸Liorah (2006)Oil on board5 ¼ x 11 ½ inches (13.3 x 29.2 cm)Alex Katz was one of the fundamental ar...
03/26/2026

Alex Katz (1928 - ) 🇺🇸
Liorah (2006)
Oil on board
5 ¼ x 11 ½ inches (13.3 x 29.2 cm)

Alex Katz was one of the fundamental artists associated with the Pop Art movement. He was born in Brooklyn, NY on 1927 and studied at the Cooper Union, NY from 1949-50. He was academically trained in Classical painting from life, which shaped his early work, eventually pursuing more experimental approaches. It wasn’t until he was in his 50s that he grew fiercely prolific. He would become known for his huge sized paintings of elegant simplicity and striking color, popularizing his art as an early precursor to Pop Art.

Katz was a sculptor and a painter of primarily portraiture and landscape, influencing both US and international artists and galleries. His favorite subjects were of views from his own SoHo neighborhood as well as nature scenes from Maine where he spent Summer holidays. Katz has painted over 250 portraits of his wife, Ada Katz and often other family members and people from his closer, famous social circles. He had an exhibition at the Whitney Museum in 1974 and in 1977 was commissioned for a work in billboard format above Times Square; it consisted of 23 portraits of female heads and became iconographic.

Katz’s art has had more than 200 solo exhibitions and 500 group exhibits throughout the world and numerous international Museum retrospectives. Further, his work is kept in collections of over 100 institutions including the Smithsonian, MOMA, the National Galleries of Berlin and Scotland and the Tate Gallery, London.

Mary Cassatt (1844-1926) 🇺🇸🇫🇷Portrait of a Little Girl (c.1900)Pastel on gray paper15 ½ x 12 ⅝ inches (39.4 x 32 cm)Mary...
02/27/2026

Mary Cassatt (1844-1926) 🇺🇸🇫🇷
Portrait of a Little Girl (c.1900)
Pastel on gray paper
15 ½ x 12 ⅝ inches (39.4 x 32 cm)

Mary Cassatt was born in Allegheny City, Pennsylvania, and received her early artistic training at the Pennsylvania Academy of the Fine Arts. Frustrated by the limitations placed on women artists in the United States, she moved to Paris, where she continued her studies independently by copying Old Master paintings in the Louvre and studying under private instructors. Cassatt’s rigorous draftsmanship and close study of European painting laid the foundation for a career that bridged American and French artistic traditions.

Cassatt became closely associated with the Impressionist circle after Edgar Degas invited her to exhibit with the group in 1879, making her one of its most prominent American members. While she shared the Impressionists’ interest in modern life, color, and informal composition, Cassatt developed a highly focused subject matter centered on women and children, often depicted in private, domestic settings. Her work is distinguished by its psychological intimacy, refined sense of design, and frequent use of pastel, a medium she helped elevate to major artistic status in the late nineteenth century.

This pastel exemplifies Cassatt’s sensitivity to childhood and her mastery of subtle expression. The softly modeled face emerges from loose, layered strokes of color, with delicate shifts of pink, blue, and cream suggesting both form and emotion. Rather than idealizing the child, Cassatt captures a quiet, direct presence, conveyed through the steady gaze and relaxed pose. The simplicity of the composition and the visible texture of the pastel emphasize immediacy and tenderness, reflecting Cassatt’s enduring interest in portraying childhood as a state of thoughtful awareness rather than mere innocence.

Suzanne Valadon was originally born Marie-Clémentine Valadon on September 23, 1865 at Bessines-sur-Gartempe, near Limoge...
02/23/2026

Suzanne Valadon was originally born Marie-Clémentine Valadon on September 23, 1865 at Bessines-sur-Gartempe, near Limoges, in France, the illegitimate daughter of a French laundress. She live much of her life in the French artist’s village of Montmartre. During her lifetime she was seen as an outcast and as an extreme individual who took all sorts of odd jobs from the age of 10 to support herself. She was a milliner’s apprentice, a waitress, a nanny, and an acrobat for the Mollier Circus until at the age of 16 she fell off a trapeze. Because she desired a profession that was less prone to injury, she decided to become an artist’s model, capitalizing on her great beauty and her athletic build. She went on to pose for such artists as Pierre Puvis de Chavannes, Henri Toulouse-Lautrec and Pierre-Auguste Renoir, all of whom became her lovers at one time or another. She also became friends with such other well-known artists as Vincent Van Gogh, Paul Gauguin, Pablo Picasso, and Amadeo Modigliani. While modeling for various artists, Valadon paid careful attention to their manner of painting as well as to the construction of their canvasses. Without any formal training at all, Suzanne Valadon began to paint on her own.

Although her work was not always looked upon with approval, her audacity, coupled with her daring nature, finally won her a solo exhibition in 1915, which was both critically and commercially received. Valadon had four major retrospectives during her lifetime and became one of the most outstanding women artists in the School of Paris. She often exhibited with her son, Maurice Utrillo, and her second husband, André Utter. On April 07, 1937, Suzanne Valadon died. She was buried on April 19, 1938 in Cimetière de Saint-Ouen in Paris. Her funeral was attended by many notable figures from the Parisian art community including Pablo Picasso, Georges Braques and Andre Derain.

Another excellent year at the Palm Beach show; this year Daphne Alazraki Fine Art hosted a diverse collection of America...
02/17/2026

Another excellent year at the Palm Beach show; this year Daphne Alazraki Fine Art hosted a diverse collection of American abstract expressionists and French postmodern. A special spotlight on Childe Hassam whose portrait, The English Girl, captivated many guests. Modern American masters like Wolf Kahn, Paul Jenkins, and Alice Baber were featured together with works by Schiele, Valadon, Dufy, and others

Ferdinand du Puigaudeau was born in 1864 in Nantes, France. After receiving a traditional education at various boarding ...
02/09/2026

Ferdinand du Puigaudeau was born in 1864 in Nantes, France. After receiving a traditional education at various boarding schools, Puigaudeau traveled to Italy and Tunisia in 1882 and learned to paint, as encouraged by his uncle. His earliest works were produced in Brittany in the late 1880s, where he met Paul Gauguin and Charles Laval. After enlistment in military service, Puigaudeau presented one of his works at the Salon of the Société Nationale des Beaux-Arts in Paris, where he met the Impressionist dealer Durand Ruel in 1890. After a brief time in Venice and a period of financial troubles, Puigaudeau moved into a loaned manor, Kervaudu, in Le Croisic, where he remained isolated and safer during World War I.

Puigadeau’s technique involved applying color by various brushstroke to create a wide range of lighting. He also focused on portraying objects in a structured way, prioritizing detail. His creative light effects are evident in his many paintings of Bretagne depicting Breton women, often by candlelight.

Puigaudeau rarely exhibited; his first solo exhibition was in 1903 at the Galerie des Artistes Modernes in Paris. More recently, several of his paintings were featured at the Musée de Vannes in La Cohue to show the golden age of painting in Brittany. His paintings are in various museums, including the Thyssen-Bornemisza Museum in Madrid, the Musée Jacobins in Morlaix, the Musée des Beaux-Arts in Nantes, and the Indianapolis Museum of Art.

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