What are the opening hours?

Monday 10am - 6pm Tuesday 10am - 6pm Wednesday 10am - 6pm Thursday 10am - 6pm Friday 10am - 6pm Saturday 10am - 6pm

Rosenberg & Co.

Home
United States
New York, NY
Rosenberg & Co.

Rosenberg & Co. is an upper east side gallery specializing in fine Modern and Contemporary art. Marianne Rosenberg founded Rosenberg & Co.

on the upper east side of Manhattan, continuing her family’s distinguished tradition of exhibiting both Modern and contemporary art. The gallery presents an international roster of works by prominent Impressionist and Modern artists, and continues the legacy of working with contemporary artists. With the launch of Rosenberg & Co., the gallery renews a focus on the highest standards of connoisseurs

hip and expertise that have been cultivated over generations by the family. The gallery represents the estates of Beatrice Mandelman, Reuben Nakian, Louis Ribak, and Fred Stein, as well as the contemporary artists Brendan Stuart Burns, Maureen Chatfield, and Tom John.

07/23/2024

Tom H. John (1931–) is an American polymath who applies his creativity to a variety of fields but is first and foremost a visual artist.
Throughout John’s career, the compulsion to produce fine art was always present. His artwork is inspired by Georges Braque, František Kupka, the Bauhaus Movement, and the surrealist motifs of Paul Klee and Julius Bissier.
John’s modernist influences are evident in his abstract works, which emphasize imposing geometric forms.
“Untitled” (2017) by Tom John will be on view through September 20. Click the link in the bio to learn more.
#

07/18/2024

Rosenberg & Co. is pleased to present a set of joint exhibitions celebrating geometric compositions, “Variations of Geometric Abstraction”, and “Tom John”, on view through September 20.
Highlighting paintings, sculptures, and works on paper, “Variations of Geometric Abstraction” chronologically traces the course of Modernist abstraction through a series of remarkable geometric compositions.
“Tom John” is a solo presentation of the artist’s work. Throughout an illustrious career in set design and production, John produced numerous paintings and drawings inspired by Cubism and the Bauhaus.
On view in Variations of Geometric Abstraction, Alfred H. Maurer, “Abstract Portraits: Man and Woman”, c. 1930–1932. Oil on gesso board.

07/02/2024

Tomorrow, Wednesday, July 3, is the final day to view “Françoise Gilot.”  . The gallery will be closed July 4 – July 7. We will reopen Monday, July 8 with our summer hours:
Monday–Friday, 10am–6pm.
Françoise Gilot, Dog Days II, 1991-92. Oil on canvas.

06/18/2024

Rosenberg & Co. will be closed tomorrow, June 19, in recognition of Juneteenth. We will reopen June 20 from 10am-6pm.
While we are closed, you can view our current exhibition “Françoise Gilot” online at the link in our bio.

06/12/2024

In ”Self-Portrait in Front of Landscape”(1971), Françoise Gilot demonstrated her personal style of portraiture with a distinct attention to form and bold, confident linework that carves out direct gaze.
Gilot asserted her own freedom as an artist in this composition, transposing herself against the trees and plants Picasso frequently used to obscure her hair and body in his depictions of her.
In Gilot’s self portrait, she framed herself with greenery, allowing the leaves to take root and grow from her rather than conceal her image.
“Self-Portrait in Front of Landscape” is on view in Françoise Gilot through July 3. Click the link in bio to learn more.

06/06/2024

Painted during Gilot’s most emblematic period, “Inner Light” (1983) features blocks of bold color and a central eye symbol which dramatizes the composition’s narrative.
Suggesting Japanese kakemonos and the large tangkas of Tibet, this work reads like ancient tomb art with spare symbolic vocabulary suspended from its external environment with a wide framing margin that Gilot used throughout her work as a structural device.
“Inner Light” is on view in Françoise Gilot through July 3. Click the link in bio to learn more.

05/24/2024

In the summer of 1962, Gilot pondered Greek mythology while sailing the Aegean Sea. Particularly, the myth of Theseus and the Minotaur deeply inspired her work, as she found parallels between the story and her own life.
Motivated to provide pictorial equivalences to the myth, Gilot began creating her seminal Labyrinth Series, which captured structures, dynamic rhythms, and bold colors evocative of the legend’s different phases.
“La force centrifuge du labyrinth” (1963) achieves Gilot’s aspiration of rendering the Greek myth’s power. The interlocking, labyrinthine shapes skillfully created in bold, colorful production—despite the use of translucent watercolor—demonstrate a connection to the dramatic mythology and laid the foundation for her later abstract works.
“La force centrifuge du labyrinth” is on view in Françoise Gilot through July 3. Click the link in bio to learn more.

05/15/2024

This Saturday, May 18th is the Madison Avenue Spring Gallery Walk. We are delighted to participate in this free event by and and will be hosting a gallery talk by Judith Solodkin ( )
At 2:00pm, Judith Solodkin, founder of SOLO Impression Inc. and the first woman to graduate as a Master Printer of lithographs from the Tamarind Institute, will discuss her time working with Françoise Gilot and the production of monotypes. Please RSVP at the link in our bio.

05/14/2024

In 1985, after several decades of printing lithographs with Atelier Mourlot and the Tamarind Workshops, Gilot began to create monotypes at Solo Impression Inc. under the guidance of Master Printer Judith Solodkin.
Monotypes are singular, non-replicable prints created by applying ink to a non-porous surface such as plexiglass. The ink is then removed from the surface with brushes or cloth to reveal a design on the plate.
Through meticulous layering techniques and a decisive command of color, Gilot crafted a distinctive and captivating style within her monotypes. Her use of ink, collage, and pastel resulted in substantial and multi-layered works, such as “Genealogies” (1989).
“Genealogies” is on view in Françoise Gilot through July 3. Click the link in bio to learn more.

05/03/2024

Françoise Gilot’s prints are an integral part of her oeuvre that demonstrate her technical prowess and stylistic creativity.
In 1950, she became the first woman to print lithographs at Fernand Mourlot’s acclaimed atelier in Paris. As her printing progressed, she was invited by June Wayne and Clinton Adams to make lithographs at the renowned Tamarind Workshops in Los Angeles and Albuquerque in 1969.
Using only a few colors, Gilot’s “Flower Shield (Bouclier floral)” (1975) employs an intricate pattern inspired by her travels to Greece to create dimension. These overlapping shapes reveal a fusion of technical precision and creative ingenuity that distinguished Gilot as a skilled practitioner of lithography.
“Flower Shield (Bouclier floral),” is on view in Francoise Gilot through July 3. Click the link in bio to learn more.

05/01/2024

Our exhibition “Françoise Gilot” is featured on today.
writes, “[Gilot’s] career spanned nearly eight decades bridging the circle of Gertrude Stein, post-war California, and late twentieth-century New York. Her oeuvre is diverse and nuanced, and I left the gallery inspired by Gilot’s commitment to her own artistic voice . . . Gilot deserves her place in history as a protagonist of twentieth-century art.”
Read the full review at the link in bio.

04/24/2024

Françoise Gilot’s early work is characterized by defined lines and attention to form, both qualities that reflect her confidence in her draftsmanship.
The exhibition features two portraits of Picasso that Gilot made in 1944 — the year following their introduction — in a six-part series. Pictured above, “Pablo with Red Background (Les yeux basilic)” utilizes a surety of line-work to impart both severity and softness to the artist’s features.
This rendering employs striking diagonal strokes to create Picasso’s fringe and structured cheekbones, which are emblematic of Gilot’s attention to form and intense focus on the structural qualities of drawing.
“Pablo with Red Background (Les yeux basilic)” is on view now through July 3. Click the link in the bio to learn more.

02/27/2024

Currently on display are a selection of Herlédan’s paintings, which demonstrate her capacity for utilizing innovative material techniques to orchestrate compositions that resonate deeply with both her Modernist influences and contemporary innovations.
Herlédan employs a white material—a lacquer-based white substance that she developed in collaboration with a paint manufacturer in Paris— to create rising, lyrical strokes that imbue her work with both relief and reflection.
This technique is featured in "Souvenirs épars" (2021). Her continual inspiration within the tradition of art in conversation with contemporary, personalized elements lends a steadfast dynamism to her work.
"Souvenirs épars" (2021) by Aude Herlédan is on view in our current exhibition of her work. Click the link in the bio to learn more.

02/07/2024

Rosenberg & Co. is pleased to present the second of our series of small-format exhibitions highlighting the work of three venerable artists from our collection: Fred Stein, Aude Herlédan and Marguerite Louppe.
This exhibition features a refined selection of work by the artist Aude Herlédan, on view through February 27th.
Herlédan's work embodies the formal principles of 20th-century Modernism while maintaining a timeless allure. Our latest exhibition celebrates the compositional dexterity of the artist's remarkable recent works.
“Métamorphose II” (2019) by Aude Herlédan will be on view during the exhibition. Click the link in the bio to learn more.

02/04/2023

Rosenberg & Co. is delighted to be participating in , which closes this weekend. Find us at booth 61, where we are showing works by featured artist Robert Adams.
Robert Adams was an English sculptor and designer. His sculptures epitomized a heightened sensitivity to the natural features of their medium. Adams’ mastery of metalworking allowed him to explore themes of weight and balance in his forms, giving his compositions a sense of lyricism.
Sculptures by Adams are on view in our booth at . To see the full list of works featured at the fair, visit our online viewing room at the link in the bio.

02/04/2023

Rosenberg & Co. is delighted to be participating in , which closes this weekend. Find us at booth 61, where we are showing works by featured artist Robert Adams.
Robert Adams was an English sculptor and designer. His sculptures epitomized a heightened sensitivity to the natural features of their medium. Adams’ mastery of metalworking allowed him to explore themes of weight and balance in his forms, giving his compositions a sense of lyricism.
Sculptures by Adams are on view in our booth at
To see the full list of works featured at the fair, visit our online viewing room at the link in the bio.

01/26/2023

opens to the public on Sunday, January 29. Find us at booth 61, where we are showing works by Aude Herlédan, Serge Charchoune, Jean Lurçat, and more.
The fair is open January 29- February 5. To see our full works list, visit our online viewing room at the link in the bio.

01/17/2023

"My drawings are done mainly as a help towards making sculpture -- as a means of generating ideas for sculpture, tapping oneself for the initial idea; and as a way of sorting out ideas and developing them."
—Henry Moore, The Sculptor Speaks, 1966.
While primarily renowned for his sculptural work, Moore was a skilled draftsman and sketched extensively, leaving behind some eight thousand drafts by the time of his death. The transformation of Moore's style throughout his career is well documented in his works on paper, as his almost classical sketched female figures slowly evolved into the celebrated biomorphic shapes of his sculptural works.
Henry Moore’s Seated N**e (1929), and Three Heads (1979), are now on view in A Century on Paper through February 17th. For more information, click the link bio.

12/13/2022

Often sourced from the earth, Aude Herlédan’s choice of media visually translates the profound meaning the artist has found throughout her travels. These media particularly shine in Herlédan’s graphic, balanced compositions that highlight gold, brown, and black shapes.
Between the peaks and valleys of viscous white lacquer in works such as “At the crossroads” (2022), thin washes of brown paint appear crackled like an arid desert surface; next to black expanses glimmering with lava dust, shapes flecked with copper and gold leaf shine. With an undoubted respect for her chosen media—even her initial drawings are often rendered with charcoal and coffee—Herlédan lets the materials speak in the same way that the landscapes of her travels have unfolded to her: revealing, only with dedicated, curious attention, the intricacies and delights in their essence.
“At the crossroads” by Herlédan is on view in our current exhibition, Aude Herlédan: Dialogue Between Worlds through December 17. Click here for more information: https://tinyurl.com/2w43cnmc

12/07/2022

Contemplative and commanding, Aude Herlédan’s sculptures are celebrations of materiality, womanhood, and motherhood. Sculptures such as “Maternity” (2022) suggest that Herlédan’s understanding of motherhood is both liberatory and protective; a practice of encouraging individuality and growth while preserving the eternal bond between mother and child.
In this bronze sculpture, an organic shape emerges from the base of the primary form in a manner reminiscent of an infant held on a hip, an embryo in a womb, or even, at a microscopic level, a cell dividing and regenerating. Motherhood, expressed here, nurtures the growth of a form that emerges directly from the “mother” figure. Indeed, for the artist, this nurturing process is inherent in her collaboration with skilled craftsmen to fabricate her sculptures: Herlédan notes that she and these artisans are, together, “achieving a birth of form.”
Herlédan’s “Maternity” is on view in Aude Herlédan: Dialogue Between Worlds, open through December 17. For more information, click here: https://tinyurl.com/ymda2efw

12/06/2022

Rosenberg & Co. is pleased to present the exhibition catalogue Aude Herlédan: Dialogue Between Worlds.
The exhibition and catalogue include drawings, sculptures, and works on canvas that celebrate Herlédan's depth of creativity and the exceptional quality of her recent oeuvre. The artist's expansive body of work invites viewers into the enduring inspiration she has found in her experiences of travel, culture, womanhood, and spirituality.
The catalogue features an interview with Herlédan and a full works list. To read an excerpt from the interview, click here: https://tinyurl.com/mrsn4eb5
To purchase the catalogue, click here: http://www.rosenbergco.com/publications/19

11/19/2022

Happy Thanksgiving from Rosenberg & Co.! The gallery will be closed Monday, 11/21–Sunday, 11/27.

Stop by today from 10am–6pm to see our current exhibition Aude Herlédan: Dialogue Between Worlds, or click here to visit our online viewing room: https://tinyurl.com/2w43cnmc

11/17/2022

While Aude Herlédan’s largely abstract paintings result from a solitary studio practice, her figurative sculptures are created in collaboration with a team of artisans, depending on the material of the final work. First, the artist sketches the forms and models them in clay, then chooses the final material with an experienced craftsman. This collaboration, for the artist, is integral to the realization of all possible expressions of the material.
Expertly executed by Herlédan and her collaborators, intricate finishing techniques such as a polish or patina—the addition of which is always “un moment magique” for Herlédan—lend a commanding presence to even her smallest sculptures. The bronze surface of “Femme allongée” (2019), for example, displays a tarnish and texture that interact on the figure’s curved surfaces, which both attracts and refracts light. Drawing the eye in such a way, this small sculpture is a confident expression of the female form, inviting closer, contemplative inspection.
“Femme allongée” is on view in Aude Herlédan: Dialogue Between Worlds through December 17. Click here for more information: https://tinyurl.com/2w43cnmc

11/08/2022

Fine Arts Paris & La Biennale opens to the public tomorrow, November 9. Find us at booth 80, where we are showing works by Henri Hayden, Giacomo Manzù, Aude Herlédan, and more.
The fair is open November 9–13. To see our full works list, visit our online viewing room here: https://tinyurl.com/yc5n7sdh

11/04/2022

Among Aude Herlédan’s many noted influences is the tradition of Brutalism. The artist particularly notes an engagement with a sentiment embodied by Le Corbusier: "May our concretes so rough reveal that, under them, our sensibilities are fine." For Le Corbusier, the acknowledgement of concrete's particular "softness" underlies the movement's utilitarianism. Herlédan expresses this softness in her own work by incorporating organic swathes of her bespoke white material at precise moments within otherwise sharp compositions, adding painterly and even playful textures into her defined shapes of color.
For Le Corbusier, the principle of softness in Brutalism was entwined with a celebration of materiality; applied by Herlédan, this emphasis on materiality is displayed not only in her sculptural white lacquer but also in her fields of color, which contradict any appearance of flatness. Herlédan uses visible, layered brushstrokes within her bordered shapes, particularly featured in “Flying Around” (2021). In the work, she refrains from completely mixing her paints, allowing their high gloss to shine and their tonal variations to contrast one another.
Herlédan’s “Flying Around” is on view in our current exhibition, Aude Herlédan: Dialogue Between Worlds through December 17. For more information, click here: https://tinyurl.com/yvffw75x

11/02/2022

Aude Herlédan’s significant background in design is apparent in the keen graphic sensibility throughout her oeuvre. The influence of the artist’s degree in graphic design and her experience as an art director is perhaps most clearly expressed in her works that highlight bordered, angular shapes, such as her “Crossing Land” (2021) series.
The paintings in this series, created for a solo exhibition in Mexico City, are "reflections on form, space and material" specifically inspired by Brutalism. With its roots in the architecture of Le Corbusier, the style prioritizes an emphasis on structure that is distinctly evident in the “Crossing Land” series. Herlédan's white outlines create a structure of clearly defined forms that are remarkably and expertly balanced, lending a calm sense of order and serenity to their angularity.
“Crossing Land A” and “Crossing Land B” by Herlédan are on view now through December 17 in Aude Herlédan: Dialogue Between Worlds. For more information, click here: https://tinyurl.com/yvffw75x

10/26/2022

"The landscapes I have explored, the people I have met... have chiselled my soul and spirit. These are the reflections I describe and paint..." – Aude Herlédan
Aude Herlédan grew up a traveler: born in Paris, she spent her childhood in Africa, her youth in Europe, and her early professional years in Kenya before returning to France. Her lifelong travels have provided sustained memories of profound emotion and self-discovery, and she found white to be the color with the capacity to express this most fully on the canvas.
This led to the creation of her singular "white material," a lacquer-based white substance developed in collaboration with a paint manufacturer in Paris. Throughout her work, Herlédan employs the material with lyrical strokes that rise powerfully from her canvases, wholly enveloping the viewer in their gestural topographies. Just as the artist's own travels remain anchors of inspiration for her, Herlédan's white paintings invite deeper contemplation with each viewing.
“Lévitation (2022) by Herlédan is on view in our current exhibition, Aude Herlédan: Dialogue Between Worlds, through December 17. Click here for more information: https://tinyurl.com/2w43cnmc

10/15/2022

We are pleased to present Aude Herlédan: Dialogue Between Worlds, the artist’s first exhibition in New York, open now through December 17.
Herlédan works seamlessly between sculpture and painting, expertly balancing a contemporary sensibility with forms reminiscent of the pioneering styles of the early twentieth century. She investigates the possibilities of artistic material to express profound meaning throughout her body of work, which invites audiences into the enduring inspiration the artist has found in her experiences of travel, culture, womanhood, and spirituality.
Bringing together drawings, sculptures, and works on canvas, this exhibition celebrates Herlédan’s depth of creativity and the exceptional quality of her recent oeuvre.
Herlédan’s “Dialogue Between Worlds” (2022) will be on view during the exhibition. To learn more, click here: https://tinyurl.com/yvffw75x

09/16/2022

“I have always worked in the ‘abstract,’ borrowing whimsical shapes from the stage of dance performances and ballets I've designed, and geometric shapes from architectural drawings for buildings I've designed. Painting gives me the freedom to incorporate both.” —Tom H. John
Tom H. John is a polymath who applies his creativity to numerous fields, but is first and foremost a visual artist. After studying at the Art Institute of Chicago, John pursued an array of diverse projects, most notably in set design and production, while always pursuing fine art. His artwork is inspired by Georges Braque, František Kupka, the Bauhaus Movement, and the surrealist motifs of Paul Klee and Julius Bissier. The influence of John’s experiences in architecture and set design remain apparent in his works.
Tom John's wide-ranging oeuvre illustrates the artist's deep engagement with the shifting visual languages of American Modernism. Meticulous and organic, referential and abstract, John's dynamic work displays a unique synthesis of and expansion upon the diversity of modernism as it impacted the arts, science, media, and technology throughout the twentieth century and into the twenty-first.
"Laidley House, San Francisco" (2001) and "Untitled" (2017) by Tom John are on view in Out From Under Our Brushes: 20th Century American Modernism until September 23. To see more works by John, visit our viewing room here: https://tinyurl.com/yckpb8we

09/14/2022

“Through my experiences I have learned that it is possible for color to give off light… for colors to absorb light.” —Theodoros Stamos
Born to a family of Greek immigrants, American artist Theodoros Stamos (1922–1997) began drawing at the age of eight and received a scholarship to the American Artists’ School in New York at the age of thirteen. His first works, inspired by subjects from Greek mythology to the landscape of the Hudson River, earned him early critical success. Stamos ultimately joined the Abstract Expressionist movement as one of its youngest artists, forming lifelong friendships with Mark Rothko and Barnett Newman.
Beginning in the 1960s, Stamos created long series of work that often included sub-series. Many of these reflected his extensive travels across the United States and Europe and his fasciation with different belief systems. The painting above belongs to the Infinity Field series, which became Stamos' primary project after 1970. It also belongs to the Lefkada sub-series that was inspired by the Greek island where Stamos spent much of his time from 1970 until his death.
“Infinity Field, Lefkada Series ” (1970) is on view in Out From Under Our Brushes: 20th Century American Modernism, open through September 23. For more information, click here: https://tinyurl.com/ycy6urfv

Address

19 E 66th Street
New York, NY
10065

Opening Hours

Monday	10am - 6pm
Tuesday	10am - 6pm
Wednesday	10am - 6pm
Thursday	10am - 6pm
Friday	10am - 6pm
Saturday	10am - 6pm

Telephone

+12122023270

Website

http://www.rosenbergco.com/

Alerts

Be the first to know and let us send you an email when Rosenberg & Co. posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.